Romanian phonology

Main article:Romanian language

See also:Romanian Alpha bet

In thephonologyof theRomanian language,thephonemeinventory consists of sevenvowels,two or foursemivowels(different views exist), and twentyconsonants.In addition, as with other languages, other phonemes can occur occasionally in interjections or recent borrowings.

Notable features of Romanian include two unusual diphthongs/e̯a/and/o̯a/and the central vowel/ɨ/.

Vowels

Romanian vowel chart, fromSarlin (2014:18). The non-native vowels/y,ø,ɵ/are not shown.

There are sevenmonophthongsin Romanian:

	Front	Central	Back
Close	i⟨i⟩	ɨ⟨î/â⟩	u⟨u⟩
Mid	e⟨e⟩	ə⟨ă⟩	o⟨o⟩
Open		a⟨a⟩

The table below gives a series of word examples for each vowel.

Vowel	Description	Examples
/a/	Open central unrounded	apă/ˈapə/('water') balaur/baˈla.ur/('dragon') a cânta/kɨnˈta/('to sing')
/e/	Mid front unrounded	erou/eˈrow/('hero') necaz/neˈkaz/('trouble') umple/ˈumple/('to fill')
/i/	Close front unrounded	insulă/ˈinsulə/('island') salcie/ˈsalt͡ʃi.e/('willow') topi/toˈpi/('to melt')
/o/	Mid back rounded	oraș/oˈraʃ/('city') copil/koˈpil/('child') acolo/aˈkolo/('there')
/u/	Close back rounded	uda/uˈda/('to wet') aduc/aˈduk/('I bring') simplu/ˈsimplu/('simple')
/ə/	Mid central unrounded	ăsta/ˈəsta/('this') păros/pəˈros/('hairy') albă/ˈalbə/('white [fem. sg.]')
/ɨ/	Close central unrounded	înspre/ˈɨnspre/('toward') cârnat/kɨrˈnat/('sausage') coborî/koboˈrɨ/('to descend')

Although most of these vowels are relatively straightforward and similar or identical to those in many other languages, theclose central unrounded vowel/ɨ/is uncommon as a phonemeand especially uncommon amongstIndo-European languages.

According toSarlin (2014),/ə/is phonetically open-mid somewhat retracted central[ɜ̠],rather than mid central.

Less frequent vowels

ö

In addition to the seven core vowels, in a number of words of foreign origin (predominantly French, but also German) themid front rounded vowel/ø/(rounded Romanian/e/;example word:bleu/blø/'light blue') and themid central rounded vowel/ɵ/(rounded Romanian/ə/;example word:chemin de fer/ʃɵˌmendɵˈfer/'Chemin de Fer') have been preserved, without replacing them with any of the existing phonemes.The borrowed words have become part of the Romanian vocabulary and follow the usual inflexion rules, so that the new vowels, though less common, could be considered as part of the Romanian phoneme set. Many Romanian dictionariesuse⟨ö⟩in their phonetic descriptions to represent both vowels.

Because they are not native phonemes, their pronunciation may fluctuate or they may even be replaced by the diphthong/e̯o/.In older French borrowings it has often been replaced by/e/,/o/,or/e̯o/,as inșofer/ʃoˈfer/('driver', from Frenchchauffeur),masor/maˈsor/('masseur', frommasseur), andsufleor/suˈfle̯or/('theater prompter', fromsouffleur).

ü

Similarly, borrowings from languages such asFrenchandGermansometimes contain theclose front rounded vowel/y/:ecru/eˈkry/,tul/tyl/,führer/ˈfyrer/,/ˈfyrər/.The symbol used for it in phonetic notations in Romanian dictionaries is⟨ü⟩.Educated speakers usually pronounce it/y/,but other realizations such as/ju/also occur. Older words that originally had this sound have had it replaced with/ju/,/u/,or/i/.For instance,Turkishkülbecameghiul/ɡjul/('large ring'), Turkishtütünbecametutun/tuˈtun/('tobacco'), buttiutiun[tjuˈtjun]in theMoldavian dialect,GermanDüsegaveduză/ˈduzə/('nozzle') andFrenchbureaubecamebirou/biˈrow/('desk', 'office').

