Ring of bells

This article is about the set of bells. For ringing, seebell ringing.

Bell ringing atSt Botolph's Aldgatein theCity of London

A "ring of bells"is the name bell ringers give to a set ofbellshung for Englishfull circle ringing.The term "peal of bells"is often used, thoughpealalso refers to a change ringing performance of more than about 5,000changes.

By ringing a bell in a full circle, it was found in the early 17th century that the speed of the bell could be easily altered and the interval between successive soundings (strikes) of the bell could be accurately controlled. A set of bells rung in this manner can be made to strike in different sequences. This ability to control the speed of bells soon led to the development ofchange ringingwhere the striking sequence of the bells is changed to give variety and musicality to the sound.

The vast majority of "rings" are inchurch towersin the Anglican church in England and can be three to sixteen bells, though six and eight bell towers are the most common. They aretunedto the notes of adiatonic scale,and range from a few hundredweight (100 kg) up to a few tons (4,000 kg) in weight. They are most commonly associated with churches as a means of calling the congregation to worship, but there are a few rings in secular buildings. Smaller rings of bells, known as "mini-rings"have come recently into existence for training, demonstration or leisure purposes, with bells weighing just a few kilograms.

Mechanism

Mechanism of a bell hung for English full-circle ringing. The bell swings through more than a full circle in alternate directions.

The bells ofSt Bees PrioryinCumbriashown in the "down" position, in which they are normally left between ringing sessions.

The bells of St Bees Priory shown in the "up" position. When being rung they swing through a full circle from mouth upwards round to mouth upwards, and then back again.

A mini ring is a portable ring of bells which demonstrates the English full-circle style of ringing. The public can easily see how it works.

The full-circle bell is hung from bearings at the headstock and can be swung through an arc of over 360 degrees using a rope wrapping round a circular bell wheel in alternate directions. This allows the speed of the bell to be changed, by controlling the arc of the swing. The larger the arc, the slower the rate of striking.

The bells are mounted within abellframeof steel or wood. Each bell is suspended from aheadstockfitted ontrunnions(plain or non-friction bearings) mounted to the belfry framework so that the bell assembly can rotate. When stationary in thedownposition, thecentre of massof the bell and clapper is appreciably below the centreline of the trunnion supports, giving apendulouseffect to the assembly, and this dynamic is controlled by the ringer's rope. The headstock is fitted with a woodenstay,which, in conjunction with aslider,limits maximum rotational movement to a little less than 370 degrees. To the headstock a large wooden wheel is fitted and to which a rope is attached. The rope wraps and unwraps as the bell rotates backwards and forwards. This isfull circle ringingand quite different from fixed or limited motion bells, whichchime.Within the bell theclapperis constrained to swing in the direction that the bell swings. The clapper is a rigid steel or wrought iron bar with a large ball to strike the bell. The thickest part of the mouth of bell is called the soundbow and it is against this that the ball strikes. Beyond the ball is aflight,which controls the speed of the clapper. In very small bells this can be nearly as long as the rest of the clapper.

Ringing technique

The rope is attached to one side of the wheel so that a different amount of rope is wound on and off as it swings to and fro. The first stroke is thehandstrokewith a small amount of rope on the wheel. The ringer pulls on the sally and when the bell swings up it draws up more rope onto the wheel and the sally rises to, or beyond, the ceiling. The ringer keeps hold of the tail-end of the rope to control the bell. After a controlled pause with the bell, on or close to its balancing point, the ringer rings thebackstrokeby pulling the tail-end, causing the bell to swing back towards its starting position. As the sally rises, the ringer catches it to pause the bell at its balance position.

Each time it is pulled, a bell's motion begins in the mouth-upwards position. As the ringer pulls the rope the bell swings down and then back up again on the other side. During the swing, the clapper inside the bell will have struck thesoundbow,making the bell sound or "strike". Each pull reverses the direction of the bell's motion; as the bell swings back and forth, the strokes are called "handstroke" and "backstroke" by turns. After thehandstrokea portion of the bell-rope is wrapped around almost the entirety of the wheel and the ringer's arms are above his or her head holding the rope'stail end;after thebackstrokemost of the rope is again free and the ringer is comfortably gripping the rope some way up, usually along a soft woolen thickening called asally.

Normally there is one ringer per bell, due to the bell weights and rope manipulation involved.

Location in the tower

The bells are usually arranged in an upper room called abelfryin such a way that their ropes fall into the room below, called theringing chamber,in a circle.Clockwisecircles are most common, but there are a fewanticlockwiserings. Unlike the norm among most musicians, the bells are numbered downwards, progressing from thetreble(the lightest and highest-sounding bell), to the "2", the "3", and so forth down to the heaviest and deepest-sounding bell, thetenor.In some towers, a bell larger than a tenor that is present would be called abourdon.About 5 feet (1.5 m) from the floor, the rope has a woollen grip called thesally(usually around 4 feet (1.2 m) long) while the lower end of the rope is doubled over to form an easily heldtail-end.

