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Daguerreotypus

E Vicipaedia
Ludovicus Daguerre.Daguerreotypus a Ioanne Baptista Sabatier-Blot facta,1844.
Camerae obscuraeet laminae pro daguerreotypo "Grand Photographe" appellato, aCarolo Chevalierfacta (Musée des Arts et Métiers),18401841.
L'Atelier de l'artiste,daguerrotypus aDaguerrefacta (1837), habitus primus qui rationem plenam confecit.[1]
Primahominisphotographematempori vere adsignatum,Daguerreipsovere1838factum.

Ratio daguerreotypica,etiamdaguerreotypia,anno1839introducta, fuit prima ratiophotographicaaperte vulgata et prima quae late usurpabatur. Recentiores autem rationes, melius emptae et imagines facilius visas facientes, antedecennium 187ineuns eam paene omnino substituerat. Parva redintegratio inter photographos qui rationibushistoricisstudent ante1990coepit et iam perstat.

Imago in laminametallicaargenteataformata est, quod usitateaeserat, sedorichalcumetiam adhibebatur. Lamina inlucehebete fumishalogeniexposita (praecipueiodi,sed etiambromumetchlorumadhiberi solebantur) admachinam photographicamper formam lucis securam transportabatur. Tum imago latens, in machina exposita, incella obscurabinisrationibus evolvi potuit, laminá aut ad fumoshydrargyricalefacti, aut, pro laminis solumiodumsentientibus, ad radiossolaresper columrubrumexpositá. Sensus laminae quod ad lucem spectat tum inhibitus est, laminá in solutionesaliscommunis velthiosulphatis sodiilavatá. Ad calificiendum ingenium et ad conservanda particula imaginis, lamina in solutionechlorido auriinsuperficiedilatata calefacta est. Superficies imaginis etiaminauratafuit delicatissima, unde opus fuit laminam in saeptimento luminis securam coacervare.

Distinctissimaphotographematisdaguerreotypici proprietas aspectabilis est quod imago in claraargenteiveri superficiespeculisimili apparet, quae aut positiva autnegativavidetur, secundum statumluciset num scaena clara aut obscura ametallolaminae percutitur.

Sex daguerreotypi despectum inFranciscopolemanno1853ostendunt.

Nexus interni

  1. Rodney P. Carlisle,Scientific American Inventions and Discoveries: All the Milestones in Ingenuity—From the Discovery of Fire to the Invention of the Microwave Oven(Novae Caesarea: John Wiley & Sons, Inc., 2004,ISBN 0-471-24410-4).
  • Barger, Susan M., et William B. White.1991.The Daguerreotype: Nineteenth-Century Technology and Modern Science.Vasingtoniae: Smithsonian Institution Press.
  • Coe, Brian.1976.The Birth of Pphotography: The Story of the Formative Years, 1800–1900.Londinii: Ash & Grant.ISBN 0-904069-06-0.
  • Davis, Keith F., Jane Lee Aspinwall, et Marc F. Wilson.2007,The Origins of American Photography: From Daguerreotype to Dry-Pplate, 1839–1885.Kansas City Missuriae: Hall Family Foundation.ISBN 978-0-300-12286-2.
  • Gernsheim, Helmut, et Alison Gernsheim.1968.L. J. M. Daguerre: The History of the Diorama and the Daguerreotype.Novi Aboraci: Dover Publications.ISBN 0-486-22290-X.
  • Hannavy, John.2005.Case Histories: The Presentation of the Victorian Photographic Portrait 1840–1875.ISBN 1-85149-481-2.
  • Hill, Levi L.1850.A Treatise on the Daguerreotype: The Whole Art Made Easy.
  • Kenney, Adele.2001.Photographic Cases Victorian Design Sources 1840–1870.ISBN 0-7643-1267-7.
  • Lowry, Bates, etnd Isabel Lowry.1998.The Silver Canvas: Daguerreotype Masterpieces from the J. Paul Getty Museum.Angelopoli: The Museum.ISBN 0-89236-368-1.
  • Newhall, Beaumont.The Daguerreotype in America.Dover Publications.ISBN 0-486-23322-7,ISBN 978-0-486-23322-2.
  • Pfister, Harold Francis.1978.Facing the Llight: Historic American Portrait Daguerreotypes: An Exhibition at the National Portrait Gallery, September 22, 1978–January 15, 1979.Vasingtoniae: Smithsonian Institution Press.
  • Richter, Stefan.1989.The Art of the Daguerreotype.Londinii: Viking.ISBN 0-670-82688-X.
  • Rudisill, Richard.1971.Mirror Image: The Influence of the Daguerreotype on American society.Albuquerque: University of New Mexico Press.
  • Sobieszek, Robert A., Odette M. Appel-Heyne, et Charles R Moore.1976.The Spirit of Fact: The Daguerreotypes of Southworth & Hawes, 1843–1862.Bostoniae: D. R. Godine.ISBN 0-87923-179-3.
  • Wood, John.1991.America and the Daguerreotype.Iowa City: University of Iowa Press.ISBN 0-87745-334-9.
  • Wood, John.1995.The Scenic Daguerreotype: Romanticism and Early Photography.Iowa City: University of Iowa Press.ISBN 0-87745-511-2.
  • Wood, R. Derek.1997.A State Pension for L. J. M. Daguerre for the secret of his daguerreotype technique.Annals of Science54(5):489–506.
Vicimedia Communiaplura habent quae addaguerrotypumspectant.