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Seljuk Empire

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Seljuk Empire
سلجوقیان
1037–1194
Seljuk Empire circa 1090, during the reign ofMalik Shah I.To the west,Anatoliawas under the independent rule ofSuleiman ibn Qutalmishas theSultanate of Rum,and disputed with theByzantine Empire.To the east, theKara-Khanid Khanatebecame a vassal state in 1089, for half a century, before falling to theQara Khitai.[1][2]
StatusEmpire
Capital
Common languages
Religion
Sunni Islam(Hanafi)
GovernmentVassal undercaliphate(de jure)[8]
Independentsultanate(de facto)
Caliph
• 1031–1075
Al-Qaʽim
• 1180–1225
Al-Nasir
Sultan
• 1037–1063
Tughril(first)
• 1174–1194
Tughril III(last)[9]
History
• Formation under Tughril
1037
1040
1071
1095–1099
1141
• Supplantation by theKhwarazmian Empire[10]
1194
Area
1080 est.[11][12]3,900,000 km2(1,500,000 sq mi)
Preceded by
Succeeded by
Oghuz Yabgu State
Ghaznavids
Buyid dynasty
Byzantine Empire
Kakuyids
Fatimid Caliphate
Kara-Khanid Khanate
Marwanids
Rawadids
Sultanate of Rûm
Anatolian beyliks
Ghurid dynasty
Khwarazmian Empire
Atabegs of Azerbaijan
Salghurids
Bavandids
Ayyubid dynasty
Burid dynasty
Zengid dynasty
Danishmends
Artuqid dynasty
Shah-Armens
Shaddadids
Kerman Seljuk Sultanate
Kingdom of Cyprus

TheSeljuk Empire,or theGreatSeljuk Empire,[13][a]was ahigh medieval,culturallyTurco-Persian,Sunni Muslimempire, established and ruled by theQïnïqbranch ofOghuz Turks.[16][17]The empire spanned a total area of 3.9 million square kilometres (1.5 million square miles) fromAnatoliaand theLevantin the west to theHindu Kushin the east, and fromCentral Asiain the north to thePersian Gulfin the south, and it spanned the time period 1037–1308, though Seljuk rule beyond the Anatolian peninsula ended in 1194.

The Seljuk Empire was founded in 1037 byTughril(990–1063) and his brotherChaghri(989–1060), both of whom co-ruled over its territories; there are indications that the Seljuk leadership otherwise functioned as atriumvirateand thus includedMusa Yabghu,the uncle of the aforementioned two.[18]

During the formative phase of the empire, the Seljuks first advanced from their original homelands near theAral SeaintoKhorasanand then into theIranian mainland,where they would become largely based as aPersianate society.They then moved west to conquerBaghdad,filling up the power vacuum that had been caused by struggles between the ArabAbbasid Caliphateand the IranianBuyid Empire.

The subsequent Seljuk expansion into eastern Anatolia triggered theByzantine–Seljuk wars,with theBattle of Manzikertin 1071 marking a decisive turning point in the conflict in favour of the Seljuks, undermining the authority of theByzantine Empirein the remaining parts of Anatolia and gradually enabling the region'sTurkification.

The Seljuk Empire united the fractured political landscape in the non-Arab eastern parts of theMuslim worldand played a key role in both theFirstandSecond Crusades;it also bore witness to in the creation and expansion of multiple artistic movements during this period[19]By the 1140s, the Seljuk Empire began to decline in power and influence, and was eventually supplanted in the east by theKhwarazmian Empirein 1194 and theZengidsandAyyubidsin the west. The last surviving Seljuk sultanate to fall was theSultanate of Rum,which fell in 1308.

History

[edit]

Founder of the dynasty

[edit]

The founder of the dynasty was Seljuk, a warlord, who belonged to theQiniq tribeofOghuz Turks.[20]He led his clan to the banks of theSyr Daryariver, near city ofJend,where they converted toIslamin 985.[21]Khwarezm, administered by theMa'munids,was under the nominal control of theSamanid Empire.[22]By 999, the Samanids had fallen to theKara-Khanid KhanateinTransoxiana,while theGhaznavidsoccupied the lands south of theAmu Darya.[23]The Seljuks supported the last Samanid emir against the Kara-Khanids before establishing an independent base.[24]

Expansion of the empire

[edit]

Tughril and Chaghri

[edit]
TheToghrol Towerin the city ofRayin Iran, which serves as the tomb of the first Seljuk rulerTughril I

Oghuz Turks (also known as Turkmens at the time), led by Seljuk's son, Musa and his two nephews,Tughriland Chaghri, were one of several groups of the Oghuz who made their way toIranbetween about 1020 and 1040, first moving south toTransoxiana,and then toKhorasan,initially at the invitation of the local rulers, then under alliances and conflicts. Contemporary sources mention places such asDahistan,FarawaandNasa,as well asSarakhs,all in present-day Turkmenistan.[25][26]

Around 1034, Tughril and Chaghri were soundly defeated by theOghuz YabghuAli Tegin and his allies, forcing them to escape fromTransoxiana.Initially, the Seljuks took refuge inKhwarazm,which served as one of their traditional pastures, but they were also encouraged by the localGhaznavidgovernor, Harun, who hoped to utilise Seljuks for his efforts to seize Khorasan from his sovereign. When Harun was assassinated by Ghaznavid agents in 1035, they again had to flee, this time heading south across theKarakum Desert.First, they made their way to the important city of Merv, but perhaps due to its strong fortification, they changed their route westwards to take refuge in Nasa. Finally, the Seljuks arrived on the edges ofKhorasan,the province considered a jewel in the Ghaznavid crown.[27]

After moving into Khorasan, Seljuks underTughrilwrested an empire from theGhaznavids.Initially the Seljuks were repulsed byMahmudand retired toKhwarezm,but Tughril and Chaghri led them to captureMervandNishapur(1037–1038).[28]Later they repeatedly raided and traded territory with Mahmud's successor, Mas'ud, acrossKhorasanandBalkh.[29]

In 1040, at theBattle of Dandanaqan,Seljuks decisively defeatedMas'ud I of Ghazni,forcing him to abandon most of his western territories.[30]Afterwards, Turkmens employed Khorasanians and set up a Persian bureaucracy to administer their new polity with Tughril as its nominal overlord.[31]By 1046,Abbasidcaliphal-Qa'imhad sent Tughril a diploma recognizing Seljuk rule overKhurasan.[32]In 1048–1049, the Seljuk Turks, commanded byIbrahim Yinal,uterine brother of Tughril, made their first incursion into the Byzantine frontier region ofIberiaand clashed with a combined Byzantine-Georgian army of 50,000 at theBattle of Kapetrouon 10 September 1048. The devastation left behind by the Seljuk raid was so fearful that the Byzantine magnate Eustathios Boilas described, in 1051–1052, those lands as "foul and unmanageable... inhabited by snakes, scorpions, and wild beasts." The Arab chroniclerIbn al-Athirreports that Ibrahim brought back 100,000 captives and a vast booty loaded on the backs of ten thousand camels.[33]

In 1055, Tughril entered Baghdad and removed the influence of theBuyid dynasty,under a commission from the Abbasid caliph.[32]Iraq would remain under the control of the Seljuk Turks until 1135.[32]

Alp Arslan

[edit]
15th-century French miniature depicting the combatants of theBattle of Manzikertin contemporary Western European armour

Alp Arslan, the son of Chaghri Beg, expanded significantly upon Tughril's holdings by adding Armenia and Georgia in 1064 and invading the Byzantine Empire in 1068, from which he annexed almost all of Anatolia. Arslan's decisive victory at theBattle of Manzikertin 1071 effectively neutralized the Byzantine resistance to the Turkish invasion of Anatolia,[34]although the Georgians were able to recover from Alp Arslan's invasion by securing thetheme of Iberia.The Byzantine withdrawal from Anatolia brought Georgia in more direct contact with the Seljuks. In 1073 the Seljuk Amirs of Ganja, Dvin and Dmanisiinvaded Georgia and were defeatedbyGeorge II of Georgia,who successfully took the fortress ofKars.[35]A retaliatory strike by the Seljuk Amir Ahmad defeated the Georgians atKvelistsikhe.[36]

Alp Arslan authorized hisTurkomangenerals to carve their own principalities out of formerly Byzantine Anatolia, asatabegsloyal to him. Within two years the Turkmens had established control as far as theAegean Seaunder numerousbeyliks:theSaltukidsin Northeastern Anatolia, theShah-Armensand theMengujekidsin Eastern Anatolia,Artuqidsin Southeastern Anatolia,Danishmendisin Central Anatolia,Rum Seljuks(Beylik ofSuleyman,which later moved to Central Anatolia) in Western Anatolia, and the Beylik ofTzachas of Smyrnainİzmir(Smyrna).[citation needed]

Malik Shah I

[edit]

UnderAlp Arslan's successor,Malik Shah,and his two Persianviziers,Nizām al-Mulkand Tāj al-Mulk, the Seljuk state expanded in various directions, to the former Iranian border of the days before the Arab invasion, so that it soon borderedChinain the east and theByzantinesin the west. Malik Shah's brotherTutushdefended Seljuk' interests in Syria in thebattle of Ain SalmagainstSuleiman ibn Qutalmishwho had started to carve out an independent state in Anatolia. Nevertheless, despite various attempts to bring afterwards the various Turkish warlords in Anatolia under control, they largerly maintained their independence.[37]Malikshāh was the one who moved the capital fromRaytoIsfahan.[38]The Iqta military system and theNizāmīyyah Universityat Baghdad were established by Nizām al-Mulk, and the reign of Malikshāh was reckoned the golden age of "Great Seljuk". The Abbasid caliph titled him "The Sultan of the East and West" in 1087.

Internally, the most prominent development of Malik Shah's rule was the continuous increase in the power of the Nizām al-Mulk. Some contemporary chroniclers refer to the period as "al-dawla al-Nizamiyya", the Nizam's state, while modern scholars have mentioned him as "the real ruler of the Seljuq empire". The 14-century biographer Subki claimed that Nizām al-Mulk's vizierate was "not just a vizierate, it was above the sultanate".[39]TheAssassins(Hashshashin) ofHassan-i Sabāhstarted to become a force during his era, however, and they assassinated many leading figures in his administration; according to many sources these victims included Nizām al-Mulk.[40]

Ahmad Sanjar

[edit]
Ahmad Sanjarseated on his throne, from the 14th-centuryJami' al-Tawarikh

Ahmad was the son ofMalik Shah Iand initially took part in wars of succession against his three brothers and a nephew:Mahmud I,Barkiyaruq,Malik Shah IIandMuhammad I Tapar.In 1096, he was tasked to govern the province ofKhorasanby his brother Muhammad I.[41]Over the next several years, Ahmad Sanjar became the ruler of most ofIran(Persia), and eventually in 1118, the sole ruler of the Great Seljuk Empire, but with a subordinate Sultan in Iraq in the person ofMahmud II.[42]

In 1141, Ahmad marched to eliminate the threat posed byKara Khitansand faced them in the vicinity ofSamarkandat theBattle of Qatwan.He suffered his first defeat in his long career, and as a result lost all Seljuk territory east of theSyr Darya.[43][44]

Sanjar's as well as the Seljuks' rule collapsed as a consequence of yet another unexpected defeat, this time at the hands of the Seljuks' own tribe, in 1153.[42]Sanjar was captured during the battle and held in captivity until 1156.[45]It brought chaos to the Empire – a situation later exploited by the victorious Turkmens, whose hordes would overrun Khorasan unopposed, wreaking colossal damage on the province and prestige of Sanjar.[45]Sanjar eventually escaped from captivity in the fall of 1156, but soon died inMervin 1157. After his death, Turkic rulers, Turkmen tribal forces, and other secondary powers competed for Khorasan. In 1181,Sultan Shah,a pretendent to the Khwarezmian throne, managed to take control of Khorasan, until 1192 when he was defeated nearMervby theGhurids,who captured his territories.[46]The Ghurids then took control of all Khorasan following the death of his successorTekishin 1200, as far asBesṭāmin the ancient region of Qūmes.[46]The province was finally conquered byKhwarazmiansafter the Ghurid defeat at theBattle of Andkhud(1204).[47]

