Johnny Mercer

For other people with the same name, seeJohn Mercer (disambiguation).

Johnny Mercer
Mercerc. 1947
Background information
Birth name	John Herndon Mercer
Born	(1909-11-18)November 18, 1909 Savannah, Georgia,U.S.
Died	June 25, 1976(1976-06-25)(aged 66) Hollywood, California,U.S.
Occupation(s)	Songwriter lyricist record producer record label owner
Years active	1930–1976

John Herndon Mercer(November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-foundedCapitol Recordswith music industry businessmenBuddy DeSylvaandGlenn E. Wallichs.

He is best known as aTin Pan Alleylyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River","Days of Wine and Roses","Autumn Leaves",and"Hooray for Hollywood".He wrote the lyrics to more than 1,500 songs, including compositions for movies andBroadway shows.He received nineteenOscarnominations, and won fourBest Original Song Oscars.

Early life

Mercer's childhood home, 224–226 East Gwinnett Street

The historicMercer HouseinSavannah, Georgia,built for the songwriter's great-grandfather. (Mercer did not live there.)

Mercer was born inSavannah, Georgia,where one of his first jobs, aged 10, was sweeping floors at the original 1919 location ofLeopold's Ice Cream.Mercer lived onLincoln Street,a block away from the store's East Gwinnett andHabershamlocation.

Mercer's father, George Anderson Mercer, was a prominent attorney and real-estate developer. Mercer's mother, Lillian Elizabeth (née Ciucevich), was the daughter of a Croatian immigrant father and a mother with Irish ancestry. Lillian was the senior Mercer's secretary and second wife. Lillian's father, born inLastovo,in 1834 to Ivana Cucevic and Marijo Dundovic, was a merchant seaman who ran the Union blockade during theCivil War.Mercer was George's fourth son, and his first son by Lillian. His great-grandfather was Confederate GeneralHugh Weedon Mercerand he was a direct descendant ofAmerican Revolutionary WarGeneralHugh Mercer,a Scottish soldier-physician who died at theBattle of Princeton.Mercer was also a distant cousin of GeneralGeorge S. Patton.

Mercer liked music as a small child and attributed his musical talent to his mother, who would sing sentimental ballads. Mercer's father also sang, mostly old Scottish songs. His aunt told him he was humming music when he was six months old and later she took him to see minstrel and vaudeville shows where he heard "coon songs"and ragtime.The family's summer home, "Vernon View", was on the tidal waters and Mercer's long summers there among mossy trees, saltwater marshes, and soft, starry nights inspired him years later.

Mercer's exposure to black music was perhaps unique among the white songwriters of his generation.As a child, Mercer had African-American playmates and servants, and he listened to the fishermen and vendors about him, who spoke and sang in theGullah language(also known as "Geechee" ). He was also attracted to Black church services. Mercer later stated, "Songs always fascinated me more than anything."He had no formal musical training but was singing in a choir by six and at 11 or 12 he had memorized almost all of the songs he had heard and became curious about who wrote them. He once asked his brother who the bestTin Pan Alleysongwriter was, and his brother saidIrving Berlin.

Despite Mercer's early exposure to music, his talent was clearly in creating the words and singing, not in playing music, though early on he had hoped to become a composer. In addition to the lyrics that Mercer memorized, he was an avid reader and wrote adventure stories. His attempts to play the trumpet and piano were not successful, and he never could read musical scores with any facility, relying instead on his own notation system.

As a teenager in theJazz Era,he searched for records by early black blues/jazz figures includingMa Rainey,Bessie Smith,andLouis Armstrong.His father owned the first car in town, and Mercer's teenage social life was enhanced by his driving privilege, which sometimes verged on recklessness.The family would motor to the mountains nearAsheville, North Carolina,to escape the Savannah heat and there Mercer learned to dance (fromArthur Murrayhimself) and to flirt withSouthern belles,his natural sense of rhythm helping him on both accounts. (Later, Mercer wrote a humorous song called "Arthur Murray Taught Me Dancing in a Hurry".)

