Pietra Brettkelly
Pietra Brettkelly | |
---|---|
Born | 1965 (age 58–59) New Zealand |
Occupation | Filmmaker |
Years active | 2003–present |
Pietra Brettkelly(born 1965)[1]is a New Zealand filmmaker, known for her documentaries. She is adocumentaryfilmmakersubmittedthree times for Oscar consideration, a member ofThe Academy of Motion Pictures Arts and Sciences,and was recently named an Arts Laureate of New Zealand.[2]Her films have premiered in five of the world's top six film festivals –Sundance,Toronto,Venice,BerlinandTribecaFilm Festivals – and have garnered many awards. She is known for her independent, risk-taking style, which has taken her to many different countries.[3]She approaches her subjects' lives with a "quiet" demeanor and "non-judgmental" attitude, allowing her to capture and document real stories.[4]
Early life and education
[edit]Brettkelly was born in Whakatane, New Zealand in 1965.[5]She has mentioned that there was not a film school in New Zealand.[6]She did not receive a film education and said that, "I couldn’t say that theoretically or academically I’ve studied filmmakers to know what they would do or how they would approach something."[6]
Brettkelly wrote about herself, "My parents took me from Papua New Guinea to Portugal, encouraging a wonder and appreciation for the diversity of peoples and their stories".[4]Additionally, she travelled the world as a journalist before directing her first documentary "Beauty Will Save the World" (2003) about the first ever beauty pageant in Libya.[5]VIVA Magazinewrote of Brettkelly:"An extraordinary person who has led an extraordinary life… from Libya to Sudan, Afghanistan and China".[7]When she was first starting out, traveling and experiencing new cultures seemed to be her greatest teacher when it came to making a documentary.
Documentary career
[edit]Brettkelly's 2018 film,Yellow Is Forbidden,premiered In Competition and Opening Weekend at Tribeca Film Festival. The film was selected for both the Best Foreign Language and Best Documentary sections of theOscars.Vogue Magazinenoted it as a,"film that is… a celebration of how extraordinary women are",while theSydney Morning Heraldcalled it,"[a] deliciously intimate film... a near visceral experience[8]".The film follows the rise of talented Chinese haute couturier Guo Pei.[9]In an article, Rebekah Brammer describes the documentary as depicting the meticulous images of magnificent gowns, intimate footage, insightful interviews, culture clash, craft and aspiration, and the grueling labor behind high fashion.[9]Brammer says, "Brettkelly’s portrayal of Guo, with all her contradictions, leaves the audience, whether interested in fashion or not, wanting to know more about her".[9]
Brettkelly's film,A Flickering Truth,which documents the unearthing of the Afghan Film Archive in Kabul, Afghanistan, premiered at the 2015 Venice Film Festival and Toronto Film Festival to critical acclaim. It received a four star review in The Guardian, which described it as "an astounding film". Deborah Young ofThe Hollywood Reporterpraised the film, describing it as,"a documentary not just for archivists but for those who see film as a vital part of local culture",[10]whileIndiewirewriter Eric Kohn called the movie an"eye-opening documentary... a moving navigation of Afghanistan’s past and present".[11]A Flickering Truthwas selected as the New Zealand entrant for the 2016 Best Foreign Language at the Oscars. Brettkelly said about the film, "When I first went to Afghanistan, I found the people so different from what I have been fed through media and reportage," and thus, her mission became to tell a story that completely altered awareness of Afghans.[12]
In 2012, Brettkelly'sMāori Boy Geniuspremiered In Competition at Berlin Film Festival. It follows a boy named Ngaa Rauuira Pumanawawhit, after he's accepted into Yale summer school.[13]
Brettkelly met Italian artistVanessa Beecroftwhen filming in Sudan after the end of one of the longest running civil war in African history. Beecroft is famous for her provocative performance art, and while in Sudan for a project had decided to try and adopt motherless twins.[14]Brettkelly eventually followed Beecroft's adoption efforts over 16 months, which formed the basis forThe Art Star and the Sudanese Twins.[15]Still in Motion(magazine)'s editor posited,"I felt I was in the hands of a master storyteller."The film won Best Editing in the World Documentary section of the Sundance Film Festival.
