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Paula Vogel

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Paula Vogel
Vogel in 2022
Vogel in 2022
Born(1951-11-16)November 16, 1951(age 72)
Washington, D.C.,U.S.
OccupationPlaywright,professor
EducationBryn Mawr College
Catholic University(BA)
Cornell University(MA,PhD)
Notable awardsPulitzer Prize for Drama(1998)
Spouse
​
​
(m.2004)​

Paula Vogel(born November 16, 1951) is an Americanplaywright.She is known for her provocative explorations of complexsocialandpolitical issues.Much of her work delves into themes ofpsychological trauma,abuse,and the complexities ofhuman relationships.She has received thePulitzer Prizeas well as nominations for twoTony Awards.In 2013 she was inducted into theAmerican Theatre Hall of Fame.

Vogel started her career with the off-Broadway playHow I Learned to Drivewhich earned her the 1998Pulitzer Prize for Drama.The play was revived on Broadway in 2022, earning her aTony Award for Best Revival of a Playnomination. She wrote theOff-BroadwayplaysThe Baltimore Waltz(1992),Hot 'N Throbbing(1994),The Mineola Twins(1996), andThe Long Christmas Ride Home(2003). She made herBroadwaydebut withIndecentin 2017, which earned her a nomination for theTony Award for Best Play.She returned to Broadway with her latest playMother Play(2024).

A longtime teacher, Vogel spent the bulk of her academic career – from 1984 to 2008 – atBrown University,where she served as Adele Kellenberg Seaver Professor in Creative Writing, oversaw its playwriting program, and helped found theBrown/Trinity Rep Consortium.From 2008 to 2012, Vogel was Eugene O'Neill Professor of Playwriting and department chair at theYale School of Drama,as well as playwright in residence at theYale Repertory Theatre.[1]

Early life and education[edit]

Vogel was born inWashington, D.C.,to Donald Stephen Vogel, an advertising executive, and Phyllis Rita (Bremerman), a secretary for theUnited States Postal ServiceTraining and Development Center.[2]Her father wasJewish,whereas her mother wasRoman Catholic.[3]She attendedBryn Mawr Collegefrom 1969 to 1970 and 1971 to 1972, and is a graduate ofThe Catholic University of America(BA, 1974) andCornell University(MA, 1976; PhD, 2016).

Career[edit]

1992–2014: Early works and breakthrough[edit]

A productive playwright since the late 1970s, Vogel first came to national prominence with herAIDS-relatedseriocomedyThe Baltimore Waltz,which won theObie Awardfor Best Play in 1992. She is best known for her Pulitzer Prize-winning playHow I Learned to Drive(1997), which examines the impact and echoes of childsexual abuseandincest.Other notable plays includeDesdemona, A Play About A Handkerchief(1993),The Oldest Profession(1981),And Baby Makes Seven(1984),Hot 'N Throbbing(1994), andThe Mineola Twins(1996).

Her playThe Oldest Professionwas first read in February 1981 at the Hudson Guild, New York City, directed byGordon Edelstein.The play premiered in April 1988 at Theatre Network in Edmonton, Canada and 25th Street Theatre in Saskatoon, Canada, directed byTom Bentley-Fisher.Subsequent productions include a reading atBrown Universityin April 1990 and a production by Company One in Hartford, Connecticut in October 1991.[4]The play premieredOff-Broadwayin September 2004 in aSignature Theatre Companyproduction.[5]

And Baby Makes SevenpremieredOff-Broadwayin April 1993, produced by theCircle Repertory Companyat the Lucille Lortel Theatre. The cast featuredPeter Frechette,Cherry JonesandMary Mara.[6][7]It was first produced by Theatre with Teeth, New York City, in January 1984, directed by Vogel. It was then produced at Theatre Rhinoceros, San Francisco, in February 1986, directed by Kris Gannon.[8]Desdemonawas first produced by the Bay Street Theatre Festival, Sag Harbor, New York in July 1993 and then was produced Off-Broadway by the Circle Repertory Company in November 1993. The productions starred J. Smith-Cameron asDesdemonaand Cherry Jones asBianca.[9]