Diphthongs and triphthongs

According to Ioana Chițoran, Romanian has twodiphthongs:/e̯a/and/o̯a/.As a result of their origin (diphthongization of mid vowels under stress), they appear normally in stressed syllablesand makemorphological alternationswith the mid vowels/e/and/o/.

In addition to these, the semivowels/w/and/j/can be combined (either before, after, or both) with most vowels. One view considers that only/e̯a/and/o̯a/can follow an obstruent-liquid cluster such as inbroască('frog') anddreagă('to mend')and form realdiphthongs,whereas the rest are merely vowel–glide sequences. The traditional view (taught in schools) considers all of the above as diphthongs.

Falling
Diphthong	Examples
/aj/	mai/maj/('May'),aisberg/ˈajsberɡ/('iceberg')
/aw/	sau/saw/('or'),august/ˈawɡust/('August')
/ej/	lei/lej/('lions'),trei/trej/('three')
/ew/	greu/ɡrew/('heavy'),mereu/meˈrew/('always')
/ij/	mii/mij/('thousands'),vii/vij/('you come')
/iw/	fiu/fiw/('son'),scriu/skriw/('I write')
/oj/	oi/oj/('sheep [pl.]'),noi/noj/('we')
/ow/	ou/ow/('egg'),bou/bow/('ox')
/uj/	pui/puj/('you put'),gălbui/ɡəlˈbuj/('yellowish')
/uw/	continuu/konˈtinuw/('continuous')
/əj/	răi/rəj/('bad [masc. pl.]'),văi/vəj/('valleys')
/əw/	dulău/duˈləw/('mastiff'),rău/rəw/('bad [masc. sg.]')
/ɨj/	câine/ˈkɨjne/('dog'),mâinile/ˈmɨjnile/('the hands')
/ɨw/	râu/rɨw/('river'),brâu/brɨw/('girdle')
Rising
Diphthong	Examples
/e̯a/	beată/ˈbe̯atə/('drunk [fem.]'),mea/me̯a/('my [fem. sg.]')
/e̯o/	Gheorghe/ˈɡe̯orɡe/('George'),ne-o ploua/ne̯oploˈwa/('it would rain on us'),vreo/vre̯o/('some; around [fem., masc. pl.]')
/e̯u/	(mostly in word combinations)pe-un/pe̯un/('on a'),vreun/vre̯un/('some; around [masc. sg.]')
/ja/	biată/ˈbjatə/('poor [f.]'),mi-a zis/mjaˈzis/('[he] told me')
/je/	fier/fjer/('iron'),miere/ˈmjere/('honey')
/jo/	iod/jod/('iodine'),chior/ˈkjor/('one-eyed')
/ju/	iubit/juˈbit/('loved'),chiuvetă/kjuˈvetə/('sink')
/o̯a/	găoace/ɡəˈo̯at͡ʃe/('shell'),foarte/ˈfo̯arte/('very')
/we/	piuez/piˈwez/('I felt [a fabric]'),înșeuez/ɨnʃeˈwez/('I saddle')
/wa/	băcăuan/bəkəˈwan/('inhabitant ofBacău'),ziua/ˈziwa/('the day')
/wə/	două/ˈdowə/('two [fem.]'),plouă/ˈplowə/('it rains')
/wɨ/	plouând/ploˈwɨnd/('raining'),ouând/oˈwɨnd/('laying [eggs]')

