Medumba language
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Medumba | |
---|---|
Bangangte | |
Mə̀dʉ̂mbɑ̀ | |
Region | Cameroon |
Ethnicity | Bamileke |
Native speakers | (210,000 cited 1991)[1] |
Dialects |
|
Language codes | |
ISO 639-3 | byv |
Glottolog | medu1238 |
Medumba(Mə̀dʉ̂mbɑ̀,Medumba pronunciation:[mə̀ɟʝʉ̂ᵐbɑ̀]) is aBamileke languageofCameroon.The people who speak it originate from theNdedivision of theWest Regionof the country, with their main settlements inBangangté,Bakong, Bangoulap, Bahouoc, Bagnoun and Tonga. It is a majorBamileke language,and is located in an area wheresacred kingshipplayed a pivotal role in government, justice, and diplomacy.[2][3]The modern history of the Bamileke area, which was a German colony placed under French trusteeship by the League of Nations in 1919, is closely associated with the nationalist movement of theUnion des Populations du Cameroun(UPC), which developed primarily in the coastal hinterland (Bassa) and the western highlands (Bamileke). From 1956 to the late 1960s, this area of Cameroon experienced a period of unrest;[4]this episode continues to shape Bamileke political culture, and has an impact on language identity[5]and thelinguistic landscape.[6]
The Medumba-speaking area is famous for a bi-annual cultural festival —FESTAC:Festival des arts et de la cultureMedumba(Medumba Arts and Crafts Festival) — that promotes the Medumba language, as well as dance, artwork and food styles of the 14 different villages of the locality.[7][8][9]The festival, which takes place over a 2-week period in early July, is hosted in Bangangte.
Language resources
[edit]Scholarship on the Bamileke cluster
[edit]Medumba is part of the Eastern Group of theBamilekeCluster, which also includeFe'fe',Ghomálá',Kwa',andNda'nda'.The Bamileke cluster — along with Ngemba, Nkambe and Nun — is part of theEastern Grassfieldssubgroup which, together with theRing languagesand theSouthwest Grassfieldslanguages, constitute theGrassfield languagegrouping.
Medumba figures prominently in linguistic research on the Bamileke cluster, partly because of the high quality of the work done by Jan Voorhoeve in the 1960s and 1970s, including work on (in chronological order):
- morpheme structure constraints (Voorhoeve 1965[10])
- personal pronouns (Voorhoeve 1967[11])
- noun classes (Voorhoeve 1967[12]and 1969[13])
- tone of nouns (Voorhoeve 1971[14])
- traditional Bamileke narratives (Voorhoeve 1976[15])
- general linguistic description of the Bangangte dialect (Voorhoeve 1977[16])
This work was pursued by L. Hyman in the 1980s, on the closely related language Fe'fe' (add refs). It was re-invigorated in the early 2010s by research groups at Boston University (led by C. O'Connor) and at the University of British Columbia (led by R.-M. Déchaine). Some of these publications include:
- [add refs]
Also notable are the scholarly contributions of Medumba speaker-linguists, including (in chronological order):
- Keupdjio 2011, MA thesis (University of Yaounde) on content questions[17]
- Kouankem 2011, PhD dissertation (University of Yaounde) on nominal syntax[18]
- Kouankem 2013 on concord[19]
Recent work on Medumba is part of a more general push towards documenting the languages of Africa, in the face of rising levels of language endangerment.[20]Cameroon — along with Nigeria, Sudan, and Ethiopia — is reported to have one of the highest language mortality rates in Africa.[21]
Literacy and orthography
[edit]Efforts to develop a Medumba orthography date back to the beginning of the 20th century,[22]and are associated with the following milestones:
- 1926:Protestant missionaries develop an orthography for use in primary schools to facilitate the penetration of the Christian Bible in the region.
- 1957:The French administration prohibits the use of local languages in the territories of theUnion Française.
- 1973,20 December:CEPOM (Comité de Langue pour l'Etude et la Production des Œuvres Bamiléké-Medumba)is created; its mission is to promote research on Medumba and develop literacy materials.
Currently, educational materials, literature and dictionaries for the language are produced by CEPOM, based in Bangangte. The combined output of missionary and CEPOM work has produced more than 80 publications on Medumba language and culture; these are published in French, English, and Medumba. Over time, publications in Medumba have used six different orthographies:[23]
- 1926:published in a collection of 12 songs
- 1945:published in a book on religious history (Nu Yawe Nsi) and a syllabary
- 1967:publication of the New Testament (Kàn nswe) andTshô Pangante
- 1973:publication ofCam Medumbaandzi'te nkite
- 1979:publication ofMbwog NkUd MedUmbAandTons, Textes...
- 1985,2 February: adoption of the current orthography at the 4th CEPOM Council
The current Alpha bet is given in the following table.
Uppercase | A | Ɑ | B | C | D | Ə | E | Ɛ | F | G | Gh | H | I | J | K | L | M | N | Ŋ | O | Ɔ | S | Sh | T | Ts | U | Ʉ | V | W | Ny | Y | Z | ʼ |
Lowercase | a | ɑ | b | c | d | ə | e | ɛ | f | g | gh | h | i | j | k | l | m | n | ŋ | o | ɔ | s | sh | t | ts | u | ʉ | v | w | ny | y | z | ʼ |
IPA symbol | a | ɑ | b | tʃ | d | ə | ɪ | ɛ | f | g | ɣ | x | i | ɟ | k | l | m | n | ŋ | o | ɔ | s | ʃ | t | ʦ | u, ʊ | ʉ | v | w | ɲ | j | z | ʔ |
In addition to simplex consonants, Medumba has numerous complex consonants, and these are represented asdigraphsortrigraphs;see Table 2. Nasals, stops, and fricatives can be labialized; in the orthography this is represented as a CW digraph.Stopsandfricativescan bepre-nasalized;in the orthography this is represented as an NC digraph or an NCW trigraph.
