Shrinathji

Shrinathji
Shrinathji
	Painting of Shrinathji
Venerated in	Pushtimarg
Affiliation	Krishnaism-Vaishnavism
Region	Nathdwara
Temple	Shrinathji Temple

Shrinathjiis a form ofKrishna,manifested as a seven-year-old child.^[1]The principal shrine of Shrinathji is theShrinathji Templein the temple city ofNathdwara,48 kilometres north-east ofUdaipur cityinRajasthan,India. Shrinathji is the central presiding deity of theVaishnavasect known asPushtimarg(the way of grace) or the Vallabha Sampradaya, established byVallabhacharya.Shrinathji is worshipped mainly by the followers ofBhakti Yogaand the Vaishnavas inGujaratandRajasthan,^[2]andBhatias^[3]amongst others.

Vitthal Nathji,^[4]son ofVallabhacharyainstitutionalised the worship of Shrinathji at Nathdwara.^[5]On account of the popularity of Shrinathji, Nathdwara city itself is referred to as ‘Shrinathji’.^[6]People also call it Bava's (Shreenathji Bava) Nagri. Initially, the child Krishna deity was referred to as Devadāman ( "the conqueror of Gods"referring to the over-powering ofIndraby Krishna in the lifting of Govardhan hill).^[7]Vallabhacharya named him asGopalaand the place of his worship as ‘Gopalpur’. Later, Vitthal Nathji named the deity as Shrinathji. Shrinathji's seva is performed in 8 parts of the day.

History

According to the legend, the icon of Shrinathjiself-manifestedfrom stone and emerged from theGovardhan Hill.Historically, the image of Shrinathji was first worshipped at Govardhan hill, nearMathura.^[8]The image was initially shifted from Mathura in 1672 A.D. along riverYamunaand was retained atAgrafor almost six months, in order to safeguard it from, according to legend, theMughalrulerAurangzeb,who wished to keep the prestigious deity with him in Agra.^[9]Subsequently, the image was transferred further south on a chariot to a safer place to protect it from the iconoclasm of Aurangzeb.^[10]When the icon reached the spot at village Sihad or Sinhad inMewar,the wheels of the chariot are said to have sunken into mud and could not be moved any further. The accompanying priests realised that the place was the Shrinathji's chosen spot and, accordingly, the icon was installed in a temple there under the rule and protection of the then MaharanaRaj Singhof Mewar. No other Hindu ruler was ready to take the image in his kingdom as it would mean to oppose Aurangzeb, who was the most anti religious man in India at that time.^[11]

In the anomical environment of the late 18th and early 19th centuries, the temple of Shrinathji was attacked by the Medas and thePindaris.Accordingly, the icon was shifted again and was protected at Udaipur and Ghasiyar under the patronage of Maharana Bheem Singh of Mewar.

Nathdwara Temple or Haveli

The Nathdwara temple was built in the 17th century.^[12]The temple is popularly calledShrinathji kiHaveli(House of Shrinathji). Like a regular mansion, it has a chariot for movement (the original chariot in which Shrinathji was brought to Singhar), a store room for milk (Doodhghar), a store room for betel (Paanghar), a store room for sugar and sweets (MishrigharandPedaghar), a store room for flowers (Phoolghar), a functional kitchen (Rasoighar), a jewellery chamber (Gahnaghar), a treasury (Kharcha bhandaar), a stable for horses of chariot (Ashvashala), a drawing room (Baithak), a gold and silver grinding wheel (Chakki).

Nathdwara is known as the "Vraj"of the western India. Over 100,000 Hindus visit Nathdwara in a year.^{[citation needed]}

Icon at Nathdwara

The icon is carved inbas-reliefout of a monolithic blackmarblestone,^[5]with images of two cows, one lion, one snake, two peacocks and one parrot engraved on it and three sages placed near it. The icon of Shrinathji wears exquisitely worked jewels, some dating back to pre-Mughal period.^[13]

Shrinathji is adorned with intricately wovenshaneelsand silk clothes having originalzariand embroidery works. The icon changes its clothes (vastra) eight times a day. During festive days likeJanmashtmi,HoliandDiwali,the icon wears dresses which are woven by gold wires and diamond studded embroidery. Once worn, the clothes are not re-used, but given to devotees.