Triphthong	Examples
/e̯aj/	socoteai/sokoˈte̯aj/('you were reckoning')
/e̯aw/	beau/be̯aw/('I drink'),spuneau/spuˈne̯aw/('they were saying')
/e̯o̯a/	pleoapă/ˈple̯o̯apə/('eyelid'),leoarcă/ˈle̯o̯arkə/('soaking wet')
/jaj/	mi-ai dat/mjajˈdat/('you gave me'),ia-i/jaj/('take them')
/jaw/	iau/jaw/('I take'),suiau/suˈjaw/('they were climbing')
/jej/	iei/jej/('you take'),piei/pjej/('skins')
/jew/	eu/jew/('I [myself]')
/joj/	i-oi da/jojˈda/('I might give him'),picioică/piˈt͡ʃjoj.kə/('potato [regionalism]')
/jow/	maiou/maˈjow/('undershirt')
/o̯aj/	leoaică/leˈo̯ajkə/('lioness'),rusoaică/ruˈso̯ajkə/('Russian woman')
/waj/	înșeuai/ɨnʃeˈwaj/('[you] were saddling')
/waw/	înșeuau/ɨnʃeˈwaw/('[they] were saddling')
/wəj/	rouăi/ˈrowəj/('of the dew')
/jo̯a/	creioane/kreˈjo̯ane/('pencils'),aripioară/ariˈpjo̯arə/('winglet')

As can be seen from the examples above, the diphthongs/e̯a/and/o̯a/contrast with/ja/and/wa/respectively, though there are nominimal pairsto contrast/o̯a/and/wa/.Impressionistically, the two pairs sound very similar to native speakers.Because/o̯a/does not appear in the final syllable of a prosodic word, there are no monosyllabic words with/o̯a/;exceptions might includevoal('veil') anddoar('only, just'), though Ioana Chițoran arguesthat these are best treated as containing glide-vowel sequences rather than diphthongs. In some regional pronunciations, the diphthong/o̯a/tends to be pronounced as a single vowel/ɒ/.

Other triphthongs such as/juj/and/o̯aw/occur sporadically in interjections and uncommon words.

Diphthongs in borrowings

Borrowings fromEnglishhave enlarged the set of ascending diphthongs to also include/jə/,/we/,/wi/,and/wo/,or have extended their previously limited use. Generally, these borrowings have retained their original spellings, but their pronunciation has been adapted to Romanian phonology. The table below gives some examples.

Diphthong	Examples
/jə/	yearling/ˈjərlinɡ/'one-year-old animal (colt)'
/we/	western/ˈwestern/'Western (movie set in the American West)'
/wi/	tweeter/ˈtwitər/'high-pitch loudspeaker'
/wo/	walkman/ˈwokmen/'pocket-sized tape/CD player'

Borrowings such aswhiskyandweek-endare listed in some dictionaries as starting with the ascending diphthong/wi/,which corresponds to the original English pronunciation, but in others they appear with the descending diphthong/uj/.

Vowel alternations

Romanian has vowelalternationorapophonytriggered bystress.A stressed syllable has anopen vowel,or a diphthong ending in an open vowel, and an unstressed syllable has a mid vowel. Thus/e̯a/alternates with/e/,/o̯a/with/o/,and/a/with/ə/.

This alternation developed fromRomanian vowel breaking (diphthongization)andreduction (weakening).TheEastern Romancemid vowels/eo/werebrokenin stressed syllables, giving the Romanian diphthongs/e̯ao̯a/,and the open vowel/a/wasreducedin unstressed syllables, giving the Romanian central vowel/ə/.

These sound changes created the stress-triggered vowel alternations in the table below.Here stressed syllables are marked with underlining (a):

	Stressed		Unstressed		IPA and recording
a—ə	carte	'book'	cărticică	'book' (diminutive)
	casă	'house'	căsuță	'house' (diminutive)
e̯a—e	beat	'drunk'	bețiv	'drunkard'
	seară	'evening'	înserat	'dusk'
o̯a—o	poartă	'gate'	portar	'gatekeeper'
	coastă	'rib'	costiță	'rib' (diminutive)

This has since beenmorphologizedand now shows up in verb conjugationsand nominal inflection:oaste—oști,'army' — 'armies'.

Consonants

Standard Romanian has twenty phonemic consonants, as listed in the table below.