Mercer attended the exclusiveWoodberry Forest Schoolin Virginia until 1927. Although not a top student, he was active in literary and poetry societies and as a humor writer for the school's publications. In addition, his exposure to classic literature augmented his already rich store of vocabulary and phraseology. He began to scribble ingenious, sometimes strained, rhymed phrases for later use. Mercer was also the class clown and a prankster, and member of the "hop" committee that booked musical entertainment on campus.

Mercer was already somewhat of an authority on jazz at an early age. His yearbook stated: "No orchestra or new production can be authoritatively termed 'good' until Johnny's stamp of approval has been placed upon it. His ability to 'get hot' under all conditions and at all times is uncanny."Mercer began to write songs, an early effort being "Sister Susie, Strut Your Stuff".

Given his family's long association withPrinceton, New Jersey,andPrinceton University,Mercer was groomed to go to school there, but those ambitions were dashed by his father's financial setbacks in the late 1920s. He went to work in his father's recovering business, collecting rent and running errands, but soon grew bored with the routine and with Savannah.

Career

Starting out

Mercer moved to New York in 1928, when he was 19. The music he loved,jazzandblues,was booming inHarlemandBroadwaywas bursting with musicals and revues fromGeorge Gershwin,Cole Porter,andIrving Berlin.Vaudeville,though beginning to fade, was still a strong musical presence. Mercer's first few jobs were as a bit actor (billed as John Mercer). Holed up in a Greenwich Village apartment with plenty of time on his hands and a beat-up piano to play, Mercer soon returned to singing and lyric writing.He secured a day job at a brokerage house and sang at night. Pooling his meager income with that of his roommates, Mercer managed to keep going, sometimes on little more than oatmeal. One night he dropped in onEddie Cantorbackstage to offer a comic song, but although Cantor didn't use the song, he began encouraging Mercer's career.Mercer's first lyric, for the song "Out of Breath (and Scared to Death of You)" (1930), composed by friend Everett Miller, appeared in a musical revueThe Garrick Gaietiesin 1930. Mercer met his future wife at the show, chorus girl Ginger Meehan. She had earlier been one of the many chorus girls pursued by the young croonerBing Crosby.Through Miller's father, an executive at the prominent music publisher T. B. Harms, Mercer's first song was published.It was recorded byJoe Venutiand his New Yorkers.

The 20-year-old Mercer began to frequent the company of other songwriters and to learn the trade. He traveled to California to undertake a lyric writing assignment for the musicalParis in the Springand met his idolsBing CrosbyandLouis Armstrong.Mercer found the experience sobering and realized that he much preferred free-standing lyric writing to writing on demand for musicals. Upon his return, he got a job as staff lyricist for Miller Music for a $25-a-week draw, which give him a base income and enough prospects to win over and marry Ginger in 1931.The new Mrs. Mercer quit the chorus line and became a seamstress, and to save money the newlyweds moved in with Ginger's mother inBrooklyn.Johnny did not inform his own parents of his marriage until after the fact, perhaps in part because he knew that Ginger being Jewish would not sit comfortably with some members of his family, and he worried they would try to talk him out of marrying her. In 1932, Mercer won a contest to sing with thePaul Whitemanorchestra, but singing with the band did not help his situation significantly. He made his recording debut, singing with Frank Trumbauer's Orchestra, on April 5 of that year. Mercer then apprenticed withYip Harburgon the score forAmericana,a Depression-flavored revue famous for "Brother, Can You Spare a Dime?"(not a Mercer composition), which gave Mercer invaluable training. While with Whiteman, he recorded two duets with fellow band memberJack Teagarden,"Fare Thee Well to Harlem" and "Christmas Night in Harlem." Both are talk songs in a heavy Black accent. The latter was a best-selling record.After several songs which didn't catch fire during his time with Whiteman, he wrote and sang "Pardon My Southern Accent" (1934). Mercer's fortunes improved dramatically with a chance pairing with Indiana-bornHoagy Carmichael,already famous for the standard "Stardust",who was intrigued by the" young, bouncy butterball of a man from Georgia. "Mercer, later well known for rapidly writing lyrics, spent a year laboring over the ones for "Lazybones",which became a hit one week after its first radio broadcast, and each received a large royalty check of $1250.A regional song in pseudo-black dialect, it captured the mood of the times, especially in rural America. Mercer became a member ofASCAPand a recognized "brother" in theTin Pan Alleyfraternity, receiving congratulations from Irving Berlin, George Gershwin, and Cole Porter among others. Whiteman lured Mercer back to his orchestra (to sing, write comic skits and compose songs), temporarily breaking up the working team with Carmichael.