Festivals and rituals at the temple

The Shrinathji temple at Nathdwara celebrates, on an average, three festivals in a week.^[13]As regards to daily routine, the inner sanctum is opened 8 times a day for the devotees undertake sacred darshan of the deity. Very elaborate and complex rituals have emerged around the worship of Shrinathji due to confluence and inter-mi xing of bhakti of Krishna as well as that of Pushti Margi Shri Vallabhacharya.^[14]

The main attractions of Shrinathji are theAartisand theShringar,i.e.the dressing and beautifying of the icon of Shrinathji, treating it as a living child, adorning it with the appropriate dresses commensurate with the time of day or night. The formal prayers are offered withdiya,flowers, fruit and other offerings, with local instruments and devotional songs of the Shrinathji, according to the demand of the time and occasion. The view of the icon after theparda(curtain) is removed is calledjhakhi.

The gadipatis and acharyas in the Havelis of Shrinathji are believed to be from thekul(descendants) of shri mahaprabhuji,Vallabhacharya,the founder of this deity's icon at Govardhan hill, nearMathura.Presently, Shrinathji is worshipped by priests from thiskul(genealogical descendants) of Vallabh Acharya. In the rest of the world, aGurjarof a special sect who has initiation and agya (permission) perform the worship of Shrinathji.

Devotees throng to the shrine in large numbers during occasions ofKrishna Janmashtami,Radhashtami,Sharad Purnima,HoliandDiwali.The deity is treated like a living image, and is attended with daily normal functions, like bathing, dressing, meals called "Prasad" and the resting times in regular intervals. Since, the deity is believed to be a child form of Krishna, special care is taken and attention is given to the deity, the same way a mother would to her child.

Shrikrishna Janmashtami,the birth anniversary of Krishna is celebrated with the salute of cannons and guns at Nathdwara temple of Shrinathji in Rajasthan. People not only from the internal regions of Rajasthan but also from Gujarat and Maharashtra, visit Nathdwara to witness Krishna's seraphic festival. Here, important arrangements are made by the temple trust for security at the police and administrative level. The temple is decorated with attractive light decoration for the festival. The entire city of Nathdwara reverberates owing to the melodious sound of drum, trumpet, and clarinet at the main entrance of the temple. A series of congratulatory exchanges began pouring in a month earlier from the Ashtami of Shravan of the Krishna. According to the confirmation order, Shri Krishna Janmotsav is not celebrated as a public exhibition in the night, but on the second day, as the Nandamahotsav, that is, by affirming 'Nand Gher Anand Bhayo, Jai Kanhaiya Lal ki’ in the presence of Tilakayat Maharaj Shree and his family, Brajvasi Sevakgan (Brigadian staff), Mukhiyaji (Headman), and Shrinathji along with spattering of milk and curd while dancing in front of them.

Daily ritual of 8 darshans

Legend

Thegopiesof Vraj used to love the Lord so much, they would be at Yashoda's door at all hours, finding any excuse to see their beloved Nanda Gopal. MotherYashodawas very protective of her darling child. Concerned that with all these adoring gopis, hanging around her house at all hours of the day, her darling child will never get any time to rest or play properly with his friends. So she decided that all those who wish to visit her beloved Bala Gopal, could do so after He had finished a snack or a meal, and was resting before going out again.

Ritual

Taking a legend as his cue, MahaprabhuVallabhacharyadecided to open the haveli, his own version of the Nandalay (House / Palace of Nanda, foster father of Krishna), at specific times of the day only. Acharya set aside eight times of the day when the doors of the inner sanctum would be left open for the people to catch a glimpse ( "jakhi" ) of the Lord. Rest of the time, the Lord was allowed to go out and play with His friends—gopas and gopies of Vraj.

The sequence ofeight darshansare set out below.

Mangala:First darshan of the day. Lord, having woken up, has just had His breakfast and greets his devotees with the most "auspicious" darshan of the day. This darshan usually occurs at dawn.^[15]
Shringar:Having bathed and dressed her little darling, Mother Yashoda allows everyone to adore her baby. After this darshan, the Lord goes out to play with His friends.
Gval:Having had his mid-morning snack, the Lord is about to go out to herd the cows of Nandaji. Lord is worshipped by reciting His thousand names and the sacred tulsi (basil) leaves are offered with each Name.
Rajbhog:After His mid-day meal, the Lord is resting in the comfort of Nanadalay. Lord is often most regal and resplendent for this darshan. Fresh garlands and lotuses are offered to the Lord. During the arti, the Lord plays chopat, an ancient board game or version of chess to while away the hot afternoon.
Utthanpan:Lord has just woken up from His afternoon nap.
Bhog:Having had His afternoon snack, the Lord is about to go out to play again.
Sandhya:As the sun dips over the western horizon, the Lord returns with the herds of Nandaji and the gopis come to see their beloved. Mother Yashoda wards off any evil that may have befalled her darling in the woods of Vraj, by doing an arti and the Lord bathes for the evening meal.
Shayan:Having had His dinner, the Lord is about to go off to his bedchamber. This is the last public darshan of the day.