Romanian consonants

		Labial	Dental		Alveolar	Post- alveolar	Velar	Glottal
			central	sibilant
Nasal		m⟨m⟩			n⟨n⟩
Plosive/ Affricate	voiceless	p⟨p⟩	t⟨t⟩	t͡s⟨ț⟩		t͡ʃ⟨c⟩	k⟨c/ch/k⟩
	voiced	b⟨b⟩	d⟨d⟩			d͡ʒ⟨g⟩	ɡ⟨g/gh⟩
Fricative	voiceless	f⟨f⟩		s⟨s⟩		ʃ⟨ș⟩		h⟨h⟩
	voiced	v⟨v⟩		z⟨z⟩		ʒ⟨j⟩
Trill					r⟨r⟩
Approximant					l⟨l⟩	j⟨i⟩	w⟨u⟩

Besides the consonants in this table, a few consonants can haveallophones:

• Palatalized consonants occur when preceding an underlying word-final/i/,which is then deleted.
• /n/becomes the velar[ŋ]before/k/,/ɡ/and/h/;
• /h/becomes the velar[x]in word-final positions (duh'spirit') and before consonants (hrean'horseradish'); it becomes the palatal[ç]before[i],[j],like in the wordhumanin English, and as a realization for an underlying/hi/sequence in word-final positions (cehi'Czech people' is pronounced[t͡ʃeç],though usually transcribed[t͡ʃehʲ]).

The consonant inventory of Romanian is similar toItalian.Romanian, however, lacks the palatal consonants/ɲʎ/,which merged with/j/bylenition,and the affricate/d͡z/changed to/z/byspirantization.Romanian has the fricative/ʒ/and the glottal fricative/h/,which do not occur in Italian.

Palatalized consonants

Palatalized consonants appear mainly at the end of words,and mark two grammatical categories: plural nouns and adjectives, and second person singular verbs.

The interpretation commonly taken is that an underlying morpheme/i/palatalizes the consonant and is subsequently deleted. However,/sʲ/,/tʲ/,and/dʲ/become[ʃʲ],[t͡sʲ],and[zʲ],respectively,with very few phonetically justified exceptions, included in the table below, which shows that this palatalization can occur for all consonants.

Voiceless		Voiced
Consonant	Examples	Consonant	Examples
/pʲ/	rupi/rupʲ/'you tear'	/bʲ/	arabi/aˈrabʲ/'Arabs'
/tʲ/	proști/proʃtʲ/'stupid (masc. pl.)'	/dʲ/	nădejdi/nəˈdeʒdʲ/'hopes'
/kʲ/	urechi/uˈrekʲ/'ears'; ochi/okʲ/'eye(s)'	/ɡʲ/	unghi/unɡʲ/'angle'
/t͡sʲ/	roți/rot͡sʲ/'wheels'	–
/t͡ʃʲ/	faci/fat͡ʃʲ/'you do'	/d͡ʒʲ/	mergi/merd͡ʒʲ/'you go'
–		/mʲ/	dormi/dormʲ/'you sleep'
–		/nʲ/	bani/banʲ/'money (pl.)'
/fʲ/	șefi/ʃefʲ/' Boss es'	/vʲ/	pleșuvi/pleˈʃuvʲ/'bald (masc. pl.)'
/sʲ/	bessi/besʲ/'Bessi'	/zʲ/	brazi/brazʲ/'fir trees'
/ʃʲ/	moși/moʃʲ/'old men'	/ʒʲ/	breji/breʒʲ/'brave (masc. pl.)'
/hʲ/	vlahi/vlahʲ/'Wallachians'	–
–		/lʲ/	școli/ʃkolʲ/'schools'
–		/rʲ/	sari/sarʲ/'you jump'

In certain morphological processes/ʲ/is replaced by the full vowel/i/,for example

• in noun plural genitive formation:școli — școlilor/ʃkolʲ/—/ˈʃkolilor/('schools — of the schools'),
• when appending the definite article to some plural nouns:brazi — brazii/brazʲ/—/ˈbra.zij/('fir trees — the fir trees')
• in verb + pronoun combinations:dați — dați-ne/dat͡sʲ/—/ˈdat͡sine/('give — give us').