TheTomb of Ahmed Sanjarwas destroyed by theMongolsled byTolui,who sacked the city of Merv in 1221, killing 700,000 people according to contemporary sourcesduring their catastrophic invasion of Khwarazm;[48]however, modern scholarship holds such figures to be exaggerated.[49][50]

Division of empire

[edit]

When Malikshāh I died in 1092, the empire split as his brother and four sons quarrelled over the apportioning of the empire among themselves. At the same time, the son ofSuleiman ibn Qutalmish,Kilij Arslan I,escaped Malikshāh's imprisonment and claimed authority in theformer lands of his father.[51]InPersia,Malikshāh's four year old sonMahmud Iwas proclaimed sultan but his reign was contested by his three brothersBarkiyaruqinIraq,Muhammad I inBaghdad,andAhmad SanjarinKhorasan.Additionally, Malikshāh's brotherTutush Imade a claim to the throne but was killed in battle againstBarkiyaruqin February 1096.[52][53]Upon his death, his sonsRadwanandDu QAQinheritedAleppoandDamascusrespectively and contested with each other as well, further dividing Syria amongst emirs antagonistic towards each other.[52]

In 1118, the third sonAhmad Sanjartook over the empire. His nephew, the son of Muhammad I, did not recognize his claim to the throne, andMahmud IIproclaimed himself Sultan and established a capital in Baghdad, until 1131 when he was finally officially deposed by Ahmad Sanjar.[citation needed]

Elsewhere in nominal Seljuk territory were theArtuqidsin northeastern Syria and northernMesopotamia;they controlledJerusalemuntil 1098. TheDānišmanddynasty founded a state in eastern Anatolia and northern Syria and contested land with theSultanate of Rum,andKerboghaexercised independence as theatabegofMosul.[citation needed]

First Crusade (1095–1099)

[edit]
Sultan Barkiaruq,the Seljuk ruler during the First Crusade, from thec. 1425Persian manuscriptofHafiz-i Abru'sMajma' al-Tawarikh,Yale University Art Gallery

During theFirst Crusade,the fractured states of the Seljuks were generally more concerned with consolidating their own territories and gaining control of their neighbours than with cooperating against thecrusaders.The Seljuks easily defeated thePeople's Crusadearriving in 1096, but they could not stop the progress of the army of the subsequentPrinces' Crusade(First Crusade), which took important cities such asNicaea(İznik),Iconium (Konya),Caesarea Mazaca(Kayseri), andAntioch(Antakya) on its march toJerusalem(Al-Quds). In 1099 the crusaders finally captured theHoly Landand set up the firstCrusader states.The Seljuks had already lost Jerusalem to theFatimids,who had recaptured it in 1098 just before its capture by the crusaders.[54]

After pillaging theCounty of Edessa,Seljuk commanderIlghazimade peace with the Crusaders. In 1121 he went north towards Georgia and with supposedly up to 250,000 – 350,000 troops, including men led by his son-in-law Sadaqah and Sultan Malik ofGanja,he invaded theKingdom of Georgia.[55][56]David IV of Georgiagathered 40,000 Georgian warriors, including 5,000monaspaguards, 15,000Kipchaks,300 Alans and 100 French Crusaders to fight againstIlghazi's vast army. At theBattle of Didgorion August 12, 1121, the Seljuks were routed, being run down by pursuing Georgian cavalry for several days afterward. The battle helped the Crusader states, which had been under pressure from Ilghazi's armies. The weakening of the main enemy of the Latin principalities also benefitted the Kingdom of Jerusalem under KingBaldwin II.[citation needed]

Second Crusade (1147–1149)

[edit]

During this time conflict with theCrusader stateswas also intermittent, and after the First Crusade increasingly independent atabegs would frequently ally with the Crusader states against other atabegs as they vied with each other for territory. At Mosul,ZengisucceededKerboghaas atabeg and successfully began the process of consolidating the atabegs of Syria. In 1144 Zengi capturedEdessa,as theCounty of Edessahad allied itself with theArtuqidsagainst him. This event triggered the launch of the Second Crusade.Nur ad-Din,one of Zengi's sons who succeeded him as atabeg ofAleppo,created an alliance in the region to oppose the Second Crusade, which landed in 1147.[citation needed]

Decline of The Seljuk Empire

[edit]
Map depicting military actions during theBattle of Qatwan,1141

Ahmad Sanjarfought to contain the revolts by theKara-KhanidsinTransoxiana,GhuridsinAfghanistanandQarluksin modernKyrghyzstan,as well as the nomadic invasion of theKara-Khitaisin the east. The advancing Kara-Khitais first defeated the Eastern Kara-Khanids, then followed up by crushing the Western Kara-Khanids, who were vassals of the Seljuks atKhujand.The Kara-Khanids turned to their Seljuk overlords for assistance, to which Sanjar responded by personally leading an army against the Kara-Khitai. However, Sanjar's army was decisively defeated by the host ofYelu Dashiat theBattle of Qatwanon September 9, 1141. While Sanjar managed to escape with his life, many of his close kin including his wife were taken captive in the battle's aftermath. As a result of Sanjar's failure to deal with the encroaching threat from the east, the Seljuk Empire lost all its eastern provinces up to the riverSyr Darya,and vassalage of the Western Kara-Khanids was usurped by the Kara-Khitai, otherwise known as the Western Liao in Chinese historiography.[57]

Conquest by Khwarezm and the Ayyubids

[edit]
Seljuk warrior figurine (12th century),[58]and Turkoman soldiers from theBook of Antidotes of Pseudo-Gallen.Probably northern Iraq (Mosul). Mid 13th century.[59]

In 1153, the Oghuz Turks rebelled and captured Sanjar. He managed to escape after three years but died a year later. The Atabegs, such as theZengidsandArtuqids,were only nominally under the Seljuk Sultan, and generally controlled Syria independently. When Sanjar died in 1157, the empire fractured even further and rendered the Atabegs effectively independent.[60]

The breakaway states and dynasties included:

Map of the territory directly held by the Seljuks in 1180 CE.[61]

After the Second Crusade, Nur ad-Din's generalShirkuh,who had established himself inEgyptonFatimidland, was succeeded bySaladin.In time, Saladin rebelled againstNur ad-Din;upon his death, Saladin married his widow, captured most of Syria and created theAyyubiddynasty.[citation needed]

On other fronts, theKingdom of Georgiabegan to become a regional power and extended its borders at the expense of the Great Seljuk Empire. The same was true during the revival of theArmenian Kingdom of Cilicia,underLeo II of Armenia,in Anatolia. The Abbasid caliphAn-Nasiralso began to reassert the authority of the caliph and allied himself with the KhwarezmshahTakash.[citation needed]

For a brief period,Toghrul IIIwas the Sultan of all Seljuk lands except for Anatolia. He spent his reign conquering cities, destroying the citadel ofRayin the process, but was unable to hold any cities long enough to rebuild them.[62]Toghrul III, however, was defeated byAla al-Din Tekish,Shah ofKhwarazmian Empire,and the Seljuk Empire finally collapsed in 1194. Of the former Empire, only theSultanate of Rumin Anatolia remained.[63]

The Khwarazmian Empire took over as the dominant power in the region, but theMongol invasionin 1219–1220 soon destroyed it.

The Sultanate of Rum, the last remnants of the Seljuks in Anatolia, ended too with theMongol invasions of Anatoliathrough the 1260s, and was divided into smallemiratescalled 'beyliks'. One of these, theOttomans,would eventually rise to power and conquer the rest.[citation needed]

Governance

[edit]
Seljuk Dinar (gold), 12th century

Seljuk power was indeed at its zenith under Malikshāh I, and both theQarakhanidsandGhaznavidshad to acknowledge the overlordship of the Seljuks.[64]Seljuk dominion was established over the ancientSasaniandomains, inIranandIraq,and includedAnatolia,Syria,as well as parts ofCentral Asiaand modernAfghanistan.[64]Their rule was modelled after the tribal organization common among Turkic and Mongol nomadic cultures, resembling a 'family federation' or 'appanagestate'.[64]Under this organization, the leading member of the paramount family assigned to family members portions of his domains as autonomous appanages.[64]

Capital cities

[edit]
Ruins of ancientMarv,one of the capitals of the Great Seljuk Empire

Seljuks exercised full control overIslamicCentral Asiaand theMiddle Eastbetween 1040 and 1157. For most of its history, the empire was split into a western and eastern half and did not have a single capital or political center. In the east, the chief seat of Seljuk rule wasMarvin present-dayTurkmenistan.In the west, various cities, where the Seljuk rulers lived periodically, served as capitals:Rayy,Isfahan,Baghdad,and, later,Hamadan.These western lands were known as the Sultanate of Iraq.[note 1]After 1118, the Seljuk rulers of Iraq recognized the suzerainty of the Seljuk sultanSanjar,who mostly ruled from Marv, and was known by the title of al-sultān al-a'zam, 'the Greatest Sultan'. The Seljuk rulers of Iraq were often mentioned as the 'Lesser Seljuks'.[65]

Culture and language

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Much of the ideological character of the Seljuk Empire was derived from the earlier Samanid and Ghaznavid kingdoms, which had in turn emerged from the Perso-Islamic imperial system of the Abbasid caliphate.[66]This Perso-Islamic tradition was based on pre-Islamic Iranian ideas of kingship molded into an Islamic framework. Little of the public symbolism used by the Seljuks was Turkic, namely thetughra.[67]The populace of the Seljuk Empire would have considered this Perso-Islamic tradition more significant than that of steppe customs.[68]

Mina'ibowl signed byAbu Zayd al-Kashani,dated 1187 CE, Iran[69]

HighlyPersianized[70]in culture[71]and language,[72]the Seljuks also played an important role in the development of theTurko-Persian tradition,[73]even exporting Persian culture to Anatolia.[b][75][76]Under the Seljuks, Persian was also used for books lecturing about politics in theMirrors for princesgenre, such as the prominentSiyasatnama(Book of Politics) composed byNizam al-Mulk.[77]During this period, these type of books consciously made use of Islamic and Iranian traditions, such as an ideal government based on the Islamic prophet Muhammad and his successors, or theSasanianKing of KingsKhosrow I(r. 531–579).[66]

Head with a beaded headdress, 12th–early 13th century, Seljuk periodIran.[78]

In most of their coins, the Seljuk sultans used the Sasanian title ofshahanshah(King of Kings), and even used the old Buyid title of "Shahanshah of Islam."[79]The title ofmalikwas used by lesser princes of the Seljuk family.[80]Like the caliphate, the Seljuks relied on a refined Persian bureaucracy.[81]The settlement of Turkic tribes in the northwestern peripheral parts of the empire, for the strategic military purpose of fending off invasions from neighboring states, led to the progressiveTurkicizationof those areas.[82]According to the 12th-century poetNizami Aruzi,all of the Seljuk sultans had a liking for poetry, which is also demonstrated by the large compilation of Persian verses written under their patronage. This had already started under Tughril, who was praised in Arabic and Persian by poets such asFakhruddin As'ad Gurganiand Bakharzi, albeit he could not understand the verses. The last Seljuk sultan Tughril III was well known for his Persian poetry.[83]TheSaljuq-namaofZahir al-Din Nishapuri,which was most likely dedicated to Tughril III, indicates that the Seljuk family now used Persian to communicate, and even were taught about the achievements of their forefathers in that language.[84]

Tughril relied on his vizier to translate fromArabicand Persian into Turkic for him,[85]and Oghuz songs were sung at the wedding of Tughril to the caliph's daughter. Later sultans, likeMahmud,could speak Arabic alongside Persian, however, they still used Turkic among themselves. The most significant evidence of the importance of Turkic language is the extensive Turkic–Arabic dictionary, or theDīwān Lughāt al-Turk,assembled inBaghdadforCaliph al-MuqtadibyMahmud al-Kashgari.However, besides the Diwan, no works written in Turkic language survive from the Seljuk Empire. While theMaliknamawas compiled from Turkic oral accounts, it was written in Persian and Arabic languages.[84]

