Volosovo culture
 | |
| Geographical range | North-CentralRussia,Volga region |
|---|---|
| Period | Neolithicto earlyBronze Age |
| Dates | 4000-2000 BC or 1800-1500 BC |
| Major sites | Volga, Kama, Oka River, Veletma River |
| Preceded by | Balakhna culture,Lyalovo culture[1] |
| Followed by | Garino-Bor,Netted Ware culture[2] |
TheVolosovo culture(Russian:Волосовская культура,romanized:Volosovskaya kul'tura) is an archaeological culture that followed theNeolithicPit-marked pottery culture(Balakhna). The archaeological assemblage identified with this culture is related to finds from the middleVolgaandKamabasin.[3]
The Volosovo culture emerged sometime between the third and fourth millennium B.C. and lasted until the second millennium BC.[4] The people of the Volosovo culture has been described as forest foragers.[5][6]
Discovery
[edit]The Volosovo culture was discovered in the 1900s. Like other groups with forest origin such as the Garino-Bor and other northern cultures, the Volosovo lived in theforest steppesof the Volga-Ural region, particularly the area of the present-daySamara oblast.[7]Specific sites include those incentral Russia,theMiddleandLower Oka,[8]Lower Kama, and Middle Volga.[3]The culture also inhabited the Veletma River area adjacent toMurom,a city that is part ofVladimir Oblast.[3]The Veletma River site was excavated from 1877 to 1928.
Since the discovery of the Volosovo culture, it has been investigated extensively but it remains controversial due to some unresolved aspects, particularly the chronology of its history, cultural attributes, origin, and ethnic affiliations.[3]For example, it was believed that Volosovo was a separate cultural entity but other studies show that it is related to cultures associated with the Volga and Kama basin.[9]
Characteristics
[edit]Excavated remains show that the morphological characteristics of the people of the Volosovo culture are craniologically related to the Lapponoid group.[10]The stone and ceramic artifacts that are used to describe the Volosovo culture were from the semi subterranean dwellings, which are often situated in river floors and within the area of lakes.[3]These dwellings have lower and upper cultural layers. The artifacts found in the lower layer indicates a cultural affinity with the Russian Pit-marked Pottery culture called Balakhna.[9]The upper level, which is considered the actual Volosovo phase, included ceramics that were distinct from the pit-marked pottery as well as those attributed to theFatyanovo culture.[3]
Based on excavated artifacts, the Volosovo culture first used stones and bone tools and were particularly adept atbone carvingand sculpture.[4]A small art emerged, one that has been considered rich and diverse as demonstrated by the varied flaked flint sculptures that represented the human form.[4]This phenomenon was distinguished from what manifested in the Tokareva culture.[4]
The Volosovo c. transitioned out of the Neolithic Age and abandoned its stone and bone technologies after learning early metal working.[4]Later in its development, an early form of agriculture emerged with evidence of domestic animals.[4]Discovered cranial and long bones of a primitiveturbarydog, for example, showed improvedanimal breeding.[8]However, the culture still favored foraging, hunting, and fishing.[4]It is suggested that there emerged an animal cult among the Volosovo population after 1500 BCE as evidenced by the use of animal teeth and bones on ornaments such as necklaces.[11]According to this theory, bears were worshiped for their power while dogs and pigs were revered for their economic value.[11]
A late Volosovo culture emerged later on and this phase was associated with the sites located in the upper Volodary andPanfilovo.[9]The Garino-Bor culture and theNetted Ware cultureare considered offshoots of the Volosovo culture that settled in the Volga-Oka region.[12]Experts identify a Volosovo-Garino cultural province, which is characterized by a distinct comb-ware ceramic tradition.[13]
According to the archaeologist V.V. Sedov, the names of rivers that end in -sha and -xa, particularly those situated in the right bank of the Oka and theWhiteandBarentsSeas originated in the Volosovo culture.[14]
Cultural contacts
[edit]There is evidence that the Volosovo culture had extensive contacts with other cultures such as the Balanovo culture, a group considered to be the metal-working aspect of the eastern Fatyanovo.[5]This is also demonstrated by the existence of Fatyanovo ceramics in Volosovo sites as well as the discovery of Volosovo ceramics in Fatyanovo graves.[3]Volosovo's contact with the Balanovo culture, for instance, was considered asymbioticrelationship.[15]There are sources, however, that cite how the Volosovo hunters and fishers competed with the Fatyanovo people in the lower Oka and Kljazma river basins.[9]Evidence showed that the late Volosovo phase also had extensive contact with theAbashevopopulation, helping spread cattle-breeding economies as well as metallurgy among the northern forest cultures.[5]There were also Volosovo populations that were absorbed into the Abashevo culture before 2500 BCE while others were moving north.[7]
It is speculated that the Volosovo people maintained contacts with linguistic relatives (Proto-Balticspeakers) who settled inFinlandandRussian Kareliaand were later absorbed into the culture.[1]
References
[edit]- ^abBryant, Edwin Francis; Patton, Laurie L. (2005).The Indo-Aryan Controversy: Evidence and Inference in Indian History.Oxon: Psychology Press. p. 127.ISBN0-7007-1462-6.