This may explain why/ʲ/is perceived as a separate sound by native speakers and written with the same letter as the vowel/i/.

The non-syllabic/ʲ/can be sometimes found inside compound words likecâțiva/kɨt͡sʲˈva/('a few') andoricare/orʲˈkare/('whichever'), where the first morpheme happened to end in this/ʲ/.A word that contains this twice iscincizeci/t͡ʃint͡ʃʲˈzet͡ʃʲ/('fifty').

InOld Romanianand still in some local pronunciations there is another example of such a non-syllabic, non-semivocalic phoneme, derived from/u/,which manifests itself aslabializationof the preceding sound. The usual IPA notation is/ʷ/.It is found at the end of some words after consonants and semivowels, as inun urs,pronounced/unˈursʷ/('a bear'), orîmi spui/ɨmʲspujʷ/('you tell me'). The disappearance of this phoneme might be attributed to the fact that, unlike/ʲ/,it did not play any morphological role. It is a trace of Latin endings containing/u(ː)/,/oː/(-us,-ūs,-um,-ō), this phoneme is related to vowel/u/used to connect the definite article "l" to the stem of a noun or adjective, as indomn — domnul/domn/—/ˈdomnul/('lord — the lord', cf.Latindominus).

Other consonants

As with other languages, Romanian interjections often use sounds beyond the normal phoneme inventory or disobey the normal phonotactical rules, by containing unusual phoneme sequences, by allowing words to be made up of only consonants, or by consisting of repetitions. Such exceptional mechanisms are needed to obtain an increased level of expressivity.Often, these interjections have multiple spellings or occasionally none at all, which accounts for the difficulty of finding the right approximation using existing letters.The following is a list of examples.

• Abilabial click[ʘ],pronounced by rounding the lips and strongly sucking air between them, is used for urging horses to start walking.
• Whistling is another interjection surpassing the limits of the phoneme inventory. It is usually spelledfiu-fiu.
• Thedental click[ǀ](see alsoclick consonants) is used in an interjection similar to the Englishtut-tut(ortsk-tsk), expressing concern, disappointment, disapproval, etc., and generally accompanied by frowning or a comparable facial expression. Usually two to four such clicks in a row make up the interjection; only one click is rare and more than four can be used for over-emphasis. The Romanian spelling is usuallytț,tttorțțț.
• The same dental click is used in another interjection, the informal equivalent of "no" (nuin Romanian). Only one click is emitted, usually as an answer to ayes–no question.Although there is rarely any accompanying sound, the usual spelling isntornț.
• A series of interjections are pronounced with the mouth shut. Depending on intonation, length, and rhythm, they can have various meanings, such as: perplexity, doubt, displeasure, tastiness, toothache, approval, etc.Possible spellings include:hm,hâm/hîm,mhm,îhî,mmm,îî,hî.Phonetically similar, but semantically different, is the English interjectionahem.
• Another interjection, meaning "no", is pronounced[ˈʔḿʔm̀](with a high-low phonetic pitch). Possible spellings include:î-î,îm-îm,andm-m.The stress pattern is opposite to the interjection for "yes" mentioned before, pronounced[m̀ˈḿ̥m](with a low-high phonetic pitch).
• Pfuexpresses contempt or dissatisfaction and starts with thevoiceless bilabial fricative/ɸ/,sounding like (but being different from) the Englishwhew,which expresses relief after an effort or danger.
• Câh/cîhexpresses disgust and ends in thevoiceless velar fricative/x/,similar in meaning to Englishugh.
• Brrrexpresses shivering cold and is made up of a single consonant, thebilabial trill,whoseIPAsymbol is/ʙ/

Stress

Romanian has astress accent,like almost all otherRomance languages(with the notable exception ofFrench). Generally, stress falls on the last syllable of a stem (that is, the root and derivational material but excluding inflections and final inflectional vowels).Although a lexically marked stress pattern with penultimate stress exists, any morphologically derived forms will continue to follow the unmarked pattern.

fráte/ˈfrate/('brother'),copíl/koˈpil/('child')

strúgure/ˈstruɡure/('grape'),albástru/alˈbastru/('blue'),călătór/kələˈtor/('voyager').