Steppe traditions influenced Seljuk marriages,[86]with Tughril marrying his brotherChaghri's widow, a practice despised inIslam.[86]Seljuk ceremonies were based on the Abbasid model, but sometimes ancient Iranian ceremonies were observed. During a night in 1091, all of Baghdad was lit with candles under the orders of Malik-Shah I, which resembled theZoroastrianritual ofsadhak.[87]

Religion

[edit]
Panel of al-Khatun (the lady) Fatima bint Zahir al-Din, 11th–12th century, Iran.[88]
North dome in theFriday mosque of Isfahan,Iran, added in 1088–89 by Seljuk vizierTaj al-Mulk[89][90]

In 985, the Seljuks migrated to the city of Jend where they converted to Islam.[21]The arrival of the Seljuk Turks into Persia, and their patronage of constructing madrasas, allowed for Sunni Islam to become the dominant sect of Islam.[91]Until the death of Sultan Sanjar, the Seljuks were pious Sunnis, and represented a re-establishment of Sunni Islam in Iraq and western Persia since the 10th century.[92]

In 1046,Tughrilbuilt the madrasa, al-Sultaniya in Nishapur,[93]whileChaghri Begfounded a madrasa in Merv.[94]Tughril and Alp Arslan chose Hanafiqadisand preachers for these madrasas. By 1063, there were twenty-five madrasas scattered throughout Persia and Khorasan,[95]founded by Seljuk princes.[96]In the 12th century there were over thirty madrasas in Baghdad.[97]

In 1056, Tughril built a Friday mosque with a newly constructed quarter in Baghdad which was surrounded by a wall.[98][99]The new quarter separated the Shia community from the Sunnis, since there had been frequent outbreaks of violence.[99]Through the influence of Tughril's vizier, al-Kunduri, a Hanafi Sunni,[100]the Ash'ari and Ismaili Shi'ites were exiled from Khurasan and cursed at Friday sermons in Seljuk mosques.[101][102]Al-Kunduri's vizierate persecuted Ash'aris and Sharifis, although this ended with the vizierate of Nizam al-Mulk.[100]It was under the vizierate of al-Kunduri that the Islamic scholar,Al-Juwayniwas forced to flee to Mecca and Medina.[100]In 1065, Alp Arslan campaigned against theKingdom of Georgia,subjugatedTbilisi,and built a mosque in the city.[103]

In 1092, Malik-shah built the Jami al-Sultan Mosque inBaghdad.[98]At the capital, Isfahan, Malik-shah had constructed a madrasa, a citadel and a castle near Dizkuh.[104]Following Malik-Shah's death, the familial civil war drew attention away from religious patronage, slowing the building of madrasas and mosques.[105]Although, in 1130, the Seljuk sultan Sanjar ordered the construction of the Quthamiyya madrasa in Samarkand.[106]

While the Seljuk sultans were prodigious builders of religious buildings, Seljuk viziers were no different. The Seljuk vizier, Nazim al-Mulk, founded the first madrasa in Baghdad, in 1063, called theNizamiya.[95]In the madrasas he built, he patronized Shafi'is.[107]The vizierTaj al-Mulkand Malik-shah's widow, Terken Khatun, patronized the building of a madrasa to compete with Nazim'sNizamiya.[108]

Control over the Abassids in Iraq (1055–1135)

[edit]

The region of Iraq was under the control of the Seljuk Empire from 1055 to 1135, since the Oghuz TurkTughril Beghad expelled theShiiteBuyid dynasty.Tughril Beg entered Baghdad in 1055 and was the first Seljuk ruler to style himself Sultan and Protector of the Abbasid Caliphate.[109][110]From that time, the Abassids were only "puppets" in the hands of the Seljuks.[111]In 1058, the Abassid Caliph granted to Tughril the title of "King of East and West", officially becoming the temporal protector of Abassid CaliphQa'im.[110]Iraq remained under the control of the Great Seljuks during the reign ofMuhammad I Tapar(1082–1118 CE), but from 1119, his 14 years old sonMahmud II(1118–1131) was restricted to the only rule of Iraq, whileSanjartook control of the rest of the Empire.[112]

In order to counter the ambitions of Abbasid Caliphal-Mustarshid(1118–1135), who wanted to acquire world dominance, in 1124 Mahmūd granted the city ofWasittoImad al-Din Zengias anıqta,and conferred him the Military Governorship ofBasratogether with Baghdad and the whole of Iraq in 1126. In 1127, Imad al-Din Zengi was named Governor of Mosul, where theAtabegdom of Mosulwas formed.[112]The Seljuk control of the Abassids ended in 1135, with direct military confrontation between the Abassids and the Seljuks: after rebuilding the walls of Baghdad and recreating a Caliphal after many centuries,Al-Mustarshidconfronted the subordinate Seljuk Sultan of IraqMas'udin battle. The caliph lost and was taken prisoner, and died in captivity in 1135, but conflicts continued with Al-Mustarshid's successors.[42][109]Mas'ud briefly recaptured Baghdad in theSiege of Baghdad (1136),forcing CaliphAl-Rashid Billahto abdicate, but the next CaliphAl-Muqtafi(1136–1160) managed to restore a high degree of independence and successfully resisted the SeljukSiege of Baghdad (1157).[42]

Military

[edit]

General overview

[edit]
Princely figures related to the Seljuk sultan or one of his local vassals or successors, Seljuk period, Iran, late 12th–13th century[113][114]

The army of the earliest Seljuks was not similar to the renowned Turkic military of the classical'Abbasidera. Their first invasions were more of a great nomadic migration accompanied by their families and livestock rather than planned military conquests. They were not a professional army; however, warfare was a way of life for nearly all of adult male Turkmens.[115]

According to a Seljukvizier,Nizam al-Mulk,by the reign ofMalik-Shah I,the sovereign had a large army at his disposal. There wereTurkmens,mamluks,a standing army, infantry and the sultan's personal guard. Nizam al-Mulk also estimated Malik-Shah's forces at 400,000 men, and often opposed cost-cutting plans (instituted byTaj al-Mulk) to bring these to 70,000.[116]

Turkmens

[edit]

Vizier Nizam al-Mulk, the greatest advocate of Iranian orientation for the Seljuk empire, admitted the debt dynasty owed to the Turkmens. After the establishment of the Seljuk state, Turkmens continued to be the driving force behind the Seljuk expansion inAnatolia.After the rule of Malik-Shah I, however, there are very few mentions of Turkmens in theJibaliregion of the state, especially in their traditional axis ofRayy,HamadhanandHulwan.[117]

Turkmens were difficult to manage, and they were susceptible to undisciplined pillaging. The greatest issue, however, was their dependence on pasturelands for their livestock. A great number of regions that constituted the Seljuk state were ecologically ill-suited for supporting a nomadic army. Turkmens' limitations are adeptly described by Arab scholarSibt ibn al-Jawzi:[118]

Saltuk II(1132–1168), a Seljuk ruler in Anatolia, on horseback firing arrows.

The sultan (Tughril I) ordered his soldiers to prepare [themselves] and to send to bring their tents, children and families to Iraq and to head toSyriawith him. They said, "This land is ruined, there is neither food nor fodder here and we have no funds left. We cannot stay [indefinitely] on the backs of horses. What if our families, horses and beasts come, but our absence becomes drawn out? We must visit our families, so we are asking for permission to return to them and to go back to the place which is assigned to us."

Long campaigns had to be discontinued due to Turkmens' insistence on returning home, and conquests had to be scheduled to satisfy the demands of Turkmens. The short-term needs of Turkmens made a longer term military plans unachievable.[119]

Mamluks

[edit]

The alternative to nomadic Turkmen troops wasmamluks.While also of Turkic and often nomadic origin, dependence on pasturelands was non-existent for mamluks as they did not live a nomadic life. Previously, mamluks had constituted the later'Abbasid,theSamanidand theGhaznavidarmies. In fact, the Ghaznavid dynasty was itself of mamluk origin.[120]

The process of mamluk recruitment are well known from other periods inIslamic history,but there is almost no information directly relating to the Seljuks. The chief source of mamluks was most probably forays to the steppe. The alternative to raids was buying them from slave traders and various dealers as evidenced from a slave dispute between a merchant andMuhammad I Tapar.[121]

Military of successor states

[edit]

Many depictions of military figures are known from the period immediately following the Seljuk Empire (which ended in 1194), as illustrated manuscripts started to enjoy a major boom from circa 1200.[122]Seljuk styles of military equipment continued during the 13th century in the Turkic post-Seljuk successor states (generally included under the term "Seljuk period" ), such as theSeljuk Rums,theZengids,theArtuqidsor theKhwarizmians,and are documented in their manuscripts.[123][124]

Architecture

[edit]
Mausoleum of Sultan Sanjar(1152) inMerv,Turkmenistan[127]

Mosquesandmadrasaswere created and embellished during the period of Seljuk control. Congregational mosques were either repaired, re-built, or constructed in their entirety. The Seljuk sultan also commissioned numerous madrasas to promote the teaching of orthodox Islamic sciences.[128]These developments in architectural practice are coherent with the Seljuk dynasty's focus on Islam and the promotion of Muslim orthodoxy, the combining ofSufismandSunnism.[128][19] Overall, the architecture attributed to the Seljuk period is characterized by elaborate decoration, much like the other arts produced under Seljuk rule.[129]Decoration was primarily executed in elaborate brickwork and in the use of colorful glazed tiles.[130]The most important innovations of this period occurred in the form of mosques, as first seen in the renovations of theFriday mosque of Isfahan.[131]One was the introduction of thefour-iwan plan.This was attested in some earlier buildings, but under the Seljuks it turned into a common characteristic of mosques, madrasas, and caravanserais in Iran and Central Asia, eventually influencing architecture in Syria, Mesopotamia, and Anatolia as well.[131]Another major innovation was the creation of monumental domes over the space in front of themihrab(or themaqsura), which also became characteristic of later mosques in this region and beyond.[131]

Muqarnasin aniwanof the Friday mosque of Isfahan (early 12th century)[89]

Another architectural form that flourished during the Seljuk period was themuqarnas,a form of three-dimensional geometric decoration.[132]Some interpretations maintain that the earliest known examples of muqarnas were constructed during the period of Seljuk hegemony, though it also remains possible that they were being developed at the same time inNorth Africa.[132]The layering of multiple embellished cells with divergent profiles in muqarnas creates a dome that has a seemingly-insubstantial interior.[132]The play of light on the surface enhances this visual effect.[132]Art historianOleg Grabarargues that the effect of muqarnas domes embodies Qur'anic water symbolism.[132]Examples of muqarnas also appear in the niches ofmosquesbuilt during the Seljuk empire.[133]

Arts

[edit]

Various art forms were popularized during the Seljuk period, as evidenced by the vast amount of surviving artifacts.[19]Most Seljuk arts are known to have been produced in what is modern-day Iran.[128]However, the Seljuk sultans also encouraged artists to settle in Anatolia as part of a recolonization and reconstruction process of several cities.[134]Many works of Seljuk art continued to be produced following the decline of the empire in the late 12th century.[128]In this regard, the timeline associated with the production of Seljuk art does not entirely match the political events pertaining to the empire and its eventual fall.[19]Nonetheless, relatively little art can be correctly dated and ascribed to a Great Seljuk context. Much of the material deemed to be Seljuk in world museums in fact belongs to the period A.D. 1150–1250, after the fall of the Great Seljuk Empire, when there seems to have been a sudden burst in artistic production, apparently to a great extent unrelated to court patronage.[135]

Ceramics

[edit]
AMina'ibowl, dated 1187 CE (Muharram583A.H.), a few years before the end of the Seljuk Empire in 1194. Scene of poetic recitation, with poetic verses inscribed on the rim: "If the beloved leaves me, what am I to do? If s/he does not see the wisdom of our union, what am I to do?".Kashan,Iran. (Los Angeles County Museum of Art.)[136]

