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Fionn mac Cumhaill

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"Finn Mac Cool" redirects here. For the novel by Morgan Llywelyn, seeFinn Mac Cool (novel).For 'son of the hazel', the legendary king, seeMac Cuill.

Fionn mac Cumhaill meets his father's old companions in the forests ofConnacht;illustration byStephen Reid.

Fionn mac Cumhaill(/ˈfɪnməˈkuːl/FINmə-KOOL;Ulster Irish:[ˈfʲɪn̪ˠmˠəkˈkuːl̠ʲ]Connacht Irish:[ˈfʲʊn̪ˠ-]Munster Irish:[ˈfʲuːn̪ˠ-];Scottish Gaelic:[ˈfjũːn̪ˠmaxkˈkʰũ.əʎ];OldandMiddle Irish:FindorFinn[1][2]mac Cumailormac Umaill), often anglicizedFinn McCoolorMacCool,is aheroinIrish mythology,as well as in laterScottishandManx folklore.He is the leader of theFiannabands of young rovinghunter-warriors,as well as being aseerand poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his houndsBran and Sceólang,and fighting with his spear and sword. The tales of Fionn and hisfiannform theFianna Cycle or Fenian Cycle(an Fhiannaíocht), much of it narrated by Fionn's son, the poetOisín.

Etymology[edit]

InOld Irish,finn/find means "white, bright, lustrous; fair, light-hued (of complexion, hair, etc.); fair, handsome, bright, blessed; in moral sense, fair, just, true".[3]It is cognate withPrimitive IrishVENDO-(found in names fromOgaminscriptions),Welshgwyn,Cornishgwen,Bretongwenn,Continental CelticandCommon Brittonic*uindo-(a common element in personal and place names), and comes from theProto-Celticadjective masculine singular*windos.[4][5]

Irish legend[edit]

Fionn's birth and early adventures are recounted in the narrativeThe Boyhood Deeds of Fionnand other sources. Fionn was the posthumous son ofCumhall,leader of theFianna,byMuirne.[6]

Fionn and his father Cumhall mac Trénmhoir ( "son of Trénmór" ) stem from Leinster, rooted in the tribe of Uí Thairsig ( "the Descendants of Tairsiu" )[7][8]There is mention of the Uí Thairsig in theLebor Gabála Érennas one of the three tribes descended from the Fir Bolg.[9]

His mother was called Muirne Muincháem "of the Fair Neck"[10](or "of the Lovely Neck",[11]or "Muiren smooth-neck"[12]), the daughter ofTadg mac Nuadat(inFotha Catha Chnucha) and granddaughter of Nuadat the druid servingCathair Mórwho was high-king at the time,[a][10]though she is described as granddaughter of Núadu of theTuatha Dé Danannaccording to another source (Acallam na Senórach).[7]Cumhall servedConn Cétchathach"of the Hundred Battles" who was still a regional king at Cenandos (Kells,Co. Meath).[10][14]

Cumhall abducted Muirne after her father refused him her hand, so Tadg appealed to the high king Conn, who outlawed Cumhall. The Battle of Cnucha was fought between Conn and Cumhall, and Cumhall was killed byGoll mac Morna,[10]who took over leadership of the Fianna.

The feud[edit]

The Fianna were a band of warriors also known as a military order composed mainly of the members of two rival clans, "Clan Bascna" (to which Finn and Cumall belonged) and "Clan Morna" (whereGoll mac Mornabelonged), the Fenians were supposed to be devoted to the service of the High King and to the repelling of foreign invaders.[15]After the fall of Cumall, Goll mac Morna replaced him as the leader of the Fianna,[16]holding the position for 10 years.[17]

Birth[edit]

Muirne was already pregnant; her father rejected her and ordered his people to burn her, but Conn would not allow it and put her under the protection of Fiacal mac Conchinn, whose wife,Bodhmallthe druid, was Cumhall's sister. In Fiacal's house Muirne gave birth to a son, whom she calledDeimne(/ˈdeɪni/DAY-nee,Irish:[ˈdʲɪvʲ(ə)nʲə]),[b]literally "sureness" or "certainty", also a name that means a young male deer; several legends tell how he gained the name Fionn when his hair turned prematurely white.

