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Cubismus

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Roberti Delaunay,Simultaneous Windows on the City,1912,46 x 40 cm,Hamburger Kunsthalle,exemplum Cubismi Abstracti.

Cubismus(excubo) estmotus artisavant-gardesaeculi vicensimiineuntis quipicturametsculpturamEuropaeamcommutavit, motusque cognatos inmusica,litteris,etarchitecturainspiravit. Habitus est motus artis saeculi vicensimi maximi momenti.[1][2]Vocabulumlate adhibetur cum varissimisgeneribus artisLutetiae(plerumqueMons Martyrum,Mons Parnassus,etPuteaux)annis 1910et1920effectis.

Pauli Cézanne,Quarry Bibémus,18981900,Museum Folkwang,EssenGermaniae.
Ioannis Gris,Imago Picassoana,1912,oleum in carbaso, Art Institute of Chicago.
Le Corbusier,Aedificium Conventuale,ChandigarhIndiae.

Praecursores et duces fueruntGeorgius BraqueetPaulus Picasso,qui cumAndrea Lhote,Ioanne Metzinger,Alberto Gleizes,Roberto Delaunay,Henrico Le Fauconnier,Fernando Léger,etIoanne Grisexemplaria motus excoluerunt.[3]Una ex primis notionibus quae ad Cubismum conduxerunt fuit repraesentatio formaetrium dimensionumin ultimisPauli Cézanneoperibus.[4]RetrospectivapicturarumCézannianarumexhibitioin Salon d'Automne anno1904habita fuerat,operanova in hoc salon annis1905et1906exhibita sunt, cum duabus exhibitionibus retrospectivis post pictoris mortem anno1907.[5]Res in artificibus Cubisticis quasi in membra discerpuntur et in unum abstracte reducuntur; praeterea, contra quendam rem ex uno loco visam, artifex rem ex variis locis depingit ad eam in maiore contextu repraesentandam.[6]

Longe lateque valebat Cubismus multum. Rapide circumorbem terrarumextendebatur, se variis modis evolvens. Initium inhistoria artisfuit rationis evolutionariae quae magnam diversitatem effecit, antecedentia diversissimorum artis motuum.[7]

Nexus interni

Salon d'Automneanni1912,in Palatio GrandiLutetiaeab1 Octobrisad8 Novembrishabitum.Groupe de femmesIosephi Csaky,sculptura1911–12, laevaexhibetur,pro duabus sculpturisAmadei Modigliani.Aliaartificiaaliorum artificumSection d'Or(a laeva ad dextram):Franciscus Kupka,Francisus Picabia,Ioannes Metzinger,Henricus Le Fauconnier.
  1. Christopher Green, MoMA collection,Cubism, Introduction,from Grove Art Online, Oxford University Press, 2009
  2. Cubism: The Leonard A. Lauder Collection,The Metropolitan Museum of Art, New York, 2014
  3. Christopher Green, MoMA collectionCubism, Origins and application of the term'' ex Grove Art Online (Oxford University Press, 2009).
  4. Christopher Green, "Cubism, MoMA,"Grove Art Online (Oxford University Press, 2009).
  5. Joann Moser,Jean Metzinger in Retrospect, Pre-Cubist works, 1904–1909(The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press, 1985), 34-42.
  6. Jean Metzinger,Note sur la peinture,Pan (Paris), October–November 1910
  7. Green 1987.
  • Antliff, Mark, et Patricia Leighten.2008.A Cubism Reader, Documents and Criticism, 1906-1914.Sicagi: University of Chicago Press.
  • Barr, Alfred H., Jr.1936.Cubism and Abstract Art.Novi Eboraci: Museum of Modern Art.
  • Cauman, John.2001.Inheriting Cubism: The Impact of Cubism on American Art, 1909-1936.Novi Eboraci: Hollis Taggart Galleries.ISBN 0-9705723-4-4.
  • Cooper, Douglas.1970.The Cubist Epoch.Londinii: Phaidon in association with the Los Angeles County Museum of Art & the Metropolitan Museum of Art.ISBN 0-87587-041-4.
  • Debray, Cécile, et Françoise Lucbert.2000.La Section d'or, 1912-1920-1925.Musées de Châteauroux, Musée Fabre, exhibition catalogue. Lutetiae: Éditions Cercle d'art.
  • Genovese, Paolo Vincenzo.2010.Cubismo in architettura.Romae: Mancosu Editore.
  • Golding, John.1959.Cubism: A History and an Analysis, 1907-1914.Novi Eboraci: Wittenborn.
  • Green, Christopher.1987.Cubism and its Enemies, Modern Movements and Reaction in French Art, 1916-28.Portu Novo et Londinii: Yale University Press.ISBN 0-300-03468-7.
  • Richardson, John.1991.A Life Of Picasso, The Cubist Rebel 1907-1916.Novi Eboraci: Alfred A. Knopf.ISBN 978-0-307-26665-1.
  • Robbins, Daniel.1981.Sources of Cubism and Futurism.Art Journal41(4).
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