Among other ceramics, the manufacture of polychrome ceramic tiles, often used as decor in architecture, were popularized during the Seljuk dynasty.[137][138]The Seljuks pioneered the use of theMina'itechnique, a painted and enameled polychrome overglaze for ceramics.[138]The glazes on the Seljuk ceramics produced often ranged from a brilliant turquoise to a very dark blue.[137]The art of Seljuk mosaic tile decorating would continue to dominate the interior of many Anatolian mosques following the period of Seljuk rule.[137]The Seljuks also created ceramic house models, while other ceramic forms in the Seljuk period included pottery figurines, some of them children's toys.[139]

Book arts

[edit]
Pages from a Seven-part Quran, Iran, late 11th cen. Khalili Collection

Both secular and non-secularmanuscriptswere produced during the Seljuk period.[143][144]These pieces are now limited in availability, considering their ultimate susceptibility to damage overtime.[145]But those manuscripts that have survived over the centuries provide insight into the Seljuk's involvement in the arts of the book.[145]Calligraphersand illuminators were responsible for the creation of these manuscripts, though sometimes calligraphers mastered the art of both writing and illustration.[146]By the end of the 10th century, both illuminators and calligraphers were beginning to employ various colors, styles, and writing techniques in the realm of the book arts.[146]

TheQur'an's produced during the period of Seljuk rule evidence developments in calligraphy and other changes in how the holy text was divided.[146]Uniquely, calligraphers during this period frequently combined several scripts on one page of the Qur'an, such asKuficand New Style.[146]In addition to these changes in the text, the dawn of the Seljuk empire coincided with a newfound increase in the popularity of paper as a replacement forparchmentin the Islamic world.[147]The use of durable paper increased the production of compact, single-volume Qur'an's, whereas parchment codexes often contained multiple volumes of Qur'anic text.[148]Despite this development, parchment would remain popular for the production of some Qur'an's, and multi-volume pieces continued to be produced.[147][146]Illuminated borders continued to distinguish the Qur'ans produced during the Seljuk period and relative consistency was maintained with regard to their structure.[148]

Early world mapfromDīwān Lughāt al-Turk( "Compendium of the languages of the Turks" ), a Turkish-Arab dictionary by theKara-KhanidauthorMahmud al-Kashgari,written in Seljuk Baghdad in 1072–74 CE (1266 copy).[149]

One example of a manuscript created during Seljuk rule is a thirty-volume (juz) Qur'an created c. 1050, produced by only one calligrapher and illuminator (Freer Gallery of Art, District of Columbia, F2001.16a-b).[146]As paper had just been introduced to the Islamic world, this piece is an early Islamic paper manuscript.[147]This Qur'an is bound in brown leather, dyed in pink, decorated with gold, and offers an intricatefrontispiece.[146]These elements imply the care that went into the production of this text and indications of frequent usage confirm that it was appreciated.[146]It is primarily written in the vertical "New-Style"Arabicscript, a sharp, vertical script.[147]The dominant use of New Style in thisfolio,also referred to as "newAbbasidScript ", attests to the shift from the geometric Kufic script to a more legible calligraphic style, which occurred in the 10th century.[147]Scattered remnants of Kufic, used primarily to indicate volume and page number, also appear in the text.[147]The verticality of the paper in this manuscript speaks to the historic shift away from the horizontal use of paper in many Qur'ans, also a 10th-century development.[147]

Another example of a religious manuscript produced closer to the end of the period of Seljuk Rule is theQarmathian Qur'an(dispersed folio, Arthur M. Stackler Gallery of Art, District of Columbia, S1986.65a-b).[146]This manuscript's folios are illuminated with a gold border and thin, spiraled illustration, featuring vegetal motifs.[146]Despite the generous illumination, the four lines of Qur'anic text on the folio are exceptionally legible.[146]Created between the years 1170–1200, this particular folio demonstrates the evolution of New Style, as both vocalized cursive and diacritical dots appear in this later version of the script.[146]Only during the 13th century would New Style be replaced by the curvier proportional scripts for regular use.[147]

A Seljuk manuscript on astrological figures:Book of Fixed Stars(Kitāb suwar al-kawākib al-ṯābita), by ‛Abd al-Rahman ibn ‛Umar al-Ṣūfī, dated 1125 CE, Baghdad (controlled by the Seljuks from 1055 to 1135).[150]Doha Museum of Islamic ArtMS 2.1998.[151]

A final example of a Seljuk Qur'an that has entered into scholarship is a manuscript studied in-depth by the late art historianRichard Ettinghausen.[144]This piece was written in 1164 by Mahmud Ibn Al-Husayn and contains the entirety of the Qur'an (University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, NEP27).[144]Unlike the two Seljuk Qur'ans discussed prior, this manuscript primarily containsNaskhscript, another early Arabic script that replaced Kufic.[152]However, some Kufic calligraphy is embedded in the chapter headings.[144]This aspect speaks to how the inclusion of Kufic in Qur'ans became more of a decorative element overtime, often included in headings as opposed to the main body of text.[147][146]The manuscript is large, with seventeen lines of text per two-hundred and fifteen sheets of paper.[144]Though not all of the Qur'an is illuminated, both the beginning and the end boast elaborate illustration, with blue, gold, and white hues.[144]Ettinghausen describes the subsequent visual effect as "brilliant".[144]The inscriptions feature detailed rosettes, vines, medallions, andarabesques,some exclusively as decoration and others to indicate the end of particular lines of Qur'anic text.[144]

Manuscript production during the Seljuk period was not limited to religious texts. Beyond these religious manuscripts, scientific, literary, and historical pieces were created.[129]One example of a secular manuscript is theNusrat al-fatrah,a historiographical and literary account of the Seljuk period written in 1200 by Imād al-Dīn (Al-Furqan Islamic Heritage Foundation, London).[153]Meanwhile, the scientific manuscripts produced during the Seljuk period oftentimes pertained to geography, physics, mechanics, mathematics, and astronomy.[129]The former Seljuk city ofIsfahannot only boasted twelve libraries that contained a total of twelve thousand volumes, but also had an observatory where scholars could record their astrological findings.[129][143]Secular manuscripts from the Seljuk empire bear illuminations that often relate to the alignment of planets and thezodiac,a couple examples of common themes.[148]

Whether secular or non-secular, Seljuk illuminated manuscripts had enough influence as to inspire other relevant art forms, such as brass or bronze metal objects.[146]For example, the largeQarmathian Qur'aninfluenced some of the inscriptions on Seljuk ceramic wares.[146]Even mirrors, candlesticks, coins, and jugs manufactured inAnatoliaduring the Seljuk period would often bearoccultastrological images inspired by manuscripts.[143]Occult knowledge persisted in manuscripts produced after the decline in the Seljuk's political power in the late 12th century, as the Seljuk sultanate's influence on the book arts continued in Anatolia.[143]

The first known illustrated manuscript ofKitâb al-Diryâq,is dated 1198, around the end of the Seljuk dynasty, and is generally attributed to theJazira(northernSyriaor NorthernIraq).[154][155]

Historian Andrew Peacock demonstrates an interest in the Seljuks of Anatolia's focus on occult themes and its manifestation in the book arts.[143]Peacock describes this finding as something that challenges the reigning view that the Seljuks were exclusively the "pious defenders of Islam" when it came to larger systems of belief.[143]Some of the occult sciences that the Seljuks took special interest in includedgeomancy,astrology,alchemy.A relevant occult manuscript from a later period of Seljuk influence in the 13th century is theDustur al-Munajjimin,otherwise known as the "Rules of Astrologers", while another is theDaqa'iq al-Haqa'iq,or the "Fine Points of Eternal Truths", dating to theSultanate of Rumin 1272.[143]The latter text captures an interest in magic and spells, with a particular focus on calling upon spiritual beings, such as angels, through ritualistic acts (Bibliothèque nationale de France, Paris, Persan 174).[143]The text was written by a man who wrote under a pen name, "Nasiri".[143]Interestingly, Nasiri'sDaqa'iq al-Haqa'iqchallenges prevailing Islamic understandings of God while encouraging piety and invoking bothSufiterms and themes.[143]For example, while incorporating a Sufi poem, the occult text speaks of supernatural bodies and disputes what Islam considers to be the accepted number of names for God.[143]

Illustrated manuscripts

[edit]

The western area of the Seljuk realm including Syria,Jaziraand Iraq saw an "explosion of figural art" from the 12th to 13th centuries, particularly in the areas of decorative art and illustrated manuscripts.[122][156]This occurred despite religious condemnations against the depiction of living creatures, on the grounds that "it implies a likeness to the creative activity of God".[122]The origins of this new pictorial tradition are uncertain, but Arabic illustrated manuscripts such as theMaqamat al-Haririshared many characteristics with ChristianSyriacillustrated manuscripts, such asSyriac Gospels (British Library, Add. 7170).[157]This synthesis seems to point to a common pictorial tradition which developed from circa 1180 CE in the region, which was highly influenced byByzantine art.[157][158]

Metalwork

[edit]
Seljuk celestial globe with stand, Iran, 1144–45,Louvre Museum.The globe mentions: "This globe includes all the stars mentioned in the book of theAlmagestafter modifying them in proportion with the interval between the calculations ofPtolemyand the year [A.H.] 540, i.e. 1144. [It is t]he work of (san‘at) Yunis b. al-Husayn al-Asturlabi [in the] year 539 ".[159]

Starting around the middle of the 12th century, there appears to have been a major increase in the number of artistic metalwork objects produced in the eastern Islamic world (roughly Iran and Central Asia).[160]More of these objects have survived from after the 1140s than from before this period.[161]The major centers of production were initially concentrated in the Khorasan region, includingNishapur,Herat,andGhazna.[161]There is some scholarly debate about the patronage of these objects,[161]with some suggesting that the growth in production is explainable by the growth of a bourgeoisie in Khorasan which had the means to afford such costly craftsmanship.[160]This is attested in part by inscriptions naming merchant owners, but most surviving objects are nonetheless attributed by their inscriptions to sultans, royal household members, or state officials.[161]In the early 13th century, this expansion of metalwork art and patronage also occurred further west, in the Levant and Mesopotamia, under the successors of the Great Seljuks (the Zengids, the Artuqids, and the Anatolian Seljuks), spurred in part by the immigration of metalworkers from Iran.[162]

Made of bronze or brass, objects could also beinlaidwith copper and silver. This latter technique had fallen out of fashion in previous centuries but it underwent a revival that probably originated in Khorasan during this period.[161]The forms produced include both traditional Khorasani types, such as flutedewersand hoodedincense burners,and newe shapes, such as penboxes with rounded ends and candlesticks with drum-like bodies.[161]Many metal vessels also featuredzoomorphicforms. The most sophisticated works were created byraisingandsinking,with decoration executed inrepoussé.To create some shapes, multiple metal sheets were carefully soldered together, with the seams made invisible by various means, such as by camouflaging them under decorative friezes.[161]The wide range of ornamental motifs includearabesques,geometric designs,real and mythological animals, and even scenes of human figures such as musicians and horsemen.[161]Arabic inscriptions are found on almost all metalwork art objects.[163]An innovation of this period, almost exclusive to metalwork, is the rendering of Arabic script into figurative forms. The earliest example of this is found on the so-calledBobrinsky Bucket.[161]

Textiles and clothing

[edit]
Seljuk period figures in Turkic dress, withaqbiya turkiyyacoat,tirazarmbands, boots andsharbushhat.Kitāb al-Diryāq,Jazira,1198 CE.[155]
Seljuk period silk robe in Persian style, with birds motifs in medallions (11th–12th century).[172]
Figures in Arab dress, with long robes, turbans and bare or sandalled feet, reading books.Kitāb al-Diryāq,Jazira,1198 CE.[155]

The general clothing style attributed to the Seljuks is that of theaqbiya turkiyya,or long robe or decorated caftan with “Turkish” cut, with a front opening closing diagonally from right to left.[173]Patterned textiles were used, together withtirazbands on the upper sleeves. Clothing included tall boots, as well as various hats of thesharbushtype, often including a fur lining.[123]These styles continued during the 13th century in the smaller Turkic successor states, such as theZengidsorArtuqids,where many more illustrations are available, especially in manuscripts.[123]

On the other hand, the affluent sedentary Persian population seems to have adopted different robe styles, with a front opening closing diagonally from left to right, called theaqbiya tatariyyaor "Tatar style", but actually also characteristic of Persian caftans from the last decades of the Sasanian dynasty.[173][123]The fabrics represent what could be called a "Sasanianrenaissance ", with styles going back to the Sasanian or Sogdian period.[174]Seljuk fabrics are often distinguished by the representation of nature, by minimal ornamental details, and by the combination of colorful linens giving an interchangeable color effect to the fabric. Many realistic natural elements characterize the composition of the fabrics, such as animals and plants, forming patterns consisting of arabesque elements.[174]

In many manuscripts of the period, great care is taken to distinghuish the clothing of figures of power and authority in Seljuk style, from that of the otherwise omnipresent figures in Arabic or local style with their long robes, turbans and bare or sandalled feet.[175][176]According to Snelders:

In a number of these manuscripts a careful distinction is made between royal and non-royal figures, both in terms of physical appearance and dress. Whereas princes and governors are commonly represented with the same ‘Asiatic’ or ‘Oriental’ facial features, and dressed in Turkish military garments like fur-trimmed caps (sharbush) and short close-fitting tunics, most other figures are depicted with ‘Arab’ or ‘Semitic’ facial features, and dressed in long robes and turbans. Apparently in keeping with the contemporary political and social makeup of the region in which these manuscripts were produced, a visual distinction was made along ethnic and social lines, between the non-Arab Turkish ruling elite and the indigenous Arab bourgeoisie.