Boyhood[edit]

Fionn and his brother Tulcha mac Cumhal were being hunted down by the Goll, the sons of Morna, and other men. Consequently, Finn was separated from his mother Muirne, and placed in the care of Bodhmall and the womanLiath Luachra( "Grey of Luachra" ), and they brought him up in secret in the forest ofSliabh Bladma,teaching him the arts of war and hunting. After the age of six, Finn learned to hunt, but still had cause to flee from the sons of Morna.[18]

As he grew older he entered the service – incognito – of a number of local kings, but each one, when he recognised Fionn as Cumhal's son, told him to leave, fearing they would be unable to protect him from his enemies.

Thumb of Knowledge[edit]

Fionn was a keen hunter and often hunted with Na Fianna on the hill of Allen in County Kildare, it is believed by many in the area that Fionn originally caught the Salmon of Knowledge in the River Slate that flows through Ballyteague. The secret to his success thereafter when catching "fish of knowledge" was to always cast from the Ballyteague side of a river. He gained what commentators have called the "Thumb of Knowledge"[c]after eating a certain salmon, thought to be theSalmon of Wisdom.[20][21]The account of this is given inThe Boyhood Deeds of Fionn.[22]

Young Fionn, still known by his boyhood name Demne, met the poetFinn Éces(Finnegas), near the riverBoyneand studied under him. Finnegas had spent seven years trying to catch the salmon that lived in Fec's Pool (Old Irish:Linn Féic) of the Boyne, for it was prophesied the poet would eat this salmon, and "nothing would remain unknown to him".[22]Although this salmon is not specifically called the "Salmon of Knowledge",etc., in the text, it is presumed to be so, i.e., the salmon that fed on the nut[s] of knowledge at thewell of Segais.[20]Eventually the poet caught it, and told the boy to cook it for him. While he was cooking it, Demne burned his thumb, and instinctively put his thumb in his mouth. This imbued him with the salmon's wisdom, and when Éces saw that he had gained wisdom, he gave the youngster the whole salmon to eat, and gave Demne the new name, Fionn.[22]

Thereafter, whenever he recited theteinm láidawith his thumb in his mouth, the knowledge he wished to gain was revealed to him.[22][d]

In subsequent events in his life, Fionn was able to call on ability of the "Thumb of Knowledge", and Fionn then knew how to gain revenge against Goll.[citation needed]In theAcallam na Sénorach,the ability is referred to as "The Tooth of Wisdom" or "Tooth of Knowledge" (Old Irish:dét fis).[19]

Fionn's acquisition of the Thumb of Knowledge has been likened to the WelshGwion Bachtasting the Cauldron of Knowledge,[24]andSigurðr FáfnisbanitastingFáfnir's heart.[25][26]

Fire-breather of the Tuatha de Danann[edit]

Fionn fighting Aillen, illustration byBeatrice Elveryin Violet Russell'sHeroes of the Dawn(1914)

One feat of Fionn performed at 10 years of age according to theAcallam na Senórachwas to slayÁillen(or[e]), the fire-breathing man of theTuatha Dé Danann,who had come to wreak destruction on the Irish capital ofTaraevery year on the festival ofSamhainfor the past 23 years, lulling the city's men to sleep with his music then burning down the city and its treasures.[27]

When the King of Ireland asked what men would guard Tara against Áillen's invasion, Fionn volunteered.[f]Fionn obtained a special spear (the "Birga") from Fiacha mac Congha (" son of Conga "), which warded against the sleep-inducing music of Áillen's"dulcimer"(Old Irish:timpán)[g]when it was unsheathed and the bare steel blade was touched against the forehead or some other part of the body. This Fiacha used to be one of Cumall's men, but was now serving the high-king.[30]

After Fionn defeated Áillen and saved Tara, his heritage was recognised and he was given command of the Fianna: Goll stepped aside, and became a loyal follower of Fionn,[31][32]although a dispute later broke out between the clans over the pig of Slanga.[33]

Almu as eric[edit]