Second Stage TheatreproducedHow I Learned to Drivein February 2012, the first New York City production of the play in 15 years.[10]A Civil War Christmaswas presented Off-Broadway at the New York Theatre Workshop, from November 13, 2012, to December 30, 2012. The play was directed by Tina Landau and featuredAlice Ripleyand Bob Stillman. The play was nominated for the 2013Lucille Lortel Award,Outstanding Director (Landau) and Outstanding Costume Design, (Toni-Leslie James) and won the Lortel Award for Outstanding Lighting Design (Scott Zielinski).[11]Artists Repertory Theatre,located in Portland, Oregon, presentedA Civil War Christmas: An American Musical Celebration,from November 22 to December 23, 2016.

2015–present: Broadway debut[edit]

Vogel's first play with music,Indecent,co-created and directed by Rebecca Taichman, premiered at Yale Repertory Theatre on October 2, 2015, and then ran atLa Jolla Playhouse(San Diego) in November 2015.[12][13][14]Indecentwas a finalist for the 2016 Edward M. Kennedy Prize for Drama.[15]

The play premiered Off-Broadway at the Vineyard Theatre, running from April 27, 2016 (previews), officially on May 17, 2016, and closing on June 19, 2016. The play was nominated for the 2016Lucille Lortel Award,Outstanding Play.[16]Indecentpremiered onBroadwayat theCort Theatreon April 4, 2017, in previews, and opened April 18.[17][18]The Off-Broadway cast, featuringAdina VersonandKatrina Lenk,reprised their roles in the Broadway production, with additional cast including Ben Cherry, Andrea Goss, and Eleanor Reissa. The play has music composed by Lisa Gutkin and Aaron Halva.[19]The play is being produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre. This marks Vogel's Broadway debut.[20]The play "is inspired by the real-life controversy surrounding the 1923 Broadway production ofSholem Asch'sGod of Vengeance,the love story of two women. "[21]Indecentwas nominated for the 2017 Outer Critics Circle Awards: Outstanding New Broadway Play, Rebecca Taichman as Outstanding Director of a Play, Outstanding Lighting Design, Outstanding Projection Design (Tal Yarden), Outstanding Featured Actor In A Play (Richard Topol), and Outstanding Featured Actress In A Play (Katrina Lenk).[22]The play was nominated for the 2017Drama Desk Award,Outstanding Play and Outstanding Lighting Design for a Play (Christopher Akerlind).[23]

Vogel premiered a new work titledMother Playon Broadway as part of Second Stage Theater's 2023-2024 season.[24]

Style and themes[edit]

Although no particular theme or topic dominates her work, she often examines traditionally controversial issues such as sexual abuse andprostitution.Asserting that she "writes the play backwards," moving from emotional circumstances and character to craft narrative structure, Vogel says, "My writing isn't actually guided by issues.... I only write about things that directly impact my life." Vogel adds, "If people get upset, it's because the play is working." These issues appear in Vogel'sDesdemona(1994), where the narrative of a brothel is used to give female characters agency, or "give back toDesdemonapower to accompany her activity. "[25]Vogel's family, especially her late brother Carl Vogel, influences her writings. Vogel says, "In every play, there are a couple of places where I send a message to my late brother Carl. Just a little something in the atmosphere of every play to try and change thehomophobiain our world. "[26]Carl's likeness appears in such plays asThe Long Christmas Ride Home(2003),And Baby Makes Seven,andThe Baltimore Waltz.