Labialized consonants | Pre-nasalized consonants | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
nasals | stops | fricatives | stops | fricatives | |||||||||||||||||||||
voiced | voiceless | voiced | voiceless | ||||||||||||||||||||||
Uppercase | Nw | Ŋw | Bw | Jw | Gw | Cw | Kw | Fw | Sw | Mb | Mbw | Nd | Nj | Nj | Ŋg | Ŋgw | Nt | Nc | Ncw | Ŋkw | Ŋkw | Mf | Mfw | Ns | Nsw |
Lowercase | nw | ŋw | bw | jw | gw | cw | kw | fw | sw | mb | mbw | nd | nj | njw | ŋg | ŋgw | nt | nc | ncw | ŋk | ŋkw | mf | mfw | ns | nsw |
IPA symbol | ɲʷ | ŋʷ | bʰ | ɟʷ, ʒʷ | gʷ | tʃʷ | kʷ | fʷ | sʷ | ᵐb | ᵐbʰ | ⁿd | ᶮɟ,ⁿʒ | ᶮɟʷ,ⁿʒʷ | ᵑg | ᵑgᵂ | ⁿt | ᶮc | ᶮcᵂ | ᵑk | ᵑkᵂ | ᵐf | ᵐfᵂ | ⁿs | ⁿsᵂ |
Orthographic conventions for tone-marking are as follows:
- High-tone is not marked.
- Low-tone is marked as agrave accenton the vowel, e.g.à.
- Rising Low-High is marked as acaronon a single vowel, e.g.ɛ̌.
- Falling High-Low is marked ascircumflexon a single vowel, e.g.ʉ̂.
Recent developments in digital literacy have had an impact on Medumba. For example, a seven-language electronic calendar — in French, English, and the five national languages (Medumba, Ghomala, Yemba, Meta, Kom) — sends information on time and date to an LCD screen via a VGA controller. The calendar has been developed as a way of mitigating the impact of language competition, and with the specific goal of raising the profile and prestige of the national languages in a context of language endangerment.[24]
Mediaf
[edit]Radio Medumba Bangangté was established in 2000 byKum Ntsi' Medumba.[25]
Phonology
[edit]Vowels
[edit]According toVoorhoeve (1965)andVoorhoeve (1977),Medumba has 12 phonemic simple vowels given in the following inventory:
Front | Central | Back | ||
---|---|---|---|---|
Closed (High) |
+ATR | i | ʉ | u |
-ATR | ɪ | ʊ | ||
Mid (Non-high) |
Close | e | ə | o |
Open | ɛ | ɔ | ||
Low | a | ɑ |
Additionally, Medumba has five phonemic diphthongs:/ia/,/ʉa/,/iə/,/ʉɑ/,and/uɑ/.
Consonants
[edit]The following table gives the simple phonemic consonants in Medumba according toVoorhoeve (1965).Consonants in parentheses are phonemic but extremely rare.
Labial | Alveolar | Palatal | Velar | Glottal | ||
---|---|---|---|---|---|---|
Nasal | m | n | ɲ | ŋ | ||
Stop | voiced | b | d | ɟ | ɡ | |
voiceless | t | c | k | ʔ[a] | ||
Trill | ʙ | |||||
Fricative | voiced | (v) | (z) | |||
voiceless | f | s | (ʃ) | |||
Approximant | w | j |
- ^Occurs only in coda positions.
Only nasals, /b/, /d/, /g/, and /ʙ/ appear in both onset and coda positions.
Approximants /w, j/ also may occur according to Nganmou (1991).[26]
In addition to simple consonants Medumba has a large number of consonants withsecondary articulation.Complex consonants only occur in onset position. The inventory of complex consonants according toVoorhoeve (1965)is:
Labial | Alveolar | Palatal | Velar | |||
---|---|---|---|---|---|---|
labialized | nasal | ɲʷ | ŋʷ | |||
stop | voiced | bʷ | ɟʷ | gʷ | ||
voiceless | cʷ | kʷ | ||||
fricative | sʷ | |||||
pre-nasalized | trill | ᵐʙ | ||||
plosive | voiced | ᵐb | ⁿd | ᶮɟ | ᵑg | |
voiceless | ⁿt | ᶮc | ᵑk | |||
fricative | ᵐf | ⁿs | ||||
pre-nasalizedlabialized | plosive | voiced | ᵐbʷ | ᶮɟʷ | ᵑgʷ | |
voiceless | ᶮcʷ | ᵑkʷ | ||||
fricative | ⁿsʷ |
Labial | Alveolar | Palatal | Velar | Glottal | ||||||
---|---|---|---|---|---|---|---|---|---|---|
plain | Lab. | plain | Lab. | plain | Lab. | plain | Lab. | |||
Nasal | m | n | ɲ | ɲʷ | ŋ | ŋʷ | ||||
Stop | voiced | b | bʷ | d | ɟ | ɟʷ | ɡ | gʷ | ||
voiceless | t | c | cʷ | k | kʷ | ʔ[a] | ||||
pre-nasalised | ⁿt | ᶮc | ᶮcʷ | ᵑk | ᵑkʷ | |||||
pre-nasalised v. | ᵐb | ᵐbʷ | ⁿd | ᶮɟ | ᶮɟʷ | ᵑg | ᵑgʷ | |||
Trill | ʙ | ᵐʙ | ||||||||
Fricative | voiced | (v) | (z) | |||||||
voiceless | f | s | sʷ | (ʃ) | ||||||
pre-nasalised | ᵐf | ⁿs | ⁿsʷ | |||||||
Approximant | w | j |
Morphology
[edit]Affixation
[edit]Medumba has several affixes including:
- the suffix -te,which attaches to verbs to derive the counterpart iterative form ('to verb regularly or repetitively'). While many -te forms have a counterpart base to which the may or may not transparently related (1-10), many of them seem to be frozen forms, for which the underived no longer exists (11-22).