HerBeauty Will Save The World(2003)'s World Premier American Film Institute Film Festival in Los Angeles. Brettkelly's website describes the film, "Beauty Will Save The Worldfollows the exploits of 19 year-old Teca Zendik, the American contender for the crown. She sets out with her political loyalties in check, even refusing to wear the competition uniform – a teeshirt emblazoned with Gaddafi's likeness. How then does she assume the position of honorary consul to the US for Libya in a mere matter of months? Marvel at how diplomatic ties are re-established between two nations, enjoy the behind-the-scenes antics of a beauty pageant, and seize the chance to see rare footage of Gaddafi himself in this accidental political documentary. "[16]
Style and themes
[edit]Brettkelly said in an interview, "There are two common themes in all my films. One is identity and the other is isolation. Isolation, because I live in New Zealand. Identity, because I’m a first-generation New Zealander… [My parents] brought me up to be curious and to think about what I could bring to this new place."[6]Brettkelly says, "A Flickering Truth explores identity and isolation."[6]
In the film,Yellow is Forbidden,themes of isolation, the complexity of life, and celebrating the extreme appear also.[17]There are many close-up shots in the film.[18]Some are of hands, like of Guo Pei designing a garment or her sewers creating the dress, while others are of the garments themselves, with their threads, beads, and jewels sparkling in the shot.[18]Brettkelly isolates a single item or image in these shots, often blurring the background, which visually depicts her theme of isolation.[18]
When it comes to the documentary process, Brettkelly likes to write her films, though she doesn't follow a script when filming her documentaries. She says, "Another part of my process is I write my films, like a drama film. It’s not something that I share with anybody. Sometimes I’m writing some quite horrific moments, things that, as a human being, I don’t want to happen but, as a storyteller, I imagine are going to happen. If I write that someone dies from a bomb blast, well, over time in Afghanistan, sadly, that’s likely to happen."[6]In the same interview, she talks about one specific scene where this writing process stuck out in her mind, "That scene of the young woman at a screening who looks at the camera, I wrote that. It was two years before we filmed it. Of course, I tell Jake [cinematographer Jacob Bryant] everything so he can be on the lookout for these situations when they arise. When it was happening, he just sort of looked at me, 'can you believe this,' and the girl just stared down the camera. Her face said, I’m looking at you looking at me, and it’s OK."[6]
Further reflecting on Brettkelly's style,Varietymagazine says,"Pietra Brettkelly’s engimatic rendering… is not a straightforward artist’s profile, political commentary or domestic drama, but a poetic fusion of the three."[19][20]This relates to how Brettkelly views her work, saying, "I believe my films have a considered quietness, a non-judgmental approach that allows subjects to tell their stories. I treasure the honesty and the privilege people grant me in capturing and documenting an often pivotal time in their lives."[4]So, obviously Brettkelly's work is not straightforward. It is purposely ambiguous to highlight the genuine ambiguity present in her subjects' real lives.
Brettkelly writes, "The risks I’ve taken in making some of my documentaries exhibit either passion or craziness. I am motivated by stories that matter, the personal journeys that reflect a bigger issue."[4]
Filmography
[edit]Year | Title | Role | Synopsis | Notes |
---|---|---|---|---|
2018 | Yellow is Forbidden | Director | Haute couturefashion in China, following designerGuo Pei.[21] | premiered In Competition and Opening Weekend Tribeca Film Festival. Selected for Best Foreign Language and Best Documentary 2019 Academy Awards.[22][23] |
2015 | A Flickering Truth | Director, Producer, Screenplay | Attempts by Ibrahim Arify to restore theAfghan Filmarchives inKabul,following theTalibancapture of the city. | premiered at the 2015Venice Film Festivaland also screened as the 2015Toronto International Film Festival.Selected for Best Foreign Language 2016 Academy Awards. |