Before Finn completed the feat of defeating the firebrand of the fairy mound and defending Tara, he is described as a ten-year-old "marauder and an outlaw".[34]It is also stated elsewhere that when Finn grew up to become "capable of committing plunder on everyone who was an enemy", he went to his maternal grandfather Tadg to demand compensation (éric) for his father's death, on pain of single combat, and Tadg acceded by relinquishing the estate of Almu (the present-dayHill of Allen). Finn was also paidéricby Goll mac Morna.[33][h]

Adulthood[edit]

Fionn's sword was called "Mac an Luinn".[36]

Love life[edit]

Fionn met his most famous wife,Sadhbh,when he was out hunting. She had been turned into adeerby a druid,Fear Doirich,whom she had refused to marry. Fionn'shounds,Bran and Sceólang,born of a human enchanted into the form of a hound, recognised her as human, and Fionn brought her home. She transformed back into a woman the moment she set foot on Fionn's land, as this was the one place she could regain her true form. She and Fionn married and she was soon pregnant. When Fionn was away defending his country, Fear Doirich (literally meaning Dark Man) returned and turned her back into a deer, whereupon she vanished. Fionn spent years searching for her, but to no avail. Bran and Sceólang, again hunting, found her son,Oisín,in the form of a fawn; he transformed into a child, and went on to be one of the greatest of the Fianna.

InThe Pursuit of Diarmuid and Gráinnethe High KingCormac mac Airtpromises the aging Fionn his daughterGráinne,but at the wedding feast Gráinne falls for one of the Fianna,Diarmuid Ua Duibhne,noted for his beauty. She forces him to run away with her and Fionn pursues them. The lovers are helped by the Fianna, and by Diarmuid's foster-father, the godAengus.Eventually Fionn makes his peace with the couple. Years later, however, Fionn invites Diarmuid on a boar hunt, and Diarmuid is gored. Water drunk from Fionn's hands has the power of healing, but each time Fionn gathers water he lets it run through his fingers before he gets back to Diarmuid. His grandsonOscarshames Fionn, but when he finally returns with water it is too late; Diarmuid has died.

Fionn by Beatrice Elvery

Death[edit]

According to the most popular account of Fionn's death, he is not dead at all, rather, hesleeps in a cave,surrounded by the Fianna. One day he will awake and defend Ireland in the hour of her greatest need. In one account, it is said that he will arise when theDordFiann, the hunting horn of the Fianna, is sounded three times, and he will be as strong and as well as he ever was.[37]

Popular folklore[edit]

Many geographical features in Ireland are attributed to Fionn.Legendhas it he built theGiant's Causewayas stepping-stones toScotland,so as not to get his feet wet; he also once scooped up part of Ireland to fling it at a rival, but it missed and landed in theIrish Sea— the clump became theIsle of Man,the pebble becameRockall,and the void becameLough Neagh.In Ayrshire, Scotland a common myth is thatAilsa Craig,a small islet just off coast of the said county, is another rock thrown at the fleeing Benandonner. The islet is sometimes referred to as "paddys' mile stone" in Ayrshire.[citation needed]Fingal's Cavein Scotland is also named after him, and shares the feature of hexagonal basalt columns with the nearby Giant's Causeway inNorthern Ireland.

In both Irish and Manx popular folklore,[38]Fionn mac Cumhail (known as "Finn McCool" or "Finn MacCooill" respectively) is portrayed as a magical, benevolent giant. The most famous story attached to this version of Fionn tells of how one day, while making a pathway in the sea towards Scotland – The Giant's Causeway – Fionn is told that the giant Benandonner (or, in the Manx version, abuggane) is coming to fight him. Knowing he cannot withstand the colossal Benandonner, Fionn asks his wife Oona to help him. She dresses her husband as a baby, and he hides in a cradle; then she makes a batch of griddle-cakes, hiding griddle-irons in some. When Benandonner arrives, Oona tells him Fionn is out but will be back shortly. As Benandonner waits, he tries to intimidate Oona with his immense power, breaking rocks with his little finger. Oona then offers Benandonner a griddle-cake, but when he bites into the iron he chips his teeth. Oona scolds him for being weak (saying her husband eats such cakes easily), and feeds one without an iron to the 'baby', who eats it without trouble.

