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KNTY

Coordinates:38°33′58″N121°28′52″W/ 38.566°N 121.481°W/38.566; -121.481
From Wikipedia, the free encyclopedia
KNTY
Broadcast areaSacramento metropolitan area
Frequency103.5MHz
BrandingReal Country 103.5
Programming
FormatCountry
AffiliationsReal Country(Westwood One)
Ownership
Owner
KXSE,KHHM,KRCX-FM,KCVR-FM
History
First air date
1996(as KRYR)
Former call signs
KRYR (1996–1997)
KBMB (1997–2010)
KHHM (2010–2021)
Call signmeaning
KouNTrY(Country)
Technical information
Facility ID20435
ClassA
ERP6,000watts
HAAT95 meters (312 ft)
Links
WebcastListen live
Websiterealcountry1035

KNTY(103.5FM,"Real Country 103.5" ) is acommercialradio stationinSacramento, California.The station broadcasts a gold-basedcountryradio formatand is owned byEntravision Communications.Itsradio studiosand offices are located in North Sacramento.

KNTY has aneffective radiated power(ERP) of 6,000watts.Thetransmitteris on S Street near 23rd Street in Sacramento.[1]KNTY formerly had anHD Radiochannel, but it has abandoned digital transmissions, as well as RDS title/artist PAD data.[2]

History

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Regional Mexican: 1996-1997

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In 1996, the stationsigned onwith aRegional Mexicanformat as KRYR.

Urban: 1997-2010

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Then, in November 1997, thecall signchanged to KBMB and switched to anUrban Contemporaryformat as103.5 Da Bomb,with the moniker "Better Mo' Better Music." The station was originally owned by Diamond Broadcasting, which, in turn, was controlled by license holder Paula Nelson, making KBMB Sacramento's second African American-owned and operated station behindKQBR-FM,which was launched four years earlier.

While the format debuted during the wave of current-driven hip-hop and R&B stations that sprang up nationally in the late 1990s, KBMB's music direction also consisted of soul, blues, funk, old school, gospel, reggae and pop titles (in rare occasions). Initially, the station was an affiliate of the satellite-fed "Touch"format fromABC Radio,a contract pursued and finally secured by the station's first operations director Thomas Turner. With the aid of promos, liners and drops produced by Bob Jones, the programming also served the largely ignoredhip hop musiccommunity in Sacramento, as other stations such asKSFM,a leader in the market as a Rhythmic CHR, did not fully embrace hip hop music.

Reflecting the market's demographics (7% of the Sacramento radio market is African American), KBMB relied primarily on white females 18–34 for its ratings and commercial appeal. It was marketed as aRhythmic CHRin 1998 as a way to target beyond the core audience and to attract more mainstream advertisers to the station, while still maintaining an unofficial urban format through its ABC Network affiliation and its own music selection. It was the home of the syndicatedDoug BanksMorning Show,making KBMB one of few urban stations on the West Coast to carry a syndicated morning show. It also carried theTom JoynerMorning Showfor a short period upon the station's debut, but actually had both on for a while, after moving Banks to middays, mainly due to the latter personality airing in the afternoon drive in Central and Eastern time zones. When Banks opted to move his show to the mornings in 2000 opposite Tom Joyner (whose show was aimed at theurban adult contemporaryaudience), KBMB moved Banks to the 6 a.m. to 10 a.m. morning slot. Despite the tape delay, Banks had built a strong following among Sacramento listeners.

In its early days, KBMB once had personalities like former Program Directors Randy "Jayare" Johnson (who hosted locally oriented hip hop shows "the Basement" and "Ground Zero", and is now a member of the hip hop group Beataroundabush) and Ibrahim "E-Bro" Darden (now current program director atWQHTinNew York), and Deshawn "D-Funk" Robertson, host of the highest rated afternoon drive time show in the station's history, "The Afternoon Flava Show" (Robertson is currently a professional stand-up comedian). From its inception, the station competed fiercely for ratings with heritage competitorKSFMfor the very lucrative 18–34 female demographic. The station was committed to Sacramento community causes, as well as its inclusion of urban-leaning artists that traditionally were seldom heard on Sacramento radio. Though competing with an undersized signal which was originally 3 kW but later upped to 6 kW, the upstart station gave heritage KSFM (50 kW) a run for its money in the ratings. It even gained competition fromKHYLin 2001 upon that station's format change torhythmic oldies.In addition, in its early years, KBMB did grab a handful of listeners from KQBR, which shifted its format fromsmooth jazzto urban AC.