During the golden age of sophisticated popular song of the late 1920s and early '30s, songs were put into revues with minimal regard for plot integration. The 1930s saw a shift from revues to stage and movie musicals using song to further the plot. Demand diminished accordingly for the pure stand-alone songs that Mercer preferred. Thus, although he had established himself in the New York music world, when he was offered a job in Hollywood to compose songs and perform in low-budget musicals forRKO,he accepted and followed idolBing Crosbywest.

Hollywood years

Mercer moved to Hollywood in 1935, and began writing music for films. His first Hollywood assignment was a B-movie college musical,Old Man Rhythm,to which he contributed two songs and appeared in a small role. His next project,To Beat the Band,was a commercial flop, but it led to a meeting and a collaboration withFred Astaireon the moderately successful song "I'm Building Up to an Awful Let-Down".

Mercer landed into a hard-drinking circle, and began to drink more at parties and was prone to vicious outbursts when under the influence of alcohol, contrasting sharply with his ordinarily genial and gentlemanly behavior.Often he would assuage the guilt he felt for this behavior by sending roses the following day to the friend or acquaintance he had treated unkindly while drunk.Ironically, he would later say that he found the Hollywood nightlife lacking: "Hollywood was never much of a night town. Everybody had to get up too early... the movie people were in bed with the chickens (or each other)."

Mercer's first big Hollywood song, the satirical "I'm an Old Cowhand from the Rio Grande",was inspired by a road trip throughTexas(he wrote both the music and the lyrics). It was performed by Crosby in the filmRhythm on the Rangein 1936, and from then on the demand for Mercer as a lyricist took off. His second hit that year was "Goody Goody",music byMatty Malneck.In 1937, Mercer began working forWarner Bros.,working with the composerRichard Whiting,soon producing his standard, "Too Marvelous for Words",followed by"Hooray for Hollywood",the opening number in the filmHollywood Hotel(1937). After Whiting's sudden death from a heart attack, Mercer collaborated withHarry Warrenand wrote "Jeepers Creepers",which earned Mercer his firstOscar nomination for Best Song(1938). Another hit with Warren in 1938 was "You Must Have Been a Beautiful Baby".The pair also created" Hooray for Spinach ", a comic song produced for the filmNaughty but Nicein 1939.

During a lull at Warners, Mercer revived his singing career. He joined Crosby's informal minstrel shows put on by the "Westwood Marching and Chowder Club", which included many Hollywood luminaries.Mercer worked on numerous duets for himself and Crosby to perform: several were recorded, and two, "Mr. Gallagher and Mr. Shean" (1938) a reworking of an old vaudville song, and "Mister Meadowlark" (1940), became hits.

In 1939, Mercer wrote the lyrics to a melody byZiggy Elman,a trumpet player withBenny Goodman.The song was "And the Angels Sing"and, although recorded by Crosby andCount Basie,it was the Goodman version with vocal byMartha Tiltonandklezmerstyle trumpet solo by Elman that became a major hit. Years later, the title was inscribed on Mercer's tombstone.

Mercer was invited to theCamel Caravanradio show in New York to sing his hits and create satirical songs, like "You Ought to be in Pittsburgh", a parody of "You Ought to be in Pictures", with theBenny Goodmanorchestra, then becoming the emcee of the nationally broadcast show for several months. Two more hits followed shortly, "Day In, Day Out"and"Fools Rush In"(both with music by Rube Bloom), and Mercer in short order had five of the top ten songs on the popular radio showYour Hit Parade.Mercer also started a short-lived publishing company during his stay in New York. Mercer undertook a musical,Walk with Music(originally calledThree After Three), withHoagy Carmichael,but it was critically panned and commercially unsuccessful.