— SneldersIdentity and Christian-Muslim interaction: medieval art of the Syrian Orthodox from the Mosul area.[177]

Legacy

[edit]

The dynasty brought revival, energy, and reunion to the Islamic civilization hitherto dominated by Arabs and Persians. The Seljuks founded universities and were also patrons of art and literature. Their reign is characterized byPersianastronomers such asOmar Khayyám,and thePersianphilosopheral-Ghazali.Under the Seljuks,New Persianbecame the language for historical recording, while the center of Arabic language culture shifted from Baghdad toCairo.[178]

Sultans

[edit]

See also

[edit]

Notes

[edit]
  1. ^In order to distinguish it from theAnatolianbranch of theSeljuk dynasty,theSultanate of Rum.[14][15]
  2. ^"...renewed the Seljuk attempt to found a great Turko-Persian empire in eastern Iran…", "It is to be noted that the Seljuks, those Turkomans who became sultans of Persia, did not Turkify Persia – no doubt because they did not wish to do so. On the contrary, it was they who voluntarily became Persians and who, in the manner of the great old Sassanid kings, strove to protect the Iranian populations from the plundering of Ghuzz bands and save Iranian culture from the Turkoman menace."[74]
  1. ^Here, Iraq is meant in its medieval sense, which incorporated western Iran (historic 'Iraq al-'Ajam or Persian Iraq, also known asJibal) as well as 'Iraq al-Arab (Arab Iraq), roughly the central and southern parts of present-day Iraq

Footnotes

[edit]
  1. ^Grand VizierSāhīp Shams ad-Dīn Īsfahānīruled the country on behalf of ʿIzz ad-DīnKay Kāwus IIbetween 1246 and 1249
  2. ^Grand VizierParwānaMu'in al-Din Suleymanruled the country on behalf of Ghiyāth ad-DīnKay Khusraw IIIbetween 1266 and 2 August 1277 (1Rabi' al-awwal676)
  3. ^Between 1246 and 1249 ʿIzz ad-DīnKay Kāwus IIreigned alone
  4. ^ʿIzz ad-DīnKay Kāwus IIwas defeated on October 14, 1256 inSultanhanı(Sultan Han,Aksaray) and he acceded to the throne on May 1, 1257 again after the departure ofBaiju NoyanfromAnatolia
  5. ^Between 1262 and 1266 Rukn ad-DīnKilij Arslan IVreigned alone
  6. ^Between 1249 and 1254 triple reign of three brothers
  7. ^According toİbn Bîbî,el-Evâmirü'l-ʿAlâʾiyye[tr]fi'l-umûri'l-Alâiyye,p. 727. (10Dhu al-Hijjah675 – 17Muharram676)
  8. ^According to Yazıcıoğlu Ali,Tevârih-i Âl-i Selçuk[tr]p. 62. (10Dhu al-Hijjah677 – 17Muharram678)

