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The Network Chart Show

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The Network Chart Show
GenreTop 40
Running time3 hours (4:00 pm – 7:00 pm)
Country of originUnited Kingdom
Language(s)English
Home stationCapital FM
Hosted by
Recording studioGlobal's London studios
Original release30 September 1984(1984-09-30)
30 December 2018(2018-12-30)
Audio formatStereo

The Commercial Radio Chart Showwas a radio programme that was broadcast across commercialadult contemporaryandcontemporary hit radiostations across the United Kingdom, from 30 September 1984 to 30 December 2018. It had many different names over the years, beginning withThe Network Chart Show(later sponsored byNescafé), before securing sponsorship withPepsibetween 1993 and 2003, which led to the birth ofThe Pepsi Chart.Since then, it has been known asHit40UK,The Big Top 40 Show,The Vodafone Freebees Big Top 40,The Vodafone Big Top 40and, finally,The Official Vodafone Big Top 40between October 2017 and December 2018.[1]

The show was cancelled at the end of 2018, after the producers –Global Radio– withdrew it from syndication followingBauer Radio's decision to stop broadcasting the programme. The final syndicated commercial radio chart show was broadcast on 30 December 2018 byMarvin Humesand Kat Shoob. It was replaced on Global-owned stations byThe Official Big Top 40.[1]

Background

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Originally, the main presenter wasDavid Jensen(known then as "Kid Jensen" ) with holiday cover provided byTimmy MallettandAlan Freeman,and in later years,Pat Sharp.Jensen would record trailers to run on local stations during the week which famously started with the words "Hi Chart Fans!!".

The programme featured the Network Top 30 and ran from 5-7pm, competing directly withBBC Radio One's Top 40 chart show. It was produced byCapital Radiofrom their studios on Euston Road in London.

The Network Chart Showaired onIndependent Local Radio(ILR) stations using the transmission circuits ofIndependent Radio News,which meant it was originally broadcast in mono in most areas (some stations near to the London area were able to receive Capital on FM well enough for 'off air' rebroadcast). Later, some circuits were upgraded to enable stereo transmission, followed by a satellite distribution service later on.

The programme went on air at exactly 5:00 pm, displacing IRN's hourly national news bulletins at 5 pm and 6 pm, originating fromLBC.Each station carrying the programme would play their own 10-second ident before linking up with the network feed. The final song faded out shortly before the 7pm networked news, allowing each station to opt-out for an ident before either presenting their own news or re-joining the network for the IRN bulletin.

Eventually, on Sunday 21 October 1990, the programme was extended to start following the 4 pm IRN bulletin, with the chart expanded to a Top 40 – although not all of the stations took the extra hour to begin with. From 1985, the programme was sponsored byNescafe.

Even though The Network Chart is listed currently as the beginning of the lineage the true origins of this chart go way back to the 1970s under the title The Capital Countdown using older 70s MRIB and some episodes of it have surfaced online though online your usual classic tape recordings radio on demand services which is evidence to this incarnation existing before The Network Chart.

The Network Chart

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The chart was owned by Association of Independent Radio Contractors (AIRC)–the trade body for ILR stations. The chart was distributed by Satellite Media Services, produced byCapital Radioand compiled by theMedia Research Information Bureau(MRIB). The chart differed from the entirely sales-based "official"Gallupchart (now theOCC) used by the BBC as it included airplay statistics when compiling the chart.[2]In 1987, sales data for a Thursday-to-Wednesday week was logged manually in diaries by 300 record shops and posted to MRIB.[3]In 1991, data was being collected from around 300 independent record shops who were provided with a checklist of currently released singles. Sales were "checked off against ticks on the retailers' masterbags" and these figures would be collected by telephone on Thursdays. Airplay statistics were factored in by all Independent Local Radio stations providing which playlist (A, B, or C) the current releases were on. More weight was given to the larger stations at the time, such as Capital (17 per cent),BRMB,Clyde,GWR,Metro,andPiccadilly.If a record was on every Independent Local Radio station's A list the sales were boosted by 40 per cent.[4]