Shortly thereafter, Mercer began working withHarold Arlen,who wrotejazzandblues-influenced compositions while Mercer wrote lyrics. Their first hit was "Blues in the Night"(1941), whichArthur Schwartzcalled "probably the greatest blues song ever written."

They went on to compose "One for My Baby (and One More for the Road)"(1941)," Ac-Cent-Tchu-Ate the Positive "(1944),"That Old Black Magic"(1942),and "Come Rain or Come Shine"(1946), among others.

"Come Rain" was Mercer's only Broadway hit, composed for the showSt. Louis WomanwithPearl Bailey."On the Atchison, Topeka and the Santa Fe"with music by Harry Warren, was a big smash forJudy Garlandin the 1946 filmThe Harvey Girls,and earned Mercer the first of his fourAcademy Awards for Best Song,after eight unsuccessful nominations.

Mercer re-united with Hoagy Carmichael with "Skylark"(1941),and, ten years later, theOscar-winning"In the Cool, Cool, Cool of the Evening"(1951). WithJerome Kern,Mercer createdYou Were Never LovelierforFred AstaireandRita Hayworthin the movie of the same name,as well as "I'm Old Fashioned".

Mercer foundedCapitol Recordsin Hollywood in 1942, with the help of producerBuddy DeSylvaand record store owner Glen Wallichs.He also co-foundedCowboy Records.As the founder active in the management of Capitol during the 40s, he signed many of its important recording artists, includingNat "King" Cole.It also gave him an outlet for his own recordings. His hit "Strip Polka" was its third release. But Mercer recorded not only his own songs but ones by others as well. His four million-sellers were his own "Ac-Cent-Tchu-Ate the Positive" and "On the Atchison, Topeka, and the Santa Fe", and two by other composers, "Candy" and "Personality". One recording of a song that has lived on is his recording of "Zip-a-Dee-Doo-Dah",written byAllie WrubelandRay Gailbertfor Disney's 1946 movie,Song of the South.Mercer's recording was a top hit for eight weeks in December 1947 and January 1948, reaching number 8. Today it continues to be the version most played on Sirius's 40s satellite channel.

Mercer by the mid-1940s enjoyed a reputation as one of the premier Hollywood lyricists. He was adaptable, listening carefully and absorbing a tune and then transforming it into his own style. LikeIrving Berlin,he was a close follower of cultural fashion and changing language, which in part accounted for the long tenure of his success. He loved many words (Too Marvelous for Words), including puns (Strip Polka), and current terms ( "G. I. Jive" ). He employed sound effects, as well, such as the train whistle sounds in "Blues in the Night" and "On the Atchison, Topeka, and the Santa Fe."

Mercer preferred to have the music first, taking it home and working on it. He claimed composers had no problem with this method provided that he returned with the lyrics.

Mercer was often asked to write new lyrics to already popular songs. The lyrics to "Laura","Midnight Sun",and"Satin Doll"were all written after the melodies had become hits. He was also asked to compose English lyrics to foreign songs, the most famous example being"Autumn Leaves",based on the French song" Les Feuilles Mortes ".

Radio programs

In 1943,Johnny Mercer's Music Shopwas a summer replacement forThe Pepsodent Showon NBC.Mercer was the star, and singersElla Mae MorseandJo Staffordwere regulars on the program, with musical support fromThe Pied PipersandPaul Westonand his orchestra.The Chesterfield Music Shop,a similar program in a 15-minute version, was broadcast in 1944.

1950s–1970s

In the 1950s, the advent of rock and roll cut deeply into Mercer's natural audience, and dramatically reduced venues for his songs. Mercer wrote for severalMGMfilms, includingSeven Brides for Seven Brothers(1954) andMerry Andrew(1958). He collaborated on three Broadway musicals in the 1950s—Top Banana(1951),Li'l Abner(1956), andSaratoga(1959).