References

[edit]
  1. ^Stone, Norman (1989).The Times atlas of world history.Maplewood, N.J.: Hammond Incorporated. p. 135.ISBN0-7230-0304-1.
  2. ^Peacock 2015,pp. 62–63.
  3. ^abSavory, R. M., ed. (1976).Introduction to Islamic Civilisation.Cambridge University Press. p.82.ISBN978-0-521-20777-5.
  4. ^Black, Edwin (2004).Banking on Baghdad: Inside Iraq's 7,000-year History of War, Profit and Conflict.John Wiley and Sons. p.38.ISBN978-0-471-67186-2.
  5. ^abcC.E. Bosworth, "Turkish Expansion towards the west" inUNESCO History of Humanity,Volume IV, titled "From the Seventh to the Sixteenth Century", UNESCO Publishing / Routledge, p. 391: "While the Arabic language retained its primacy in such spheres as law, theology and science, the culture of the Seljuk court and secular literature within the sultanate became largely Persianized; this is seen in the early adoption of Persian epic names by the Seljuk rulers (Qubād, Kay Khusraw and so on) and in the use of Persian as a literary language (Turkish must have been essentially a vehicle for everyday speech at this time)."
  6. ^Stokes 2008,p. 615.
  7. ^Concise Encyclopedia of Languages of the World,Ed. Keith Brown, Sarah Ogilvie, (Elsevier Ltd., 2009), 1110; "Oghuz Turkic is first represented by Old Anatolian Turkish which was a subordinate written medium until the end of the Seljuk rule."
  8. ^Holt, Peter M.(1984). "Some Observations on the 'Abbāsid Caliphate of Cairo".Bulletin of the School of Oriental and African Studies.47(3). University of London: 501–507.doi:10.1017/s0041977x00113710.S2CID161092185.
  9. ^Grousset 1988,p. 167.
  10. ^Grousset 1988,p. 159, 161.
  11. ^Turchin, Peter; Adams, Jonathan M.; Hall, Thomas D. (December 2006)."East-West Orientation of Historical Empires".Journal of World-Systems Research.12(2): 223.ISSN1076-156X.Retrieved13 September2016.
  12. ^Rein Taagepera(September 1997)."Expansion and Contraction Patterns of Large Polities: Context for Russia".International Studies Quarterly.41(3): 496.doi:10.1111/0020-8833.00053.JSTOR2600793.
  13. ^See:
    • Peacock 2015
    • Christian Lange; Songül Mecit, eds.,Seljuqs: Politics, Society and Culture(Edinburgh University Press, 2012), 1–328
    • P.M. Holt; Ann K.S. Lambton, Bernard Lewis,The Cambridge History of Islam (Volume IA): The Central Islamic Lands from Pre-Islamic Times to the First World War,(Cambridge University Press, 1977), 151, 231–234.
  14. ^Mecit 2014,p. 128.
  15. ^Peacock & Yıldız 2013,p. 6.
  16. ^Jackson, P. (2002). "Review: The History of the Seljuq Turkmens: The History of the Seljuq Turkmens".Journal of Islamic Studies.13(1).Oxford Centre for Islamic Studies:75–76.doi:10.1093/jis/13.1.75.
    • Bosworth, C. E. (2001). Notes on Some Turkish Names in Abu 'l-Fadl Bayhaqi's Tarikh-i Mas'udi ".Oriens,Vol. 36, 2001 (2001), pp. 299–313.
    • Dani, A. H., Masson, V. M. (Eds), Asimova, M. S. (Eds), Litvinsky, B. A. (Eds), Boaworth, C. E. (Eds). (1999).History of Civilizations of Central Asia.Motilal Banarsidass Publishers(Pvt. Ltd).
    Hancock, I.(2006).On Romani origins and identity.The Romani Archives and Documentation Center.The University of Texas at Austin.
    • Asimov, M. S., Bosworth, C. E. (eds.). (1998).History of Civilizations of Central Asia,Vol. IV: "The Age of Achievement: AD 750 to the End of the Fifteenth Century", Part One: "The Historical, Social and Economic Setting". Multiple History Series. Paris: UNESCO Publishing.
    • Dani, A. H., Masson, V. M. (Eds), Asimova, M. S. (Eds), Litvinsky, B. A. (Eds), Boaworth, C. E. (Eds). (1999).History of Civilizations of Central Asia.Motilal Banarsidass Publishers (Pvt. Ltd).
    Lars Johanson; Éva Ágnes Csató Johanson (2015).The Turkic Languages.p. 25.The name 'Seljuk is a political rather than ethnic name. It derives from Selčiik, born To QAQ Temir Yally, a war-lord (sil-baši), from the Qiniq tribal grouping of the Oghuz. Seljuk, in the rough and tumble of internal Oghuz politics, fled to Jand, c. 985, after falling out with his overlord.
  17. ^* "Aḥmad of Niǧde'sal-Walad al-Shafīqand the Seljuk Past ", A. C. S. Peacock,Anatolian Studies,Vol. 54, (2004), 97; "With the growth of Seljuk power in Rum, a more highly developed Muslim cultural life, based on thePersianate cultureof the Seljuk court, was able to take root in Anatolia. "
    • Meisami, Julie Scott,Persian Historiography to the End of the Twelfth Century,(Edinburgh University Press, 1999), 143; "Nizam al-Mulk also attempted to organise the Saljuq administration according to the Persianate Ghaznavid model k..."
    • Encyclopaedia Iranica,"Šahrbānu",Online Edition:" here one might bear in mind that non-Persian dynasties such as the Ghaznavids, Saljuqs and Ilkhanids were rapidly to adopt the Persian language and have their origins traced back to the ancient kings of Persia rather than to Turkish heroes or Muslim saints... "
    • Meri, Josef W.(2006).Medieval Islamic Civilization: An Encyclopedia.Psychology Press. p. 399.ISBN978-0-415-96690-0.(Isfahan) has served as the political and cultural center of the Persianate world: during the reign of the Seljuks (1038–1194) and that of the Safavids (1501–1722).
    • Mandelbaum, Michael (1994).Central Asia and the World: Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan, and Turkmenistan.Council on Foreign Relations. p. 79.ISBN978-0-87609-167-8.Persianate zone (...) The rise of Persianized Turks to administrative control (...) The Turko-Persian tradition developed during the Seljuk period (1040–1118) (...) In the Persianate zone, Turkophones ruled and Iranians administered
    • Jonathan Dewald,Europe 1450 to 1789: Encyclopedia of the Early Modern World,Charles Scribner's Sons, 2004, p. 24: "Turcoman armies coming from the East had driven the Byzantines out of much of Asia Minor and established the Persianized sultanate of the Seljuks."
    • Shaw, Wendy (2003).Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire.University of California Press. p. 5.ISBN978-0-520-92856-5.In the tenth century, these and other nomadic tribes, often collectively referred to as Turkomans, migrated out of Central Asia and into Iran. Turkish tribes initially served as mercenary soldiers for local rulers but soon set up their own kingdoms in Iran, some of which grew into Empires – most notably the Great Seljuk Empire. In the meantime, many Turkic rulers and tribespeople eventually converted to Islam.
    • Gencer, A. Yunus (2017). Thomas, David; Chesworth, John A. (eds.).Christian-Muslim Relations. A Bibliographical History. Volume 10 Ottoman and Safavid Empires (1600–1700).Brill.ISBN978-90-04-34565-2.Turkish music completed its transformation into completelymakam-based music in the early 11th-century, in the period of the Turko-Persian Seljuk Empire.
    • Calmard, Jean (2003).Newman, Andrew J.(ed.).Society and Culture in the Early Modern Middle East: Studies on Iran in the Safavid Period.Brill. p. 318.ISBN978-90-47-40171-1.A particularly interesting text, which reveals the socio-religious mood of the Turco-Persian world from Seljuk times, is the Abù Muslim romance.
    • Pfeifer, Helen (2022).Empire of Salons: Conquest and Community in Early Modern Ottoman Lands.Princeton University Press. p. 46.ISBN978-0-691-22495-4.The cultural influence of the Turco-Persian Seljuks long outlasted their political control of Anatolia, and the Turkish principalities that succeeded them starting in the late thirteenth century continued to look to that tradition for models of refinement and sociability.
    • Khazonov, Anatoly M.(2015). "Pastoral nomadic migrations and conquests". InKedar, Benjamin Z.;Wiesner-Hanks, Merry E.(eds.).The Cambridge World History, Volume 5.Cambridge University Press. p. 373.ISBN978-0-521-19074-9.The Seljuk Empire was another Turco-Iranian state, and its creation was unexpected even by the Seljuks themselves.
    • Partridge, Christopher(2018).High Culture: Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World.Oxford University Press. p. 96.ISBN978-0-19-045911-6.Under his leadership, the Nezāris mounted a decentralized revolutionary effort against the militarily superior Turko-Persian Saljuq empire.
    • Neumann, Iver B.;Wigen, Einar (2018).The Steppe Tradition in International Relations.Cambridge University Press. p. 135.ISBN978-1-108-35530-8.The Seljuq Empire is nevertheless the foremost example of a Turko-Persian Islamic empire.
    • Hathaway, Jane (2003).A Tale of Two Factions: Myth, Memory, and Identity in Ottoman Egypt and Yemen.State University of New York Press. p. 98.ISBN978-0-7914-5884-6.Farther east, medieval Turco-Iranian military patronage states, such as those of the Ghaznavids, Seljuks, Timurids, and early Ottomans, appear to have been more directly affected by the banner traditions of the nomadic Turkic and Mongol populations of the Central Asian steppes, who in turn were influenced by the traditions of the various empires and kingdoms that ruled China, Japan, and Korea.
    • Cupane, Carolina; Krönung, Bettina (2016).Fictional Storytelling in the Medieval Eastern Mediterranean and Beyond.Brill. p. 532.ISBN978-90-04-30772-8.Seljuk(s) medieval Turko-Persian dynasty
  18. ^Peacock 2015,p. 32: "Later sources also play down the role of a third Seljuk, Musa Yabghu, who certainly occupied an equal position to Tughril and Chaghri, and possibly even a senior one."
  19. ^abcdBloom, Jonathan M.; Blair, Sheila S. (2009),"Saljuq",The Grove Encyclopedia of Islamic Art and Architecture,Oxford University Press,doi:10.1093/acref/9780195309911.001.0001,ISBN978-0-19-530991-1,retrieved2023-01-01
  20. ^Johanson & Johanson 2015,p. 25.
  21. ^abPeacock 2015,p. 25.
  22. ^Peacock 2015,p. 26.
  23. ^Frye 1975,p. 159.
  24. ^Peacock 2015,p. 27.
  25. ^Peacock 2015,pp. 32–35.
  26. ^Paul, Jurgen (2008). "The Role of Khwarazm in Seljuq Central Asian Politics, Victories and Defeats:Two Case Studies".Eurasian Studies, VII.Martin-Luther Universität, Halle-Wittemberg. pp. 1–17.
  27. ^Peacock 2015,p. 33.
  28. ^Peacock 2010b,pp. 92–93.
  29. ^Basan 2010,pp. 61–62.
  30. ^Basan 2010,p. 62.
  31. ^Friedman, John Block (2017).Routledge Revivals: Trade, Travel and Exploration in the Middle Ages (2000): An Encyclopedia.Taylor & Francis. p. 546.ISBN978-1-351-66132-4.
  32. ^abcBasan 2010,p. 66.
  33. ^Paul A. Blaum (2005). Diplomacy gone to seed: a history of Byzantine foreign relations, A.D. 1047–57.International Journal of Kurdish Studies.(Online version)Archived2012-07-08 atarchive.today
  34. ^Princeton, University."Dhu'l Qa'da 463/ August 1071 The Battle of Malazkirt (Manzikert)".Retrieved2007-09-08.
  35. ^Battle of Partskhisi,Historical Dictionary of Georgia,ed. Alexander Mikaberidze, (Rowman & Littlefield, 2015), 524.
  36. ^Georgian-Saljuk Wars (11th–13th Centuries),Alexander Mikaberidze,Conflict and Conquest in the Islamic World: A Historical Encyclopedia,Vol. I, ed. Alexander Mikaberidze, (ABC-CLIO, 2011), 334.
  37. ^Beihammer 2017,pp. 234, 244.
  38. ^Korobeinikov 2015,p. 71.
  39. ^Peacock 2015,p. 68.
  40. ^Basan 2010,pp. 94–96.
  41. ^Grousset 1988,p. 159.
  42. ^abcdTor, Deborah G. (2000)."Sanjar, Aḥmad b. Malekšāh".Encyclopaedia Iranica.
  43. ^Ibn al-Athir as cited byZarncke, Friedrich (1879).Der Priester Johannes(in German). S. Hirzel. pp. 856–857.ISBN978-0-598-46731-7.OCLC7619779.
  44. ^Liao Shih(the official history of the Khitan Dynasty) cited by Wittfogel, Karl A. and Feng Chia-Sheng (1949)History of Chinese Society: Liao, 907–1125American Philosophical Society, Philadelphia, p. 639OCLC9811810
  45. ^abSinor, Denis (1990).The Cambridge History of Early Inner Asia.Cambridge:Cambridge University Press. p. 368.ISBN0-521-24304-1.
  46. ^abEncyclopaedia Iranica, Ghurids.The actual fighting in Khorasan at this time was largely between the Ghurids and Tekeš's brother Solṭānšāh, who had carved out for himself personally a principality in western Khorasan, until in 586/1190. Ḡīāṯ-al–Dīn and Moʿezz-al-Dīn defeated Solṭānšāh near Marv in 588/1192, captured him, and took over his territories (Jūzjānī, I, 303–304, tr. I, pp. 246–247). When Tekeš died in 596/1200 (Ebn al-Aṯīr, Beirut, XII, pp. 156–58), Ḡīāṯ-al-Dīn was able to take over most of the towns of Khorasan as far west as Besṭām in Qūmes.
  47. ^C. Edmond Bosworth, "The Political and Dynastic History of the Iranian World (A.D. 1000–1217)," Camb. Hist. Iran V, 1968, pp. 94–185
  48. ^Saunders, John Joseph (1971).The History of the Mongol Conquests.University of Pennsylvania Press. p. 60.
  49. ^"The Desolation of Merv".
  50. ^Tertius Chandler & Gerald Fox, "3000 Years of Urban Growth", pp. 232–236
  51. ^Beihammer 2017,pp. 278–280.
  52. ^abBeihammer 2017,pp. 254–255.
  53. ^Basan 2010,pp. 98–100.
  54. ^"Crusades – Siege, Jerusalem, 1099".britannica.Retrieved2023-09-07.
  55. ^Mikaberidze, Alexander."'Miraculous Victory:' Battle of Didgori, 1121 ".Armchair General.Retrieved2012-10-20.
  56. ^Anatol Khazanov.Nomads in the Sedentary World.Retrieved2012-10-20.
  57. ^Biran, Michel,The Empire of the Qara Khitai in Eurasian History,(Cambridge University Press, 2005), 44.
  58. ^"Standing Warrior Holding a Sword".Online Collection of the Walters Art Museum.The Walters Art Museum.
  59. ^Ettinghausen, Richard (1977).Arab painting.New York: Rizzoli. pp. 91, 92, 162 commentary.ISBN978-0-8478-0081-0.In the painting the facial cast of these Turks is obviously reflected, and so are the special fashions and accoutrements they favored. (p. 162, commentary on image p. 91)