2011 | Māori Boy Genius | Director, Producer, Screenplay | Ngaa Rauuira Pumanawawhiti, a 16-year-old prodigy, travels from rural New Zealand to the United States after being accepted to Summer School atYale University.[24] | The film premiered at theBerlin International Film Festival,and won a Moa award in 2012 for Best Documentary. |
2008 | The Art Star and the Sudanese Twins | Director, Producer, Screenplay | ArtistVanessa Beecroft's attempt to adopt children in Sudan.[25] | premiered at the 2008 Sundance Film Festival. In 2009 Brettkelly was invited to screen the film at the New York'sMuseum of Modern Artas part of their documentary fortnight.[26]The film presents Beecroft as a "hypocritically self-aware, colossally colonial pomo narcissist" and chronicles her "damaging quotes and appalling behavior" as she attempts to adopt twoSudaneseorphans for use in an art exhibit.[27]TheWinnipeg Free Pressnoted that "any tendency for the observer to mock [Beecroft's] self-indulgence is mitigated by director Pietra Brettkelly's scrupulous acknowledgement of Beecroft's self-awareness".[28] |
2003 | Beauty Will Save the World | Producer | Libya's first beauty pageant, following 19-year-old Teca Zendik, the American contender. | In 2003 Brettkelly travelled to Libya for that country's first ever beauty pageant. Beauty Will Save the World featured an interview withMuammar Gaddafi.Beauty Will Save The World premiered at the AFI Film Festival in October 2003,[29]and was shown at theHot Docs Canadian International Documentary Festivaland the International Documentary Film Festival in Amsterdam in 2004.[30] |
Awards and honors
[edit]Year | Award | Organization | Award status | Notes |
---|---|---|---|---|
2020 | South Pacific Pictures Award for Achievement in Film | Women in Film and Television New Zealand Awards | Won | [31] |
2019 | 2019 Laureate Award, Dame Gaylene Preston Award for Documentary Film-makers | Arts Foundation of New Zealand | Won | [2] |
2018 | Best Foreign Language Film 2018and Best Documentary 2018 New Zealand selection forYellow is Forbidden | The Oscars, Academy Awards, Academy of Motion Picture Arts and Sciences | Selected but not nominated. | [32] |
2016 | Producer's Award, Women In Film Best Documentary 2016 | New Zealand Film Commission (NZFC) | ||
2016 | Best Foreign Language Film Film 2016,New Zealand selection forA Flickering Truth | The Oscars, Academy Awards, Academy of Motion Picture Arts and Sciences | Selected but not nominated. | |
2012 | Moa Film Award forMaori Boy Genius | Rialto Channel New Zealand Film Awards | ||
2009 | Qantas Film & Television Awards,Best Arts/Festival/Feature Documentary forThe Art Star And The Sudanese Twins,and Best Director – Documentary forThe Art Star And The Sudanese Twins | New Zealand Television Broadcasters' Council | Won | [33] |
Further reading
[edit]- Pietra Brettkelly, 2019 Arts Foundation Laureate receiving the Dame Gaylene Preston Award for Documentary Filmmakers
- List of female film and television directors
References
[edit]- ^"Workshop: Why are you making films? Why this film? Why through film?".Modern Times Review (MTR).1 September 2010.Retrieved5 January2020.
- ^ab"Arts Foundation Laureate Awards".Arts Foundation.Retrieved18 October2019.
- ^"Making A Difference: Mentoring in Action"(PDF).Women in Film and Television Magazine.Summer 2010. Archived fromthe original(PDF)on 26 May 2010.Retrieved7 July2010.
- ^abcd"Linkedin Pietra Brettkelly".Retrieved7 December2021.
- ^ab"Luxembourg City Film Festival Guest Bio".Retrieved7 December2021.
- ^abcdefOhmer, Susan; Crafton, Donald; Brettkelly, Pietra (2017)."The" Flickering Truth "of Film Archives: An Interview with Pietra Brettkelly".The Moving Image: The Journal of the Association of Moving Image Archivists.17(1): 130–142.doi:10.5749/movingimage.17.1.0130.JSTOR10.5749/movingimage.17.1.0130.S2CID191671173.Retrieved7 December2021.
- ^"Inside Film-Maker Pietra Brettkelly's New Documentary Yellow Is Forbidden - Viva".viva.co.nz.Retrieved17 October2019.
Brettkelly's work is recognised for its considered quietness, a cinema verite approach that allows her subjects to tell their stories. She famously was one of the first journalists to interview Colonel Gadaffi, for her first feature documentaryBeauty Will Save The World(2003), during the negotiations over the lifting of the UN embargoes on Libya. - ^Breen Burns, Janice (20 July 2018)."From bomber jackets to bling, MIFF struts its fashion cred".The Sydney Morning Herald.Retrieved18 October2019.
- ^abc"Film a la mode: Juxtaposing East and West in 'Yellow is forbidden'".Retrieved7 December2021.