In the Irish version, Benandonner is so awed by the power of the baby's teeth and the size of the baby that, at Oona's prompting, he puts his fingers in Fionn's mouth to feel how sharp his teeth are. Fionn bites Benandonner's little finger, and scared of the prospect of meeting his father considering the baby's size, Benandonner runs back towards Scotland across the Causeway smashing the causeway so Fionn can't follow him.

The Manx Gaelic version contains a further tale of how Fionn and the buggane fought atKirk Christ Rushen.One of Fionn's feet carved out the channel between theCalf of ManandKitterland,the other carved out the channel between Kitterland and the Isle of Man, and the buggane's feet opened upPort Erin.The buggane injured Fionn, who fled over the sea (where the buggane could not follow), however, the buggane tore out one of his own teeth and struck Fionn as he ran away. The tooth fell into the sea, becoming theChicken Rock,and Fionn cursed the tooth, explaining why it is a hazard to sailors.

InNewfoundland,and some parts ofNova Scotia,"Fingal's Rising" is spoken of in a distinct nationalistic sense. Made popular in songs and bars alike, to speak of "Fingle," as his name is pronounced in English versus "Fion MaCool" inNewfoundland Irish,is sometimes used as a stand-in for Newfoundland or its culture.

Folktales involving hero Fin MacCool are considered to be classified inAarne-Thompson-Uther Indexas ATU 369, "The Youth on a Quest for his lost Father",[39]a tale type that, however, some see as exclusive to South Asian tradition, namely India.[40][41][42]

Historical hypothesis[edit]

The 17th-century historianGeoffrey Keating,and some Irish scholars of the 19th century,[i]believed that Fionn was based on a historical figure.[43]

The 19th century scholarHeinrich Zimmersuggested that Fionn and the Fenian Cycle came from the heritage of theNorse-Gaels.[44]He suggested the nameFiannawas an Irish rendering of Old Norsefiandr"enemies" > "brave enemies" > "brave warriors".[44]He also noted the tale of Fionn'sThumb of Knowledgeis similar to the Norse tale ofSigurðrandFáfnir,[25][45]althoughsimilar talesare found in other cultures. Zimmer proposed that Fionn might be based onCaittil Find(d. 856) a Norseman based in Munster, who had a Norse forename (Ketill) and an Irish nickname (Find,"the Fair" or "the White" ). But Ketill's father must have had some Norse name also, certainly not Cumall, and the proposal was thus rejected byGeorge Henderson.[46][43]

Toponymy[edit]

Fionn Mac Cumhaill was said to be originally fromBallyfin,inLaois.[47]The direct translation of Ballyfin from Irish to English is "town of Fionn".

Retellings[edit]

T. W. Rollestoncompiled both Fenian and Ultonian cycle literature in his retelling,The High Deeds Of Finn and other Bardic Romances of Ancient Ireland(1910).[48]

James StephenspublishedIrish Fairy Tales(1920), which is a retelling of a few of the Fiannaíocht.[49]

Modern literature[edit]

"Malvine, Dying in the Arms of Fingal", byAry Scheffer.The characters are fromJames Macpherson's epic poemOssian:"Fingal" is a character based upon Fionn mac Cumhaill, while"Malvina"is the lover of Fingal's grandson Oscar, and cares for Fingal in his old age after Oscar dies.

Macpherson's Ossian[edit]

Main article:Ossian

Fionn MacCumhail was transformed into the character "Fingal" inJames Macpherson's poem cycleOssian(1760), which Macpherson claimed was translated out of discovered Ossianic poetry written in theScottish Gaeliclanguage.[50]"Fingal", derived from the GaelicFionnghall,was possibly Macpherson's rendering Fionn's name asFingalbased on a misapprehension of the various forms ofFionn.[51]His poems had widespread influence on writers, from the youngWalter ScotttoGoethe,but there was controversy from the outset about Macpherson's claims to have translated the works from ancient sources. The authenticity of the poems is now generally doubted, though they may have been based on fragments of Gaelic legend,and to some extent the controversy has overshadowed their considerable literary merit and influence onRomanticism.[citation needed]

Twentieth century literature[edit]

Fionn mac Cumhaill features heavily in modernIrish literature.Most notably he makes several appearances inJames Joyce'sFinnegans Wake(1939) and some have posited that the title, taken from thestreet ballad"Finnegan's Wake",may also be a blend of" Finn again is awake ", referring to his eventual awakening to defend Ireland.