- ^Mailhammer, Robert (2015).The Linguistic Roots of Europe.Copenhagen: Museum Tusculanum Press. p. 84.ISBN9788763542098.
- ^abcdefgDolukhanov, Pavel (2013).The Early Slavs: Eastern Europe from the Initial Settlement to the Kievan Rus.Oxon: Routledge. pp. 88–89.ISBN9780582236189.
- ^abcdefgKir'iak, M. A. (2007).Early Art of the Northern Far East: The Stone Age.Anchorage: U.S. Department of the Interior, National Park Service, Shared Beringian Heritage Program. p. 96.ISBN9780160822223.
- ^abcAnthony, David W. (2007).The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World.Princeton, NJ: Princeton University Press. p. 382.ISBN9780691058870.
- ^Hanks, Bryan K.; Linduff, Katheryn M. (2009).Social Complexity in Prehistoric Eurasia: Monuments, Metals and Mobility.New York: Cambridge University Press. pp.308.ISBN9780521517126.
- ^abAnthony, David W.; Brown, Dorcas R.; Khokhlov, Aleksandr A.; Kuznetsov, Pavel F.; Mochalov, Oleg D. (2016).A Bronze Age Landscape in the Russian Steppes: The Samara Valley Project.Los Angeles: Cotsen Institute of Archaeology Press. p. 114.ISBN9781938770050.
- ^abHarding, Anthony; Fokkens, Harry (2013).The Oxford Handbook of the European Bronze Age.Oxford, UK: Oxford University Press. p. 338.ISBN9780199572861.
- ^abcdGimbutas, Marija (1965).Bronze Age cultures in Central and Eastern Europe.The Hague: Mouton & Co., Publishers. pp. 587, 627, 630.ISBN9783111668147.
- ^Anthony, David W.; Brown, Dorcas R.; Khokhlov, Aleksandr A.; Kuznetsov, Pavel F.; Mochalov, Oleg D. (2016).A Bronze Age Landscape in the Russian Steppes: The Samara Valley Project.Los Angeles, CA: UCLA Cotsen Institute of Archaeology Press. p. 114.ISBN978-1-938770-05-0.
- ^abPungetti, Gloria; Oviedo, Gonzalo; Hooke, Della (2012).Sacred Species and Sites: Advances in Biocultural Conservation.Cambridge: Cambridge University Press. p. 278.ISBN9780521110853.
- ^Mailhammer, Robert; Nierfeld, Theo Vennemann gen; Olsen, Birgit Anette (2015).Origin and Development of European Languages.Copenhagen: Museum Tusculanum Press. p. 84.ISBN978-87-635-4209-8.
- ^Jordan, Peter; Zvelebil, Marek (2016).Ceramics Before Farming: The Dispersal of Pottery Among Prehistoric Eurasian Hunter-Gatherers.Oxon: Routledge. p. 216.ISBN978-1-59874-245-9.
- ^Tikhomirov, Andrey (2020).Finno-Ugric peoples. Languages, Migration, Customs.Litres.ISBN978-5-04-235518-9.
- ^Bryant, Edwin; Patton, Laurie (2005).The Indo-Aryan Controversy: Evidence and Inference in Indian History.Oxon: Psychology Press. p. 127.ISBN0-700-71462-6.