- ^Young, Deborah (20 September 2015)."'A Flickering Truth': Venice Review ".The Hollywood Reporter.Retrieved22 September2015.
- ^Kohn, Eric (21 September 2015)."Memo to Distributors: Buy These 2015 Toronto International Film Festival Movies".Retrieved24 September2015.
- ^Ohmer, Susan; Crafton, Donald; Brettkelly, Pietra (2017)."The" Flickering Truth "of Film Archives: An Interview with Pietra Brettkelly".The Moving Image: The Journal of the Association of Moving Image Archivists.17(1): 130–142.doi:10.5749/movingimage.17.1.0130.JSTOR10.5749/movingimage.17.1.0130.S2CID191671173.
- ^"Maori Boy Genius review".Newshub.Retrieved7 December2021.
- ^Koppelman, Charles (4 May 2008)."A Work in Progress".LA Times.Retrieved23 May2010.
- ^Chocano, Carina (25 January 2008)."Intersecting (and dissecting) cultures on film: 'The Art Star and the Sudanese Twins'".LA Times.Retrieved23 May2010.
- ^"Beauty Will..."Pietra Brettkelly.Retrieved7 December2021.
- ^"Laureate Award".Retrieved7 December2021.
- ^abc"Yellow is Forbidden".
- ^Debruge, Peter (21 January 2008)."The Art Star and the Sudanese Twins".Variety.Retrieved7 December2021.
- ^Debruge, Peter (21 January 2008)."The Art Star and the Sudanese Twins".Retrieved24 September2015.
- ^Oleck, Joan (26 April 2018)."How This Chinese Designer Eked Her Way Into the Very Male, Very European World of Haute Couture".Entrepreneur.Retrieved5 January2020.
- ^"87 Countries in Competition for 2018 Foreign Language Film Oscar".Oscars.org.8 October 2018.Retrieved5 January2020.
- ^Vourlias, Christopher (8 November 2018)."Canada and Australia Have a Leg Up in Foreign-Language Oscar Race".Variety.Retrieved5 January2020.
- ^"Maori 'boy genius' contribution to his culture".The New Zealand Herald.31 January 2017.ISSN1170-0777.Retrieved5 January2020.
- ^Debruge, Peter (21 January 2008)."The Art Star and the Sudanese Twins".Variety.Retrieved5 January2020.
- ^"The Art Star and the Sudanese Twins".Moma.org.Retrieved23 May2010.
- ^"'Art Star' Vanessa Beecroft: Slammed at Sundance ".Vulture.Retrieved4 January2020.
- ^King, Randall (30 June 2009)."Doc finds shades of grey".Winnipeg Free Press.Retrieved7 July2010.
- ^Chatelin, Bruno (14 October 2003)."AFI focus on middle east: beyond conflict".Filmfestivals.Archived fromthe originalon 7 April 2012.Retrieved7 July2010.
- ^"Beauty Will Save the World".International Documentary Film Festival.Amsterdam. 2004. Archived fromthe originalon 26 September 2015.Retrieved31 August2019.
- ^"WIFT NZ Awards 2020 Winners".scoop.co.nz.4 December 2020.Retrieved7 April2023.
- ^"Yellow is Forbidden Submitted to Oscars".Scoop News New Zealand.October 2018.Retrieved5 January2020.
- ^"Qantas Film & Television Awards Winners 2009".ucsc.primo.exlibrisgroup.1 September 2009.Retrieved7 December2021.
External links
[edit]Filmography
Media and reviews
- ArticleMeet the Designer Behind Rihanna’s Meme-Generating Met Gala CapeFashion Magazine, 1 May 2018
- ArticleFashion Documentaries Make a Splash at TribecaThe Business of Fashion, 27 April 2018
- ArticleFashion Documentaries Go Behind The Scenes on McQueen and Guo PeiStyle Celebrity, 20 April 2018
- ArticleMaking Movies with Filmmaker Pietra BrettkellyWIFT Autumn 2008
- ArticleQ&A: Pietra BrettkellyThe Big Idea, 18 July 2008
- ReviewEye-opening documentary about Chinese fashion designer Guo PeiScreen Daily, 22 April 2018
- ReviewA Flickering Truth: Venice ReviewThe Hollywood Reporter, 20 September 2015
- ProfilePietra BrettkellyNow Toronto, 24 April 2008
Official Websites