  60. ^El-Azhari 2019,p. 311.
  61. ^Boyle (Ed.), J. A. (1958).The Cambridge History of Iran: Volume 5: The Saljuq and Mongol Periods.Cambridge: Cambridge University Press. p. 188, Map 4.ISBN9781139054973.
  62. ^Canby et al. 2016,p. 49.
  63. ^Cunliffe 2015,p. 395.
  64. ^abcdWink, Andre,Al Hind the Making of the Indo Islamic World,Brill Academic Publishers, Jan 1, 1996,ISBN90-04-09249-8pp. 9–10
  65. ^Peacock 2015,pp. 6–8.
  66. ^abHerzig & Stewart 2014,p. 3.
  67. ^Peacock 2015,p. 134.
  68. ^Peacock 2015,p. 135.
  69. ^"Metropolitan Museum of Art".metmuseum.org.
  70. ^Encyclopaedia Iranica,"Šahrbānu",Online Edition:" here one might bear in mind that non-Persian dynasties such as the Ghaznavids, Saljuqs and Ilkhanids were rapidly to adopt the Persian language and have their origins traced back to the ancient kings of Persia rather than to Turkish heroes or Muslim saints... " • Josef W. Meri," Medieval Islamic Civilization: An Encyclopedia ", Routledge, 2005, p. 399 • Michael Mandelbaum," Central Asia and the World ", Council on Foreign Relations (May 1994), p. 79 • Jonathan Dewald," Europe 1450 to 1789: Encyclopedia of the Early Modern World ", Charles Scribner's Sons, 2004, p. 24:" Turcoman armies coming from the East had driven the Byzantines out of much of Asia Minor and established the Persianized sultanate of the Seljuks. "
  71. ^*C.E. Bosworth, "Turkmen Expansion towards the west" inUNESCO History of Humanity,Volume IV, titled "From the Seventh to the Sixteenth Century", UNESCO Publishing / Routledge, p. 391: "While the Arabic language retained its primacy in such spheres as law, theology and science, the culture of the Seljuk court and secular literature within the sultanate became largely Persianized; this is seen in the early adoption of Persian epic names by the Seljuk rulers (Qubād, Kay Khusraw and so on) and in the use of Persian as a literary language (Turkmen must have been essentially a vehicle for everyday speech at this time). The process of Persianization accelerated in the thirteenth century with the presence in Konya of two of the most distinguished refugees fleeing before the Mongols, Bahā' al-Dīn Walad and his son Mawlānā Jalāl al-Dīn Rūmī, whoseMathnawī,composed in Konya, constitutes one of the crowning glories of classical Persian literature. " • Mehmed Fuad Köprülü," Early Mystics in Turkish Literature ", Translated by Gary Leiser andRobert Dankoff,Routledge, 2006, p. 149: "If we wish to sketch, in broad outline, the civilization created by the Seljuks of Anatolia, we must recognize that the local—i.e., non-Muslim, element was fairly insignificant compared to the Turkish and Arab-Persian elements, and that the Persian element was paramount. The Seljuk rulers, to be sure, who were in contact with not only Muslim Persian civilization, but also with the Arab civilizations in al-jazlra and Syria—indeed, with all Muslim peoples as far as India—also had connections with {various} Byzantine courts. Some of these rulers, like the great 'Ala' al-Dln Kai-Qubad I himself, who married Byzantine princesses and thus strengthened relations with their neighbors to the west, lived for many years in Byzantium and became very familiar with the customs and ceremonial at the Byzantine court. Still, this close contact with the ancient Greco-Roman and Christian traditions only resulted in their adoption of a policy of tolerance toward art, aesthetic life, painting, music, independent thought—in short, toward those things that were frowned upon by the narrow and piously ascetic views {of their subjects}. The contact of the common people with the Greeks and Armenians had basically the same result. [Before coming to Anatolia,] the Turkmens had been in contact with many nations and had long shown their ability to synthesize the artistic elements that they had adopted from these nations. When they settled in Anatolia, they encountered peoples with whom they had not yet been in contact and immediately established relations with them as well. Ala al-Din Kai-Qubad I established ties with the Genoese and, especially, the Venetians at the ports of Sinop and Antalya, which belonged to him, and granted them commercial and legal concessions. Meanwhile, the Mongol invasion, which caused a great number of scholars and artisans to flee from Turkmenistan, Iran, and Khwarazm and settle within the Empire of the Seljuks of Anatolia, resulted in a reinforcing of Persian influence on the Anatolian Turks. Indeed, despite all claims to the contrary, there is no question that Persian influence was paramount among the Seljuks of Anatolia. This is clearly revealed by the fact that the sultans who ascended the throne after Ghiyath al-Din Kai-Khusraw I assumed titles taken from ancient Persian mythology, like Kai-Khusraw, Kai-Ka us, and Kai-Qubad; and that. Ala' al-Din Kai-Qubad I had some passages from the Shahname inscribed on the walls of Konya and Sivas. When we take into consideration domestic life in the Konya courts and the sincerity of the favor and attachment of the rulers to Persian poets and Persian literature, then this fact [i.e., the importance of Persian influence] is undeniable. With regard to the private lives of the rulers, their amusements, and palace ceremonial, the most definite influence was also that of Iran, mixed with the early Turkish traditions, and not that of Byzantium."
    • Stephen P. Blake,Shahjahanabad:The Sovereign City in Mughal India, 1639–1739.Cambridge University Press, 1991. p. 123: "For the Seljuks and Il-Khanids in Iran it was the rulers rather than the conquered who were" Persianized and Islamicized "
  72. ^*Encyclopaedia Iranica,"Šahrbānu",Online Edition:" here one might bear in mind that non-Persian dynasties such as the Ghaznavids, Saljuqs and Ilkhanids were rapidly to adopt the Persian language and have their origins traced back to the ancient kings of Persia rather than to Turkish heroes or Muslim saints... "
    • O.Özgündenli, "Persian Manuscripts in Ottoman and Modern Turkish LibrariesArchived2012-01-22 at theWayback Machine",Encyclopaedia Iranica,Online Edition
    • M. Ravandi, "The Seljuq court at Konya and the Persianisation of Anatolian Cities", inMesogeios (Mediterranean Studies),vol. 25–26 (2005), pp. 157–69
    • F. Daftary, "Sectarian and National Movements in Iran, Khorasan, and Trasoxania during Umayyad and Early Abbasid Times", inHistory of Civilizations of Central Asia,Vol 4, pt. 1; edited by M.S. Asimov andC.E. Bosworth;UNESCOPublishing,Institute of Ismaili Studies:"Not only did the inhabitants of Khurasan not succumb to the language of the nomadic invaders, but they imposed their own tongue on them. The region could even assimilate the Turkic Ghaznavids and Seljuks (eleventh and twelfth centuries), the Timurids (fourteenth–fifteenth centuries), and the Qajars (nineteenth–twentieth centuries)..."
  73. ^"TheTurko-Persian traditionfeatures Persian culture patronized by Turkic rulers. "See Daniel Pipes:" The Event of Our Era: Former Soviet Muslim Republics Change the Middle East "in Michael Mandelbaum," Central Asia and the World: Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan, Turkemenistan and the World ", Council on Foreign Relations, p. 79. Exact statement:" In Short, the Turko-Persian tradition featured Persian culture patronized by Turcophone rulers. "
  74. ^Grousset 1988,p. 161, 164.
  75. ^Grousset 1988,p. 574.
  76. ^Bingham, Woodbridge, Hilary Conroy and Frank William Iklé,History of Asia,Vol.1, (Allyn and Bacon, 1964), 98.
  77. ^Green 2019,p. 16.
  78. ^"Head from a Figure with a Beaded Headdress".The Metropolitan Museum of Art.
  79. ^Tor 2012,p. 149.
  80. ^Spuler 2014,p. 349.
  81. ^El-Azhari 2021,p. 286.
  82. ^*An Introduction to the History of the Turkic Peoples(Peter B. Golden. Otto Harrasowitz, 1992). p. 386: "Turkic penetration probably began in the Hunnic era and its aftermath. Steady pressure from Turkic nomads was typical of the Khazar era, although there are no unambiguous references to permanent settlements. These most certainly occurred with the arrival of the Oguz in the 11th century. The Turkicization of much of Azarbayjan, according to Soviet scholars, was completed largely during the Ilxanid period if not by late Seljuk times. Sumer, placing a slightly different emphasis on the data (more correct in my view), posts three periods which Turkicization took place: Seljuk, Mongol and Post-Mongol (Qara Qoyunlu, Aq Qoyunlu and Safavid). In the first two, Oguz Turkic tribes advanced or were driven to the western frontiers (Anatolia) and Northern Azarbaijan (Arran, the Mugan steppe). In the last period, the Turkic elements in Iran (derived from Oguz, with lesser admixture of Uygur, Qipchaq, Qaluq and other Turks brought to Iran during the Chinggisid era, as well as Turkicized Mongols) were joined now by Anatolian Turks migrating back to Iran. This marked the final stage of Turkicization. Although there is some evidence for the presence of Qipchaqs among the Turkic tribes coming to this region, there is little doubt that the critical mass which brought about this linguistic shift was provided by the same Oguz-Turkmen tribes that had come to Anatolia. The Azeris of today are an overwhelmingly sedentary, detribalized people. Anthropologically, they are little distinguished from the Iranian neighbors."
    • John Perry: "We should distinguish two complementary ways in which the advent of the Turks affected the language map of Iran. First, since the Turkish-speaking rulers of most Iranian polities from the Ghaznavids and Seljuks onward were already Iranized and patronized Persian literature in their domains, the expansion of Turk-ruled empires served to expand the territorial domain of written Persian into the conquered areas, notably Anatolia and Central and South Asia. Secondly, the influx of massive Turkish-speaking populations (culminating with the rank and file of the Mongol armies) and their settlement in large areas of Iran (particularly in Azerbaijan and the northwest), progressively turkicized local speakers of Persian, Kurdish and other Iranian languages"
    (John Perry. "The Historical Role of Turkish in Relation to Persian of Iran".Iran & the Caucasus,Vol. 5, (2001), pp. 193–200.)
    • According to C.E. Bosworth:
    "The eastern Caucasus came under Saljuq control in the middle years of the 5th/11th century, and in c. 468/1075–56 Sultan Alp Arslān sent his slave commander ʿEmād-al-dīn Savtigin as governor of Azerbaijan and Arrān, displacing the last Shaddadids. From this period begins the increasing Turkicization of Arrān, under the Saljuqs and then under the line of Eldigüzid or Ildeñizid Atabegs, who had to defend eastern Transcaucasia against the attacks of the resurgent Georgian kings. The influx of Oghuz and other Türkmens was accentuated by the Mongol invasions. Bardaʿa had never revived fully after the Rūs sacking, and is little mentioned in the sources." (C.E. Bsowrth, Arran inEncyclopædia Iranica)
    • According to Fridrik Thordarson:
    "Iranian influence on Caucasian languages. There is general agreement that Iranian languages predominated in Azerbaijan from the 1st millennium b.c. until the advent of the Turks in a.d. the 11th century (see Menges, pp. 41–42; Camb. Hist. Iran IV, pp. 226–228, and VI, pp. 950–952). The process of Turkicization was essentially complete by the beginning of the 16th century, and today Iranian languages are spoken in only a few scattered settlements in the area."
  83. ^Peacock 2015,p. 185.
  84. ^abPeacock 2015,p. 182.
  85. ^Canby et al. 2016,p. 30.
  86. ^abPeacock 2015,p. 183.
  87. ^Peacock 2015,pp. 163–164.
  88. ^"Panel of al-Khatun (the lady) Fatima bint Zahir al-Din".The Metropolitan Museum of Art.
  89. ^abBlair, Sheila; Bloom, Jonathan (2011). "The Friday Mosque at Isfahan". In Hattstein, Markus; Delius, Peter (eds.).Islam: Art and Architecture.h.f.ullmann. pp. 368–369.ISBN9783848003808.
  90. ^Canby et al. 2016,pp. 8–9.
  91. ^Gardet 1970,p. 570.
  92. ^Tor 2011,p. 54.
  93. ^Bulliet 1994,p. 223.
  94. ^Lambton 1968,pp. 215–216.
  95. ^abBulliet 1994,p. 147.
  96. ^Hillenbrand 1994,p. 174.
  97. ^Peacock 2015,p.?.
  98. ^abLambton 1968,p. 223.
  99. ^abVan Renterghem 2015,pp. 80–81.
  100. ^abcKuru 2019,p. 101.
  101. ^Arjomand 1999,p. 269.
  102. ^Safi 2006,p. xxx.
  103. ^Minorsky 1953,p. 65.
  104. ^Bosworth 1968,p. 85.
  105. ^Christie 2014,p. 36.
  106. ^Mirbabaev 1992,p. 37.
  107. ^Berkey 2003,p. 217.
  108. ^Safi 2006,p. 67.
  109. ^abFalk, Avner (2018).Franks and Saracens: Reality and Fantasy in the Crusades.Routledge. p. 76.ISBN978-0-429-89969-0.
  110. ^abMcHugo, John (2018).A Concise History of Sunnis and Shi'is.Georgetown University Press. p. 118.ISBN978-1-62616-588-5.