His more successful songs of the 1950s include "The Glow-Worm"(sung by theMills Brothers) and "Something's Gotta Give".In 1961, he wrote the lyrics to"Moon River"forAudrey HepburninBreakfast at Tiffany'sand forDays of Wine and Roses,both with music byHenry Mancini,and Mercer received his third and fourth Oscars for Best Song. The back-to-back Oscars were the first time a songwriting team had achieved that feat.Mercer, also with Mancini, wrote "Charade"for the 1963 romantic thrillerof the same name.TheTony Bennettclassic "I Wanna Be Around"was written by Mercer in 1962, as was theFrank Sinatrahit "Summer Wind"in 1965.

An indication of the high esteem in which Mercer was held can be observed in that he was the only lyricist to have his work recorded as a volume ofElla Fitzgerald's series of Song book albums.Ella Fitzgerald Sings the Johnny Mercer Song Bookwas released byVerve Recordsin 1964.

Mercer was humble about his work, attributing much of his success to luck and timing. He was fond of telling the story of how he was offered the job of doing the lyrics forJohnny Mandel's music onThe Sandpiper,only to have the producer turn his lyrics down. The producer offered the commission toPaul Francis Websterand the result was "The Shadow of Your Smile",which became a huge hit, winning the1965 OscarforBest Original Song.However, Mercer and Mandel did collaborate on the 1964 song "Emily"from the filmThe Americanization of EmilystarringJulie Andrews.

In 1969, Mercer helped publishersAbe OlmanandHowie Richmondfound theNational Academy of Popular Music's Songwriters Hall of Fame.In 1971, Mercer presented a retrospective of his career for the "Lyrics and Lyricists Series" in New York, including an omnibus of his "greatest hits" and a performance byMargaret Whiting.It was recorded live asAn Evening with Johnny Mercer.In 1974, he collaborated on the West End productionThe Good Companions.He also recorded two albums of his songs in London in 1974, with the Pete Moore Orchestra and with the Harry Roche Constellation, later compiled into a single album and released as...My Huckleberry Friend: Johnny Mercer Sings the Songs of Johnny Mercer.

Late in his life, Mercer became friends with pianistEmma Kelly.He gave her the nickname "The Lady of Six-Thousand Songs" after challenging her, over several years, to play numerous songs he named. He kept track of the requests, and estimated she knew 6,000 songs from memory.

Posthumous success

Self-portrait and signature of Johnny Mercer from bench at his grave inBonaventure Cemeteryin Savannah, Georgia

In the last year of his life, Mercer became fond of pop singerBarry Manilow,in part because Manilow's first hit record was "Mandy",which was also the name of Mercer's daughter Amanda. After Mercer's death, his widow, Ginger Mehan Mercer, arranged to give some unfinished lyrics he had written to Manilow to possibly develop into complete songs. Among these was a piece titled"When October Goes",a melancholy remembrance of lost love. Manilow applied his own melody to the lyric and issued it as a single in 1984, when it became a top 10 Adult Contemporary hit in the United States. The song has since become a jazz standard, with notable recordings byRosemary Clooney,Nancy Wilson,andMegon McDonough,among other performers.

Singing style

Well regarded also as a singer, with a folksy quality, Mercer was a natural for his own songs such as "Ac-Cent-Tchu-Ate the Positive","On the Atchison, Topeka and the Santa Fe","One for My Baby (and One More for the Road)",and"Lazybones".He was considered a first-rate performer of his own work.

It has been said that he penned "One for My Baby (and One More for the Road)" —one of the greattorch lamentsof all times—on a napkin while sitting at the bar atP. J. Clarke'swhen Tommy Joyce was the bartender. The next day Mercer called Joyce to apologize for the line "So, set 'em up, Joe," explaining "I couldn't get your name to rhyme."

ATCO Records issuedTwo of a Kindin 1961, a duet album byBobby Darinand Johnny Mercer withBilly Mayand his Orchestra, produced byAhmet Ertegun.