- homorganic nasal prefixal N-, which is found in two contexts:
- it attaches to verbs to derive nouns
- it attaches to verbs to derive non-initial verbs (e.g. after an auxiliary or the non-initial verb of serial verb construction)
- suffixal H-tone
- prefixal H-tone
IPA | orthography | gloss | IPA | orthography | gloss | source | |
---|---|---|---|---|---|---|---|
(1) | bàL | 'be red' | bà-təLL | 'change' | V1976:111 | ||
(2) | bɛdH | 'crever, pierce, explode' | bɛd-təHH | 'ask' | V1976:112 | ||
(3) | cwedH | 'wipe' | cwed-təHH | 'pick up' | V1976:114 | ||
(4) | fàgL | 'rip' | fàg-təLL | 1. 'rip'
2. to separate from each other |
V1976:116 | ||
(5) | ghubH | 'become quiet' | ghub-təHH | 'be late' | V1976:118 | ||
(6) | kùbL | 'be covered with écailles' | kùb-təLL | 'escroquer' | V1976:121 | ||
(7) | làbL | 'hit' | làb-təLL | 1. 'hit with small hits'
2. 'thank, pray' |
V1976:26
V1976:122 | ||
(8) | [lɑʔ] | lɑ'L | 'to become angry' | lɑ'-təLL | 'reveal, show' | V1976:122 | |
(9) | mɑ'L | 1. throw
2. project 3. clothe again |
mɑ'-təLL | 'cotiser' | V1976:123 | ||
(10) | tɛnH | 'push' | tɛn-təHH | 'push with small shakes' | V1976:26 |
IPA | orthography | gloss | source |
---|---|---|---|
ben-təHH | 'mend, pin up' | V1976:112 | |
fɛd-təLL | 'pour, empty' | V1976:116 | |
cwed-təLL | 'show' | V1976:114 | |
kòm-təLL | 'be amusing, provoke laughter' | V1976:121 | |
kwim-təHH | 'remember' | V1976:122 | |
làg-təLL | 'forgive, forget' | V1976:122 | |
lam-təHH | 'trick' | V1976:122 | |
len-təLL | 'safeguard, fructify' | V1976:123 | |
nyi'-təLL | 'shake' | V1976:125 | |
sag-təHH | 1. 'be dirty
2. 'realize' |
V1976:126 | |
[sɛʔ-tə] | sɛ'-təLL | 'rub' | V1976:126 |
tad-təHH | 'lie, mislead' | V1976:127 |
Tonal inflection
[edit]Nominal tone classes: LL, HH, HL, LH
[edit]Tone on Nouns: {LL, HH, HL, LH}: Voorhoeve introduced a non-segment tone in order to distinguish two different low tone noun groups and two different high tone noun groups. For instance,naʔandmfənboth bear a segment low tone, but their tonal realization is different in the context such asmə jən mfən ___.For instance,naʔinmə jən mfənnaʔ(I saw the child of the cow) bears a non-low tone, whereasmfeninmə jən mfənmfən(I saw the child of the chief) bears a low tone. He proposed a four-way distinction, L(L), L(H), H(L), and H(H) to account for the nominal tone groupsVoorhoeve (1971:44-53).
Tone class | Surface tone | IPA | Orthography | Gloss |
---|---|---|---|---|
L(L) | L | [mfə̀n] | mfə̀n | 'chief' |
L(H) | L | [naʔ] | nà' | 'cow' |
H(L) | H | [mɛn] | mɛn | 'child' |
H(H) | H | [njwí] | nywi | 'tree' |
Adapted fromVoorhoeve (1971:44-53) |
Verbal tone classes: L, H
[edit]Tone on Verbs: {L, H}: The radical of the verb has only one tonal contrast, which is a Low and High contrast.[27][28]The tone of radical may be realized differently in different contexts. For instance, a low tone verb that has a nasal prefix has a different tone from its non-prenasalized counterpart. Examples are provided to illustrate this phenomenon. [Give examples of CV, CVC, CV-L and CVC-L)
Tone class | Context 1: infinitve | Context 2: consecutive | ||||||
---|---|---|---|---|---|---|---|---|
Surface tone | IPA | Orthography | Surface tone | IPA | Orthography | Gloss | ||
L-tone | CV | L-H | [kòó] | kòo | H-L | [ᵑkóò] | ŋkoò | 'like' |
CVC | L-H | [kùmə́] | kùmə | H-L | [ᵑkúmə̀] | ŋkumə̀ | 'arrive' | |
H-tone | CV | H | [ʒú] | ju | H | [ᶮʒú] | nyju | 'eat' |
CVC | H-H | [túmə́] | tumə | HH | [ⁿtúmə́] | ntumə | leave | |
Adapted fromVoorhoeve (1965),Franich (2014) |
The examples above show that the Low tone radical is realized as a high tone if the verb is prenasalized, whereas it is realized as a low-mid tone if the verb is not prenasalized. The High tone radical is realized as mid tone regardless of prenasalization. This effect is also found in Bamileke-FeʔFeʔ.
Noun classes
[edit]Voorhoeve identifies two characteristics of noun classes that surface in Medumba:[12]
- Systems of pairings between singular and plural prefixes
- Concording nominal and prenominal prefixes
Voorhoeve also assumes that pronominal prefixes exist within the noun class system, with these prefixes consisting of inherent tone morphemes such as the left-edge floating tone. The added prenominal tone creates a tonal difference between singular and plural noun class pairs, with generation of the plural form created by the singular.[12][29]
Noun classes can be detached by singular and plural pairs.[30]
Voorhoeve ascertains that the nasal prefix serves as a distinguishing factor between singular and plural noun pairs. As seen in Table 19, this nasal prefix does not surface in all constructions, especially with singular nouns that are already nasal word-initially.[12][30]
Class | IPA | Orthography | Gloss |
---|---|---|---|
Class 1 | [mɛ́n] | mɛ́n | 'child' |
Class 2 | [bʉ́n] | bʉ́n | 'children' |
Class 3 | [báàʔ] | báaʔ | 'house' |
Class 4 | [mbáàʔ] | báaʔ | 'houses' |
Class 5 | [bʰí] | mbʰí | 'knife' |
Class 4 | [mbʰí] | mbʰí | 'knives' |
(Adapted fromGoldman et al. (2015:99) and
Voorhoeve (1976:13-14)) |
Other noun classes in Medumba, however, exhibit derivation fromProto-Bantunoun classes, which had a strict parallel between singular and plural classes.[30]In comparingagreementsystems of Bamileke languages, Medumba behaves independently from the expected system. Compared to Proto-Bantu noun classes, there seems to be a noun class merger in Medumba.[14]This merger occurs through the compression of various Proto-Bantu noun classes into a generalized noun class in Medumba.
