John Lessard

John Ayres Lessard
John Lessard, circa 1960 (Courtesy of American Composers Alliance)
Born	(1920-07-03)July 3, 1920 San Francisco, California
Died	January 11, 2003(2003-01-11)(aged 82) East Setauket, New York
Nationality	American
Other names	Jack
Occupation(s)	Composer and educator
Known for	Neo-classical works for piano, voice, ensembles and orchestra

John Lessard(July 3, 1920 – January 11, 2003) was an Americancomposerand music educator noted among peers for his eloquent and dramaticneo-classicalworks for piano and voice, chamber ensembles, and orchestra, as well as for his playful pieces for mixed percussion ensembles. He was also an accomplished pianist and conductor.

Early life

Born John Ayres Lessard inSan Franciscoon July 3, 1920, he was raised in Palo Alto by parents with Quebec roots, quickly becoming fluent in both French and English. He began piano lessons at the age of five, then trumpet lessons at nine, and two years later joined the San Francisco Civic Symphony Orchestra. He studied piano and theory withElise Belenkyand also worked briefly with the composerHenry Cowell.At sixteen, he was offered a scholarship to study withArnold Schoenberg,but felt so repelled by his music and theVienna Schooloutlook that he refused the scholarship and went to study in France.From 1937 to 1940 he was a pupil ofNadia Boulanger,Georges Dandelot,Alfred CortotandErnst Levyat theÉcole Normale de Musiquein Paris, earning a diploma in “Harmonie, Contrepointe et Fugue.” When Paris fell to the Germans in June 1940, he fled to the U.S. along with Boulanger, where he continued his studies with her at theLongy School of Musicin Cambridge, Massachusetts, gaining another diploma. However, he was soon drafted into theU.S. Army Signal Corps.In May 1943, he was engaged to Alida White, a voice student and granddaughter of the legendaryBeaux-ArtsarchitectStanford White.He then spent the duration of the war back in Europe with a unit assigned to liaison between American troops and allied French fighters and personnel.

Stylistic influences

Influenced early on byIgor Stravinskyand theNeo-classic School,Lessard's compositions were primarily neo-classical in style, and typically short in length; he also employed serial techniques, though not dependent on any rigid system. He was also influenced by the work ofDebussyand laterWebern.With a leg-up from fellow Boulanger studentAaron Copland,he was able to have his first Piano Sonata presented in 1941, winning high praise from composer and music criticVirgil Thomsonalong with wide public recognition. In the early post-war years he was fortunate to have performances of several of his orchestral works led byLéon Barzin,Leonard BernsteinandThor Johnson,in New York and elsewhere.

Teaching career and later work

In 1962, he began teaching theory and composition at the newly foundedState University of New York at Stony Brook,where he remained until retiring in 1990, all the while continuing to compose on his own. During the period 1964-74 Professor Lessard focused on songs for voice and piano, composing over 35 settings.

Recordings

Performances of his work were recorded on the CRI, Serenus Records, and Opus One labels, with a long gap of few recordings in the 1970s and 80s. Performers included another friend and Boulanger protégé, the harpsichordistSylvia Marlowe.

Personal life

Lessard and his wife Alida occupied The Red Cottage on the extensiveBox Hillproperty overlooking Nissequogue Harbor in St. James, Long Island, NY, where they raised six daughters.

In addition to working with Alida in her capacity as an accomplished performer oflieder,Lessard also enjoyed close relations with others in the White family living nearby, often collaborating with the poetClaire Nicolas White,wife of Alida’s brotherRobert White,who was a sculptor and educator. The Whites were a Social Register family related to the Wards, Astors, Winthrops, Chanlers, Roosevelts, Rockefellers, and others.

In the early 1970s, Jack and Alida were divorced. On June 12, 1973, he married Stony Brook professor and colleague Sarah Fuller, Ph.D, and resided with her at 15 Scott’s Cove Lane in nearbyEast Setauket.In 1996, a book written by Lessard’s eldest daughter was published, which, while using pseudonyms, contained devastating implied allegations of past improprieties with his children while intoxicated.

Death

John Lessard died in East Setauket on January 11, 2003, aged 82.

Awards and grants

Lessard received twoGuggenheim fellowships(1946, 1953) as well as awards from the Alice M. Ditson Fund (1946) and theAmerican Academy of Arts and Letters(1952). He was also given the title of Professor Emeritus of Music at SUNY Stony Brook.