"Vogel tends to select sensitive, difficult, fraught issues to theatricalize," theatre theoristJill Dolancomments, "and to spin them with adramaturgythat's at once creative, highly imaginative, and brutally honest. "[27]Her work embraces theatrical devices from across several traditions, incorporating, in various works, direct address,bunrakupuppetry, omniscient narration, andfantasysequences. Critic David Finkel finds this breadth in Vogel's career to be reflective of a general tendency toward stylistic reinvention from work to work. "This playwright recoils at the notion of writing plays that are alike in their composition," Finkel writes. "She wants each play to be different in texture from those that have preceded it."[28]

Academic and teacher[edit]

Vogel, a renowned teacher of playwriting, counts among her former studentsSusan Smith Blackburn Prize-winnerBridget Carpenter,Obie Award-winnerAdam Bock,MacArthur FellowSarah Ruhl,and Pulitzer Prize-winnersNilo Cruz,Lynn Nottage,Dipika Guha, andQuiara Alegría Hudes.[29][30]

During her two decades leading the graduate playwriting program and new play festival atBrown University,Vogel helped develop a nationally recognized center for educational theatre, culminating in the creation of the Brown/Trinity Repertory CompanyConsortium withOskar Eustis,then Trinity's artistic director, in 2002.[31]She left Brown in 2008 to assume her positions asadjunct professorand the Chair of the playwriting department atYale School of Drama,which she held until 2012,[32]and the Playwright-in-Residence atYale Repertory Theatre.[33][34]She is currently the Eugene O'Neill Professor (adjunct) of Playwriting at Yale School of Drama and playwright-in-residence at the Yale Repertory Theatre, as well as an artistic associate at Long Wharf Theatre.[35]Vogel previously served as an instructor atCornell Universityduring her graduate work in the mid-1970s.

Personal life[edit]

Vogel had two brothers: Carl, who died ofAIDSin 1988, and Mark. Carl is eponym for the Carl Vogel Center inWashington, D.C.,founded by their father Don Vogel. The center is a service provider for people living withHIV.[2]

Vogel married Brown University professor and authorAnne Fausto-SterlinginTruro, Massachusetts,on September 26, 2004.[2]

Theatrical works[edit]

As a playwright

Year Title Venue Ref.
1984 And Baby Makes Seven New York City
1992 The Baltimore Waltz Yale Repertory Theatre
1993 Desdemona, A Play about a Handkerchief Bay Street Theatre, Off-Broadway
1994 Hot 'N Throbbing American Repertory Theater
1996 The Mineola Twins Perseverance Theatre
1997
2022		 How I Learned to Drive Vineyard Theare, Off-Broadway
Samuel J. Friedman Theatre,Broadway
2003 The Long Christmas Ride Home Trinity Repertory Company
2008 Civil War Christmas Long Wharf Theatre, New Haven [36]
2014 Don Juan Comes Home from Iraq Wilma Theater,Philadelphia [37]
2015
2017		 Indecent Yale Repertory Theatre
Cort Theatre,Broadway		 [38]
2024 Mother Play Helen Hayes Theater,Broadway [39]

Awards and honors[edit]

Year Association Category Nominated work Result Ref.
1998 Pulitzer Prize for Drama How I Learned to Drive Won [40]
1998 Drama Desk Award Outstanding Play Won
2017 Indecent Nominated [41]
2017 Tony Award Best Play Nominated
2017 Obie Award Lifetime Achievement Won [42]
2022 Tony Award Best Revival of a Play How I Learned to Drive Nominated [41]
2024 Best Play Mother Play Nominated
2024 Drama Desk Award Outstanding Play Nominated

Subsequent to her Obie Award for Best Play (1992) and Pulitzer Prize in Drama (1998), Vogel received the Award for Literature fromThe American Academy of Arts and Lettersin 2004. She won aRobert Chesley Awardin 1997. She won the 1998Susan Smith Blackburn PrizeforHow I Learned to Drive.[43]In 1999, Vogel received thePEN/Laura Pels International Foundation for Theater Awardfor a playwright in mid-career.[44]

In 2003, theKennedy Center American College Theater Festivalcreated an annual Paula Vogel Award in Playwriting for "the best student-written play that celebrates diversity and encourages tolerance while exploring issues of dis-empowered voices not traditionally considered mainstream."[45]In 2013, Vogel was inducted into theAmerican Theater Hall of Fame.[46]

In 2016, Vogel successfully completed and defended her doctoral thesis at Cornell University, more than 40 years after she began her graduate work. She was awarded her Ph.D. in Theatre Arts in May.[47]Vogel received the 2017Obie Awardfor Lifetime Achievement.[48]Vogel is featured in the book50 Key Figures in Queer US Theatre(2022), with a profile written by theatre scholar Sara Warner.[49]