Proto-Bantu Meanings | (Odden
Forthc.) |
Proto-Bantu
Noun Class |
Medumba
Nouns Class |
Example | ||
---|---|---|---|---|---|---|
IPA | Gloss | |||||
singular | Humans, animate | *mʊ- | 1 | 1 | [mɛ́n] | 'child' |
Animals, inanimate | *n- | 9 | [mbʰʉ́] | 'dog' | ||
Plants, inanimate | *mʊ- | 3 | 3 | [tʃʰʉ́] | 'tree' | |
Various, diminutives, manner/way/language | *kɪ- | 7 | [báàʔ] | 'house' | ||
Various | *di- | 5 | 5 | [bʰí] | 'knife' | |
plural | Humans, animate (plural of class 1) | *ba- | 2 | 2 | [bʉ́n] | 'children' |
Animals, inanimate (plural of class 9) | *n- | 10 | [mbʰʉ́] | 'dogs' | ||
Plants, inanimate (plural of class 3) | *mɪ- | 4 | 4 | [ntʃʰʉ́] | 'trees' | |
Various, diminutives, manner/way/language (plural of class 7) | *bi- | 8 | [mbáàʔ] | 'houses' | ||
Various (plural of class 5), liquids (mass nouns) | *ma- | 6 | [mbʰí] | 'knives' | ||
(Adapted from Voorhoeve 1976:13-14) |
Proto-Bantu noun classes typically assign particular words to certain noun classes, but this is not exhibited in Medumba. This would imply the dissolution of strict noun classes like the ones found in Proto-Bantu, as the set noun classes are merging into one class, albeit still maintaining a noun class-like form.[30]The flexibility of noun classes in Medumba could be correlated with inflectional morphemes acting as the noun class system, with these morphemes surfacing as left-edge floating tones.[29]
Loan words are normally inserted into unrestricted noun classes. For example,látrɨ́,the loan word for "light" from English, can either be viewed as a mass noun or not, depending on the speaker. In the case of Medumba, this allows for any noun class to take a loan word.[30]
In looking at interspeaker variation on the addition of loan words in Medumba noun classes, the instability of a formal noun class allows flexibility with speakers of various dialects This could be due to disagreement on how to lexicalize a new loan word between the various dialects. One such example is the loan word for "light",/látrɨ́/.While one speaker chose to pluralize/látrɨ́/as/ndátrɨ́/,the other speaker refused to pluralize/látrɨ́/as they believed it was a mass noun.[30]
Younger speakers of Medumba are beginning to use forms of words that do not account for noun class, such as the first person possessive form/jɔm/.The first person possessive form normally varies depending on the noun it is possessing, such as in/látrɨ́-ɔm/(my light) or/ndátrɨ́-t͡ʃɔm/(my lights). It is unknown as to how much younger speakers know about noun classes and agreement.[30]
Pronouns: simplex, possessive, complex, reciprocal
[edit]Bamileke distinguishes four sets ofpersonal pronouns:simplex, possessive, complex, and reciprocal.[11]
Simplex pronouns
[edit]Simplex pronouns are differentiated according to syntactic position:
- subject forms are V, CV, or CVC, and surface with Low tone or High tone
- object forms are V, CV, or CVC, and surface with Low toner or High tone
- elsewhere forms occur as indirect object, object of P, or in non-argument position (e.g. when topicalized bykíor focus-marked byá)
Subject | Object | Elsewhere | |||||
---|---|---|---|---|---|---|---|
IPA | orthography | IPA | orthography | IPA | orthography | ||
1sg | H | [mʉ́] | mʉ | [mʉ́] | mʉ | [ɑ́m] | ɑm |
L | [mʉ̀] | mʉ̀ | [mʉ̀] | mʉ̀ | [ɑ̀m] | ɑ̀m | |
2sg | H | [ú] | u | [wʉ́] | u | [ú] | u |
L | [ù] | ù | [wʉ̀] | ù | [ù] | ù | |
3sg | H | [á] | a | [jí] | yi | [í] | i |
L | [à] | à | n/a | n/a | [ì] | ì | |
(adapted fromVoorhoeve (1967:422) Table 1, Columns I, II, II) |
Almost all plural pronouns often begin withb-, which is a marker of plurality; see Table 15. The only exception to this is the 2pl pronounjin,which is the elsewhere form (i.e. it is used with indirect objects, objects of prepositions, and for topicalization and focalization).
Subject | Object | Elsewhere | |||||
---|---|---|---|---|---|---|---|
IPA | orthography | IPA | orthography | IPA | orthography | ||
1pl | H | n/a | n/a | [˚b-ág´] | bag | [˚jág-] | yag |
L | [b-àg] | bàg | [˚b-àg´] | bàg | [˚jàg-] | yàg | |
1pl (inclusive) | H | [b-ə́] | bə | n/a | n/a | n/a | n/a |
L | [b-ə̀] | bə̀ | [b-ə̀n] | bə̀n | [b-ə̀n] | bə̀n | |
2pl | H | n/a | n/a | [˚b-ín´] | bin | [˚jín-] | yin |
L | [b-ìn] | bìn | [˚b-ìn´] | bìn | [˚jìn-] | yìn | |
3pl | H | [b-ú] | bu | [b-ú] | bu | [˚júb-] | yub |
L | [b-ù] | bù | n/a | n/a | [˚jùb-] | yùb | |
(adapted fromVoorhoeve (1967:422), Table 1, Columns I, II, II) |
The tone simplex pronouns depends on the following verb or auxiliary (for subject pronouns) or the preceding verb (for object pronouns). Examples of tone variation of pronoun in subject position (provide fuller description and edit examples). Example (1) illustrates 1sgmə,2sgu,3sgo,and 3plbualso behave as in (1). Example (2) illustrate 1plbag;2plbinalso behaves as in (2).
mə
1SG
kem
see
men
child
'I saw the child'
mə
1SG
ke?
NEG
jen
see
men
child
'I did not see the child'
mə
1SG
do
PAST.REC
jen
see
men
child
'I just saw the child'
mə
1SG
ke
??
njen
see
men
child
'It was me who saw the child'
bag
1PL
jen
see
men
child
'We saw the child'
bag
1PL
ke?
NEG
jen
see
men
child
'We did not see the child'
bag
1PL
do
PAST.REC
jen
see
men
child
'We just saw the child'
bag
1PL
ke
??
njen
see
men
child
'It was us who saw the child'
- (adapted fromVoorhoeve (1967:423f))
Examples of tone variation of pronoun in object position ((provide fuller description, edit examples put both IPA and orthography). Example (3) illustrates 1sgam;example (4) illustrates 1pljag(e).
a
3SG
dab
beat
am
1SG
'S/he beat me'
a
1
na?
