Panda Bear Meets the Grim Reaper
Panda Bear Meets the Grim Reaper | ||||
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Studio albumby | ||||
Released | January 9, 2015 | |||
Recorded | 2013–2014 | |||
Studio | Miosotis Garage (Almada,Portugal) Estudio Namouche (Lisbon,Portugal)[1] | |||
Genre | ||||
Length | 51:10 | |||
Label | Domino | |||
Producer |
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Panda Bearchronology | ||||
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SinglesfromPanda Bear Meets the Grim Reaper | ||||
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Panda Bear Meets the Grim Reaperis the fifthstudio albumby American recording artistPanda Bear(aka Noah Lennox). Coproduced bySonic BoomofSpacemen 3,it was released on January 9, 2015, by theDomino Recording Company.Panda Bear Meets the Grim Reaperwas preceded by the digital release of anextended play,Mr Noah,and two singles, "Mr Noah" and "Boys Latin". It was followed by the extended playCrosswords.
Background and development
[edit]Having recorded his bleaker previous albumTomboy(2011) in a basement, Lennox wanted to go into the opposite direction onPanda Bear Meets the Grim Reaper,aiming for a more "lively" and "busy" sound.[6]He began working on the album while recordingAnimal Collective'sCentipede Hz(2012) in Texas.[7]
Sonic Boom,who mixed and mastered Panda Bear's previous albumTomboy,co-produced the album.[8][9]The two spent two weeks in November 2013 refining demo recordings Panda Bear had made at home and spent five weeks, beginning in January 2014, finishing the album. Sonic Boom mixed the album on theBalearic islandofMenorca.[10]About the album title, Lennox said "It's about presenting something that we don't have an easy time dealing with in a costume that's just a little bit more clown-y."[11]It was also inspired by the titles of 1970sdubcollaboration albums such asAugustus Pablo Meets Lee Perry and the Wailers BandandKing Tubbys Meets Rockers Uptown.[12]
We’re constantly forced through experiences that allow us to become something new—to create a new identity. Moving [to Portugal] was something like that for me. I had this vision of a future for myself as a person that lived in America, and then all of a sudden it was completely demolished.
—Panda Bear on the use of death as a metaphor on the album[11]
Composition
[edit]In conversation withThe Quietus,Lennox called the LP "myhip-hopalbum "due to its extensive use of sampledbreakbeats,many of them commonly used.[13]Lennox citedDust Brothers,Q-Tip,A Tribe Called Quest,Pete Rock,DJ Premier,9th Wonder,andJ Dillaas influences.[7]The lyrical themes of the album center around personal growth, although Lennox wanted to discuss issues on a larger scale because he wanted to avoid "self-obsession or narcissism".[11]
The opening track, "Sequential Circuits", is a piece ofneo-psychedeliathat was described as "swirling" and "pure as a babbling brook".[14]"Tropic of Cancer" contains a harp sample from theNutcrackersuiteand its lyrics concern the death of Panda Bear's father. His vocal harmonies on the song were compared to those ofThe Beach Boys.[15][16]
Release and promotion
[edit]In March 2014, Lennox announced a North American tour for May during which he would be performing tracks from the new album.[17]From July through September, he toured Europe and North America.[18]On January 11, 2015, Lennox played aBoiler Roomset atMoMA PS1.[11]Three days later, he performed "Boys Latin" onThe Tonight Show Starring Jimmy Fallon.[19]Lennox toured his show throughout Europe in March 2015.[20]He performed at theCoachella Valley Music and Arts Festivalon April 12 and 19 and gave seven more North American performances across April and early May.[21]Lennox performed at festivals for the rest of May and mid-June, including Shaky Knees Festival inAtlanta,Lightning in a Bottle Festival inBradley, California,Primavera Sound FestivalinBarcelonaandPitchfork Music FestivalinChicago.[22][23][24][25]
Lennox released a mixtape calledPB vs. GRon September 11, 2014.[26]On October 23, Lennox released the EPMr Noahand madePanda Bear Meets the Grim Reaperavailable for pre-order. That day also saw the release of the album's first single, "Mr Noah", and a music video directed by AB/CD/CD.[27]A teaser video for the album, directed by Danny Perez, was released on October 29.[28]The second single, "Boys Latin", was released on December 15, and was accompanied by a music video directed byIsaiah Saxonand Sean Hellfritsch. The music video had its premiere onAdult Swim.[29]A "Boys Latin" remix byAndy Stottwas released on March 2, 2015.[30]A music video for the track "Tropic of Cancer" was directed by fellow Animal Collective memberDave Portnerand released on April 8.[31]