MRIB'sNetwork Chartwas a rival competitor to the self-proclaimed "official" UK chart that was compiled byGallupand that is now published by theOfficial Charts Company(OCC).[5][6]It was reported in March, 1991 that theNetwork Chartcompiled by MRIB had a radio audience size that was gaining on theBBC Radio 1chart show which broadcast the chart that was compiled by Gallup for the OCC (then CIN).[7]Later that monthMusic & Mediamagazine reported that they were switching to publishing the MRIB charts for the UK which they would also use to compile theEuropean Hot 100 SinglesandEuropean Top 100 Albumscharts.[8]There were sometimes public disputes over accuracy between Gallup and MRIB such as when the former placedWhitney Houston's single "I Wanna Dance with Somebody (Who Loves Me)"at number 10 while the latter placed it at number 2 in the same week.[9]MRIB'sNetwork Chartwas published in music publicationsNME,Melody Maker,[10]andSounds,[11]as well as onITV'sORACLEteletextservice.[10]MRIB'sNetwork Chartused sales data starting from different days of the week from those Gallup used for its Radio 1 chart; thus the Network Chart's sales week straddled two Gallup chart sales weeks.[12]However, in July 1993, when Pepsi took over sponsorship, it was announced that the Top 10 of theNetwork Chartwould use the same sales data as Gallup's chart for CIN, but that the lower 11-40 positions would still combine sales with radio airplay data. This newNetwork Chartwas compiled bySpotlight Publicationswho beat MRIB to the contract.[13]

For its first three years, the Network Chart was more up-to-date than the BBC chart broadcast simultaneously (which had been around since the previous Tuesday), with many singles entering, and reaching their peak on, Sunday's new Network Chart before they did so on the official chart announced two days later. From 4 October 1987 the official (Gallup/OCC) chart which was broadcast by the BBC was brand new on a Sunday afternoon and was more up-to-date, using a Monday-to-Saturday sales week compared to the Network Chart's Thursday-to-Wednesday one.[14]Even when the Network Chart was more up-to-date, though, the Gallup chart was always considered the industry-recognised "official" Top 40, and was promoted as such by the BBC.

In compiling the chart MRIB employed a sliding scale, meaning that for the lower reaches of the Top 40, airplay counted almost as much as sales. This often meant that the 40-to-20 positions could be very different between the Network and BBC charts. The weight given to airplay diminished the higher one went in the chart, and the Top 10 was meant to be entirely sales-based, although the Network Chart did not register sales from Saturday, the single most important record-buying day, until a week later. It was not unusual for the MRIB and Gallup charts to have different songs at number one.

Because the chart did not include sales from the likes ofWoolworthsandWHSmith,some songs with more specialised appeal (including many byThe Smiths) peaked higher than on the official chart, whereas some songs with more middle-of-the-road appeal (such asSu Pollard's "Starting Together" ) might sometimes peak lower. This had also been the case with theRecord Businessmagazine chart used by ILR in the late 1970s and early 1980s, which also did not include data from the more family-friendly shops. As with theRecord Businesschart, regional charts were also produced by MRIB for individual ILR stations.

Spin-offs

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A TV version launched in 1987 calledThe Roxy,presented byDavid JensenandKevin Sharkeyusing the chart data fromThe Network Chart.The show itself tried and failed to compete with theBBC,who had the long-establishedTop of the Pops.Announcements in the press indicated that the Saturday repeat ofThe Roxywould unveil the new Network Chart, but this failed to materialise; the Saturday repeat was always identical to the initial Tuesday broadcast, and so carried only the chart that had been around since the previous Sunday. It ran for just under a year and was produced byTyne Tees Television,but was often beaten in the ratings by rival programmes on other channels such asEastEnders.The TV show was axed after industrial disputes saw the end of live performances.

On 16 March 1989, Fantail Publishing released a tie-in book calledThe Network Chart Book Of Hits,which was a review of the previous year (1988) in music. It featured a selection of the singles, albums and music videos charts, as well as interviews with some of the artists who had big hits that year. The book was introduced by David Jensen and the author was Mike Hrano.