In 2015 Paula Vogel's literary archive was obtained by theBeinecke Rare Book and Manuscript Libraryat Yale University, and she became the first female playwright included in the library's Yale Collection of American Literature.[50]

Bibliography[edit]

  • Swan Song of Sir Henry(1974)
  • Meg(1977)
  • Apple-Brown Betty(1979)
  • Bertha in Blue(1981)
  • The Oldest Profession(Hudson Guild, New York City reading, 1981)

References[edit]

  1. ^"Playwright Vogel returns to campus for Ph.D. | Cornell Chronicle".news.cornell.edu.Retrieved2018-07-26.
  2. ^abc"Paula Vogel, Anne Fausto-Sterling".The New York Times.September 26, 2004.RetrievedDecember 25,2008.
  3. ^Headapohl, Jackie (April 11, 2017)."Indecent".The Detroit Jewish News.
  4. ^Vogel, Paula. ' "The Oldest Profession",The Baltimore Waltz and Other Plays,Theatre Communications Group, 1995,ISBN1-55936-713-X,pp. 128-129
  5. ^"'The Oldest Profession' Off-Broadway"Archived2015-10-07 at theWayback Machinelortel.org, accessed October 4, 2015
  6. ^Gerard, Jeremy (May 11, 1993)."Review. 'And Baby Makes Seven'".Variety.
  7. ^"'And Baby Makes Seven' Off-Broadway Listing"Archived2015-10-07 at theWayback Machinelortel.org, accessed October 4, 2015
  8. ^Vogel, Paula. ' "And Baby Makes Seven",The Baltimore Waltz and Other Plays,Theatre Communications Group, 1995,ISBN1-55936-713-X,p. 60
  9. ^ Vogel, Paula.Desdemona: A Play about a Handkerchief,Dramatists Play Service, Inc., 1994,ISBN0822213915,p. 3
  10. ^Jones, Kenneth (February 22, 2012)."'How I Learned to Drive' Extended Off-Broadway ".Playbill.
  11. ^A Civil War Christmas,lortel.org, accessed October 27, 2016
  12. ^Rothstein, Mervyn (September 20, 2015)."Paula Vogel On Her New Play 'Indecent', Historic Controversy and the 'Beautiful Love Story of Two Women'".Playbill.
  13. ^Gans, Andrew (October 2, 2015)."Paula Vogel and Rebecca Taichman's 'Indecent' Makes World Premiere Tonight".Playbill.
  14. ^"'Indecent' Listing"Archived2016-03-05 at theWayback Machinelajollaplayhouse.org, accessed January 28, 2016
  15. ^"Finalists Announced for 2016 Edward M. Kennedy Prize for Drama Inspired By American History"kennedyprize.columbia.edu, January 27, 2016, accessed January 28, 2016
  16. ^Hetrick, Adam (April 4, 2017)."'Hadestown' and 'Sweeney Todd' Lead Lucille Lortel Nominations ".Playbill.
  17. ^Clement, Olivia (April 4, 2017)."'Indecent' Begins April 4 on Broadway ".Playbill.
  18. ^Viagas, Robert (December 5, 2016)."Paula Vogel's 'Indecent' Sets First Broadway Preview and Ticket On-Sale Dates".Playbill.
  19. ^Gans, Andrew (February 7, 2017)."Complete Casting Announced for Broadway's 'Indecent'".Playbill.
  20. ^Viagas, Robert (October 26, 2016)."Paula Vogel's 'Indecent' Will Make the Jump to Broadway".Playbill.
  21. ^Clement, Olivia (April 18, 2017)."'Indecent' Opens on Broadway April 18 ".Playbill.
  22. ^Clement, Olivia (April 25, 2017)."'Anastasia' Leads 2017 Outer Critics Circle Award Nominations ".Playbill.
  23. ^McPhee, Ryan (April 27, 2017)."'Hello, Dolly!', 'Come From Away', and 'Anastasia' Lead 2017 Drama Desk Award Nominations ".Playbill.