??
ndab
N-beat
am
1SG
'S/he beat me a bit'
a
3SG
ton
spy.on
am
1SG
'S/he spied on me'
a
3SG
na?
??
nton
spy.on
am
1SG
'S/he spied on me a bit'
a
3SG
dab
beat
jage
1PL
'S/he beat us'
bag
1PL
ke?
NEG
jen
see
men
child
'S/he beat us a bit'
a
3SG
ton
spy.on
yage
1PL
'S/he spied on us'
a
3SG
na?
??
nton
spy.on
yage
1PL
'S/he spied on us a bit'
- (adapted from Voorhoeve 1967:425)
Possessive and appositional pronouns
[edit]The tonal structure of possessive pronouns depends on the tonal structure of the preceding noun.
Specification | Possessive | Appositional | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
with SG Nouns: 'X's N' | with PL Nouns: 'X's N-s' | ||||||||||
IPA | Orthography | IPA | Orthography | IPA | Orthography | IPA | Orthography | IPA | Orthography | ||
singular | 1sg | [ɑ́m] | ɑm | [s-ɑ́m] | ɑm | [c-ɑ́m] | cɑm | [m-ɑ́m] | mɑm | [c-ɑ́m] | cɑm |
[ɑ̀m] | ɑ̀m | [s-ɑ̀m] | ɑ̀m | [c-ɑ̀m] | cɑ̀m | [m-ɑ̀m] | mɑ̀m | [c-ɑ̀m] | cɑ̀m | ||
2sg | [ú] | u | [s-ú] | su | [c-ú] | cú | [m-ú] | mú | [c-ú] | cu | |
[ù] | ù | [s-ù] | sù | [c-ù] | cù | [m-ù] | mù | [c-ù] | cù | ||
3sg | [˚í´] | i | [s-ə́] | sə | [c-iə́] | ciə | [m-í] | mi | [c-iə́] | ciə | |
[˚ì´] | ì | [s-ə̀] | sə̀ | [c-iə̀] | ciə̀ | [m-ì] | mì | [c-iə̀] | c-ə̀ | ||
plural | 1pl | [˚j-ág´] | yag | [˚s-ág-] | sag | [˚c-ág-] | cag | [˚m-ág-] | mag | [˚c-ag-] | cag |
[˚j-àg´] | yàg | [˚s-àg-] | sàg | [˚c-àg-] | càg | [˚m-àg-] | màg | [˚c-ag-] | càg | ||
1pl (inclusive) | [b-ə́n] | bən | [b-ə́n] | bən | [b-ə́n] | bən | [b-ə́n] | bən | [b-ə́n] | bən | |
[b-ə̀n] | bən | [b-ə̀n] | bə̀n | [b-ə̀n] | bə̀n | [b-ə̀n] | bə̀n | [b-ə̀n] | bə̀n | ||
2pl | [˚j-ín´] | yin | [˚s-ín-] | sin | [˚c-ín-] | cín | [˚m-ín-] | min | [˚c-ín-] | cin | |
[˚j-ìn´] | yìn | [˚s-ìn-] | sìn | [˚c-ìn-] | cìn | [˚m-ìn-] | mìn | [˚c-ìn-] | cìn | ||
3pl | [˚j-ób´] | yub | [˚s-ób-] | sub | [˚c-úb-] | cúb | [˚m-úb-] | mub | [˚c-úb-] | cub | |
[˚j-òb´] | yùb | [˚s-òb-] | sùb | [˚c-ùb-] | cùb | [˚m-ùb-] | mùb | [˚c-ùb-] | cùb | ||
morpheme breakdown: | Agr-Pronoun | Agr-Pronoun | Agr-Pronoun | Agr-Pronoun | Agr-Pronoun | ||||||
(adapted from Voorhoeve 1967:422, Table 1, Columns IVa-b-c-d & V) |
Provide examples (see Voorhoeve 1967:426); use template from subject and object pronouns above.
Complex plural pronouns
[edit]Complex plural pronouns specify the composition of the group of participants denoted by the pronoun. [Provide fuller description; give examples form Voorhoever 1967:428); regularize IPA transcription]
1pl [báàg-jí]baag-ɟi
1PL-3SG
'us: me+him'
[bàág-ɑ̀-bu]bǎg-à-bo
1PL-LINK-3PL
'us: them/us+her/him/them'
[báàg-wʉ]bâg-uɨ
1PL-2SG
'us: me+you(sg)'
[bág-ɑ̀-bìn']bág-à-bìn´
1PL-LINK-2PL
'us:me/us+you(pl)'
2pl [bíìn-jé]bîn-jé
2PL-3SG
'you all:you(sg.)+him'
[bín-ɑ̀-bu]bín-à-bo
2PL-LINK-3PL
= (i) 'you all: you(sg)+them
= (ii) 'you all: you(pl+her/him/them'3pl [búù-jí]bô-jé
3PL-3SG
'them:her/him+3her/him'
[bú-ɑ̀-bu]bó-à-bo
3PL-LINK-3PL
= (i) 'them:her/him+them
= (ii) 'them: them+her/him/them'(adapted from Voorhoeve 1967:427)
Reduplicated reciprocal pronouns
[edit][Provide description] (say where there examples are from)
bǎg-bàg
1PL-1PL
'1PL, exclusive: 'us (us/me and them) between ourselves'
bən-bən
1PL.IN-1PL.IN
'1PL, inclusive: us (me and you) between ourselves'
bin-bìn
2PL-2PL
'2PL: you all between yourselves'
bó-bó
3PL-3PL
'3PL: 'them between themselves'
Syntax
[edit]CP: clausal syntax
[edit]Medumba has a rich inventory of temporal and aspectual auxiliaries, and makes productive use of serial verb constructions. [Give examples]
Tense-marking
[edit]Medumba has finely articulated temporal contrasts, with up to 9 distinct past tense auxiliaries, and 5 distinct future tense auxiliaries.[31][32]
Bracketed clause-typing
[edit]Medumba makes use of numerous clause-typing particles that occur at the beginning or end of the sentence: they are used to mark yes/no questions, content questions, relative clauses, as well as embedded clauses. In addition, there are two forms of negation, according to whether negation has scope over VP or CP: VP-scope negation is contrastive (e.g. He bought some books, but he did not sell pens); CP-scope negation denies the truth of a propositionp(e.g. NOT-p = it is not the case thatp). [Give examples]
DP: nominal syntax
[edit]Associative N of NP construction
[edit]Associative noun constructions, which usually translated as 'Noun1of Noun2', as inbǎmmɛ́n(‘belly of the child’), are analyzed with afloating toneinterposed between the two nouns. The presence of this floating tone is reflected by the tone melodies borne by the nouns that precede or follow it.[14][33]This associative tone, first hypothesized by Jan Voorhoeve, may be high or low depending on the class and tone pattern of the preceding noun. The tone may lower the pitch-level of Noun2(a phenomenon called down step); or it may combine with the final vowel of Noun1,resulting in a (rising LH or falling HL) contour tone.
