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Vimanarcanakalpa

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TheVimānārcanākalpais a 10th to 11th century text onHatha yoga,attributed to the sageMarichi.

Text

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TheVimanarcanakalpais the first text to define a non-seatedasana,Mayurasana.Mahamandir mural,Jodhpur,c. 1810

TheVimanarcanakalpais a 10th to 11th century prose text[1][2]onHatha yoga,attributed to the sageMarichi.[3]It states thatyogais the union of the individual with the supreme self.[4]

It is one of the earliest texts to describe a non-seatedasanaand to call such postures asanas (the term originally and literally meaning a seat), namelyMayurasanathe peacock pose. In chapter 96 it describes nine asanas in all (Brahmasana,Svastikasana,Padmasana,Gomukhasana,Simhasana,Muktasana,Virasana,[a]Bhadrasana,and Mayurasana), some 500 years before theHatha Yoga Pradipika.[5]Its account of Mayurasana, inJames Mallinson's translation, is:

Fix the palms of the hands on the floor, place the elbows on either side of the navel, raise the head and feet and remain in the air like a staff. This is the peacock posture.[6]

The text teaches a method ofpratyahara,withdrawal using the breath, which is raised through 18 stages called marmans, vital points.[7]

TheVimanarcanakalpadescribes other topics, such as the practice of burying sacred bronze objects to protect them in times of trouble.[8]

Notes

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  1. ^Called hero's posture, but as a cross-legged pose not the same as the modern kneelingVirasana.

References

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  1. ^Marichi 1926.
  2. ^Huesken, Ute (2 November 2002)."VaikhAnasa saMhitAs".Ramanuja.org.Retrieved1 February2019.
  3. ^Mallinson, James(9 December 2011)."A Response to Mark Singleton's Yoga Body by James Mallinson".Retrieved4 January2019.revised from American Academy of Religions conference, San Francisco, 19 November 2011.
  4. ^Mallinson & Singleton 2017,p. 21.
  5. ^Mallinson & Singleton 2017,pp. 87, 100–101.
  6. ^Mallinson & Singleton 2017,p. 101.
  7. ^Mallinson & Singleton 2017,pp. 174, 190, 285, 296.
  8. ^Nagaswamy, R."Eslam Bronzes and Copper-plates".Tamil Arts Academy.Retrieved1 February2019.he Vimanarcanakalpa, (Marici text) published in Madras, 1926, Chapter 70, pp. 435-439, gives in detail the process of concealing metal images in times of emergency and restoring them to worship. The chapter is titled Bhaya-raksartham Niskrtih.

Sources

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