The outline of darshans given above is a general layout. Over the centuries, different Goswamis have interpreted the "bhavas" and "lilas" differently, resulting in a mixture of oral and ritual traditions followed by the various havelies of Pushti Marg. For example, Shrinathji, having left His beloved Vraj, misses it so dearly, that for six months of the year, He runs back to Vraj for the shayan darshan. So, from Mangala to Sandhya arti, the Lord is reckoned to be in Nathadwara. After the arti, He rushes over, in His spiritual form, to play with the gopis of Vraj. Hence, Shayan arti takes place at Mount Govardhan for the warm half of the year. During the cold months, running over to Vraj is not such a practical option, and hence the shayan darshan takes place at Nathadwara. Here the bhava of gopijan's viraha and Raasa-Rasika's unique lila are of paramount importance.^[16]

In art and culture

Shrinathji followers have significant influence on Hindu art in the form of thePichhwais,which are intricate and colourful paintings on cloth, paper, walls and temple hangings which portray Shrinathji. These are devotional textiles that centre on the image of Shrinathji. Nathdwara is the hub of the pichhwai art,Nathdwara Paintings.

Nathdwara is known for the Rajasthani style of the city, which is called "pichhwai Paintings" These pichhwai paintings have been painted on the wall around the Nathdwara temple by famous contemporary artists of Nathdwara.

Worship at other places

Preachers have founded Shrinathji temples in present-day Pakistan (Dera Ghazi Khan), earlier a part of undivided India and not far from Nathdwara. This was done by Shri Lalji Maharaj who was sent to Sindh by Shri Vithalnathji to spread Pushti Marg. Shrinathji is also worshipped atRussia(in the lowerVolgaregion) and other places on the Central Asian trade routes. In theUnited States,there are eleven Shrinathji temples;New Haven,Connecticut,Parlin, New Jersey,Schuylkill Haven, Pennsylvania,Phoenix, Arizona,one in the midwest, Florida andCalifornia,Houston ( Texas),Lowell, Massachusetts Atlanta, Georgia Charlotte, North Carolina Baltimore, Maryland.

In 2013 the first Shrinathji haveli was inaugurated under the guidance of Shri Dwarkeshlalji (kadi kalol) in Melbourne Australia. Vrajdham Haveli located in Margao, Goa was inaugurated in 2013 for the benefit of all the Vaishnavas residing in Goa. ^[17]^[18]^[19]^[20]

There is aShrinathji Temple in Bahrain,which was constructed in 1817 and is used by the Hindu community of Bahrain.^[21]

There is a shrine dedicated to Shrinathji in the Hindu Temple complex inDubai,UAE.

References and notes

^Lutzker, Mary-Ann (1988)."Book Review:" Krishna as Shrinathji: Rajasthani Paintings from Nathdvara "by Amit Ambalal, for Journal of the American Academy of Religion, June, 1988".Journal of the American Academy of Religion.56(4): 765–767.doi:10.1093/jaarel/LVI.4.765.JSTOR 1464465.
^"Mewar Encyclopedia".Archived fromthe originalon 26 July 2011.
^"Archived copy".Archived fromthe originalon 28 June 2019.Retrieved24 February2017.{{cite web}}:CS1 maint: archived copy as title (link)
^Datta, Amaresh (14 April 1987).Encyclopaedia of Indian Literature: A-Devo.Sahitya Akademi.ISBN 978-81-260-1803-1– via Google Books.
^^a ^b"Blessingsonthenet".blessingsonthenet.Archived fromthe originalon 29 September 2011.
^Shrinathji Temple Nathdwara
^"Yatra 2 Yatra".Yatra2Yatra. 14 April 2009 – via Google Books.
^Vaśishṭha, Rādhākr̥shṇa (14 April 1995).Art and Artists of Rajasthan: A Study on the Art & Artists of Mewar with Reference to Western Indian School of Painting.Abhinav Publications.ISBN 978-81-7017-284-0– via Google Books.
^Richards, John F. (14 April 1993).The Mughal Empire.Cambridge University Press.ISBN 978-0-521-56603-2– via Google Books.
^Abram, David; Guides (Firm), Rough (14 April 2003).The Rough Guide to India.Rough Guides.ISBN 978-1-84353-089-3– via Google Books.
^Maharana Raj Singh and His Times pg 29
^"Nathdwara Temple- Shrinathji Temple Nathdwara, Shrinathji Temple Nathdwara Rajasthan, Shrinathji Temple India".udaipur.org.uk.
^^a ^bKapoor, Subodh (14 April 2002).Indian Encyclopaedia.Cosmo Publications.ISBN 978-81-7755-257-7– via Google Books.
^Blurton, T. Richard (14 April 1993).Hindu Art.Harvard University Press.ISBN 978-0-674-39189-5– via Google Books.
^"मंगला दर्शन की भावना | Singer Asif Jeriya".Archived fromthe originalon 30 October 2019.Retrieved1 February2019.
^"Daily".pushti-marg.net.
^"ShriNathji Haveli".Archived fromthe originalon 12 April 2013.Retrieved21 May2013.
^"Vraj".vraj.org.
^http:// dwarkadhishtemple.org
^"IIS Windows Server".vsaz.org.
^"External affairs minister Jaishankar visits 200-year-old Hindu temple in Bahrain".Wion.Retrieved12 December2020.