For example, in (1), the first line represents the theorized underlying tonal melody of the two nouns, with the L tone associative marker in bold. The second line shows the two tones which are actually pronounced at the surface, with the pitch level shown in brackets (a very low pitch followed by a mid-range pitch). Likewise in (2), the first line shows the theoretical tonal melody of what at the surface are pronounced as a LH contour on Noun1and a down-stepped high tone on Noun2.Thus, in brackets we see a slash indicating a rise from low to high pitch, and a mid-level line indicating a mid-range pitch.
(1) L-(H)(L)(L)-H-(L)) (2) L-(L) (H) (L)-H-(L) L H [ _ – ] LH↓H [ / – ] nzwi mɛn bǎm mɛn nzwí mɛ́n bàám↓mɛ́n woman of child belly of child 'the woman of the child' 'the belly of the child' (adapted from Voorhoeve 1971:50)
Examples (3) to (6) illustrate the realization of the associative in contexts where Noun1is L-tone and Noun2is H-tone. Whether or not Noun1is theorized to be followed by a floating L or H tone has no effect on the surface form (i.e., the difference between (3) and (5), and (4) and (6)). What does have an effect is the tone of the associative marker—in (3) and (5) it is H, while in (4) and (6) it is L, resulting in an LH contour on Noun1.
The effect that the associative tone has on either of the two nouns may be dependent on which floating tones accompany those nouns, which in turn is decided by their noun class. Examples (7) to (10) illustrate the realization of the associative in contexts where Noun1is H-tone and Noun2is H-tone. As with (3) to (6), in examples (7) and (9) we can see that the floating tone following the noun has no effect on the surface form—if the associative marker is H, then the surface form will always be two level H tones, or else an HL contour followed by an H tone, varying by speaker or dialect. In the case of (8) and (10), the floating tone which follows the noun does have a perceptible effect. In (8), the surface form is either an H tone followed by an L tone, or else an HL contour followed by a L tone (again, varying by speaker or dialect). However, in (10) the only available choice is a H tone followed by down-stepped H, demonstrating that the theorized underlying tones do have an effect on the pitch at which tones are actually pronounced.
Resolution of associative tone: L-tone Noun1+ H-tone Noun2 (tones in brackets () are floating) (3) L-(L)(L)(L)-H-(L) (4) L-(L) (H) (L)-H-(L) L H [ _ – ] L H↓H [ / – ] mfə̀n mɛnbàm mɛn ᵐfə̀n mɛ́n bàá↓mɛ́n 1.chief of child 5.belly of child 'the chief of the child' 'the belly of the child' (5) L-(H)(L)(L)-H-(L) (6) L-(H)(H)(L)-H-(L) L H [ _ – ] L H↓H [ / – ] nà mɛn kɔ̀ mɛn nà mɛ́n kɔ̀O ↓ mɛ́n 3.cow of child 5.spear of child 'the cow of the child' 'the spear of the child' (adapted from Voorhoeve 1971:50)
Resolution of associative tone: H-tone Noun1+ H-tone Noun3 (tones in brackets () are floating) (7) H-(L)(L)(L)-H-(L) (8) H-(L)(H)(L)-H-(L) [TYPO?, check] H H [ ¯ ¯ ] or H L [ ¯ _ ] or H L H [ \ ¯ ] H L L [\ _ ] mɛn mɛn ju mɛn mɛ́(ɛ)n mɛ́n ʒú(ù) mɛ́n 1.child of 1.child 3.thing of 1.child 'the child of the child' 'the thing of the child' (9) H-(H)(L)(L)-H-(L) (10) H-(H)(H)(L)-H-(L) H H [ ¯ ¯ ] H↓H [ ¯ – ] H L H [ \ ¯ ]cʉ mɛn nzwi mɛntɨ́ ↓ mɛ́n ⁿʒʷí(ì) mɛ́n 3.tree of 1.child ⁿzʷí(ì) mɛ́n 'the tree of the child' 1.woman of 1.child 'the woman of the child' (adapted from Voorhoeve 1971:50)
Post-nominal and pre-nominal demonstratives
[edit]Medumbademonstratives(the equivalent of English "this" or "that" ) include three elements:[34]
- a noun (N);
- a demonstrative (Dem), which showsnoun classwith the noun;
- an obligatory "adverbial locative reinforcer" (Loc)
The normal (unmarked) order or demonstratives is postnominal, yielding [Noun-Dem-Loc]. Divergence from this canonical order is possible, so that [Dem-N-Loc] is also attested, and yields acontrastive focusreading, where the noun is contrasted with other deictic alternatives (thisman, as opposed to that man).[34]
Noun class | Proximal (near speaker) |
Example | Medial (near listener) |
Example | Distal (far from listener & speaker) |
Example |
---|---|---|---|---|---|---|
1 | ... yə̂n lì | mɛ́n yə̂n lì
'this child' |
... yə̂n lá | mɛ́n yə̂n lá
'that child' |
... yə̂n dín | mɛ́n yə̂n dín
'that child (over there)' |
3 | ... yə̂n lì | bú yə̂n lì
'this hand' |
... yə̂n lá | tə̂ntsə̀ yə̂n lá
'that calabash' |
... yə̂n dín | tə̂ntsə̀ yə̂n dín
'that calabash (over there)' |
4 | ... mə̂n lì | mìág mə̂n lì
'these eyes' |
... mə̂n lá | mìág mə̂n lá
'those eyes' |
... mə̂n dín | mìág mə̂n dín
'those eyes (over there)' |
5 | ... sə̂n lì | sɔ̀ sə̂n lì
'this tooth' |
... sə̂n lá | sɔ̀ sə̂n lá
'that tooth' |
... sə̂n dín | fù sə̂n dín
'that medicine (over there)' |
6 | ... cə̂n lì | bún cə̂n lì
'these children' |
... cə̂n lá | bún cə̂n lá
'those children' |
... cə̂n dín | bʉ́ cə̂n dín
'those dogs (over there)' |
Adapted from Kouankem (2013:60) |
Combining Nouns with Adjectives, Numerals and Demonstratives
[edit]Within the DP, there are 8 possible word order variations, taking into account the order of nouns, adjectives, demonstratives, and numerals. These are divided by Kouankem (2011) into post-nominal and pre-nominal variations.[35]The possible word orders are:
- Post-nominal word order variation
bun
N
children
sɛŋkɛ
A
black
kua
NUM
four
cən li
DEM
DEM.PRX
'these four black children'
bun
N
children
kua
NUM
four
sɛŋkɛd
A
black
cən li
DEM
DEM.PRX
'these four black children'
bun
N
children
sɛŋkɛd
A
black
cən li
DEM
DEM.PRX
kua
Num
four
'these four black children'
- (adapted from Kouankem 2011:234-236; identify pp. & example nos.)
