Thesis (typeface)
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Category | Sans-serif |
---|---|
Classification | Humanist |
Designer(s) | Luc(as) de Groot |
Foundry | FontFabrik |
Thesisis a large typeface family designed byLuc(as) de Groot.Thetypefaceswere designed between 1994 and 1999 to provide a modern humanist family. Each typeface is available in a variety of weights as well as initalic.Originally released byFontFontin 1994, it has been sold by de Groot through his imprint LucasFonts since 2000.[1][2]
Thesis fonts have become popular and can be seen in various publications or logotypes.
To create a varied range of fonts of different thicknesses and levels of condensation, Thesis was developed usingmultiple mastertechnology, in which weights were created by 'averaging' and extending the trend between a thick and thin design to create a smooth, continuous trend in styles from thin to very bold. The fonts also include a large number ofstylistic alternatecharacters.[3]
The family is afont superfamily,since it includes bothserifandsans-serifdesigns.
TheSans
[edit]A humanist sans-serif font family, somewhat similar toSyntax(1968) andFrutiger(1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that onDwiggins'Metro;an alternate is provided for when this is unsuitable.
In TheSans Condensed, each weight only includes roman and italic, but all 4 number styles can be found.
TheSansMono
[edit]It is a monospaced variant. 3 widths have been produced. All fonts use hanging monospaced figures.
TheSansTypewriter
[edit]It is a monospaced variant with ragged strokes. It included fonts in regular and bold weights in the widest TheSansMono width, with complementary italic fonts. It uses hanging monospaced figures.
TheSerif
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/1/1d/TheSerif.svg/220px-TheSerif.svg.png)
It is a slab serif font family. It included fonts in 8 weights and 1 width, with complementary italic fonts.
TheMix
[edit]It is a slab serif font family, but using only serif on upper portion of small letters. It included fonts in 8 weights and 1 width, with complementary italic fonts.
TheMixMono
[edit]It is a monospaced variant. Each weight only includes roman and italic. All fonts use hanging monospaced figures.
TheMix Arabic
[edit]It is a variant designed by Lucas de Groot, Arab calligrapher and designer Mouneer Al-Shaarani, and with technical support from Pascal Zoghbi. Lucas designed the Bold version of the type, while Pascal finalized the Bold design by modifying some glyphs, spacing and encoding/scripting the font, and later developed TheMix Arabic Regular.
The font was included in the Typographic Matchmaking Project organized by the Khatt Foundation.
Offshoot font families
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/TheAntiquaB.svg/220px-TheAntiquaB.svg.png)
Offshoot font families of the Thesis font superfamily include TheAntiqua,[4]Nebulae,[5]and JesusLovesYouAll.[6] [7]
TheAntiqua is a variant based on TheSerif. It included fonts in 7 weights and 1 width, with complementary italic fonts. OpenType feature includes small caps (roman only). TheAntiqua won an award in 1999 fromType Directors Club.[citation needed]
Collections
[edit]Each of the family are categorized in following family collections: Classic, Basic, Office.
Classic family includes all 8 font weights, with roman, italic, small caps roman, small caps italic, expert, expert italic in each weight. It includes hanging proportional, hanging monospaced, lining proportional, lining monospaced figures; and additional f-ligatures. Expert fonts include arrows, swashes, fraction figures, alternate styles, mathematic symbols, ornaments.
Basic family includes all 8 font weights, but without small caps and expert fonts. It includes lining proportional figures (smaller than in classic).
Office family only includes Regular and Bold weights, with only roman and italic in each weight. It includes hanging monospaced figures.
de Groot's choice of weights to release was developed using an "interpolation theory". The optical interpolationb,in the three stemsa(thinnest),b(interpolation) andc(thickest), is set to thegeometric meanofaandc,i.e.b² =ac(as opposed to the lineararithmetic mean).[8]
As an amusement, de Groot also developed a number of parodic reworkings of Thesis, including Nebulae and JesusLovesYouAll.[9]
Uses of Thesis fonts
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/b/be/Gerhard_Schroeder_MUC-20050910-02.jpg/220px-Gerhard_Schroeder_MUC-20050910-02.jpg)
![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Sprint_retail_store_frontage%2C_New_Mexico.jpg/220px-Sprint_retail_store_frontage%2C_New_Mexico.jpg)
- BG Group– now taken over[10]
- University of Zurich- TheSans[11]
- Marque Bretagne— TheMix[12]
- Office Depot— TheSerif
- Swisscom— TheSans and TheSerif[13]
- Victoria and Albert Museum— TheSans (custom variant)[14]
- Branding for theWorld Exposition 2000 in Hannover, Germany– TheSans[15]
- Deutsche Welle- TheAntiqua[16]
- ARD- TheSans and TheAntiqua
See also
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/8/88/Typeface-thesis.jpg/220px-Typeface-thesis.jpg)
References
[edit]- Middendorp, Jan.Dutch Type.010 Publishers: 2004.ISBN90-6450-460-1.
- ^"About Thesis".LucasFonts.Retrieved27 March2023.
- ^Ulrich, Ferdinand."From Compressed Light to Extended Ultra".FontShop.Retrieved19 August2017.
- ^Hardwig, Florian."Jazz In Town poster".Fonts In Use.Retrieved12 May2016.
TheSans is a well-equipped font, featuring Ǖ, Ǘ, Ǚ and Ǜ, Vietnamese small-caps, six alternative ampersands and many more cool extras.
- ^"TheAntiqua".LucasFonts.
- ^"Nebulae".LucasFonts.
- ^"JesusLovesYouAll".LucasFonts.
- ^@LucasFontsNews (2020-07-02)."[TheAntiqua is] not part per se, but yes, related. TheAntiqua is a child of the Thesis superfamily. Other children are Nebulae and JesusLovesYouAll"(Tweet) – viaTwitter.
- ^"Interpolation Theory".LucasFonts.Retrieved7 July2015.
- ^"FontFabrik Type".FontFabrik.Retrieved7 July2015.
- ^Coles, Stephen."BG Group".Fonts in Use.Retrieved12 May2016.
- ^"UZH Corporate Identity".
- ^"BRETAGNE – Le site officiel de la marque Bretagne"(in French).RetrievedOctober 15,2014.
- ^"Swisscom Brand Center".brandcenter.swisscom.Archived fromthe originalon 2014-01-11.
- ^"Sources for the study of marketing in the V&A Archive"(PDF).V&A.Retrieved4 March2016.
A new typeface was developed specifically for the V&A, the 'V&A Sans' (adapted from TheSans font, which had been designed by Luc(as) de Groot in 1994
- ^"Expo 2000 Corporate Identity: Typeface".Archived fromthe originalon 6 October 2000.Retrieved1 January2019.
- ^"Lucas Fonts - Deutsche Welle ad sales website".