Compositions

John Lessard longer works by date of composition

Year	Title	Description	Time (min.)
1940	Piano Sonata No.1	Piano solo	17
1941	Concerto for Violin & Orchestra	Chamber orchestra with flute, clarinet and violin	20
1946	Box Hill Overture	Orchestra
1946	Cantilena for Oboe & String Orchestra	Mixed instrumental ensemble	6
1946	Little Concert: Suite for Piano	Piano solo	7
1947	Little Concert for Orchestra	Orchestra	12
1948	Three Movements for Violin and Piano	Piano and violin	17
1951	Toccata in Four Movements for Harpsichord	Large harpsichord – dedicated to Sylvia Marlowe
1952	Concerto for Winds & Strings	Chamber orchestra with flute, clarinet, violin, viola, cello and bassoon	15
1956	Sonata for Violoncello and Piano	Piano and cello
1956	Three Songs for St. Cecelia's Day	Piano and voice – lyric after W.H. Auden	8
1957	Serenade For Symphony Orchestra	Orchestra	11
1959	Suite for Orchestra	Orchestra	12
1961	Sinfonietta Concertante	Chamber orchestra	15
1963	String Trio	Violin, viola and cello	17
1964	12 Mother Goose Songs	Piano, voice, violin, viola and cello	18
1966	New Worlds for the Young Pianist I	24 pieces for young pianists
1966	New Worlds for the Young Pianist II	16 pieces for intermediate piano students
1966	Trio in Sei Parti	Piano, violin and cello	18
1967	Quodlibets for Brass Trio	Trumpets and trombone	8
1969	Fragments from the Cantos of Ezra Pound for Baritone And 9 Instruments
1971	Brass Quintet
1973	Trios of Consanguinity	In various combinations: violin or flute, viola or clarinet, cello or bassoon	12
1974	Pastimes and an Alleluia	Orchestra
1974	Fantasy for Trumpet and Piano	Trumpet and piano	11
1978	Movements for Trumpet & Various Instruments VI	Trumpet solo, tom-toms, temple blocks, xylophone and crotales	15
1980	Threads of Sound Recalled	Piano solo	20
1982	Concerto for Harp & Orchestra	Chamber orchestra with trumpet and harp	22
1984	Movements for Trumpet & Various Instruments VIII	Trumpet, vibraphone and marimba	9
1984	Pond in a Bowl	Piano, vibraphone, marimba, bongos and voice – lyric after Han Yu	17
1985	Four Pieces for Violin and Percussion	Violin, xylophone, marimba, temple blocks and bongos	19
1988	Bagatelle for Piano II	Piano solo	7
1989	An Assembled Sequence for a Solo Percussionist	Glockenspiel, vibraphone, gongs, tam-tams, castanets, claves and guiro	30
1989	An Assembled Sequence VIII: Making A Collection	Vibraphone and marimba	10
1989	Bagatelle for Piano III	Piano solo	7
1989	Ten Pieces for Piano Four Hands (Games and Pastimes)	Piano four-hands	16
1991	Bagatelle for Piano IV	Piano solo	10
1992	The Seasons	Piano, percussion and voice – lyric after T’ang Dynasty poems	25
1993	Quintet	Piano, flute, clarinet, violin, and cello	19
1994	Gather and Disperse	Chamber orchestra with piano, flute, trumpet, trombone, clarinet, violin and percussion	19
1995	Four Songs, on Poems by Claire Nicolas White	Piano and voice	19
1996	Three Indian Tales	Percussion and voice – lyric by Claire Nicolas White, adapted from American Indian Tales	18
1998	Bagatelle for Piano V	Piano solo	7
2000	Music for Solo Harp and Chamber Ensemble	Chamber ensemble with piano, flute, clarinet, violin, cello, harp and percussion	20

External links

• John Lessard profile on American Composers Alliance website
• Original liner notes from the LP jacket for CRI 122, including John Lessard’sConcerto for Flute, Clarinet, Bassoon, String Quartet, and String OrchestraArchived2011-01-08 at theWayback Machine
• Original liner notes from the LP jacket for CRI 208, including John Lessard’sSonata for 'cello and Piano(1955), with Bernard Greenhouse and Menahem PresslerArchived2016-03-03 at theWayback Machine
• John Lessard interviewed by Bruce Duffie, May 6, 1989 (transcription)
• Biographical material about Sylvia Marlowe on Remington Records