O Come, All Ye Faithful
| O Come, All Ye Faithful | |
|---|---|
| Native name | Adeste Fideles |
| Genre | Christmas music |
| Language | Latin, English |
| Published | 1751 |
"O Come, All Ye Faithful",also known as"Adeste Fideles",is aChristmas carolthat has been attributed to various authors, includingJohn Francis Wade(1711–1786),John Reading(1645–1692),King John IV of Portugal(1604–1656), and anonymousCistercianmonks. The earliest printed version is in a book published by Wade.[1][2][3]A manuscript by Wade, dating to 1751, is held byStonyhurst CollegeinLancashire.[4]
The original four verses of thehymnwere extended to a total of eight, and these have been translated into many languages. In 1841, the English Catholic priestFrederick Oakeleytranslated the hymn into English as "O Come All Ye Faithful", which became widespread in English-speaking countries.[2][5]
History
[edit]Text
[edit]The original text of thehymnhas been from time to time attributed to various groups and individuals, includingSt. Bonaventurein the 13th century or KingJohn IV of Portugalin the 17th, though it was more commonly believed that the text was written byCistercianmonks – the German, Portuguese or Spanish provinces of that order having at various times been credited.
In modern English hymnals, the text is usually credited toJohn Francis Wade,whose name appears on the earliest printed versions. Wade, anEnglish Catholic,lived in exile in France and made a living as a copyist of musical manuscripts which he found in libraries. He often signed his copies, possibly because his calligraphy was so beautiful that his clients requested this[citation needed].In 1751 he published a printed compilation of his manuscript copies,Cantus Diversi pro Dominicis et Festis per annum.This is the first printed source forAdeste Fideles.[6]
The version published by Wade consisted of four Latin verses. Later in the 18th century, the French Catholic priestJean-François-Étienne Borderieswrote an additional three verses in Latin. Another anonymous Latin verse is rarely printed.
The text has been translated innumerable times into English. The most common version today is a combination of one ofFrederick Oakeley's translations of the original four verses, and William Thomas Brooke's translation of the three additional verses. It was first published inMurray's Hymnalin 1852. Oakeley originally titled the song "Ye Faithful, approach ye" when it was sung at his Margaret Chapel inMarylebone(London), before it was altered to its current form.[7]The song was sometimes referred to as the "Portuguese Hymn" after theDuke of Leeds,in 1795, heard a version of it sung at the Portuguese embassy in London, nowOur Lady of the Assumption and St Gregory, Warwick Street.[8]McKim andRandellnonetheless argue for Wade's authorship of the most popular English language version.[2][9]Bennett Zon offers limited support for that argument, although he also suggests that the author may instead have been someone known to Wade.[10]
Tune
[edit]BesidesJohn Francis Wade,the tune has been attributed to several musicians, fromJohn Readingand his son, toHandel,and even the German composerGluck.The Portuguese composerMarcos Portugalas well asKing John IV of Portugalhave also been credited.Thomas Arne,whom Wade knew, is another possible composer.[7]There are several similar musical themes written around that time, though it can be hard to determine whether these were written in imitation of the hymn, whether the hymn was based on them, or whether they are totally unconnected.
Published versions
[edit]
The hymn was first published byJohn Francis Wadein his collectionCantus Diversi(1751),[2][9]with four Latin verses, and music set in the traditionalsquare notationused formedieval liturgical music.This version is intriple meter,contrary to modern versions. It was published again in the 1760 edition ofEvening Offices of the Church.It also appeared inSamuel Webbe'sAn Essay on the ChurchPlain Chant(1782). Thehymn tunealso made its way to theSacred Harptradition, appearing as "Hither Ye Faithful, Haste with Songs of Triumph" in an 1860 collection.[11] With "Herbei, o ihr Gläub'gen" a German translation of the Latin text was published in 1823 byFriedrich Heinrich Ranke.[12]
Lyrics
[edit]These are the original four Latin verses as published by Wade, along with their English translation by Frederick Oakeley.