Stress is not normally marked in writing, except occasionally to distinguish between homographs, or in dictionaries for the entry words. When it is marked, the main vowel of the stressed syllable receives an accent (usuallyacute,but sometimesgrave), for examplevéselă — vesélă('jovial', fem. sg. — 'tableware').

In verb conjugation, noun declension, and other word formation processes, stress shifts can occur. Verbs can have homographic forms only distinguished by stress, such as inel suflăwhich can mean 'he blows' (el súflă) or 'he blew' (el suflắ) depending on whether the stress is on the first or the second syllable, respectively. Changing the grammatical category of a word can lead to similar word pairs, such as the verba albí/alˈbi/('to whiten') compared to the adjectiveálbi/ˈalbʲ/('white', masc. pl.). Stress in Romanian verbs can normally be predicted by comparing tenses with similar verbs in Spanish, which does indicate stress in writing.

Secondary stressoccurs according to a predictable pattern, falling on every other syllable, starting with the first, as long as it does not fall adjacent to the primary stress.

Prosody

Rhythm

See also:Isochrony

Languages such asEnglish,Russian,andArabicare calledstress-timed,meaning thatsyllablesare pronounced at a lower or higher rate so as to achieve a roughly equal time interval betweenstressedsyllables. Another category of languages aresyllable-timed,which means that each syllable takes about the same amount of time, regardless of the position of the stresses in the sentence. Romanian is one of the syllable-timed languages, along with most Romance languages (French,Spanish,etc., but notPortuguese),Telugu,Yoruba,Chinese,Indonesian/Malayand many others. (A third timing system ismora timing,exemplified byClassical Latin,Fi gian,Finnish,Hawaiian,Japanese,andOld English.)

The distinction between these timing categories may sometimes seem unclear, and definitions vary. In addition, the time intervals between stresses/syllables/morae are in reality only approximately equal, with many exceptions and large deviations having been reported. However, whereas the actual time may be only approximately equal, the differences are perceptually identical.

In the case of Romanian, consonant clusters are often found both in the syllableonsetandcoda,which require physical time to be pronounced. The syllable timing rule is then overridden by slowing down the rhythm. Thus, it is seen that stress and syllable timing interact. The sample sentences below, each consisting of six syllables, are illustrative:

Mama pune masa– Mom sets the table

Mulți puști blonzi plâng prin curți– Many blond kids cry in the courtyards

The total time length taken by each of these sentences is obviously different, and attempting to pronounce one of them with the same rhythm as the other results in unnatural utterances.

To a lesser extent, but still perceivably, the syllables are extended in time also on one hand by the presence of liquid and nasal consonants, and on the other by that of semivowels in diphthongs and triphthongs, such as shown in the examples below.

Romanian	English
pic — plic	bit—envelope
cec — cerc	cheque—circle
zic — zinc	I say—zinc
car — chiar	I carry—even
sare — soare	salt—sun
sta — stea	to stay—star
fi — fii	be (inf.)—be (imperative)

A simple way to evaluate the length of a word, and compare it to another, consists in pronouncing it repeatedly at a natural speech rate.

Intonation

A detailed description of theintonationpatterns must consider a wide range of elements, such as the focus of the sentence, the theme and the rheme, emotional aspects, etc. In this section only a few general traits of the Romanian intonation are discussed. Most importantly, intonation is essential inquestions,especially because, unlike English and other languages, Romanian does not distinguish grammatically declarative and interrogative sentences.

Innon-emphatic yes/no questionsthe pitch rises at the end of the sentence until the last stressed syllable. If unstressed syllables follow, they often have a falling intonation, but this is not a rule.

— Ai stins lumina? [ai stins lu↗mi↘na] (Have you turned off the light?)

— Da. (Yes.)

