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Literary estate

From Wikipedia, the free encyclopedia
Adrian Conan Doyle (left) executor of the estate of Arthur Conan Doyle (right)
Adrian Conan Doyle(left) son and from 1940, executor of the literary estate ofArthur Conan Doyle(right)

Theliterary estateof a deceasedauthorconsists mainly of thecopyrightand otherintellectual propertyrights of published works, includingfilm,translationrights, original manuscripts of published work, unpublished or partially completed work, and papers of intrinsic literary interest such as correspondence or personal diaries and records. Inacademia,theGermantermNachlassfor the legacy of papers is often used.

Literary executor

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Aliterary executoris a person acting on behalf of beneficiaries (e.g. family members, a designated charity, a research library or archive) under a deceased author'swill.The executor is responsible for entering into contracts with publishers, collecting royalties, maintaining copyrights, and (where appropriate) arranging for the deposit of letters. According toWills, Administration and Taxation: a practical guide(1990, UK)[1]"A will may appoint different executors to deal with different parts of the estate. One example of this is the appointment of a literary executor to deal with literary effects [...]".

Since the literary estate is a legacy to the author'sheirs,the management of it in financial terms is a responsibility of trust. The position of literaryexecutorextends beyond the monetary aspect, though: appointment to such a position, perhaps informally, is often a matter of the author's choice during his or her lifetime.

If a sympathetic and understanding friend is in the position of literary executor, there can be conflict: what is to be managed is not just a portfolio of intellectual property but a posthumous reputation. Wishes of the deceased author may have been clearly expressed but are not always respected. Family members often express strong feelings about privacy of the dead. For example, biographical writing is likely to be of a quite different authority if it is carried out with access to private papers. The literary executor then becomes a gatekeeper.

Examples

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Examples of literary executors include SirEdward MarshforRupert Brooke,Robert Baldwin RossforOscar Wilde,Robert Hayward BarlowforH. P. Lovecraft,Rush Rhees,G. H. von WrightandG. E. M. AnscombeforLudwig Wittgenstein,Otto NathanforAlbert Einstein,Regine OlsenforSøren KierkegaardandPaul WilliamsforPhilip K. Dick.

A particularly notorious example isElisabeth Förster-NietzscheforFriedrich Nietzsche,as she resorted to fraud to make her brother'sNachlassmore compatible with Nazi ideology.[citation needed]An exceptionally productive example is that ofRudolf Steiner.Although he did not originally intend that the stenographs of his thousands of lectures be published, he relented and named his second wife,Marie Steiner-von Sivers,to direct hisNachlass,which has produced more than three hundred volumes since his death in 1925.

Older examples of such appointments, such asKenelm DigbyforBen Jonson,are essentially editorial rather than legal. A contemporary case isChristopher Tolkien's work onJ. R. R. Tolkien's papers.

A notable example is the case ofFranz Kafka,who left no will. His friendMax Brodassumed the function of literary executor, though most of the literary estate was legally owned by Marianne Steiner and Věra Saudková.[2]

See also

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References

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  1. ^Barlow, J. S., King, L. C., King, A. G. (1990).Wills, Administration and Taxation: a practical guide.Sweet and Maxwell, London. p. 192.ISBN9780421431003.Retrieved14 November2014.{{cite book}}:CS1 maint: multiple names: authors list (link)
  2. ^Reed, T. J. "Pasley, Sir John Malcolm".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/94106.(Subscription orUK public library membershiprequired.)