Fionn also appears as a character inFlann O'Brien's comic novel,At Swim-Two-Birds(1939), in passages that parody the style of Irish myths.Morgan Llywelyn's bookFinn Mac Cool(1994) tells of Fionn's rise to leader of the Fianna and the love stories that ensue in his life. That character is celebrated in "The Legend of Finn MacCumhail", a song by theBoston-based bandDropkick Murphysfeatured on their albumSing Loud Sing Proud!.

Glencoe: The Story of the Massacreby John Prebble (Secker & Warburg, 1966), has an account of a legendary battle between Fionn mac Cumhaill, who supposedly lived for a time inGlencoe (in Scotland),and aVikinghost in forty longships which sailed up the narrows byBallachulishintoLoch Leven.The Norsemen were defeated by the Feinn of the valley of Glencoe, and their chief Earragan was slain by Goll MacMorna.

The High Deeds of Finn MacCool,an evocative children's novel byRosemary Sutcliffe,was published im 1969.

"Finn Mac Cool" written by American author, Morgan Llywelyn, was released in 1994. The fictional novel vividly recounts Finn's historical adventures saturated with myth and magic. A childhood spent in exile, the love and loss of his beloved wife and child, and his legendary rise from a low class slave to leader of the invincible Fianna.

Finn McCool is a character in Terry Pratchett's and Steve Baxter'sThe Long War.

The adventures of Fion Mac Cumhail after death is explored by the novella "The Final Fighting of Fion Mac Cumhail" byRandall Garrett(Fantasy and Science Fiction - September 1975).

Finn's early childhood and education is explored in'Tis Himself: The Tale of Finn MacCoolby Maggie Brace.

Other stories featuring Fionn Mac Cumhail are two of three of the stories in The Corliss Chronicles the story of Prudence Corliss. In the stories, he is featured in The Wraith of Bedlam and The Silver Wheel. He is a close confidant to Prudence and allies himself with her to defeat the evil fictional king Tarcarrius.

Plays and shows[edit]

In 1987 Harvey Holton (1949–2010) publishedFinnwith the Three Tygers Press, Cambridge. This was a dramatic cycle of poems in Scots for the stage and with music byHamish Moore,based on the legends of Finn McCool and first performed at The Edinburgh Festival in 1986 before going on tour around Scotland.

In the 1999Irish danceshow Dancing on Dangerous Ground, conceived and choreographed by formerRiverdanceleads,Jean ButlerandColin Dunne,Tony Kempportrayed Fionn in a modernised version ofThe Pursuit of Diarmuid and Gráinne.In this, Diarmuid, played by Colin Dunne, dies at the hands of the Fianna after he and Gráinne, played by Jean Butler, run away together into the forests of Ireland, immediately after Fionn and Gráinne's wedding. When she sees Diarmuid's body, Gráinne dies of a broken heart.

In 2010, Washington DC's Dizzie Miss Lizzie's Roadside Revue debuted their rock musicalFinn McCoolat the Capitol Fringe Festival. The show retells the legend of Fionn mac Cumhaill through punk-inspired rock and was performed at the Woolly Mammoth Theater in March 2011.[52]


See also[edit]

Notes[edit]