v t e Krishna
Forms	Bala Krishna Gopala-Krishna Govinda Jagannath Radha Krishna Shrinathji Vāsudeva-Krishna Vithoba Other names
Consorts	Radha Ashtabharya Rukmini Satyabhama Jambavati Kalindi Nagnajiti Mitravinda Lakshmana Bhadra Other 16000 - 16100 Junior wives Rohini
Other relatives	Aniruddha Arjuna Balarama Devaki Kamsa Kunti Nanda Pradyumna Samba Subhadra Ugrasena Vasudeva Yashoda More
Worship	Sects Krishnaism Vaishnavism Festivals Krishna Janmashtami Gita Mahotsav Holi Pilgrimage circuits 48 Kos Parikrama of Kurukshetra Vraja Parikrama
Holy sites	Associated with Krishna's life Mathura Gokul Govardhan Hill Vrindavan Dvaraka Kurukshetra Jyotisar Bhalka Other sites: Guruvayur Nathdwara Pandharpur Puri Udupi
Epigraphy	Hathibada Ghosundi Heliodorus pillar Mora Well Naneghat Vasu Doorjamb
Texts	Bhagavata Purana Gita Govinda Mahabharata Bhagavad Gita Krishna's role Brahma Samhita Uddhava Gita
See also	Svayam Bhagavan Avatar Dashavatara Vishnu Guru–shishya tradition

v t e Hindu templesinRajasthan
Ajmer	Brahma Temple, Pushkar
Banswara	Nandni Mata Paraheda Shiv Mandir
Baran	Bhand Deva Temple
Barmer	Rani Bhatiyani Nakoda Viratra Vankal Mata Temple
Bikaner	Karni Mata Temple
Bhilwara	Sheetla Mata Temple Sawai Bhoj Temple
Chittorgarh	Kalika Mata Temple Khudala Temple Samadhishvara Temple Sanwariaji Temple
Churu	Salasar Balaji Temple
Hanumangarh	Gogamedi
Jaipur	Birla Mandir, Jaipur Galtaji Govind Dev Ji Temple Hare Krishna Movement Jaipur Kalki Mandir Panchayati Hall Shila Devi Tarkeshwar Nath Temple Garh Ganesh Temple
Jaisalmer	Tanot Mata Temple Ramdev Pir
Jalore	Sundha Mata Temple Kshemkari Mata Temple Sire Mandir at Jalore
Jodhpur	Latiyal Mata Temple Sachiya Mata Temple
Karauli	Kaila Devi Temple Mehandipur Balaji Temple Madan Mohan Temple, Karauli Nakkash Ki Devi - Gomti Dham Narsingh Ji Temple Shri Raghunath Ji Temple Nakkash Ki Devi - Gomti Dham
Nagaur	Dadhimati Mata Temple Kunjal Mata Temple
Pali	Nimbo Ka Nath Mahadev Temple Parshuram Mahadev Temple Sai Dham Rani Rajasthan Sonana Khetlaji
Rajsamand	Charbhuja Dwarkadhish Kankroli Shrinathji
Sikar	Khatu Shyam Temple Jeenmata Harshnath Temple
Tonk	Bisaldeo temple Dev Dham Jodhpuriya
Udaipur	Ambika Mata Temple Ambamata Temple Bohra Ganesh Temple Eklingji Gupteshwar Mahadev Jagdish Temple Karni Mata Temple Keleshwar Mahadev Temple Neemach Mata Temple Pala Ganesh Temple Rathasena Mata Temple Ubeshwar Mahadev Temple
Sanchore	Dhabbawali Mata Temple