- Pre-nominal word order variation
mbwo
A
beautiful
bun
N
children
kua
NUM
four
cən li
DEM
DEM.PRX
'these four beautiful children'
mbwo
A
beautiful
bun
N
children
cən li
DEM
DEM.PRX
kua
NUM
four
'these four beautiful children'
cən
DEM
DEM.PRX
mbwo
A
beautiful
bun
N
children
kua
NUM
four
li
??
'these four beautiful children'
cən
DEM
DEM.PRX
bun
N
children
sɛŋkɛd
A
black
kua
NUM
four
li
??
'these four black children'
cən
DEM
DEM.PRX
bun
N
children
kua
NUM
four
sɛŋkɛd
A
black
li
??
'these four black children'
- (adapted from Kouankem 2011:234-236; identify pp. & example nos.)
AP: adjectival syntax
[edit]There are three kinds of adjective classes in Medumba, which differ in their order relative to the noun they modify. [GIVE EXAMPLES][18]
Pure adjectives
[edit]There are a limited number of pure adjectives.[18]These are further divided into two classes. Class 1 pure adjectives always appear before their noun. Class 2 pure adjectives typically appear after the noun, but can appear before the noun in a contrastive context. [GIVE EXAMPLES]
Nominal adjectives
[edit][GIVE EXAMPLES]
Verbal adjectives
[edit][GIVE EXAMPLES]
PP: Prepositional Syntax
[edit]Medumba has four locative prepositions:mbàŋ(next to),mʙəә́(in front of),ɲàm(behind), andnùm(on).[36]
While there are several strategies for forming prepositional phrases involving overt prepositions or “locative specifications”, there are no overt locative prefixes which correspond to the Bantu locative classes (16), (17), and (18) (pa-, ku-, and mu- respectively).[27]However, there is a ''covert'' prefix in the form of a floating H tone whose presence may be detected in certain contexts by its effects on the pitch of surrounding tones, which Voorhoeve hypothesizes that it may be the remnant of those locative classes. The interpretation of a noun marked with this tone is variable and context dependent, generally corresponding to prepositions like on, at, or in. [Give examples]
Conventions for presenting Medumba language data
[edit]The following conventions are used to present Medumba language data
- symbols in square brackets [...] give theIPAform
- examples in italic give the Medumbaorthography
- example sentences used the following format
- line 1: orthography
- line 2: IPA transcription
- line 3: morpheme breakdown (called a "gloss" by linguists)
- line 4: translation
Thus, example (1) is presented as follows:
me
1SG
kem
see
men
child
'I saw the child'
me
1SG
ke?
NEG
jen
see
men
child
'I did not see the child'
me
1SG
do
PAST.REC
jen
see
men
child
'I just saw the child'
me
1SG
ke
??
njen
see
men
child
It was me who saw the child'
bag
1PL
jen
see
men
child
'We saw the child'
bag
1PL
ke?
NEG
jen
see
men
child
'We did not see the child'
bag
1PL
do
PAST.REC
jen
see
men
child
'We just saw the child'
bag
1PL
ke
??
njen
see
men
child
It was us who saw the child'
- (adapted from Voorhoeve 1967:423f.)
Notes
[edit]- ^Occurs only in coda positions.
References
[edit]- ^MedumbaatEthnologue(18th ed., 2015)(subscription required)
- ^Warnier, Jean-Pierre (2015)."Review of" Nation of Outlaws, State of Violence: Nationalism, Grassfields Tradition, and State Building in Cameroon "by Meredith Terretta".African Studies Review.58(2): 255–257.doi:10.1017/asr.2015.56.S2CID146494805.
- ^Feldman-Savelsberg, Pamela (1995). "Cooking inside: Kinship and Gender in Bangangté Idioms of Marriage and Procreation".American Ethnologist.3.22(3): 483–501.doi:10.1525/ae.1995.22.3.02a00020.JSTOR645968.
- ^Terretta, Meredith (2014).Nation of Outlaws, State of Violence: Nationalism, Grassfields Tradition, and State Building in Cameroon.Athens: Ohio University Press. pp. xiv, 36.ISBN978-0821420690.
- ^Bandia, Paul F (1993)."Translation as Culture Transfer: Evidence from African Creative Writing".TTR: Traduction, Terminologie, Rédaction.6(2): 55–78.doi:10.7202/037151ar.
- ^Ndjio, Basile (2009). "Migration, Architecture, and the Transformation of the Landscape in the Bamileke Grassfields of West Cameroon".African Diaspora.2:73–100.doi:10.1163/187254609X430777.
- ^Chubo, Nana Dorothy (May 2014).The impact of event tourism on host communities: Case Northwest Region of Cameroon(PDF)(Master's thesis). Centria University of Applied Sciences.