Striking of the clapper

In English-style ringing, the bell is rung up such that the clapper is resting on the lower edge of the bell when the bell is on the stay.

During each swing, the clapper travels faster than the bell, eventually striking the soundbow and making the bell sound. The bellspeaksroughly when horizontal as it rises,thus projecting the sound outwards. The clapper rebounds very slightly, allowing the bell to ring. At the balance point, the clapper passes over the top and rests against the soundbow.

The distinctive sound

The sound made by a bell rung full-circle has two unique subtle features.

Because the clapper rests against the bell immediately after striking it, the peak strike intensity dies away quickly as the clapper dissipates the vibration energy of the bell. This enables rapid successive strikes of multiple bells, such as in change ringing, without excessive overlap and consequent blurring of successive strikes. In addition, the movement of the bell imparts adoppler effectto the sound, as the strike occurs whilst the bell is still moving as it approaches top dead centre.

Both these effects give full circle ringing of bells in an accurate sequence a distinctive sound which cannot be simulated by chimed bells which are stationary and take more time for each strike to decay.

Bell decoration

Tower bells are often cast with inscriptions on their sides. These are often as simple as the name of the foundry which cast the bell, or that of its donor. Sometimes, however, bells are named, or bear short mottos. AtAmershaminBuckinghamshirethe tenor proclaims "Unto the Church, I do You call, Death to the grave will summon all." Perhaps because they are tolled at funerals, tenors often bear this sort of serious motto; those of trebles are often more light-hearted. The one atPenn, Buckinghamshire,for example, reads "I as trebell doe begin"; that atNorthenden,Lancashirereads "Here goes, my brave boys."

Dove's Guide

A key resource isDove's Guide for Church Bell Ringers,which aims to list all towers worldwide with bells hung for full-circle ringing. As of January 2021,that guide listed 5756 ringablerings of bellsinEngland,182 inWales,37 inIreland,22 inScotland,10 in theChannel Islands,2 in theIsle of Manand a further 142 towers worldwide with bells hung for full circle ringing.Australiahas 64 rings of bells.Others are located inItaly,the USA, Canada, France, Netherlands, Belgium, New Zealand, South Africa, Kenya, Zimbabwe, and Pakistan.

Bell ringing has been very common in England for centuries, and one of the effects of this is that there are manypubsaround the country called "The Ring of Bells".

Bell ropes

Bell ropes are specially made for ringing, as they have the sally, a woollen grip which is used for the handstroke pull of the bell, woven into the strands. The preference is for a natural fibre, formerlyIndian hemp,but now mainlyflax,as this is kinder on the ringers' hands. However, the rope length between the sally and the bell can be a hard-wearing synthetic rope with little stretch, or which has been pre-stretched, to reduce spring.

Rope splicingplays an important role in English-style ringing. Judicious splicing can help prolong the life of ropes, as wear tends to occur in specific places, such as at the garter hole, or where passing over the pulley, rather than the whole rope.

Terminology

• Back bells- the heavier bells of the ring
• Backstroke- the part of a bell's cycle started by pulling on thetail end
• Band- a group of ringers for a given set of bells (or for a special purpose, e.g., a "peal band" )
• Bearings- the load-bearing assembly on which theheadstock(and so the whole bell) turns about itsgudgeon pins.Modern hanging means the bell ishungonball or roller bearings,but were traditionallyplain bearings.
• Bump the stay- allow the bell to swingover the balance,out of control, so thestaypushes thesliderto its limit, stopping the bell.
• Canons- loops cast onto older bells' crowns.
• Clapper- the metal (usually cast iron) rod/hammer hung from a pivot below thecrownof the bell, that strikes thesoundbowof the bell when the bell stops moving.
• Clocking- causing a bell to sound while down by pulling a hammer against it (as a clock would) or by pulling theclapperagainst the side of the bell.
• Handstroke- the stroke when the sally is gripped.
• Sally- the woollen bulge woven into the rope. It is both an indicator and a help with gripping. From the Latinsalire,to leap.
• Slider- a device which allows the bell to go over the balance at each end of its swing, but not to over-rotate.
• Stay- a device that is attached to the headstock and works in conjunction with the slider.
• Tenor- the lowest-pitched bell.
• Treble- the highest-pitched bell.

External links

• Animation of English Full-circle ringing
• "Bells in Your Care"– Central Council of Church Bell Ringers
• "What Is Change Ringing?– North American Guild of Change Ringers
• - Video of plain hunt ringing, showing the technique of ringing the bells and the simultaneous swinging of the bells in the bell chamber
• "Why a ring of bells is a tragic lost treasure of St Bride's"– St Bride's Church, Fleet Street