Personal life

In 1931, Mercer married Ginger Meltzer, a chorus girl, later a seamstress; and in 1940, when he was 30, the Mercers adopted a daughter, Amanda ( "Mandy" ). In 1960, Mandy married Bob Corwin, who was a pianist forPeggy Lee,Anita O'Day,andCarmen McRae,and also Mercer's long-time accompanist. They had a son, Jim Corwin, in 1961.

In 1941, Mercer began an affair with 19-year-oldJudy Garland,while she was engaged to composerDavid Rose.Garland ended her involvement when she married Rose. In later years, Garland and Mercer rekindled their affair. Mercer stated that his song "I Remember You"was the most direct expression of his feelings for Garland.

Mercer died aged 66 on June 25, 1976, from an inoperablebrain tumor,in theBel Airneighborhood of Los Angeles, California. He was buried in Savannah's historicBonaventure Cemetery.The line-drawing caricature adorning hismemorial benchis a reproduction of a self-portrait.

Awards and legacy

Academy Awards

Mercer won fourAcademy Awardson eighteen nominations forBest Original Song:

• 1946: "On the Atchison, Topeka and the Santa Fe"(music byHarry Warren) forThe Harvey Girls
• 1951: "In the Cool, Cool, Cool of the Evening"(music byHoagy Carmichael) forHere Comes the Groom
• 1961: "Moon River"(music byHenry Mancini) forBreakfast at Tiffany's
• 1962: "Days of Wine and Roses"(music by Henry Mancini) forDays of Wine and Roses

Mercer was also nominated forBest Original Song Scorefor the 1970 Mancini collaborationDarling Lili.

Other

In 1980, the Songwriters Hall of Fame established the annualJohnny Mercer Awardas its highest honor, for songwriters with a history of outstanding creative works.Mercer was honored by theUnited States Postal Servicewith his portrait placed on astampin 1996. Mercer's star on theHollywood Walk of Fameat 1628 Vine Street is a block away from the Capitol Records building at 1750 Vine Street.

In 1983, Mercer earned a posthumous nomination for aTony Award for Best Original Scorefor his original lyrics and for Gene de Paul's original music and score with new songs byAl KashaandJoel Hirschhornfor the stage musicalSeven Brides for Seven Brothersat the37th Tony Awards,but lost toAndrew Lloyd WebberandT. S. EliotforCats.

Mercer was given tribute inJohn Berendt's 1994 novelMidnight in the Garden of Good and Evil.The1997 film adaptationdirected byClint Eastwoodfeatures prominentlyHoagy Carmichael/Johnny Mercer song "Skylark",sung byk.d. lang.Themovie soundtrackcontains 14 Mercer songs performed by artists such asAlison Krauss,Paula Cole,andCassandra Wilson;the film's star,Kevin Spacey,sang Mercer's 1942 hit "That Old Black Magic".

A bronze statue of Mercer stands in Savannah'sEllis Square.

For the occasion of Mercer's 100th birthday in 2009, Eastwood produced a documentary film about Mercer's life and work calledThe Dream's on Me(Turner Classic Movies). The film was nominated for aPrimetime Emmyin the category of Outstanding Nonfiction Special.

The Complete Lyrics of Johnny Mercerwas published byKnopfin October 2009.The Complete Lyricscontains the texts to nearly 1,500 of his lyrics, several hundred of them appearing in print for the first time.

In November 2009, a bronze statue of Mercer was unveiled inEllis SquareinSavannah, Georgia,his hometown and birthplace. It was commissioned by the Friends of Johnny Mercer.

The Johnny Mercer Collections, including his papers and memorabilia, are preserved in the library ofGeorgia State Universityin Atlanta. GSU occasionally holds events showcasing Mercer's works.

