Yadukulakamboji
 | This article includes a list of generalreferences,butit lacks sufficient correspondinginline citations.(July 2020) |
| Arohanam | SR₂M₁PD₂Ṡ |
|---|---|
| Avarohanam | ṠN₂D₂PM₁G₃R₂S |
| Carnatic music |
|---|
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| Concepts |
| Compositions |
| Instruments |
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YadukulakambojiorYadukulakambodi(yadukulakāmbhōji) is arāgaminCarnatic music(musical scale of South Indian classical music). It is ajanyarāgam (derived scale) from the 28thmelakartascaleHarikambhoji,and is sometimes spelled asYadukulakambhojiorYadukulakambhodi.It is ajanyascale, as it does not have all the sevenswaras(musical notes) in the ascending scale. It is a combination of the pentatonic scaleShuddha Saveriand thesampurna ragascaleHarikambhoji.[1][2]
Structure and Lakshana[edit]
Yadukulakambojiis an asymmetric rāgam that does not containgandharamandnishadamin the ascending scale. It is anaudava-sampurnarāgam (orowdavarāgam, meaning pentatonic ascending scale).[1][2]Itsārohaṇa-avarohaṇastructure (ascending and descending scale) is as follows:
The notes used in this scale areshadjam, chathusruthi rishabham, shuddha madhyamam, panchamamandchathusruthi dhaivatamin ascending scale, withkaisiki nishadhamandantara gandharamincluded in descending scale. For the details of the notations and terms, seeswarasin Carnatic music.
Popular compositions[edit]
There are many compositions set toYadukula kambojirāgam. Here are some popularkritiscomposed in this ragam.
- Kāmākṣhī padayugame sthiramaninē, byShyama Shastri( Very Famoussvarajati)
- Hecharikaga ra rama,Ni Dayache Rama,etavuna nerchitivo,andSri Rama Jayaramacomposed byTyagaraja
- Divakara tanujamandTyagarajam bhajarebyMuthuswami Dikshitar
- Ikshvaku kula&Pahimam sri ramayantebyBhadrachala Ramadasu
- MohanamayiandBhujaga shayinobySwathi Thirunal Rama Varma
- Paramakripa sagari pahi parameshvaribyG. N. Balasubramaniam
- Kalaith thookki nindradumbyMarimutthu Pillai
- Anagha ShambhobyThulaseevanam
- sharade pahi mambyMysore Vasudevacharya
- Padmanabham Bhajehamby MaharajaJayachamarajendra Wadiyar
- Kumaran thal panindebyPapanasam Sivan
- Lalithe Mampahi Dayaby Sri Chengalvaraya Sastri
- thondar anjubyThirugnanasambandar
- Yarendru RaghavanaibyArunachalakavi
- Kama Nishudanam Bhavayeby Tulasivanam
Film Songs[edit]
Language:Tamil[edit]
| Song | Movie | Composer | Singer |
|---|---|---|---|
| Kaasikku Pogum Sanyasi... | Chandhrodhayam | M. S. Viswanathan | T. M. Soundararajan,Sirkazhi Govindarajan |
| Adangoppuraane | Kaavalkaaran | T. M. Soundararajan | |
| Kalyana Valayosai | Urimaikural | T. M. Soundararajan,P. Susheela | |
| Vetri Vendumaa | Ethir Neechal | V. Kumar | Sirkazhi Govindarajan |
| Othaiyila | Vanaja Girija | Ilaiyaraaja | K. S. Chithra |
| Nalla Neram | Uthama Raasa | S. P. Balasubrahmanyam | |
| Kuluvalilae(Omana thingal portion only rest in Natabhairavi Ragam) | Muthu | A. R. Rahman | Udit Narayan,K. S. Chithra,Kalyani Menon,G. V. Prakash Kumar |
| Petta Rap(Female Portion only) | Kadhalan | Suresh Peters,Theni Kunjarammal,Shahul Hameed |
Related rāgams[edit]
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities[edit]
- Shuddha Saverihas a symmetric pentatonic scale, with the notes same as the ascending scale ofYadukulakamboji.Itsārohaṇa-avarohaṇastructure isSR₂M₁PD₂Ṡ:ṠD₂PM₁R₂S
- Kedaragaulais a rāgam which has thekaishiki nishadamin ascending scale in place of thechatushruti daivatam.Itsārohaṇa-avarohaṇastructure isSR₂M₁PN₂Ṡ:ṠN₂D₂N₂PM₁G₃R₂S