Adeste fideles læti triumphantes, |
O come, all ye faithful, joyful and triumphant! |
These are the additional Latin verses composed in the 18th century.[13]The first three verses have translations by William Thomas Brooke, while the others have English prose translations:
En grege relicto, humiles ad cunas, |
See how the shepherds, summoned to His cradle, |
Claims of Jacobite connections
[edit]Although, as previously stated, the hymn’s exact sources and origins remain unproven, there is universal agreement among musicologists that it was through the efforts of Catholic layman and music copyist John Francis Wade that it first appeared in print. Wade himself fled to France after theJacobiterising of 1745 was crushed, and his liturgical books were often decorated with Jacobite imagery[citation needed](for context, the aim of the rebellion had been to restore a Catholic monarch – Charles Edward Stuart, popularly known as “Bonnie Prince Charlie[14]”– to the throne of England). These aspects of Wade’s life and political leanings have given rise to speculation that he might have intended forAdeste Fidelesto be a ciphered birth ode to the Jacobite’s Young Pretender.
This theory regarding the hymn’s meaning has been most recently proposed by Professor Bennett Zon, head of music atDurham University.It essentially holds that "the song’s original Latin version was actually a coded rallying cry for the Stewart cause".[15]Elements of this theory include:
- The as-yet-unproven but popular claim that "Bethlehem" was a common Jacobite cipher[16]for England.
- The claim (also currently unproven) that Wade deliberately meant for the titleRegem Angelorum– which is found in the hymn’s original Latin lyrics and translates literally to "King of Angels" – to refer to the king of England via a pun on the Latin words"Angelorum"( "of the angels" ) and"Anglorum"( "of the English" ).
- The fact that during the mid-18th century some English Roman Catholic liturgical books would placeAdeste Fidelesphysically close to prayers for the would-be king in exile.[17]
Proponents of this theory interpret the notions and circumstances described above as evidence that the lyrics ofAdeste Fidelesare meant to be "a call to arms for faithful Jacobites to return with triumphant joy to England (Bethlehem) and venerate the king of angels, that is, the English king (Bonnie Prince Charlie).”[18]However, certain historical circumstances would seem to disprove or at least problematize the Jacobite ode theory. Namely:
- The absence of any textual evidence that can conclusively prove that Wade explicitly composedAdeste Fidelesas a piece of political propaganda. In the absence of such evidence, the Jacobite imagery found in Wade’s books might be merely an expression of the author’s idiosyncratic blend of political and religious thought, which in turn might have reflected the sentiments of Catholic Jacobites as a group.[19]
- Sources that credit the hymn’s composition to Wade overlook the fact that the exact origins ofAdeste Fidelesare uncertain. It is not known whether Wade might have simply copied the hymn from other sources (for instance, it could have been composed by Cistercian monks and eventually sung at the Portuguese embassy chapel in London[18]), or to what extent he might have innovated on the contributions of the hymn’s other plausible authors.
- Most of the hymn’s original lyrics are an almost-verbatim expression of Roman Catholic dogmas regarding the person of Jesus Christ. As stated elsewhere in this article, the hymn takes almost all its contents from Bible verses and the Nicene Creed.[20]To Irish musicologist William H. Grattan Flood, it is so readily evident that the hymn is merely an artistic expression of the Catholic spiritual and intellectual tradition that he concludes that the words and music of the song "are to be attributed to a Catholic source and for Catholic worship".[21]
Performance
[edit]In performance, verses are often omitted – either because the hymn is too long in its entirety or because the words are unsuitable for the day on which they are sung. For example, the eighth anonymous verse is only sung onEpiphany,if at all; while the last verse of the original is normally reserved for ChristmasMidnight Mass,Mass at Dawn or Mass during the Day.