But in 2004, after years of litigation between the station's majority owner, Paula Nelson andBustos Media,the station was forcibly sold toEntravision Communications,a predominantly Spanish language corporate entity. Johnson, Nelson, and all other managers were terminated, and the management team of the local Entravision cluster assumed thereins,despite the abysmal ratings at Entravision's existing properties. Almost immediately, the format was constrained in a failed attempt to compete with KSFM and pop rivalKDNDmore directly. At the time this happened, KBMB was the last remaining Black-owned station on the air after KQBR was sold in 1998 to Entravision in a similar fate; that station is now KXSE.

After Entravision acquired KBMB, the new owners systematically went about disassembling the predominantly African American airstaff. The sentiments expressed by Entravision head of radio programming Jeff Lieberman were that the station was just too ethnic to compete in Sacramento, despite the station's history of ratings success with a predominantly African American staff and audience. A pronounced push to make the station more Hispanic-oriented began with the hiring of a nearly all Hispanic American air staff and the infusion of Spanish into the station's imaging, with the station gravitating to a rhythmic format. Entravision was not interested in retaining Doug Banks or Tom Joyner, so both shows were dropped for good in October 2004. Both syndicated personalities were replaced with a locally based morning show, but KBMB returned to a syndicated morning show withBig Boy's Neighborhoodeventually, and added R-Dub'sSunday Night Slow Jams,along with its weeknight component. Only the Sunday morning gospel program "The Gospel Express" was retained in the format tweak.

Rhythmic Top 40: 2010-2019

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On January 11, 2010, after months of dismal ratings, KBMB dropped "The Bomb," rebranded as "Hot 103.5", and terminated Nikia Moore, the last of its daily African American air talents. With the rebrand, the station also shifted from a hip hop-focused approach to a broader contemporary hit direction that includes primarily pop crossovers that would not have been played in the past. In addition,Big Boy's Neighborhood,with mornings running jockless for a time while a more Latin-friendly morning show was sought.[3]

On June 25, 2010, KBMB changed call letters to KHHM to match the "Hot 103.5" moniker. The move coincides with launch of the station's "103 Days of Summer" campaign.[4]In February2011,KHHM morphed tocontemporary hit radiowith a Rhythmic lean at first, but would move further into a more Mainstream direction with the addition of artists likeThe Script,Selena Gomez & The Scene,Coldplay,Christina PerriandAndy Grammerto its playlist, and in April 2011 was moved toMediabase's Top 40/CHR panel. By September 2011,Nielsen BDSmoved KHHM from therhythmic contemporarypanel to the Top 40/CHR panel, as it had become less dependent on Rhythmic hits; BDS still continued to list KHHM as a Top 40/CHR reporter, although Mediabase returned the station back to the Rhythmic panel in 2014. The format shift put the station in further competition withKDND,KZZOandKUDL,as well asKGBYuntil that station's flip in December 2011.

The station would make headlines on November 22, 2016, when, just two days afterKanye Westcuts short, and after 30 minutes, abruptly ends, a concert performance at theGolden 1 Center(which would be his final stop on hisSaint Pablo Tour,as he would cancel it before checking into a facility for medical treatment), KHHM's then-PD/airstaffer Justin "JayMarzz" Marshall announced that they were done with playing West's songs for good as its morning show made that statement by retaliating with cutting off his single "Fade"before Marshall slammed the rapper for criticizing fans, fellow musicians, and bias towards radio not supporting him.[5]

On July 2, 2019, KHHM's on-air personalities were let go, with the station temporarily running jockless, as part of a planned return to a Spanish-language presentation. As of July 8, KHHM began running bilingual liners alongside the music.[6]

Bilingual Rhythmic: 2019-2021

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On July 29, 2019, KHHM, along with sister stationKCVR-FMinModesto,changed their formats to a bilingual rhythmic CHR simulcast, branded as "Fuego 103.5". They are the second and third stations to flip to a bilingual Top 40 format in California that month, followingKLLIinLos Angelesnearly two weeks prior. The new format features a music mix featuring Latin pop/rhythmic hits mixed with English-language pop hits. The move makes KHHM at least a partial competitor to Top 40/CHR rival KUDL again due to its lean towards Mainstream Top 40 currents. The first song played on "Fuego" was "Baila Baila Baila"byOzuna.[7]Whereas bilingual stations usually feature airstaffers who speak more than one language, KHHM's presentation is mostly English-language.[8]

Classic country: 2021-present

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On July 20, 2021, as part of a shuffle of formats, frequencies and call letters in Entravision's Sacramento cluster, KNTY (101.9 FM) dropped the "José" format and began simulcasting KHHM. On August 2, the "Fuego" format moved to 101.9 FM entirely, along with the KHHM call letters; the 103.5 frequency becameclassic country"Real Country 103.5" with the KNTY call sign.[9][10]

Ratings and signal coverage

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Sacramento has always been a fierce market for Top 40 stations, which has seen more than one competitor claiming the crown. KBMB was, at the time, no exception, having beaten KSFM and KDND several times since its debut, and at most times ahead of rivals KSFM and KDND. But KSFM had dominated The Bomb in later years, mainly due to KSFM's more powerful signal and multi ethnic air staff and KBMB's small range (6 kW) and failed programming strategies. KBMB had also been beaten at times by KDND, a straightforward top 40 more in tune with 103.5's current direction.

