Outrage(1950 film)

Outrage
Theatrical release poster
Directed by	Ida Lupino
Written by	Ida Lupino Malvin Wald Collier Young
Produced by	Collier Young Malvin Wald
Starring	Mala Powers Tod Andrews Robert Clarke
Cinematography	Louis Clyde Stoumen Archie Stout
Edited by	Harvey Manger
Music by	Constantin Bakaleinikoff Paul Sawtell
Production company	The Filmakers
Distributed by	RKO Radio Pictures
Release date	September 27, 1950(1950-09-27)(U.S.)
Running time	75 minutes
Country	United States
Language	English

Outrageis a 1950black-and-whiteB-moviestarringMala Powers.It was directed byIda Lupino.Lupino also co-wrote the script, along with the producersMalvin Waldand Lupino's then-husbandCollier Young.

Outrage,the first starring film role for Powers, was both controversial and remarkable for being only the second post-CodeHollywood film to deal with the issue of rape, afterJohnny Belinda(1948).

In 2020, the film was selected for preservation in theNational Film Registryby theLibrary of Congressas being "culturally historically or aesthetically significant".

Plot

Ann Walton is a young bookkeeper who has a steady boyfriend, Jim Owens. When Jim announces that he has received a raise, the young couple decide to finally marry and inform Ann's parents about the engagement. Meanwhile, a man who works at the concession stand where Ann works takes an interest in her and tries to flirt with her, though she is uninterested.

Staying late at work one night, Ann notices she is being stalked and tries to run away from the man who is following her. She is unable to hide and is eventually caught and raped by the man who works the concession stand. The memory of a scar on the man's neck is the only thing able to come through to Ann in her trauma.

Returning home, Ann's parents learn of what happened and contact the police. Though the police and her family, friends, and fiancé, Jim, are supportive, Ann believes that the neighbors are gossiping about her and that Jim can no longer see her as she once was. After being forced to look at a lineup of men with scars, none of whom she can identify as her attacker, Ann runs away, taking the bus to Los Angeles on a whim.

While the bus driver is on a break, Ann overhears on the radio that her parents are looking for her and have identified her as the victim of a rape. Ann runs away from the bus and sprains her ankle where she is found by a man named Rev. Bruce Ferguson. He brings Ann to the orange farm belonging to his friends, the Harrisons. He does his best to help Ann out, eventually securing her a job as a bookkeeper for the Harrisons. Ann and Ferguson grow increasingly close. When Ferguson asks her to attend a local festival she agrees, but when another attendee pressures her for a kiss she is reminded of her rape, and attacks him with a wrench.

Ann is forced to stand trial, but Ferguson investigates why she would do such a thing and learns of her rape. He is able to persuade the judge to commute her sentence, and instead she sees a psychiatrist for a year.

After the psychiatric treatment has concluded, Ann wants to stay with Ferguson and pursue a relationship with him, but he tells her not to run from life's challenges and encourages her to return to her old life and to Jim.

Cast

• Mala Powersas Ann Walton
• Tod Andrewsas Rev. Bruce Ferguson
• Robert Clarkeas Jim Owens
• Raymond Bond as Eric Walton
• Lilian Hamilton as Mrs. Walton
• Rita Lupino as Stella Carter
• Hal Marchas Det. Sgt. Hendrix
• Kenneth Patterson as Tom Harrison
• Jerry Parisas Frank Marini
• Angela Clarkeas Madge Harrison
• Roy Engelas Sheriff Charlie Hanlon
• Lovyss Bradley as Mrs. Miller
• Robin Campas Shoeshine Boy
• William Challeeas Lee Wilkins
• Tristram Coffinas Judge McKenzie

Critical reception

Modern critics have given it mixed reviews. It holds a 61% approval rating onRotten Tomatoes,based on 23 reviews.

Fred Camper fromChicago Readerin a positive review wrote "may not be stylistically original or completely successful, but it does treat the subject of rape with real sensitivity, especially for its era."

In his review,Richard BrodyofThe New Yorkerglowingly lauded the film and Lupino's direction saying,

Lupino turns prudish Hollywood conventions into a crucial part of the story: just as the word "rape" is never spoken in the movie, Ann is prevented from talking about her experience, and, spurred by the torment of her enforced silence and the trauma that shatters her sense of identity, she runs away from home. Lupino's drama blends Ann's story with an incisive view of the many societal failures that contribute to the crime—including the unwillingness of the legal system to face the prevalence of rape. Above all, Lupino depicts a culture of leers and wolf whistles and domineering boyfriends, and reveals the widespread and unquestioned aggression that women face in ostensibly consensual courtship and that's ultimately inseparable from the violence that Ann endures.

External links

• OutrageatIMDb
• OutrageatAllMovie
• Outrageat theTCM Movie Database
• Outrageat theAFI Catalog of Feature Films