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Pieter Claesz

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Pieter Claesz
Vanitas with Violin and Glass Ball(detail); the artist is visible in the reflection, 1625
Born
Pieter Claesz

1597
Died1660 (aged 62–63)
NationalityBrabantian
Known forPainting
MovementBaroque

Pieter Claesz(c. 1597 – 1 January 1660) was aDutch Golden Age painterofstill lifes.

Biography

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Vanitas with the Spinario,1628,Rijksmuseum,Amsterdam.

He was born inBerchem,Belgium,nearAntwerp,where he became a member of theGuild of St. Lukein 1620. He moved toHaarlemin 1620, where his son, the landscape painterNicolaes Pieterszoon Berchemwas born (October 1).[1]He andWillem Claeszoon Heda,who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more hospitable kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the artist movement 'Vanitas'.

Legacy

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Claesz is registered in theHaarlem Guild of St. Lukeas the teacher of his son, Nicolaes Berchem, in 1634, but Nicolaes preferred landscapes to still life painting and later after a trip his talent in music. Claesz had, in addition to his son, the pupilsEvert van Aelst,Floris van Dyck,Christian Berentz,Floris van Schooten,andJan Jansz Treck.[1]

Selected works

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References

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Media related toPieter Claesz.at Wikimedia Commons

  • National Gallery of Art.[1]
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