Jhinjhoti
| Thaat | Khamaj[1] |
|---|---|
| Type | Shadav-Sampurna Vakra[1] |
| Time of day | 2nd Prahar of the night[1] |
| Arohana | SRMPDṠ[1] |
| Avarohana | ṠṈDPMGRGS[1] |
| Pakad | ḌSRMGRGSRṈ̣ḌP̣ḌSP̣ḌSRGMGMGRSRṈ̣ḌS[1] |
| Chalan | ḌSRMGRGSRṈ̣ḌP̣ḌSP̣ḌSRGMGMGRSRṈ̣ḌS[1] |
| Vadi | G[1] |
| Samavadi | Ṉ[1] |
| Equivalent | Khambavati[1] |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Jhinjhotiis aHindustani classical ragafrom theKhamaj Thaat.[1]This is a light and playful raga.
Theory
[edit]SRMPDṠ[1]
ṠṈDPMGRGS[1]
ḌSRMGRGSRṈ̣ḌP̣ḌSP̣ḌSRGMGMGRSRṈ̣ḌS[1]
Ga[1]
Ni[1]
Raga description
[edit]This is a light and playful Raga, apt for instrumental music. In this Raga mostly light mood Bandishs are rendered.[1]
Songs in this Raga
[edit]A famous rendition of this raga isAbdul Karim Khan'sThumri"Piya Bin Nahi Aavat Chain" whichBhimsen Joshihad heard as a child and which left a lasting impression on him.
Gulon mein rang bhare,a ghazal byFaiz Ahmad Faiz,sung byMehdi Hassan,is set to Jhinjhoti.
Film Songs
[edit]| Song | Movie | Composer | Singers |
|---|---|---|---|
| Padamani Nannadaga Thaguna | Doctor Chakravarty | S. Rajeswara Rao | P. Susheela |