  1. ^Tadg mac Nuadat was also a druid, and the clan lived on the hill ofAlmu,now inCounty Kildare.[13]
  2. ^Southern Irish:[ˈdʲəinʲə].
  3. ^"Tooth of Knowledge/Wisdom" in theAcallam na Sénorach[19]
  4. ^Theteinm láida,glossed as "illumination (?) of song" by Meyer, is described as "one of the three things that constitute a poet" in this text,[22]but glossed by the 12th centurySanas Chormaicas one of the three methods of acquiring prophetic knowledge.[23]
  5. ^The episode is also briefly told inMacgnímartha Finn,but there the name of the TDD villain is Aed.
  6. ^The Fenians were supposed to be devoted to the service of the High King and to the repelling of foreign invaders.[15]
  7. ^It is not clear what sort of stringed instrument.[28]O'Grady's translation leaves the word in the original Irish, and O'Dooley and Roe as "dulcimer". T. W. Rolleston rendered it as a "magic harp",[29]though he uses the term "tympan" elsewhere.
  8. ^In theAcallamh na Sénorach,the recollection of the Birga event is preceded by an explanation of Almu, which says Cumhall fathered a son by Alma daughter of Bracan, who died of childbirth. Finn is not specifically mentioned until Caílte follows up with a story involving Almu that took place in the time of Conn's grandson Cormac.[35]
  9. ^John O'DonovanandEugene O'Curry.AlsoW. M. Hennessybefore having a change of heart.

References[edit]