In Transylvanian speech these yes/no questions have a very different intonation pattern, usually with a pitch peak at the beginning of the question: [ai ↗stins lumi↘na]

Inselection questionsthe tone rises at the first element of the selection, and falls at the second.

— Vrei bere sau vin? [vrei ↗bere sau ↘vin] (Do you want beer or wine?)

— Bere. (Beer.)

Wh-questionsstart with a high pitch on the first word and then the pitch falls gradually toward the end of the sentence.

— Cine a lăsat ușa deschisă? [↗cine↘ a lăsat ușa deschisă] (Who left the door open?)

— Mama. (Mom did.)

Repeat questionshave a rising intonation.

— A sunat Rodica adineauri. (Rodica just called.)

— Cine a sunat? [cine a su↗nat] (Who called?)

— Colega ta, Rodica. (Your classmate, Rodica.)

Tag questionsare uttered with a rising intonation.

— Ți-e foame, nu-i așa? [ți-e foame, nu-i a↗șa] (You're hungry, aren't you?)

Unfinished utteranceshave a rising intonation similar to that of yes/no questions, but the pitch rise is smaller.

— După ce m-am întors... [după ce m-am în↗tors...] (After I came back...)

Various other intonation patterns are used to express: requests, commands, surprise, suggestion, advice, and so on.

Example text

Orthographic:

Phonetic:

Radu

[ˈradu

se

se

joacă

ˈʒo̯akə

în

ɨn

curte.

ˈkurte

El

jel

aleargă

aˈle̯arɡə

până

ˈpɨnə

la

la

gard,

ɡard

și

ʃi

apoi

aˈpoj

se-ntoarce

senˈto̯art͡ʃe

spre

spre

casă.

ˈkasə]

Orthographic:Radu se joacă în curte. El aleargă până la gard, și apoi se-ntoarce spre casă.

Phonetic:[ˈradu se ˈʒo̯akə ɨn ˈkurte jel aˈle̯arɡə ˈpɨnə la ɡard ʃi aˈpoj senˈto̯art͡ʃe spre ˈkasə]

Bibliography

• Chițoran, Ioana (2001),The Phonology of Romanian: A Constraint-based Approach,Berlin & New York: Mouton de Gruyter,ISBN978-3-11-016766-5
• Chițoran, Ioana (2002a), "A perception-production study of Romanian diphthongs and glide-vowel sequences",Journal of the International Phonetic Association,32(2): 203–222,CiteSeerX10.1.1.116.1413,doi:10.1017/S0025100302001044,S2CID10104718
• Chițoran, Ioana (2002b),"The phonology and morphology of Romanian diphthongization"(PDF),Probus,14(2): 205–246,doi:10.1515/prbs.2002.009
• Petrovici, Emil (1956),Influența slavă asupra sistemului fonemelor limbii romîne[The Slavic influence on the phoneme system of the Romanian language], Bucharest: Societatea de științe istorice și filologice
• Pop, Sever (1938),Micul Atlas Linguistic Român,Muzeul Limbii Române Cluj
• Sarlin, Mika (2014) [First published 2013],"Sounds of Romanian and their spelling",Romanian Grammar(2nd ed.), Helsinki: Books on Demand GmbH,ISBN978-952-286-898-5
• Schane, Sanford A. (1971), "The phoneme revisited",Language,3(47): 503–521,doi:10.2307/412375,JSTOR412375
• Vasiliu, Emanuel (1965),Fonologia limbii române,Editura Științifică, București

External links

• Very detailed Romanian grammar, with some notes on phonetics and morpho-phonology (PDF; 183 pages; 4.6 MB)
• (in Romanian)DEX online, a collection of Romanian language dictionaries; one-letter entries indicate the possible pronunciations
• Romanian Language SoundsSounds of the Romanian Language Project (SROL)
• Rhymes Dictionary – dictionar de rimeArchived2018-08-16 at theWayback MachineRomanian Rhymes Dictionary – allows the user to obtain words which rhyme with the search word (possible indication of pronunciation rules)