On January 4, 2015, Lennox began his global radio campaign to premiere nine new tracks from the album. Various radio stations from around the world each premiered different tracks.[32]Two days later, he launched an interactive website including music by him and Sonic Boom, videos by Danny Perez, as well as graphics by Marco Papiro, Patakk, and Hugo Oliveira.[33]A short documentary detailing the creation,Panda Bear Meets the Grim Reaper,directed bySam Fleischner,was released on January 29.[34]
Critical reception
[edit]Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.9/10[35] |
Metacritic | 82/100[36] |
Review scores | |
Source | Rating |
AllMusic | [37] |
The A.V. Club | B−[38] |
Consequence | B[15] |
The Guardian | [39] |
Mojo | [40] |
The Observer | [41] |
Pitchfork | 8.7/10[42] |
Q | [43] |
Slant | 7/10[44] |
Spin | 8/10[45] |
Panda Bear Meets the Grim Reaperwas praised by contemporary music critics. AtMetacritic,which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 82, based on 34 reviews, indicating "universal acclaim".[36]
Writing forConsequence,Adam Kivel lauded the "multivalent" production of the album but criticized Panda Bear's choice not to deviate from his signature sound.[15]Matthew Ritchie ofExclaim!commended the "pure breadth of his beat-making, his ear for expansive and deeply resonating melodies and his lyrics, which urge you to not go so gently into that good night."[46]Pitchforkwrote that "Grim Reaperachieves just the right balance of skull-splitting drone and head-noddin’ drive. In contrast to the unpredictably amorphous song structures that defined previous Panda Bear records, many of the songs on Grim Reaper lock into a looped beat and rarely waver course. "[47]In a mixed review, Chris Mincher ofThe A.V. Clubstated that the album "isn't too interested in taking on big challenges. Rather, Lennox distills the results of hiselectro-psychedelicexperiments into simpler elements that pair well with (relatively) straightforward melodies and throwbackhip-hoptechniques ", concluding that the album" doesn’t push boundaries so much as it delineates the contours of Lennox’s comfort zone. "[38]
Accolades
[edit]Publication | Accolade | Year | Rank |
---|---|---|---|
Pitchfork | The 50 Best Albums of 2015 | 2015 | 22[48]
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Readers' Top 50 Albums | 2015 | 19[49]
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Track listing
[edit]All tracks are written byNoah Lennox,except "Davy Jones' Locker" and "Shadow of the Colossus", byPeter Kember
No. | Title | Length |
---|---|---|
1. | "Sequential Circuits" | 3:35 |
2. | "Mr Noah" | 4:13 |
3. | "Davy Jones' Locker" | 0:35 |
4. | "Crosswords" | 3:30 |
5. | "Butcher Baker Candlestick Maker" | 3:07 |
6. | "Boys Latin" | 4:12 |
7. | "Come to Your Senses" | 7:23 |
8. | "Tropic of Cancer" | 6:12 |
9. | "Shadow of the Colossus" | 0:17 |
10. | "Lonely Wanderer" | 4:19 |
11. | "Principe Real" | 4:54 |
12. | "Selfish Gene" | 5:05 |
13. | "Acid Wash" | 3:42 |
Total length: | 51:10 |
No. | Title | Length |
---|---|---|
1. | "Mr Noah" | 4:13 |
2. | "Faces in the Crowd" | 4:08 |
3. | "Untying the Knot" | 3:10 |
4. | "This Side of Paradise" | 4:34 |
Total length: | 1:07:15 |
Sample credits
- "Crosswords" contains a sample of "Ashley's Roachclip",performed byThe Soul Searchers.[1]
- "Tropic of Cancer" contains samples of "Fragments of the ballet"The Nutcracker"Pas de Deux".[1]
- "Lonely Wanderer" contains a sample of "Arabesque No. 1"inE major,composed byClaude Debussy,and performed byFrançois-Joël Thiollier.[1]
Personnel
[edit]Credits adapted from the liner notes ofPanda Bear Meets the Grim Reaper.[1]
- Noah Lennox –JoMoXXbase 999,Yamaha TX81Z,MoogVoyager,ElektronDPS-1, vocals, piano, effects, percussion, production, art direction
- Rob Carmichael – layout
- Simon Davey –mastering
- Joaquim Monte –engineering
- Hugo Oliveira – interior illustration
- Marco Papiro – cover illustrations
- Seen – art direction, layout
- Pedro Silve – assistant engineering
- Sonic Boom –EMS Synthi AKS,FenixII Modular, Moog Voyager,vocoder,effects, production, mi xing, art direction
Charts
[edit]Chart (2015) | Peak position |
---|---|
Belgian Albums (UltratopFlanders)[51] | 73 |
Belgian Albums (UltratopWallonia)[52] | 136 |
Dutch Albums (Album Top 100)[53] | 88 |
UK Albums(OCC)[54] | 49 |
USBillboard200[55] | 34 |
USIndependent Albums(Billboard)[56] | 2 |
USTop Tastemaker Albums(Billboard)[57] | 1 |
USTop Alternative Albums(Billboard)[58] | 3 |
USTop Rock Albums(Billboard)[59] | 4 |
Release history
[edit]Country | Date | Format(s) | Label | Ref. |
---|---|---|---|---|
Germany | January 9, 2015 | Domino | [60][61][62] | |
France | January 12, 2015 |
|
[63][64][65] | |
Japan | Digital download | [66] | ||
Spain | [67] | |||
United Kingdom |
|
[68][69] | ||
Italy | January 13, 2015 |
|
[70][71][72] | |
Spain |
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[73] | ||
United States |
|
[74][75][76] |
References
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{{cite AV media notes}}
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