Citations
  1. ^Meyer, Kuno,ed. (1897),"The Death of Finn Mac Cumaill",Zeitschrift für Celtische Philologie,1:462–465,doi:10.1515/zcph.1897.1.1.462,S2CID202553713textvia CELT Corpus.
  2. ^Stokes (1900),pp. xiv+1–438.
  3. ^Electronic Dictionary of the Irish Language, finn-1;dil.ie/22134
  4. ^Matasovic, Ranko, Etymological Dictionary of Proto-Celtic, Brill, 2009, p. 423
  5. ^Delamarre, Xavier, Dictionnaire de la langue gauloise, Editions Errance, 2003 (2nd ed.), p. 321.
  6. ^Meyer (1904)tr.The Boyish Exploits of Finn,pp. 180–181
  7. ^abStokes (1900)ed.Acallm.6645–6564Cumhall mac Treduirn meic Trénmhoir;O'Grady (1892a)ed., p. 216Cumhall mac Thréduirn mheic Chairbre;O'Grady (1892b)tr. p. 245Cumall son of Tredhorn son of Cairbre;Dooley & Roe (1999),pp. 183–184: "Cumall, son of Tredhorn, son of Trénmór
  8. ^Meyer (1904)tr.The Boyish Exploits of Finn,p. 180
  9. ^Macalister, R. A. S.(1941) ed. tr.LGE ¶282 pp. 12–13
  10. ^abcdHennessy, William Maunsell,ed. (1875),"Battle of Cnucha",Revue Celtique,2:86–93(ed. "Fotha Catha Cnucha inso",tr." The Cause of the Battle of Cnucha here ").archivedvia Internet Archive.
  11. ^Dooley & Roe (1999),pp. 183–184.
  12. ^O'Grady (1892b),p. 245.
  13. ^Fotha Catha Cnucha,Hennessy (1875),p. 92, note 7: "Almu.hill of Allen, near Newbridge in the country of Kildare ".
  14. ^Windisch, Ernst,ed. (1875),Fotha Catha Cnucha in so,2, pp. 86–93,Wórterbuch, p. 127: "Cenandos", now Kells.
  15. ^abRolleston, T. W.(1911)."Chapter VI: Tales of the Ossianic Cycle".Hero-tales of Ireland.Constable. p. 252.ISBN9780094677203.
  16. ^Macgnímartha Find,Meyer (1904),pp. 180–181 and verse.
  17. ^Acallam na Senórach,O'Grady (1892b),p. 142. That is, until Finn at age ten saved Tara from Aillen of theTuatha Dé Danann,cf.infra.
  18. ^cf.Macgnímartha Find,Meyer (1904),pp. 181–182.
  19. ^abAcallam na Senórach203,Stokes (1900)ed., p. 7 and note to line 203, p. 273;Dooley & Roe (1999),p. 9 andnote on p. 227.
  20. ^abScowcroft (1995),p. 152.
  21. ^"knowledge", Mackillop (1998) ed.,Oxford Dictionary of Celtic Mythology,p. 287
  22. ^abcdeMeyer (1904)tr.The Boyish Exploits of Finn,pp. 185–186;Meyer (1881)ed., p. 201
  23. ^"teinm laída",Mackillop (1998) ed.,Oxford Dictionary of Celtic Mythology
  24. ^Scowcroft (1995),pp. 152–153.
  25. ^abScowcroft (1995),p. 154
  26. ^Scott, Robert D. (1930),The thumb of knowledge in legends of Finn, Sigurd, and Taliesin,New York: Institute of French Studies
  27. ^Stokes (1900)ed.Acallm.1654–1741;O'Grady (1892a)ed., pp. 130–132O'Grady (1892b)tr.pp. 142–145;Dooley & Roe (1999),pp. 51–54
  28. ^eDIL s.v. "timpán",'some kind of stringed instrument; a psaltery (?) '.
  29. ^Rolleston (1926),p. 117.
  30. ^Acallam na Senórach,O'Grady (1892b)tr. pp. 142–144;Dooley & Roe (1999),pp. 51–53
  31. ^Acallamh na Sénorach,O'Grady (1892b)tr. pp. 144–145;Dooley & Roe (1999),p. 53–54
  32. ^cf.Macgnímartha Find,Meyer (1904),p. 188 and verse.
  33. ^abFotha Catha Cnucha,Hennessy (1875),pp. 91–92 and verse.
  34. ^Acallamh na Sénorach,O'Grady (1892b)tr. p. 142;Dooley & Roe (1999),p. 52: "an outcast engaged in scavenging".
  35. ^Acallamh na Sénorach,O'Grady (1892b)tr. pp. 131–132;Dooley & Roe (1999),pp. 39–40
  36. ^"BBC Radio nan Gàidheal - Litir do Luchd-ionnsachaidh, Litir do Luchd-ionnsachaidh".BBC.Retrieved27 October2019.
  37. ^Lynch, J.F. (1896). "The Legend of Birdhill".Journal of the Cork Historical and Archaeological Society.2.II.Cork Historical and Archaeological Society: 188.
  38. ^Manx Fairy Tales, Peel, L. Morrison, 1929
  39. ^Harvey, Clodagh Brennan.Contemporary Irish Traditional Narrative: The English Language Tradition.Berkeley; Los Angeles; Oxford: University of California Press. 1992. pp. 80-81 (footnote nr. 26).ISBN0-520-09758-0
  40. ^Aarne, Antti; Thompson, Stith.The types of the folktale: a classification and bibliography.Folklore Fellows Communications FFC no. 184. Helsinki: Academia Scientiarum Fennica, 1961. p. 128.
  41. ^Beck, B. E. F. "Frames, Tale Types and Motifs: The Discovery of Indian Oicotypes". In:Indian FolkloreVolume II. eds. P. J. Claus et al. Mysore: 1987. pp. 1–51.
  42. ^Islam, Mazharul.Folklore, the Pulse of the People: In the Context of Indic Folklore.New Delhi: Concept Publishing Company. 1985. pp. 100 and 166.
  43. ^abMackillop (1985),pp. 39–40.
  44. ^abZimmer, Heinrich (1891).Keltische Beiträge III, in: Zeitschrift für deutsches Alterthum und deutsche Litteratur(in German). Weidmannsche Buchhandlung. pp. 1–171.
  45. ^Scott, Robert D. (1930),The thumb of knowledge in legends of Finn, Sigurd, and Taliesin,New York: Institute of French Studies
  46. ^Henderson (1905),pp. 193–195.
  47. ^"Birthplace of Fionn Mac Cumhaill- Ballyfin, Co. Laois".4 June 2020.
  48. ^Rolleston, T. W.(1926) [1910]. "The Coming of Lugh".The High Deeds Of Finn and other Bardic Romances of Ancient Ireland.George G. Harrap. pp. 105ff.
  49. ^Irish Fairy Tales(Wikisource).
  50. ^Hanks, P;Hardcastle, K; Hodges, F (2006) [1990].A Dictionary of First Names.Oxford Paperback Reference (2nd ed.). Oxford:Oxford University Press.pp. 402, 403.ISBN978-0-19-861060-1.
  51. ^"Notes to the first edition".Sundown.pair. Archived fromthe originalon 16 October 2013.Retrieved16 January2014.
  52. ^Judkis, Maura."TBD Theater: Finn McCool".TBD.TBD. Archived fromthe originalon 3 October 2011.Retrieved3 October2011.
Bibliography
(Acallam na Senórach)
(other)

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