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Jan van Bijlert

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Jan van Bijlert
Jean Bylert,engraving byPieter de Bailliuafter a self-portrait, 1649
Born
Jan Van Bijlert

1597
Died1671 (aged 73–74)
Known forPainting
MovementUtrecht Caravaggisti

Jan Hermansz van Bijlert(1597 or 1598 – November 1671) was aDutch Golden Age painterfromUtrecht,one of theUtrecht Caravaggistiwhose style was influenced byCaravaggio.He spent some four years inItalyand was one of the founders of theBentvueghelscircle of northern painters inRome.

Biography

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Jan van Bijlert was born inUtrecht,the son of thestained glassworker Herman Beernts van Bijlert. He may have had some training by his father. Subsequently, he became a student ofAbraham Bloemaert.Like other painters from Utrecht, he travelled inFranceandItaly.In 1621 he was, along withCornelis van Poelenburchand Willem Molijn, a founding member of the circle of Dutch and Flemish artists inRomeknown as theBentvueghels.It was the custom among the Bentvueghels to adopt a nickname. Van Bijlert's nickname was "Aeneas".

The Concert(1630s)

By 1625, he had returned to Utrecht, where he married and joined theschutterij.In 1630, he became a member of theUtrecht Guild of St. Lukeand the Reformed church. From 1632 to 1637 he was active as deacon of the guild, and in 1634 he was appointed regent of theSint-Jobsgasthuis.In 1639, he helped form a painter's school, the "Schilders-College", where he served as regent. He died in Utrecht.[1]

Work

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Van Bijlert was a very prolific painter who left some 200 pictures. Upon his return from Rome he, like other Utrecht artists who had come under the influence of Caravaggio's work, painted in a style derived from that of Caravaggio. These Utrecht artists are referred to as theUtrecht Caravaggisti.The Caravaggesque style of van Bijlert's early paintings shows itself in the use of strongchiaroscuro,the cutting off of the picture plane to create a close-up image and the realism of the representation. Van Bijlert continued to paint in this style throughout the 1620s.[2]

Around 1630, van Bijlert turned to a more classicising style, possibly under the influence ofCornelis van Poelenburgh.His colours became lighter and his subject matter became more elevated such as religious scenes. In the 1630s he also painted compositions with small figures, usually representing genre scenes of brothels or musical gatherings. These works were similar to those of the Utrecht painterJacob Duck.

Van Bijlert also painted the portraits of eminent citizens of Utrecht such as burgomasters and nobles.[2]

His pupils includedBartram de Fouchier,Ludolf Leendertsz de Jongh,Johannes de Veer,Mattheus Wijtmans,andAbraham Willaerts.[1]

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Venus trying to prevent Adonis from going hunting by Jan van Bijlert
From the achterzaal (back room) of Nieuwegracht 6 in Utrecht, where is served as a wall hanging together with other pieces by Ferdinand Bol now in the Peace Palace in The Hague and the Noordbrabants Museum in 's-Hertogenbosch. The fragment was cut out of the wall hanging in 1934. According to a museum catalog from 1893 the canvas originally measured 396,5 × 202 cm and was signed ‘Jv bijlert fe’.

References

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  1. ^abJan van Bijlertat theNetherlands Institute for Art History(in Dutch)
  2. ^abPaul Huys Janssen. "Bijlert, Jan van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 Jul. 2014.

Sources

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