- ^West, Ben (2011).Cameroon(Third ed.). IDC House, The Vale, Chalfont St Peter, Bucks, England: Bradt Travel Guides Limited. p. 18.ISBN978-1-84162-353-5.
- ^Fosong, David (25 July 2016)."Cameroon: Bangangté - Medumba Festival Ends On Thrilling Note".AllAfrica.Retrieved14 March2018.
- ^Voorhoeve, Jan (1965). "The Structure of the Morpheme in Bamileke (Bangangté dialect)".Lingua.13:319–334.doi:10.1016/0024-3841(64)90034-8.
- ^abVoorhoeve, Jan (1967). "Personal Pronouns in Bamileke".Lingua.17(3–4): 421–430.doi:10.1016/0024-3841(67)90010-1.
- ^abcdVoorhoeve, Jan (1968). "Noun Classes in Bamileke".Lingua.21:584–593.doi:10.1016/0024-3841(68)90077-6.
- ^Voorhoeve, Jan (1969). Voorhoeve, Jan; de Wolf, Paul (eds.).Benue-Congo noun class systems: Bangangte.Leiden: West African Linguistic Society. pp. 17–19.
- ^abcVoorhoeve, Jan (1971). "Tonology of the Bamileke Noun".Journal of African Languages.10:44–53.
- ^Voorhoeve, Jan (1976).Contes bamiléké.Annales (in French). Vol. 89. Tervuren, Belgium: Musée Royal de L'Afrique Centrale.OCLC3143376.
- ^Voorhoeve, Jan (1977). Kropp Dakubu, M. E. (ed.).Bamileke (Bangangte dialect).West African Language Data Sheets. Vol. 1. West African Linguistic Society. pp. 57–66.
- ^Keupdjio, Hermann (2011).Les mouvements Qu et l'architecture propositionnelle en Medumba(MA thesis). University of Yaoundé I.
- ^abcConstantine, Kouankem (2011).The syntax of the Medumba determiner phrase(PhD thesis). University of Yaoundé I.
- ^Kouankem, Constantine (2013). "Determiner phrase structure and concord in Mə̀dʉ́mbὰ".South African Journal of African Languages.33(1): 59–64.doi:10.2989/02572117.2013.793941.S2CID120261204.
- ^Kandybowicz, Jason;Torrence, Harold, eds. (2017).Africa's endangered languages: documentary and theoretical approaches.New York.ISBN9780190256340.OCLC973733564.
{{cite book}}
:CS1 maint: location missing publisher (link) - ^Opala, K. (6 March 2002). "How Kenya Stands to Lose More than 10 Tribes".Daily Nation.Nairobi: Nation Media Group.
- ^Tchana, Thomas (2009).Swαndα Mə́dʉmbà:Lexique Français-Mə́dʉmbà (4500 mots) et 260 expression françaises-mə́dʉmbà.Bangangte, Cameroon:Comité de langue bamileke medujba, Production du CEPOM.
- ^Bird, Stephen (2001). "Orthography and identity in Cameroon".Written Language & Literacy.4(2): 131–162.CiteSeerX10.1.1.49.9177.doi:10.1075/wll.4.2.02bir.S2CID13917876.
- ^Tchahou Tchendjeu, A. E.; Tchitnga, R.; Fotsin, H. B. (July 2016)."FPGA based seven-language electronic calendar for the revival of the cameroon culture"(PDF).Sciences, Technologies et Développement (Edition Spéciale):197–202.
- ^Farmer Radio in Sub-Saharan Africa: A snapshot final report of the African Rural Radio Program Analysis (ARRPA) project(PDF)(Report). Farm Radio International. April 2014.
- ^Nganmou, Alise (1991).Modalités verbales: Temps, Aspect et Mode en Mədūmba.Université de Yaoundé I.
{{cite book}}
:CS1 maint: date and year (link) - ^abVoorhoeve, Jan (July 1974)."Locatives in Bangangte-Bamileke".Studies in African Linguistics.5(2): 205.
- ^Franich, Kathryn (2014)."Contour Tones and Prosodic Structure in Medumba".Annual Meeting of the Berkeley Linguistics Society.40:102–124.doi:10.3765/bls.v40i0.3135.
- ^abAnghelescu, Andrei (2010)."Tonology of the Disyllabic Medumba Noun"(PDF).University of British Columbia.
- ^abcdefgGoldman, Nora; Orman, Will; Paquette, Elodie; Franich, Kathryn; Hawkes, Rachel; Ngabeu, Ariane; O'Connor, Catherine (2015). "Interspeaker Variation in Noun Class Realization in Medumba, a Grassfields Language". In Kramer, Ruth (ed.).Selected Proceedings of the 44th Annual Conference on African Linguistics(PDF).Somerville, MA: Cascadilla Proceedings Project. pp. 98–109.
- ^Mucha, Anne (2016).Temporal interpretation and cross-linguistic variation. A formal semantic analysis of temporal and aspectual reference in Hausa and Medumba(PhD thesis). Potsdam University.
- ^Mucha, Anne (2017). "Past interpretation and graded tense in Medumba".Natural Language Semantics.25:1–52.doi:10.1007/s11050-016-9128-1.S2CID125741496.
- ^Danis, Nick; Barnes, Jonathan; O'Connor, Catherine (2012). "Downstep and Contour Formation in Medumba: A Prosodic Account".Selected Proceedings of the 42nd Annual Conference on African Linguistics: African Languages in Context(PDF).Somerville, MA: Cascadilla Proceedings Project. pp. 23–31.
- ^abKouankem, Constantine (2013). "Determiner phrase structure and concord in Mə̀dʉ́mbὰ".South African Journal of African Languages.33(1): 59–64.doi:10.2989/02572117.2013.793941.S2CID120261204.
- ^Kouankem, Constantine (2011).On the Syntax of the Medumba Determiner Phrase(PhD thesis). Yaoundé: University of Yaounde I.
- ^Hawkes, Rachel; Paquette, Elodie; Goldman, Nora; Ngabeu, Ariane; O'Connor, Catherine (2015). "Animacy Constraints on Prepositional Objects in Medumba, a Grassfields Language". In Kramer, Ruth (ed.).Selected Proceedings of the 44th Annual Conference on African Linguistics.Somerville, MA: Cascadilla Proceedings Project. pp. 122–129.