Another reason for KNTY's Class A status is due toKHSL-FMinChico,who also resides at the 103.5 frequency. As a result, KNTY's coverage is limited to mostly Sacramento County proper, although the primary signal basically covers the urban and more populated portion of the market. Since its shift from Rhythmic to Mainstream in 2011, KHHM's ratings had been low, making them hard to compete with KSFM and KDND (at the time it was on the air), although it improved somewhat slightly by being first and faster on current Pop hits and playing newer artists likeOne DirectionandCapital Cities.

In March 2014, KHHM decided to dump the Top 40 format for Rhythmic Contemporary, and although they continued to play some pop songs, it had enough Hip Hop and R&B songs to compete with KSFM. This was probably done for ratings boost and to leave the clustered Top 40/CHR race, which they came in last every month since flipping formats in 2010, although their return had them facing off with Rhythmic AC rivalKHYLas well.[11]However, by August 2014, KHHM returned to BDS' Top 40/CHR panel, due to KHYL's shift to a short-lived Rhythmic direction and its return to a more Pop-skewing presentation (Mediabase had KHHM listed on its Rhythmic panel until its flip in July 2019).

Programming

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In 2005, long time 106 KMEL air personality Short-E and ex-KSFM Davey D both joined the Bomb Family. Although they enjoyed high ratings after their arrival to KBMB, Davey D's career with KBMB was cut short when he parted ways with the station in January 2008. Another change in the lineup took place in 2008 when Short-E, who was doing mornings with co-hosts Lady Stephanie and Famous, was moved to afternoons after the station placed Big Boy in the morning drive and his co-hosts were let go.[12]On Sunday mornings, KHHM aired Gospel programming from 6 AM to 12 noon with Tommie Goss from the late 1998 until early 2010 when he left the station for KHYL.

In 2011, KHHM revamped its lineup, with the launch of the "Hot 1035 Hot Morning Mess" with JayMarzz and Roxy featuring the Breakfast Club mix with DJ Tosh, PD Pattie Moreno, "The Latin Diva," in mid-days featuring the Caliente Mix at noon with DJ SN1, Short E in the afternoons, Super Mike in evenings, and RayArea in weekends. This lineup was changed later on, with Short-E returning to mornings, Jay Marzz taking afternoons, Ray Styles succeeding Super Mike in evenings, and weekends are handled by Jillian. The daily mix shows continue to air intact with most of the mixes airing on Friday and Saturday nights. In November 2013, Short-E would leave KHHM to join KSFM as their new MD, followed by Moreno in January 2014. Jason “Sugar bear” Harris was holding down mornings from 2014 until its July 2019 flip.

Under “Fuego 103.5,” Megan Rage was the first airstaffer to be hired, taking afternoons, while most of the day parts and weekends are temporarily jockless.

References

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  1. ^Radio-Locator /KNTY
  2. ^"Sacramento HD radio guide".Archived fromthe originalon 2011-07-13.Retrieved2008-05-24.
  3. ^"KBMB Goes Hot In Sacramento" from All Access (January 19, 2010)
  4. ^"Hot In Sacramento Grabs New Calls"from All Access (June 25, 2010)
  5. ^"Sacramento Radio Station Bans Kanye West Music"fromBillboard(November 22, 2016)
  6. ^"KNTY Sacramento Drops Country For La Tricolor Simulcast"from Radio Insight (July 8, 2019)
  7. ^Entravision Brings Fuego to Sacramento & ModestoRadioinsight - July 29, 2019
  8. ^"Megan Rage Takes Afternoons At Fuego-FM Sacramento"Radioinsight - September 13, 2019
  9. ^"Fuego on the Move in Sacramento".
  10. ^"Entravision Launches Real Country 103.5 Sacramento".
  11. ^"KHHM Shifts To Rhythmic"from Radio Insight (March 10, 2014)
  12. ^"Davey D Exits The Bomb".All Access.January 2, 2008.RetrievedMay 16,2017.
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38°33′58″N121°28′52″W/ 38.566°N 121.481°W/38.566; -121.481