On March 25, 2015, it was announced that Mercer's version of the popular song "Ac-Cent-Tchu-Ate the Positive" would be inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation's audio legacy".The music was written by Harold Arlen and the lyrics by Mercer. The song was nominated for the "Academy Award for Best Original Song" at the 18th Academy Awards in 1945 after being used in the film "Here Come the Waves." In describing his inspiration for the lyrics, Mercer told the "Pop Chronicles" radio documentary "[my] publicity agent... went to hearFather Divineand he had a sermon and his subject was 'you got to accentuate the positive and eliminate the negative.' And I said, 'Wow, that's a colorful phrase!' "

Songs

Date	Song title	Music by	Notes
1933	"Lazy Bones"	Hoagy Carmichael
1934	"P.S. I Love You"	Gordon Jenkins
1936	"Goody Goody"	Matty Malneck
1936	"I'm an Old Cowhand from the Rio Grande"	Johnny Mercer
1937	"Hooray for Hollywood"	Richard A. Whiting
1937	"Too Marvelous for Words"	Richard A. Whiting
1938	"Jeepers, Creepers!"	Harry Warren	Film -Going Places Nominated Best Original Song
1938	"You Must Have Been a Beautiful Baby"	Harry Warren
1938	"When a Woman Loves a Man"	Bernie Hanighen,Gordon Jenkins
1939	"And the Angels Sing"	Ziggy Elman
1939	"Cuckoo in the Clock"	Walter Donaldson
1939	"Day In, Day Out"	Rube Bloom
1939	"I Thought About You"	Jimmy Van Heusen
1939	"Wings Over the Navy"	Harry Warren
1940	"Love of My Life"	Artie Shaw	Film -Second Chorus Nominated Best Original Song
1940	"I'd Know You Anywhere"	Jimmy McHugh	Film -You'll Find Out Nominated Best Original Song
1940	"Fools Rush In"	Rube Bloom
1941	"Blues in the Night"	Harold Arlen	Blues in the Night Nominated Best Original Song
1941	"I Remember You"	Victor Schertzinger
1941	"Tangerine"	Victor Schertzinger
1941	"This Time the Dream's on Me"	Harold Arlen
1942	"Moon Dreams"	Chummy MacGregor(co-writer)
1942	"Dearly Beloved"	Jerome Kern	You Were Never Lovelier Nominated Best Original Song
1942	"Hit the Road to Dreamland"	Harold Arlen
1942	"I'm Old Fashioned"	Jerome Kern
1942	"Skylark"	Hoagy Carmichael
1942	"That Old Black Magic"	Harold Arlen	Star Spangled Rhythm Nominated Best Original Song
1942	"Trav'lin' Light"	Jimmy Mundy,Trummy Young
1943	"Dream"	Johnny Mercer
1943	"My Shining Hour"	Harold Arlen	The Sky's the Limit Nominated Best Original Song
1943	"One for My Baby (and One More for the Road)"	Harold Arlen
1944	"Ac-Cent-Tchu-Ate the Positive"	Harold Arlen	Here Come the Waves Nominated Best Original Song
1944	"G.I. Jive"	Johnny Mercer
1944	"How Little We Know"	Hoagy Carmichael	For the filmTo Have and Have Not
1945	"Laura"	David Raksin
1945	"Out of This World"	Harold Arlen
1946	"Any Place I Hang My Hat Is Home"	Harold Arlen
1946	"I Had Myself a True Love"	Harold Arlen
1946	"Come Rain or Come Shine"	Harold Arlen
1946	"On the Atchison, Topeka and the Santa Fe"	Harry Warren	For the filmThe Harvey Girls WON Oscar
1946	"Two Hearts Are Better Than One"	Jerome Kern	For the filmCentennial Summer
1947	"Autumn Leaves"	Joseph Kosma,orig. French lyrics byJacques Prévert
1949	"Early Autumn"	Ralph Burns,Woody Herman
1949	"Truly"	Antone Iavello
1951	"In the Cool, Cool, Cool of the Evening"	Hoagy Carmichael	For the filmHere Comes the Groom WON Oscar
1952	"I Wanna Be a Dancing Man"	Harry Warren
1952	"The Glow-Worm"	Paul Lincke
1953	"Satin Doll"	Duke Ellington,Billy Strayhorn
1954	"Midnight Sun"	Lionel Hampton,Sonny Burke
1955	"Something's Gotta Give"	Johnny Mercer	Daddy Long Legs Nominated Best Original Song
1956	"I'm Past My Prime"	Gene de Paul
1956	"Jubilation T. Cornpone"	Gene de Paul
1956	"Bernardine"	Johnny Mercer	For the filmBernardine
1956	"Technique"	Johnny Mercer	For the filmBernardine
1959	"I Wanna Be Around"	Johnny Mercer, Sadie Vimmerstedt
1960	"The Facts of Life"	Johnny Mercer	The Facts of Life Nominated Best Original Song
1961	"Moon River"	Henry Mancini	For the filmBreakfast at Tiffany's WON Oscar
1962	"Days of Wine and Roses"	Henry Mancini	For the filmDays of Wine and Roses WON Oscar
1962	"Drinking Again"	Doris Tauber
1963	"Charade"	Henry Mancini	For the filmCharade Nominated Best Original Song
1963	"Meglio Stasera"(" It Had Better Be Tonight ")	Henry Mancini	For the filmThe Pink Panther
1964	"Emily"	Johnny Mandel
1964	"Lorna"	Mort Lindsey
1965	"The Sweetheart Tree"	Henry Mancini	The Great Race Nominated Best Original Song
1964	"Talk to Me, Baby"	Bobby Dolan	For the Broadway musical comedyFoxy
1965	"Summer Wind"	Henry Mayer
1970	"Whistling Away the Dark"	Henry Mancini	For the filmDarling Lili Nominated Best Original Song & Best Original Song Score
1971	"Life Is What You Make It"	Marvin Hamlisch	For the filmKotch Nominated Best Original Song
1973	"The Phony King of England"	Johnny Mercer	For theDisneyfilmRobin Hood

