Storyboard

For other uses, seeStoryboard (disambiguation).

A storyboard forThe Radio Adventures of Dr. Floydepisode #408

Astoryboardis a graphic organizer that consists ofillustrationsorimagesdisplayed in sequence for the purpose ofpre-visualizingamotion picture,animation,motion graphicorinteractive mediasequence. The storyboarding process, in the form it is known today, was developed atWalt Disney Productionsduring the early 1930s, after several years of similar processes being in use at Walt Disney and otheranimation studios.

Origins

Many large budget silent films were storyboarded, but most of this material has been lost during the reduction of the studio archives during the 1970s and 1980s.Special effects pioneerGeorges Mélièsis known to have been among the first filmmakers to use storyboards and pre-production art to visualize planned effects.However, storyboarding in the form widely known today was developed at theWalt Disney studioduring the early 1930s.In the biography of her father,The Story of Walt Disney(Henry Holt, 1956),Diane Disney Millerexplains that the first complete storyboards were created for the 1933 Disney shortThree Little Pigs.According to John Canemaker, inPaper Dreams: The Art and Artists of Disney Storyboards(1999, Hyperion Press), the first storyboards at Disney evolved from comic book-like "story sketches" created in the 1920s to illustrate concepts for animated cartoon short subjects such asPlane CrazyandSteamboat Willie,and within a few years the idea spread to other studios.

According to Christopher Finch inThe Art of Walt Disney(Finch, 1995),Disney credited animator Webb Smith with creating the idea of drawing scenes on separate sheets of paper and pinning them up on a bulletin board to tell a story in sequence, thus creating the first storyboard. Furthermore, it was Disney who first recognized the necessity for studios to maintain a separate "story department" with specializedstoryboard artists(that is, a new occupation distinct fromanimators), as he had realized that audiences would not watch a film unless its story gave them a reason to care about the characters.The second studio to switch from "story sketches" to storyboards wasWalter Lantz Productionsin early 1935;by 1936Harman-IsingandLeon Schlesinger Productionsalso followed suit. By 1937 or 1938, all American animation studios were using storyboards.

Gone with the Wind(1939) was one of the first live-action films to be completely storyboarded.William Cameron Menzies,the film'sproduction designer,was hired by producerDavid O. Selznickto design every shot of the film.

Storyboarding became popular in live-action film production during the early 1940s and grew into a standard medium for the previsualization of films.Pace Gallerycurator Annette Micheloson, writing of the exhibitionDrawing into Film: Director's Drawings,considered the 1940s to 1990s to be the period in which "production design was largely characterized by the adoption of the storyboard". Storyboards are now an essential part of the creative process.

Use

Film

A storyboard for ananimated cartoon,showing the number of drawings (~70) needed for an 8-minute film.

A film storyboard (sometimes referred to as a shooting board), is essentially a series of frames, with drawings of the sequence of events in a film, similar to acomicbook of the film or some section of the film produced beforehand. It helpsfilm directors,cinematographersandtelevision commercialadvertisingclients visualize the scenes and find potential problems before they occur. Besides this, storyboards also help estimate the cost of the overall production and save time. Often storyboards include arrows or instructions that indicate movement. For fast-paced action scenes, monochromeline artmight suffice. For slower-paced dramatic films with an emphasis on lighting, colorimpressioniststyle art might be necessary.

In creating amotion picturewith any degree of fidelity to ascript,a storyboard provides a visual layout of events as they are to be seen through the camera lens. In the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information. In the storyboarding process, most technical details involved in crafting a film or interactive media project can be efficiently described either in a picture or in additional text.

Duringprincipal photographyfor live-action films, scenes are rarely shot in the sequence in which they occur in the script. It is also sometimes necessary to film individual shots within a scene out of order and on different days, which can be very confusing. (The reasons for this are explained at length in theproduction boardarticle.) In the latter scenario, directors can use storyboards on set to quickly refresh their memory as to the desired effect when those shots are later edited together in the correct order.This is more efficient than having to reread the script for each shot (with cast and crew waiting) to refresh their memory as to how they originally visualized they would film that shot.

Theatre

A common misconception is that storyboards are not used in theatre. Directors and playwrights frequentlyuse storyboards as special tools to understand the layout of the scene.The great Russiantheatre practitionerStanislavskideveloped storyboards in his detailed production plans for hisMoscow Art Theatreperformances (such as ofChekhov'sThe Seagullin 1898). The German director and dramatistBertolt Brechtdeveloped detailed storyboards as part of hisdramaturgicalmethod of "fabels."

Animatics

Inanimationandspecial effectswork, the storyboarding stage may be followed by simplified mock-ups called "animatics" to give a better idea of how a scene will look and feel with motion and timing. At its simplest, an animatic is a sequence of still images (usually taken from a storyboard) displayed in sync with roughdialogue(i.e.,scratch vocals) or rough soundtrack, essentially providing a simplified overview of how various visual and auditory elements will work in conjunction to one another.

