Our Man Bashir

"Our Man Bashir"
Star Trek: Deep Space Nineepisode
Episodeno.	Season 4 Episode 10
Directed by	Winrich Kolbe
Story by	Robert Gillan
Teleplay by	Ronald D. Moore
Featured music	Jay Chattaway
Production code	482
Original air date	November 27, 1995(1995-11-27)
Guest appearances
Andrew J. RobinsonasGarak Kenneth MarshallasMichael Eddington Max GrodénchikasRom Melissa Young as Caprice Marci Brickhouse as Mona Luvsitt

"Our Man Bashir"is the 82ndepisodeof the Americanscience fiction televisionseriesStar Trek: Deep Space Nine,the tenth of thefourth season.It originally aired on November 27, 1995, inbroadcast syndication.Directed byWinrich Kolbe,the story originated from a pitch by Assistant Script CoordinatorRobert Gillanand was turned into a script by producerRonald D. Moore.Both hairdressing in the episode and the score byJay Chattawaywere later nominated forEmmy Awards.The episode's plot involves the combination of two much-usedStar Trekplot devices:atransporteraccident and aholodeckmalfunction.

Set in the 24th century, the series follows the adventures onDeep Space Nine,a space station located near a stablewormholebetween theAlpha and Gamma quadrantsof the Milky Way Galaxy. In this episode, Dr.Julian Bashir(Alexander Siddig) plays a 1960s secret agent in a holosuite game, accompanied by his friendGarak(Andrew Robinson), who is himself a former spy. After a transporter accident, the physical likenesses of several crew members are temporarily stored as characters in the holosuite memory; Bashir and Garak must prevent any of them from dying in the game or else they will be lost to the real world.

The production team had deliberately avoided episodes centering on holodeck malfunctions as they felt they had been overused onStar Trek: The Next Generation.However, Gillan pitched the circumstances that caused the issue seen in the episode and Moore came up with the 1960s setting. Although the episode takes its title fromOur Man Flint,a major inspiration for the story was theJames Bond films.This obvious influence resulted inMetro-Goldwyn-Mayercomplaining to the studio, and later references to Bashir's holosuite game in the episode "A Simple Investigation"were toned down." Our Man Bashir "receivedNielsen ratingsof 6.8 percent, and while the episode was mostly praised by reviewers, with particular attention paid to the performance ofAvery Brooks,there was some criticism levelled at the depiction of women.

Plot

Dr.Julian Bashiris playing aholosuitegame in which he portrays a glamoroussecret agentin 1964. His friendElim Garak,a former spy, tags along. Meanwhile, the other officers ofDeep Space Nineare rescued from the explosion of arunaboutby Cmdr.Eddington,whobeamsthem out in the nick of time. The transporter is damaged by the explosion, and Eddington must store their patterns in the station's computer memory. Their physical patterns end up in the computer controlling the holosuite, appearing as characters in Bashir's simulation. Eddington informs Bashir that he can't shut down the program or let the characters die, or else the patterns of the crew members may be deleted. Making matters worse, the holosuite safeties are disabled, meaning Bashir and Garak could be hurt or killed by the game.

In the game, a Russian spy, Anastasia Komananov, appears withMajor Kira's likeness. Komananov explains that a mad scientist, Dr. Noah, is kidnapping elite scientists; Bashir's orders are to rescue Professor Honey Bare (Jadzia Dax). After escaping the assassin Falcon (Miles O'Brien), Bashir, Garak and Komananov go to a casino to speak to Noah's associate Duchamps (Worf). After a game ofbaccarat,Duchamps drugs the trio, knocking them out.

They awaken in Dr. Noah's lair on Mount Everest. Noah (Captain Sisko) explains his plan to flood the rest of the world, wiping out the human race except for his kidnapped scientists. He has Bashir and Garak handcuffed to an underground laser that will flood the chamber with lava in five minutes. As the time ticks down, Bashir flirts with Prof. Bare, and she slips him a key. Bashir frees himself and Garak, who protests that continuing the simulation is too dangerous. Garak is about to close the program, potentially killing the other crew members, when Bashir shoots him, grazing him with a bullet. Garak is shocked, but impressed, and agrees to continue.

They burst into Noah's study, and Eddington tells them he will attempt to rescue Sisko and the others in two minutes. To gain time, Bashir hits the button to activate Noah's plan, flooding the Earth. As he had not expected to actuallywin,the shocked Dr. Noah is still about to shoot Bashir, but before he can pull the trigger, Eddington beams the crew's patterns out of the holosuite. Bashir and Garak end the program with relief, Garak commenting that Bashir "saved the day by destroying the world".

Production

Producer Ira Steven Behr wanted a holodeck episode forDeep Space Ninethat was different from any seen onThe Next Generation.

Story editorRené Echevarriawas keen not to have a damaged holodeck story appear, as he felt it had been overdone inStar Trek: The Next Generation.It was specified in the information sheet sent to freelance writers thatDeep Space Ninewas not accepting stories involving malfunctioning holodecks. ProducerIra Steven Behrexplained that the show had been looking for a unique holodeck story that would be specifically forDeep Space Ninerather thanSherlock HolmesandDixon Hilldetective stories seen inThe Next Generation.Whilst Bashir and O'Brien's adventures in the holosuites in theBattle of Britainand theBattle of Clontarfhave been mentioned in episodes, they were simply too expensive to be shown on screen effectively. But Behr felt that the story for "Our Man Bashir" was within the budget of the show.