Discography

• Johnny Mercer Sings(Capitol,1950)
• Two of a Kindwith Bobby Darin (Atco,1961)
• Johnny Mercer with Paul Weston's Orchestra 1944(Hindsight,1980)
• Sweet Georgia Brownwith Paul Weston (Hindsight, 1995)
• Johnny Mercer Sings Personality(ASV-Living Era,2002)
• Johnny Mercer: Mosaic Select #28(Mosaic,2007)
• Mercer Sings Mercer(Capitol, 2009)

Further reading and listening

• Bach, Bob; Mercer, Ginger (1982).Our Huckleberry Friend: The Life, Times, and Lyrics of Johnny Mercer.Lyle Stuart.
• Eskew, Glenn T. (2013).Johnny Mercer: Southern Songwriter for the World.University of Georgia Press.
• Eskew, Glenn T. (2013)."A Southern Spin on Consensus America: Johnny Mercer Skewers Politics on Broadway".Georgia Historical Quarterly.97(3): 322–346.
• Furia, Philip (1990).Poets of Tin Pan Alley.Oxford University Press.
• Furia, Philip (2003).Skylark: The Life and Times of Johnny Mercer.St. Martin's Press.
• Gilliland, John(1994).Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s(audiobook).ISBN978-1-55935-147-8.OCLC31611854.Mercer interviewed 1971.
• Kimball, Robert; et al. (2009).The Complete Lyrics of Johnny Mercer.Knopf.
• Lees, Gene (2004).Portrait of Johnny: The Life of John Herndon Mercer.Hal Leonard.
• Wilder, Alec (1990).American Popular Song.Oxford University Press.

External links

• Johnny MerceratIMDb
• Johnny Mercerat theInternet Broadway Database
• Johnny Mercerat theInternet Off-Broadway Database
• Johnny Mercer Collectionin theGeorgia State University LibrarySpecial Collections & Archives
• Johnny Mercer Oral History ProjectatGeorgia State University Library
• Johnny Mercerhistorical marker
• Johnny Mercer Foundation
• Johnny Mercer in Hollywood
• Johnny Mercer recordingsat theDiscography of American Historical Recordings.