Teen magazineNumber Oneused The Network Chart singles and albums charts from January 1985 until summer 1990, when it was sold by its publishers, IPC Media to BBC Magazines. From then on it featured the official national singles and albums charts until the magazine's demise in early 1992. In addition, the national Sunday newspaperThe News of the Worldused to featureThe Network ChartTop 20 singles chart in their music section in the late 1980s and early 1990s, whereasThe Sunday Peoplefeatured the MRIB top 10 right up to MRIB's Singles/Album Chart demise in April 2008. However, Independent Radio stopped using it in August 1993.

Re-branding

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From 1 August 1993,Neil Foxtook over the rebrandedPepsi Network Chart,[15][16]which later became thePepsi Chart,[17]and thenHit40UK.On 15 June 2009,Hit40UKbecameThe Big Top 40 Show.All these shows mostly used the same Top 10 asThe Official Chartchart which is compiled by theOfficial Charts Company,exceptThe Big Top 40which used theiTuneslive top 10, at the end of the show, and kicks off with the full week's top 10 on iTunes. The 40–11 positions on all of them is a 50/50 sales/airplay chart. In January, 2019, all re-branded versions ofThe Network Chartwere finally replaced withThe Official Big Top 40which has more listeners thanThe Official Chartwhich is broadcast onBBC Radio 1and which is compiled by the Official Charts Company.[18]

See also

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References

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  1. ^abMartin, Roy (19 September 2018)."Bauer stations to drop Vodafone Big Top 40 show".Radio Today.Retrieved27 January2022.
  2. ^"The Network Chart"(PDF).Music Week.12 October 1991. p. 13.Retrieved12 September2021.
  3. ^"The Art of Charting".Record Mirror.9 May 1987. p. A8.ISSN0144-5804.
  4. ^"There is only one chart, isn't there?".Music Week:13. 12 October 1991.ISSN0265-1548.
  5. ^Bakker, Machgiel (8 April 1989)."Pan European News - BRMB Playlist - DJ Feedback"(PDF).Music & Media.p. 6.Retrieved12 September2021.Compiled by MRIB, who also put together the Network Chart - the rival to the Gallup list
  6. ^"UK Independent Charts Are Upgraded"(PDF).Music & Media.17 October 1987. p. 3.Retrieved12 September2021.MRIB's new panel represents more than 10% of the UK record retail market. But the Network Chart has yet to respond to the changed timing of the rival Gallup chart which has been brought forward two days
  7. ^Fielder, Hugh (2 March 1991)."Big Audience Gains for 'Network Chart Show'"(PDF).Music & Media.p. 5.Retrieved12 September2021.
  8. ^"M&M Publishes MRIB Charts"(PDF).Music & Media.16 March 1991. p. 3.Retrieved12 September2021.
  9. ^"Rock Over London"(PDF).Music & Media.13 June 1987. p. 6.Retrieved12 September2021.
  10. ^abBarrow, Tony; Newby, Julian (2003).Inside the Music Business.Routledge.p. 90.ISBN9781134777181.Retrieved15 July2020.
  11. ^"Charts".Sounds.26 January 1991. p. 42.Retrieved17 June2022.Compiled by MRIB
  12. ^"Dealers block BBC bid for Sunday Gallup chart"(PDF).Music Week.13 July 1985. p. 4.Retrieved12 September2021.
  13. ^"Network Chart opts for official CIN data"(PDF).Music Week.3 July 1993. p. 1.Retrieved12 September2021.
  14. ^"The Art of Charting".Record Mirror:A8. 9 May 1987.ISSN0144-5804.
  15. ^"Network Chart opts for official CIN data"(PDF).Music Week.3 July 1993. p. 1.Retrieved29 January2022.
  16. ^"David Sloly"(PDF).Music Week.24 June 1995. p. 3.Retrieved29 January2022.
  17. ^"Pepsi peps up chart backing"(PDF).Music Week.14 September 1996. p. 3.Retrieved29 January2022.
  18. ^Global [@global](15 May 2019)."@BigTop40 remains the biggest UK chart show, beating its nearest competitor by 153,000 listeners! #RAJARpic.twitter /CWTzmCVrks"(Tweet).Retrieved6 June2020– viaTwitter.
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