  24. ^"Jessica Lange, Jim Parsons to Star in Paula Vogel's New Broadway Show 'Mother Play'".6 September 2023.
  25. ^Flaherty, Jennifer (2014)."How Desdemona Learned to Die: Failed Resistance in Paula Vogel's Desdemona".Gender Forum(49): 9.ProQuest1611895318– via ProQuest.
  26. ^Parker, Mary-Louise(Fall 1997)."Paula Vogel".BOMB Magazine.RetrievedJuly 19,2011.
  27. ^Dolan, Jill (March 1998). "How I Learned to Drive (review)".Theatre Journal.Vol. 50, no. 1. p. 127.
  28. ^Finkle, David (5 November 2003)."Review: The Long Christmas Ride Home".TheaterMania.Retrieved2008-12-25.
  29. ^Adam Bock (Fall 2007)."The Journey of The Receptionist".Manhattan Theatre Club(Interview: transcript). Interviewed by Annie MacRae. Archived fromthe originalon July 31, 2009.RetrievedDecember 25,2008.
  30. ^Raymond, Gerard (October 12, 2004)."Paula Vogel: The Signature Season".TheaterMania.RetrievedDecember 25,2008.
  31. ^Mead, Rebecca (March 22, 2010). "Stage Left".The New Yorker.p. 25.
  32. ^Hetrick, Adam (August 16, 2011)."Paula Vogel to Exit Role at Yale School of Drama; New Projects On the Horizon".Playbill.
  33. ^Robertson, Campbell (18 January 2008)."Paula Vogel Goes to Yale".The New York Times.RetrievedDecember 25,2008.
  34. ^Hetrick, Adam (May 15, 2008)."Yale Receives $2.85 Million Grant; Vogel Named Playwright-in-Residence".Playbill.Archived fromthe originalon 9 July 2008.RetrievedDecember 25,2008.
  35. ^"Vogel Bio".Yale Rep.Archived fromthe originalon October 5, 2015.RetrievedOctober 4,2015.
  36. ^Hetrick, Adam (November 26, 2008)."Vogel's A Civil War Christmas Premieres in New Haven Nov. 26".Playbill.RetrievedOctober 27,2016.
  37. ^"'Don Juan Comes Home from Iraq', Wilma Theater"wilmatheater.org, accessed October 2, 2015
  38. ^Indecent2017 Tony Awards nominations
  39. ^"Jessica Lange, Jim Parsons to Star in Paula Vogel's New Broadway Show 'Mother Play'".6 September 2023.
  40. ^"How I Learned to Drive".Pulitzer.org.RetrievedApril 14,2024.
  41. ^ab"Paula Vogel".Playbill.RetrievedApril 14,2024.
  42. ^"Paula Vogel Theatre".Abouttheartists.RetrievedApril 14,2024.
  43. ^Szatmary, Peter (February 24, 1998)."Vogel & Buffini Win 20th Annual Blackburn Prize".Playbill.
  44. ^"1999 Literary Award Winners"pen.org, accessed October 4, 2015
  45. ^"The Paula Vogel Award in Playwriting".The John F. Kennedy Center for the Performing Arts. 2007.RetrievedDecember 25,2008.
  46. ^Gans, Andrew; Gioia, Michael (January 2013)."Betty Buckley, Sam Waterston, Trevor Nunn, Paula Vogel and More Inducted into Theatre Hall of Fame Jan. 28".Playbill.
  47. ^Warner, Sara."Playwright Vogel returns to campus for Ph.D.",cornell.edu, March 29, 2016
  48. ^"Obie Awards 2017"obieawards, retrieved May 25, 2017
  49. ^Warner, Sara (2022). "Paula Vogel". In Noriega and Schildcrout (ed.).50 Key Figures in Queer US Theatre.Routledge. pp. 228–232.ISBN978-1032067964.
  50. ^Purcell, Carey (January 8, 2015)."Yale Library Obtains Archive of Paula Vogel, First Female Playwright Included in American Literature Collection".Playbill.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Paula_Vogel&oldid=1229483526"