The story was initially pitched to Echevarria byRobert Gillan,who was on the staff ofDeep Space Nineas Assistant Script Coordinator. Echevarria was immediately convinced, and told Behr about the story who was equally as enthusiastic. In Gillan's original pitch, there wasn't a specific setting clearly set out, but Behr and Echevarria were sold on the idea that nothing went wrong with the holosuites — it was simply where the computer decided to store the information following a transporter accident. ProducerRonald D. Moorecame up with the 1960s setting, as he felt it was appropriate since Garak was a spy for theCardassianObsidian Order.He wrote the teleplay, and based it on a variety of sources includingJames Bond,Our Man Flint,The Man from U.N.C.L.E.,andThe Wild Wild West.He later explained that he "loved all of them as a kid. They had a certain panache. I loved writing that episode."

Julian Bashir, played by Alexander Siddig, was the central character in this episode.

Some of the elements were suggested by other staff members, withRobert Wolfenaming Colonel Anastasia Komananov and Behr changing Suzie Luvsitt to Mona Luvsitt.Metro-Goldwyn-Mayerwas later not pleased with the James Bond-style approach, and when Bashir's spy program appeared in the later episode "A Simple Investigation",the references were more generic.Dennis Madalonemanaged to save some time during the production as one of the shots involved Bashir seeing Falcon approach him from behind by seeing his reflection in a bottle ofchampagne.After time was already scheduled to attempt the shot, Madalone explained to the director that he could take the filmed sequence and digitally manipulate it onto the bottle. Madalone was also responsible for firing a cork from a bottle at Colm Meaney's head from off screen to make it appear as if Bashir did it, and managed to do it on the first take.

"Our Man Bashir" was the longest shoot of any single episode ofDeep Space Nine,taking nine days to film instead of the normal seven. The episode required a great deal of stunt work and special equipment, such as stuntmen going throughtempered glassinstead ofsugar glassbecause of the better glass breaking effect.There was a great deal of new sets used as well, which each took longer to set up camera and lighting for as the crew were not as familiar with them as the standing sets. The backdrop used for Mount Everest was rented, but the crew realised it lacked snow so they had to modify it and then return it to the original condition afterwards. The majority of the 1960s style technologies such as Dr. Noah's base, were all custom built in house and where parts moved they were generally manually operated off screen. Art directorHerman Zimmermansaid that "Everything that could be manually operated was, because the brain is still smarter than most computers and you can still do some things faster by hand."

Reception

"Our Man Bashir" was first broadcast on November 27, 1995, inbroadcast syndication.It receivedNielsen ratingsof 6.8 percent, placing it in eighth place in its timeslotand lower than the episode that aired the previous week, "The Sword of Kahless",which gained a rating of 6.9 percent." Our Man Bashir "was the final new episode ofDeep Space Nineto air in 1995, with repeats running until "Homefront"aired on January 1, 1996, with ratings of 6.8 percent.

Zack Handlen ofThe A.V. Clubcompared "Our Man Bashir" to "Little Green Men"from earlier in the season, saying that this episode was" better paced ". Another comparison made was toThe Next Generation's"Hollow Pursuits",saying that" instead of[Reginald] Barclayusing the holodeck to enact his fantasies with people he can't bear to deal with in real life, Bashir is forced to keep his made up world going if he wants to save the lives of his friends ".Handlen also praised the relationship between Bashir and Garak in the episode, and said "Our Man Bashir" demonstrates their characterisation.In Michelle Erica Green's review forTrekNation,she criticised the role of women in the episode, saying that they fared better in the James Bond movies. She also thought that taking the out-of-character element of the episode repeated elements seen in several episodes during the previous season, but praised the acting on the part of Avery Brooks and that Garak was "born to play a Bond sidekick".

Keith DeCandido,writing forTor,said that it was obvious that the actors enjoyed their new parts in this episode and said of the episode, "holy crap is it fun".In particular, he praised both Avery Brooks and Nana Visitor in their Bond-esque roles, saying that Brooks made a villain on par with those played byDonald Pleasence,Christopher Lee,andJavier Bardem.DeCandido gave "Our Man Bashir" a rating of nine out of ten.In a list of the top 100 episodes of theStar Trekfranchise, "Our Man Bashir" was placed in 77th place byCharlie Jane Andersatio9.She noted it as being one of goofiestDeep Space Nineepisodes.

In 2012,Den of Geekranked this the seventh best episode ofStar Trek: Deep Space Nine.

A 2015binge-watchingguide forStar Trek: Deep Space NinebyWIREDrecommended not skipping this essential episode.

In 2016,Empireranked this the 23rd best out of the top 50 episodes of all the 700 plusStar Trektelevision episodes.

In 2016,The Hollywood Reporterrated "Our Man Bashir" the 87th best episode of allStar Trekepisodes.

In 2020,Io9said this was one of the "must watch" episodes from the series.

Awards

The episode was nominated for twoEmmy Awards,in the categories "Outstanding Music Composition for a Series" (for the score byJay Chattaway) and "Outstanding Hairstyling for a Series".

Home media release

The first home media release of "Our Man Bashir" was as a two-episodeVHScassette alongside "The Sword of Kahless" in the United Kingdom on June 13, 1996,followed in the United States and Canada by a single-episode release on October 3, 2000.It was later released onDVDas part of the season four box set on August 5, 2003.

References

• Erdmann, Terry J.; Block, Paula M. (2000).Star Trek: Deep Space Nine Companion.New York: Pocket Books.ISBN9780671501068.

External links

• "Our Man Bashir"atIMDb
• "Our Man Bashir"atMemory Alpha
• "Our Man Bashir"atWayback Machine(archived from the original at StarTrek )