Timbre
Tampilan
Dalammusik,timbre(/ˈtæmbər/TAM-bər,juga dikenal denganwarna nadaataukualitas nadadariilmu psikoakustikmerupakan kualitas penerimaan suara dari sebuahnada musik,suara, atau nada yang membedakan jenis yang berbeda dari produksi suara, seperti suara koor, dan instrumen musik, seperti instrumen petik, instrumen angin, dan instrumen perkusi, dan memungkinkan pendengar mendengar instrumen yang berbeda-beda dari jenis yang sama sebagai jenis berbeda, sepertivioladanviolin.
Referensi
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- Peeters, G. (2003) “A Large Set of Audio Features or Sound Description (Similarity and Classification) in the CUIDADO Project”.[perlu rujukan lengkap]
- Pollard, H. F., and E. V. Jansson (1982)A Tristimulus Method for the Specification of Musical Timbre.Acustica51:162–71.
- Samson, Jim (1977).Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920.New York: W. W. Norton & Company.ISBN0-393-02193-9.
- Schouten, J. F. (1968). "The Perception of Timbre". InReports of the 6th International Congress on Acoustics, Tokyo, GP-6-2,6 vols., edited by Y. Kohasi,[perlu rujukan lengkap]35–44, 90. Tokyo: Maruzen; Amsterdam: Elsevier.
- Sethares, William (1998).Tuning, Timbre, Spectrum, Scale.Berlin, London, and New York:Springer.ISBN 3-540-76173-X.
- Wessel, David (1979). "Low Dimensional Control of Musical Timbre".Computer Music Journal3:45–52. Rewritten version, 1999, as "Timbre Space as a Musical Control Structure".