In the United Kingdom and United States it is often sung today in an arrangement by SirDavid Willcocks,which was originally published in 1961 byOxford University Pressin the first book in theCarols for Choirsseries. This arrangement makes use of the basic harmonisation fromThe English Hymnalbut adds asopranodescantin verse six (verse three in the original) with its reharmonisedorganaccompaniment, and alast verse harmonisationin verse seven (verse four in the original), which is sung in unison.
This carol has served as the penultimate hymn sung at the Festival ofNine Lessons and Carolsby theChoir of King's College, Cambridge,after the last lesson fromChapter 1of theGospel of John.
Adeste Fideles is traditionally the final anthem during Midnight Mass atSt. Peter's Basilicain the Vatican.[22]
See also
[edit]References
[edit]- ^Stephan, John (1947)."Adeste Fideles: A Study on Its Origin and Development".Buckfast Abbey.Archivedfrom the original on 13 October 2007.Retrieved19 December2019.
- ^abcdMcKim, LindaJo H. (1993).The Presbyterian Hymnal Companion.Westminster John Knox Press. p. 47.
- ^Neves, José Maria (1998). "Música Sacra em Minas Gerais no século XVIII".Magis: Cadernos de fé e cultura(in Portuguese). No. 25.ISSN1676-7748.
- ^"The One Show films at Stonyhurst".Stonyhurst. 19 November 2014.Retrieved16 December2015.
- ^"Frederick Oakeley 1802–1880".[permanent dead link]
- ^Petersen, Randy (2014).Be Still, My Soul: The Inspiring Stories behind 175 of the Most-Loved Hymns.Tyndale House. p. 219.
- ^abSpurr, Sean."O Come All Ye Faithful".Archived fromthe originalon 11 December 2012.Retrieved4 December2012.
- ^Crump, William D. (2013).The Christmas Encyclopedia(3rd ed.).
- ^abRandel, Don Michael(2003).The Harvard Dictionary of Music.Harvard University Press. p. 14.
- ^Zon, Bennett (May 1996). "The Origin of 'Adeste fideles'".Early Music.Vol. 24, no. 2. pp. 279–288.JSTOR3128115.
- ^The Sacred Harp,1860, p. 223:Scores at theInternational Music Score Library Project
- ^Evangelisches Gesangbuch.p. 45.
- ^The Hymns and Carols of Christmas,Source for other five verses.
- ^"Carol is 'ode to Bonnie Prince'".BBC. 18 December 2008.Retrieved18 December2007.
- ^"O' Come All Ye Faithful: The Story Behind The Famous Christmas Carol".MyNativity.6 April 2018.Retrieved25 December2022.
- ^Secret Symbols of the Jacobites
- ^University, Durham."Bonnie Prince Charlie and the Christmas Carol – Durham University".durham.ac.uk.Retrieved25 December2022.
- ^ab"The history of a Christmas classic, 'O Come, All Ye Faithful'".America Magazine.10 December 2021.Retrieved25 December2022.
- ^"Behind the Carols: O Come, All Ye Faithful – University Lutheran – Tallahassee FL".6 December 2017.Retrieved25 December2022.
- ^"History of Hymns:" O Come, All Ye Faithful "".Discipleship Ministries.Retrieved25 December2022.
- ^Montani, Nicola A. (Nicola Aloysius); Society of St. Gregory of America (1915).The Catholic Choirmaster, Volumes 1-5.[Buffalo, N.Y., etc., s.n.]
- ^"Libretto for Midnight Mass 2019, St. Peter's Basilica"(PDF).24 December 2019.
External links
[edit]
- Text, translations and settings of "Adeste fideles":Free scores at theChoral Public Domain Library(ChoralWiki)
- Freesheet musicof "O Come, All ye Faithful" forSATBfrom Cantorion.org
- Adeste Fideles,two 19th-century arrangements
- Original Latin, English translation, historical notes
- "O Come, All Ye Faithful"onYouTube,sung to David Willcocks' arrangement by theGeorgia Boy Choir
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