Gnomic poetry

Gnomic poetryconsists of meaningful sayings put into verse to aid the memory. They were known by theGreeksas gnomes (c.f. theGreekadjective γνωμικός (gnomikos) "appertaining to an opinion oraphorism"). Agnomewas defined by the Elizabethan criticHenry Peachamas "a saying pertaining to the manners and common practices of men, which declareth, with an apt brevity, what in this our life ought to be done, or not done".

It belongs to the broad family ofwisdom literature,which expresses general truths about the world. Topics range over the divine and secular, from moral aphorisms to hierarchical social relationships.

Ancient Greek gnomic literature

The gnomic poets of Greece, who flourished in the 6th century BC, were those who arranged series of sententious maxims in verse. These were collected in the 4th century, byLobon of Argos,an orator, but his collection has disappeared.Hesiod'sWorks and Daysis considered to be one of the earliest works of this genre.

The chief gnomic poets wereTheognis,Solon,Phocylides,Simonides of Amorgos,Demodocus,XenophanesandEuenus.With the exception of Theognis, whose gnomes were fortunately preserved by some schoolmaster about 300 BC, only fragments of the gnomic poets have come down to us.There is at least one known woman gnomic poet,Kassia;nearly 789 of her verses survive.

The moral poem attributed toPhocylides,long supposed to be a masterpiece of the school, is now known to have been written by aChristianof Jewish origin inAlexandria.Of the gnomic movement typified by the moral works of the poets named above,Gilbert Murrayhas remarked that it receives its special expression in the conception of theSeven Wise Men,to whom such proverbs as "Know thyself"and"Nothing in excess"were popularly attributed, and whose names differed in different lists.

These gnomes or maxims were extended and put into literary shape by the poets. Fragments of Solon, Euenus, andMimnermushave been preserved, in a very confused state, from having been written, for purposes of comparison, on the margins of the manuscripts of Theognis, whence they have often slipped into the text of that poet. Theognis enshrines his moral precepts in hiselegies,and this was probably the custom of the rest; it is improbable that there ever existed a species of poetry made up entirely of successive gnomes. But the title gnomic came to be given to all poetry which dealt in a sententious way with questions of ethics. It was, unquestionably, the source from whichmoral philosophywas directly developed, and theorists upon life and infinity, such asPythagorasand Xenophanes, seem to have begun their career as gnomic poets.

Gnomes, in their literary sense, belong to the dawn of literature, in their naiveté and their simplicity and moralizing. Many of the ethical reflections of the great dramatists, and in particular ofSophoclesandEuripides,are gnomicdistichesexpanded. The ancient Greek gnomes are not all solemn; some are voluptuous and some chivalrous. Those ofDemodocus of Leroshad the reputation of being droll.

J. A. Symondswrites that the gnomic poets mark a transition fromHomerandHesiodto the dramatists and moralists ofAttica.

Medieval and early modern gnomic literature

Gnomes are frequently to be found in the ancient literatures ofArabia,PersiaandIndia,inAnglo-Saxon poetryand in theIcelandicstaves.Comparable with the Anglo-Saxon examples are the Early Welsh gnomic poems.Thepriamel,a brief, sententious kind of poem, which was in favor inGermanyfrom the 12th to the 16th centuries, belonged to the true gnomic class, and was cultivated with particular success byHans Rosenblut,the lyrical goldsmith ofNuremberg,in the 15th century.Gnomic literature, includingMaxims IandMaxims II,is agenreofMedieval Literaturein England.

The gnomic spirit has occasionally been displayed by poets of a homely philosophy, such asFrancis Quarles(1592–1644) in England andGui de Pibrac(1529–1584) in France. The once-celebratedQuatrainsof the latter, published in 1574, enjoyed an immense success throughoutEurope;they were composed in deliberate imitation of the Greek gnomic writers of the 6th century BC.

With the gnomic writings of Pibrac it was long customary to bind up those ofAntoine Faber(or Favre) (1557–1624) and ofPierre Mathieu(1563–1621).

References

• Easterling, P.E.(series editor),Bernard M.W. Knox(editor),Cambridge History of Classical Literature,v.I, Greek Literature, 1985.ISBN0-521-21042-9,cf. Chapter 5, "Elegy and Iambus", p. 117 and onwards, for a treatment of Theognis, Solon, and others.
• Murray, Gilbert,A History of Ancient Greek Literature,New York: D. Appleton and company, 1897. Cf. p. 85 and onwards regarding Gnomic Poetry
• Symonds, J. A. (John Addington),Studies of the Greek Poets,London: Smith, Elder, & co, 1873–76.
• James Howell,Lexicon Tetraglotton,1660; 17th-century collection of gnomic sayings.

Further reading

• Martin, Richard P.,Gnomes in Poems: Wisdom Performance on the Athenian Stage.Princeton/Stanford Working Papers in Classics, May 2005, Stanford University.