This allows theanimatorsanddirectorsto work out anyscreenplay,camera positioning, shot list, and timing issues that may exist with the current storyboard. The storyboard and soundtrack are amended if necessary, and a new animatic may be created and reviewed by the production staff until the storyboard is finalized. Editing at the animatic stage can help a production avoid wasting time and resources on the animation of scenes that would otherwise be edited out of the film at a later stage. A few minutes of screen time intraditional animationusually equates to months of work for a team of traditional animators, who must painstakingly draw and paint countless frames, meaning that all that labor (and salaries already paid) will have to be written off if the finished scene simply does not work in the film's final cut. In the context ofcomputer animation,storyboarding helps minimize the construction of unnecessary scene components and models, just as it helps live-action filmmakers evaluate what portions of sets need not be constructed because they will never come into the frame.

Often storyboards are animated with simple zooms and pans to simulate camera movement (usingnon-linear editing software). These animations can be combined with available animatics, sound effects, and dialog to create a presentation of how a film could be shot and cut together. Some feature filmDVDspecial featuresinclude production animatics, which may havescratch vocalsor may even feature vocals from the actual cast (usually where the scene was cut after the vocal recording phase but before the animation production phase).

Animatics are also used by advertising agencies to create inexpensive test commercials. A variation, the "rip-o-matic", is made from scenes of existing movies, television programs or commercials, to simulate the look and feel of the proposed commercial. Rip, in this sense, refers to ripping-off an original work to create a new one.

Photomatic

A Photomatic(probably derived from 'animatic' or photo-animation) is a series of stillphotographsedited together and presented on screen in asequence.Sound effects,voice-overs,and asoundtrackare added to the piece to show how a film could be shot and cut together. Increasingly used by advertisers andadvertising agenciesto research the effectiveness of their proposed storyboard before committing to a 'full up'television advertisement.

The Photomatic is usually a research tool, similar to ananimatic,in that it represents the work to a test audience so that the commissioners of the work can gauge its effectiveness.

Originally, photographs were taken using a color negative film. A selection would be made from contact sheets and prints made. The prints would be placed on a rostrum and recorded tovideotapeusing a standardvideo camera.Any moves, pans or zooms would have to be made in-camera. The captured scenes could then be edited.

Digital photography,web access tostock photographyandnon-linear editingprograms have had a marked impact on this way of filmmaking also leading to the term 'digimatic'. Images can be shot and edited very quickly to allow important creative decisions to be made 'live'. Photo compositeanimationscan build intricate scenes that would normally be beyond many test film budgets.

Photomatix was also the trademarked name of many of the booths found in public places which took photographs by coin operation. The Photomatic brand of the booths was manufactured by theInternational Mutoscope Reel CompanyofNew York City.Earlier versions took only one photo per coin, and later versions of the booths took a series of photos. Many of the booths would produce a strip of four photos in exchange for a coin.

Comic books

Some writers have used storyboard type drawings (albeit rather sketchy) for their scripting ofcomic books,often indicating staging of figures, backgrounds, and balloon placement with instructions to the artist as needed often scribbled in the margins and the dialogue or captions indicated.John StanleyandCarl Barks(when he was writing stories for theJunior Woodchucktitle) are known to have used this style of scripting.

InJapanese comics,the word "name"(ネーム,nēmu,pronounced[neːmɯ])is used for rough manga storyboards.

Business

Storyboards used for planning advertising campaigns such ascorporate videoproduction, commercials, aproposalor other business presentations intended to convince or compel to action are known as presentation boards. Presentation boards will generally be a higher quality render than shooting boards as they need to convey expression, layout, and mood. Modern ad agencies and marketing professionals will create presentation boards either by hiring a storyboard artist to create hand-drawn illustrated frames or often use sourced photographs to create a loose narrative of the idea they are trying to sell. Storyboards can also be used to visually understand the consumer experience by mapping out the customer's journey brands can better identify potential pain points and anticipate their emerging needs.

Some consulting firms teach the technique to their staff to use during the development of client presentations, frequently employing the "brown paper technique" of taping presentation slides (in sequential versions as changes are made) to a large piece of kraft paper which can be rolled up for easy transport. The initial storyboard may be as simple as slide titles on Post-It notes, which are then replaced with draft presentation slides as they are created.

Storyboards also exist in accounting in the ABC Systemactivity-based costing(ABC) to develop a detailed processflowchartwhich visually shows all activities and the relationships among activities. They are used in this way to measure the cost of resources consumed, identify and eliminate non-value-added costs, determine the efficiency and effectiveness of all major activities, and identify and evaluate new activities that can improve future performance.

A "quality storyboard"is a tool to help facilitate the introduction of a quality improvement process into an organization.