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  112. ^abKüçüksipahioğlu, Birsel (30 June 2020)."Musul ve Halep Valisi İmâdeddin Zengi'nin Haçlılarla Mücadelesi".Journal of Oriental Studies(36): 103–126.doi:10.26650/jos.2020.005.Staying in Mosul until the death of SultānMuhammad Taparin 1118, Zangi then entered the service of the Sultān's son and the new Seljuk rulerMahmūd(1118–1119), remaining loyal to him to the end. With the new era introduced with the defeat of Sultān Mahmūd in the Sāveh battle he engaged his uncleSanjarin 1119, which opened the way for Sanjar (1119–1157) to accede to the throne of Great Seljuk Empire, Mahmūd was assigned to the Iraqi Seljuk Sultānate (1119–1131), continuing his rule there. In 1124, Sultān Mahmūd granted the city of Wasit to Imad al-Din Zangi as a ıqta, and conferred him the Military Governorship of Basra together with Baghdad and Iraq in 1127. The reason behind such assignments was to attempt to impede Abbasid Caliph al-Mustarshid (1118–1135) who then wished to build a worldwide dominance. Indeed, the efforts of Zangi in the fight of Mahmūd, whom Sanjar urgently sent to Baghdad, against the Caliph ensured the Sultān became victorious, and he contributed to the efforts in damaging the sole authority and dominance claims of the Caliph. Following the deaths of Mosul Governor Aq-Sunqur el-Porsuqi and his successor and son Mas'ud in the same year in 1127, Zangi was appointed Governor of Mosul. He was also in charge of al-Jazeera and Northern Syria, and Sultān Mahmūd approved him being assigned as the Atabeg of his two sons, Farrukh shāh and Alparslan. Thus the Atabegdom of Mosul was formed.
  113. ^"Metropolitan Museum of Art".metmuseum.org.
  114. ^Heidemann, Stefan; De Lapérouse, Jean-François; Parry, Vicki (2014). "The Large Audience: Life-Sized Stucco Figures of Royal Princes from the Seljuq Period".Muqarnas.31:35–71.doi:10.1163/22118993-00311P03.ISSN0732-2992.JSTOR44657297.
  115. ^Peacock, Andrew C. S. (2010b).Early Seljūq History: A New Interpretation.pp. 83–84.
  116. ^Peacock 2015,p. 218.
  117. ^Durand-Guédy, David (2015). "Goodbye to the Türkmen? The Military Role of Nomads in Iran after the Saljuq Conquest".Nomadic Military Power: Iran and Adjacent Areas in the Islamic Period, in K. Franz and W. Holzwarth (eds).Wiesbaden. pp. 110–113..
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  119. ^Peacock 2015,pp. 224–225.
  120. ^Peacock 2015,p. 225.
  121. ^Lambton, Anne (1988).Continuity and Change in Medieval Persia: Aspects of Administrative, Economic and Social History.Albany, NY: Bibliotheca Persica. pp. 240–241.
  122. ^abcGeorge, Alain (February 2012). "Orality, Writing and the Image in the Maqamat: Arabic Illustrated Books in Context".Art History.35(1): 10–37.doi:10.1111/j.1467-8365.2011.00881.x.The Islamic world witnessed, in the twelfth to thirteenth centuries, an explosion of figural art. (...) The making of it is forbidden under every circumstance, because it implies a likeness to the creative activity of God
  123. ^abcdPeck, Elsie H.Clothing viii. In Persia from the Arab conquest to the Mongol invasion.Encyclopaedia Iranica. pp. 760–778.
  124. ^Canby et al. 2016,p. xiii: "While one could quibble that the art could not be Seljuq if their dynasty was no longer in power, we argue that the twenty-five years after the end, in 1194, of the Great Seljuq dynasty in Iran marked a continuation of the styles and techniques in various media that had been established during Seljuq rule. Likewise, through their architecture and luxury objects, the Seljuqs of Rum and their atabegs and successors in Anatolia, the Jazira, and Syria had a lasting impact on the art of those areas until the early fourteenth century. Their distinctive choice of iconography is found on all forms of the visual arts associated with them, revealing the strength of their cultural contribution."
  125. ^Hillenbrand 2010,p. 118, note 10.
  126. ^Contadini 2012,pp. 126, 127, 155 p. 126: “Official” Turkish figures wear a standard combination of a sharbūsh, a three-quarters length robe, and boots. Arab figures, in contrast, have different headgear (usually a turban), a robe that is either full-length or, if three-quarters length, has baggy trousers below, and they usually wear flat shoes or (...) go barefoot (...) p. 127: Reference has already been made to the combination of boots andsharbūshas markers of official status (...) the combination is standard, even being reflected in thirteenth-century Coptic paintings, and serves to distinguish, in Grabar’s formulation, the world of the Turkish ruler and that of the Arab. (...) The type worn by the official figures in the 1237 Maqāmāt, depicted, for example, on fol. 59r,67 consists of a gold cap surmounted by a little round top and with fur trimming creating a triangular area at the front which either shows the gold cap or is a separate plaque. A particular imposing example in this manuscript is the massivesharbūshwith much more fur than usual that is worn by the princely official on the right frontispiece on fol. 1v.}}
  127. ^Ettinghausen, Grabar & Jenkins-Madina 2001,p. 146.
  128. ^abcdHillenbrand, Robert (2003)."Saljuq family".Grove Art Online.doi:10.1093/gao/9781884446054.article.T075354.Retrieved2023-01-01.
  129. ^abcdStarr, S. Frederick (2013). "Tremors under the Dome of Seljuk Rule".Lost Enlightenment: Central Asia's Golden Age from the Arab Conquest to Tamerlane.Princeton University Press. pp. 381–435.ISBN978-0-691-15773-3.JSTORj.ctt3fgz07.20.
  130. ^Bloom, Jonathan N.; Blair, Sheila S., eds. (2009). "Architecture; V. c. 900–c. 1250; A. Eastern Islamic lands.".The Grove Encyclopedia of Islamic Art and Architecture.Oxford University Press.ISBN9780195309911.
  131. ^abcTabbaa, Yasser (2007). "Architecture". In Fleet, Kate; Krämer, Gudrun; Matringe, Denis; Nawas, John; Rowson, Everett (eds.).Encyclopaedia of Islam, Three.Brill.ISBN9789004161658.
  132. ^abcdeTabbaa, Yasser (2003)."Muqarnas".Grove Art Online.doi:10.1093/gao/9781884446054.article.T060413.Retrieved2023-01-01.
  133. ^Curatola, Giovanni.Turkish Art and Architecture: From the Seljuks to the Ottomans.New York and London: Abbeville Press Publishers, 2010.
  134. ^Özcan, Koray. "The Anatolian Seljuk City: An Analysis of Early Turkish Urban Models in Anatolia".Central Asiatic Journal54, no. 2 (January 2010): 273–290).https:// researchgate.net/publication/262096804_The_Anatolian_Seljuk_City_An_Analysis_on_Early_Turkish_Urban_Models_in_Anatolia
  135. ^Peacock 2015,p. 187.
  136. ^"Bowl, LACMA Collections".collections.lacma.org.
  137. ^abcOktay, Aslanapa. "Turkish Ceramic Art".Archeology24, no. 3 (June 1971): 209–219.
  138. ^abCeken, Muharrem. "Materials, Techniques, and Kilns Used in the Production of Seljuk and Beylik Period Glazed Tiles". InTiles: Treasures of Anatolian Soil.Istanbul: Kale Group Cultural Publications, 2008.
  139. ^Graves, Margaret S. (2008). "Ceramic House Models from Medieval Persia: Domestic Architecture and Concealed Activities".Iran.46:227–251.doi:10.1080/05786967.2008.11864746.ISSN0578-6967.JSTOR25651444.S2CID192268010.
  140. ^Canby et al. 2016,p. 112, object 40.
  141. ^"Large Luster Bowl".1186–1196.
  142. ^"Bowl with Enthroned Figure and Horsemen".The Metropolitan Museum of Art.
  143. ^abcdefghijkPeacock, A. C. S. "A Seljuq Occult Manuscript and its World". InThe Seljuqs and their Successors: Art, Culture, and History,edited by Sheila R. Canby, D. Beyazit, and Martina Rugiadi, 163–176. Edinburgh: Edinburgh University Press, 2020.
  144. ^abcdefghEttinghausen, Richard (1935). "A Signed and Dated Seljuq Qur'an".Bulletin of the American Institute for Persian Art and Archaeology.4(2): 92–102.ISSN2573-6159.JSTOR44240425.
  145. ^abHillenbrand, Robert. "The Relationship Between Book Painting and Luxury Ceramics in 13th-Century Iran". InThe Art of the Seljuqs in Iran and Anatolia.edited by Robert Hillenbrand, 134–139. Costa mesa: Mazda Publishers, 1994.
  146. ^abcdefghijklmnoFarhad, Massumehand Simon Rettig.The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts.District of Columbia: Smithsonian Books, 2016.
  147. ^abcdefghiEkhtiyar, Maryam. "The Arabic Script".How to Read Islamic Calligraphy:25–34.
  148. ^abcAllan, James. "Manuscript Illumination: A Source for Metalwork Motifs in Saljuq Times". InThe Art of the Saljuqs in Iran and Anatolia: Proceedings of a Symposium Held in Edinburgh in 1982,edited by Robert Hillenbrand, 119–126. Edinburgh: University of Edinburgh press, 1994.
  149. ^Yong, Heming; Peng, Jing (14 August 2008).Chinese Lexicography: A History from 1046 BC to AD 1911.OUP Oxford. pp. 379–380.ISBN978-0-19-156167-2.
  150. ^Falk, Avner (8 May 2018).Franks and Saracens: Reality and Fantasy in the Crusades.Routledge. p. 76.ISBN978-0-429-89969-0.
  151. ^Canby et al. 2016,p. 196, Fig.78.
  152. ^Massoudy, Hassan. "The Calligrapher's Art".UNESCO Courier,vol. 48, no. 4, Apr. 1995, p. 19+.Gale General OneFile,link.gale /apps/doc/A16920765/ITOF?u=mlin_m_wellcol&sid=ITOF&xid=4ee5f15f. Retrieved 3 May 2021.
  153. ^Peacock, Andrew. "Nusrat al-fatrah wa-usrat al-fitrah" [The History of the Seljuks].Journal of Islamic Studies32, no.1 (2021): 125–127.
  154. ^Pancaroǧlu, Oya (2001)."Socializing Medicine: Illustrations of the Kitāb al-diryāq".Muqarnas.18:155–172.doi:10.2307/1523306.ISSN0732-2992.JSTOR1523306.
  155. ^abcShahbazi, Shapur (30 August 2020)."Clothing".Encyclopaedia Iranica Online.Brill.Nevertheless, the most distinctive feature of late Saljuq and post-Saljuq male dress was the popularity of patterned textiles for these garments. (...) That these patterns do not merely represent ceramic conventions is clear from the rendering of garments in fragmentary wall paintings and in illustrations from the copy of Varqa wa Golšāh already mentioned, as well as in frontispieces to the volumes of Abu'l-Faraj Eṣfahānī's Ketāb al-aḡānī dated 614–16/1217–19 and to two copies of Ketāb al-deryāq (Book of antidotes) by Pseudo-Galen, dated 596/1199 and ascribed to the second quarter of the 7th/13th century respectively (Survey of Persian Art V, pl. 554A-B; Ateş, pls. 1/3, 6/16, 18; D. S. Rice, 1953, figs. 14-19; Ettinghausen, 1962, pp. 65, 85, 91). The last three manuscripts, all of them attributed to northern Mesopotamia, show that the stiff coat with diagonal closing and arm bands was also worn in that region from the end of the 6th/12th century.
  156. ^Snelders 2010,p. 3.
  157. ^abThe Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843–1261.Metropolitan Museum of Art. 1997. pp. 384–385.ISBN978-0-87099-777-8.
  158. ^Snelders 2010,pp. 1–2.
  159. ^Canby et al. 2016,p. 195, object 116.
  160. ^abEttinghausen, Grabar & Jenkins-Madina 2001,pp. 166–167.
  161. ^abcdefghiBloom, Jonathan M.; Blair, Sheila S., eds. (2009). "Metalwork; III. c. 1100–c. 1500.".The Grove Encyclopedia of Islamic Art and Architecture.Oxford University Press.ISBN9780195309911.
  162. ^Ettinghausen, Grabar & Jenkins-Madina 2001,p. 244.
  163. ^Ettinghausen, Grabar & Jenkins-Madina 2001,p. 167.
  164. ^"Incense Burner of Amir Saif al-Dunya wa'l-Din ibn Muhammad al-Mawardi".The Metropolitan Museum of Art.Retrieved2024-01-05.
  165. ^Ekhtiar, Maryam (2011).Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art.Metropolitan Museum of Art.ISBN978-1-58839-434-7.
  166. ^"Roundel".The Metropolitan Museum of Art.
  167. ^Court and Cosmos: The Great Age of the Seljuqs – MetPublications.Metropolitan Museum of Art. p. 94.
  168. ^"Necklace".The Metropolitan Museum of Art.
  169. ^Court and Cosmos: The Great Age of the Seljuqs – MetPublications.Metropolitan Museum of Art. 2016. pp. 99–100.
  170. ^"Cauldron".The State Hermitage Museum.Retrieved4 January2023.
  171. ^"Candlestick".National Museum of Asian Art.Retrieved2024-01-05.
  172. ^Canby et al. 2016,pp. 95–96, object 24.
  173. ^abCanby et al. 2016,p. 98: "Paradoxically, however, while the style commonly attributed to the Seljuqs is that of the left-buttoning aqbiya turkiyya, or “Turkish” cut, and although this is the prevailing style of robe in illustrations from contemporary manuscripts, there is perhaps only a single complete robe attributed to the Seljuq period that closes (...) Taken within the context of adab, however, it becomes possible that the adoption of the “Tatar-style” coat was a conscious decision on the part of the affluent sedentary Persian population, as it was less identifiable with the Seljuq Turks. These associations would have been increasingly acute toward the end of the Seljuq period, as a result of the Khwarazm Shah invasions and perhaps exacerbated by the westward migrations of nomadic groups at the start of the Mongol invasion. "
  174. ^abWeibel, Adèle Coulin (1935). "Seljuk Fabrics".Bulletin of the Detroit Institute of Arts of the City of Detroit.15(3): 41–43.doi:10.1086/BULLDETINST41501410.JSTOR41501410.S2CID222813497.
  175. ^McSweeney, Anna."The Maqamat of al-Hariri. Two Illustrated Mamluk Manuscripts at the British Library MS Or.9718 and Ms.Add.22114.pdf (MA Thesis, SOAS)".SOAS Dept. Art and Archaeology:29–30.
  176. ^Flood, Finbarr Barry (2017)."A Turk in the Dukhang? Comparative Perspectives on Elite Dress in Medieval Ladakh and the Caucasus".Interaction in the Himalayas and Central Asia.Austrian Academy of Science Press: 232.
  177. ^Snelders 2010,Paragraph 4.7.
  178. ^Andre Wink,Al-Hind: The Making of the Indo-Islamic World,Vol. 2, 16.
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Further reading

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  • Previté-Orton, C. W.(1971).The Shorter Cambridge Medieval History.Cambridge: Cambridge University Press.
  • Tetley, G. E. (2008).The Ghaznavid and Seljuk Turks: Poetry as a Source for Iranian History.Abingdon.ISBN978-0-415-43119-4.
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