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Kyaw Hlaing

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Kyaw Hlaing
ကျော်လှိုင်
Born(1914-09-28)28 September 1914
Died13 April 1996(1996-04-13)(aged 81)
NationalityBurmese
Known forPainting
MovementRangoon School

BogalayKyaw Hlaing(Burmese:ဘိုကလေး ကျော်လှိုင်,pronounced[bòɡəlétɕɔ̀l̥àɪ];28 September 1914 – 13 April 1996) was aBurmeseartist. Due to his mastery of the technique of painting clouds, he was sometimes called "Cloudy Kyaw Hlaing".[1]

Early life[edit]

Kyaw Hlaing was born on 28 September 1914 inBogalay(in the present-dayAyeyarwady Region), son of wealthy parents with an interest in art. He studied art at Aid National Middle School. At the age of 18, withBa Kyi,Aye MaungandThein Han,he became a student under the masterBa Nyan,who had learned European oil painting techniques inLondon.After theSecond World Warhe entered a national painting competition, winning prizes in the still life, figure and landscape categories, and the overall gold prize. He found work as an art instructor in Bogalay, later moving toYangonwhere he taught in high schools for many years.[2]

Work[edit]

Kyaw Hlaing belonged to the second generation of Burmese painters who studied under Ba Nyan in the 1930s.[3]After Myanmar gained independence in 1948, he continued to practice the European painting techniques he had learned during the colonial period.[4]Kyaw Hlaing exhibited at many art shows in the 1960s, and his paintings were collected by many art lovers. The majority of his work was in watercolor, this oeuvre of pieces counting in the many hundreds. His oil work was less prolific, and the number of paintings is not known precisely: nearly a score of these works have emerged in the hands of Yangon art dealers in recent years. Kyaw Hlaing quoted 80 oil paintings as an estimate of the number of oil works he had done in his lifetime.

Kyaw Hlaing's watercolor works, which earned him the nickname "Cloudy", were rendered with skies full of clouds executed in many tones of white, often with portions of the clouds left unpainted to create a searing white given by the background watercolor paper.[5]Many of his paintings are exhibited today in the New Treasure Art Gallery.[1]

Later years[edit]

After retiring, he was appointed an instructor at the Yangon Fine Arts school, teaching third-year students.[1]His pupils included Min Wae Aung,Zaw Zaw Aung,Hla Tun,Zaw Win PeandKyaw Shein.[6][7][8]Kyaw Hlaing was a handsome man with a wiry, towering frame. Two of his students, Min Wae Aung and Zaw Zaw Aung, painted portraits of him. One of these works by Zaw Zaw Aung, an ironic oil painting titledPortrait of U Kyaw Hlaing: Visit Myanmar Year 1996(1995), was done when Kyaw Hlaing had passed the age of 80. It captured only the lower part of his body in alongyiwith his withered legs crossed and his upper body hidden by a newspaper he was reading. It is in the collection of theSingapore Art Museum.[5]

He was a calm and taciturn person with a taste for tea and cigars, always helpful to his fellow artists.[9]He lived with his wife in a poor quarter of Yangon.[5]He painted until his last days. He died at the age of 82 on 13 April 1996.[1]

Museum collections[edit]

See also[edit]

Notes[edit]

  1. ^abcd"Bogalay Kyaw Hlaing".Yadanapura.Retrieved2010-11-15.
  2. ^"U Kyaw Hlaing | Biography".mutualart.Retrieved2021-08-29.
  3. ^"MYANMAR Visual Art: An Overview (2006)".Thavibu Gallery.Retrieved2010-11-15.
  4. ^"Myanmar Art Past & Present".Southeast Asian Pictures.Archived fromthe originalon 2010-09-11.Retrieved2010-11-15.
  5. ^abcAndrew Ranard (2009).Burmese Painting: A Linear and Lateral History.Silkworm Books. pp. 195–197, 287.ISBN978-974-9511-76-3.
  6. ^"Hla Tun".Asia Fine art.Retrieved2010-11-15.
  7. ^"Artist Zaw Win Pei".Laluna Gallery.Retrieved2010-11-15.
  8. ^"Kyaw Shein".Yadanapura.Retrieved2010-11-15.
  9. ^Hla Tin Htun (2007).Old Myanmar paintings in the collection of U Win.Thavibu Gallery. p. 103.ISBN978-974-9931-82-0.

Further reading[edit]

  • Ranard, Andrew (2009). "The Rangoon School in the Post-War Period: Status Quo and a Traditional Revival".Burmese Painting: A Linear and Lateral History.Silkworm Books. pp. 195–197.ISBN978-974-9511-76-3.