"Design comics" are a type of storyboard used to include a customer or other characters into a narrative. Design comics are most often used in designing websites or illustrating product-use scenarios during design. Design comics were popularized by Kevin Cheng and Jane Jao in 2006.

Architectural studios

Occasionally, architectural studios need a storyboard artist to visualize presentations of their projects. Usually, a project needs to be seen by a panel of judges and nowadays it's possible to create virtual models of proposed new buildings, using advanced computer software to simulate lights, settings, and materials. Clearly, this type of work takes time – and so the first stage is a draft in the form of a storyboard, to define the various sequences that will subsequently be computer-animated.

Novels

Storyboards are now becoming more popular with novelists. Because most novelists write their stories by scenes rather than chapters, storyboards are useful for plotting the story in a sequence of events and rearranging the scenes accordingly.

Interactive media

More recently the termstoryboardhas been used in the fields ofweb development,software development,andinstructional designto present and describe, in written,interactiveevents as well as audio and motion, particularly onuser interfacesandelectronic pages.

Software

Storyboarding is used in software development as part of identifying the specifications for a particular set of software. During the specification phase, screens that the software will display are drawn, either on paper or using other specialized software, to illustrate the important steps of the user experience. The storyboard is then modified by the engineers and the client while they decide on their specific needs. The reason why storyboarding is useful during software engineering is that it helps the user understand exactly how the software will work, much better than an abstract description. It is also cheaper to make changes to a storyboard than an implemented piece of software.

An example is the Storyboards system for designing GUIappsforiOSandmacOS.

Scientific research

Storyboards are used inlinguisticfieldworktoelicitspokenlanguage.Aninformantis usually presented with a simplified graphical depiction of a situation or story, and asked to describe the depicted situation, or to re-tell the depicted story. The speech is recorded for linguisticanalysis.

Benefits

One advantage of using storyboards is that it allows (in film and business) the user to experiment with changes in the storyline to evoke stronger reaction or interest. Flashbacks, for instance, are often the result of sorting storyboards out of chronological order to help build suspense and interest.

Another benefit of storyboarding is that the production can plan the movie in advance. In this step, things like the type of camera shot, angle, and blocking of characters are decided.

The process of visual thinking and planning allows a group of people to brainstorm together, placing their ideas on storyboards and then arranging the storyboards on the wall. This fosters more ideas and generates consensus inside the group.

Creation

A storyboard template.

Storyboards for films are created in a multiple-step process. They can be created by hand drawing or digitally on a computer. The main characteristics of a storyboard are:

• Visualize thestorytelling.
• Focus the story and the timing in severalkey frames(very important in animation).
• Define the technical parameters: description of themotion,thecamera,thelighting,etc.

If drawing by hand, the first step is to create or download a storyboard template. These look much like a blank comic strip, with space for comments and dialogue. Then sketch a "thumbnail"storyboard. Some directors sketch thumbnails directly in the script margins. These storyboards get their name because they are rough sketches not bigger than a thumbnail. For some motion pictures, thumbnail storyboards are sufficient.

However, some filmmakers rely heavily on the storyboarding process. If a director or producer wishes, more detailed and elaborate storyboard images are created. These can be created by professionalstoryboard artistsby hand on paper or digitally by using 2D storyboarding programs. Some software applications even supply a stable of storyboard-specific images making it possible to quickly create shots that express the director's intent for the story. These boards tend to contain more detailed information than thumbnail storyboards and convey more of the mood for the scene. These are then presented to the project's cinematographer who achieves the director's vision.

Finally, if needed, 3D storyboards are created (called 'technicalprevisualization'). The advantage of 3D storyboards is they show exactly what the film camera will see using the lenses the film camera will use. The disadvantage of 3D is the amount of time it takes to build and construct the shots. 3D storyboards can be constructed using 3D animation programs or digital puppets within 3D programs. Some programs have a collection of low-resolution 3D figures which can aid in the process. Some 3D applications allow cinematographers to create "technical" storyboards which are optically-correct shots and frames.

While technical storyboards can be helpful, optically-correct storyboards may limit the director's creativity. In classic motion pictures such asOrson Welles'Citizen KaneandAlfred Hitchcock'sNorth by Northwest,the director created storyboards that were initially thought by cinematographers to be impossible to film.Such innovative and dramatic shots had "impossible"depth of fieldand angles where there was "no room for the camera" – at least not until creative solutions were found to achieve the ground-breaking shots that the director had envisioned.

See also

• Filmmaking
• Graphic organizer
• List of film-related topics
• Pre-production
• Screenwriting
• Script breakdown

References

General references

• Halligan, Fionnuala (2013).Movie Storyboards: The Art of Visualizing Screenplays.San Francisco: Chronicle Books.ISBN9781452122199.OCLC1089341414.

External links

• Media related toStoryboardsat Wikimedia Commons