Minimalizam

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Primer minimalizma u arhitekturi, Muzej umetnosti uBregenzuuAustriji,arhitektePetera Cumthora

Minimalizamiliminimalistička umetnost(1960—1975) je umetnički pokret koji odbacuje komentarisanje društva, lični izraz umetnika, narativne elemente ili aluzije na istoriju, politiku ili religiju.[1][2]Bazira se na stvaranju predmeta, slika, skulptura i muzike čija je vrednost isključivo estetskog karaktera. Minimalisti su ograničili svoje delovanje na manipulaciju elementima kao što su boja, tonovi, oblici, linije i tekstura. Prvi koji je koristio termin minimalizam bio je kritičar David Burljuk u izložbenom katalogu umetnikaDžona Grahamana izložbi slika koja je održana u galeriji Dadensajng u Njujorku, 1929. godine. Kasnije, šezdesetih godina dvadestog veka, to ime je dobio celi jedan pokret. Još neki nazivi za minimalizam su:ABC umetnost[3][4]ireduktivizam.Ovaj pokret je rezultat reakcije na pretencioznostapstraktnog ekspresionizmai prima uticaje odpop umetnosti,kubizmaikonceptualne umetnosti,sa glavnom inspiracijom uruskoj avangardi,konkretnije usuprematizmuKazimira Maljeviča.

Pokret je nastao uSAD,a među glavnim pokretačima ističe se umetnikFrank Stela.[5][6]Njegova izložba „Crne slike “(Black Paintings), priređena 1959. godine uMuzeju moderne umetnostiu Njujorku (engl.Museum of Modern Art,skr.MoMA), ubrzo je postala inspiracija mnogim umetnicima, koji su počeli da napuštaju „ekspresiju “. Glavni istorijski događaj pokreta bila je izložba, održana 1966. godine u Njujorku, pod imenom „Osnovne strukture “(Primary Structures).

Preciznost ujedno sa geometrijom i ponavljajućim dekorativnim šemama, ravnim i jednolično obojenim površinama sa čistim i nemešanim bojama, glavne su odlike minimalizma. Baza su geometrijske, racionalne šeme, a industijski materijali se koriste za eliminisanje tragova „ručnog rada “umetnika. Spoljašnji izgled predmeta je glavni estetski kvalitet minimalizma.[7][8]

Minimalizam želi da posmatrač uživa umetničko delo bez distrakcija kompozicije, tema i ostalih elemenata iz tradicionalne umetnosti. Materijali i način na koji je delo predstavnjeno su ujedno i sama njegova stvarnost ili tematika, ali takođe i razlog samog „postojanja “. Minimalizam ne pretenduje nikakvu drugu simboliku osim onoga što se može videti u samom delu. Boja se ne koristi za izražavanje osećanja nego za ograničavanje prostora. Apstraktni odnosi između različitih elemenata treba da navedu posmatrača na razmišljanje i ujedno su i sama srž tematike. Odbacuje se ideja iz tradicionalne umetnosti, po kojoj umetnost treba da bude lični izraz umetnika. Iako postoji dosta toga emotivnog i podsvesnog u minimalizmu, umetnik minimalista odbacuje osećanja kao princip stvaralaštva umetničkog dela i smatra da je reakcija na delo od strane posmatrača od primarne i suštinske važnosti.

Minimalizam ispituje prirodu umetnosti i njeno mesto u društvu. Iako su neki kritičari smatrali da je minimalizam umetnost koja će slabo uticati na dalji razvoj savremene umetnosti, ne mogu se negirati posledice i uticaji koje je ostavila na teoriju i praksu „postmoderne “.

Umetnici minimalisti

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Vidi još

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Reference

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  1. ↑„Christopher Want,Minimalism,Grove Art Online, Oxford University Press, 2009”.Moma.org.Pristupljeno 2014-06-27.
  2. ↑„Minimalism”.theartstory.org. 2012.
  3. ↑Fried, M. "Art and Objecthood",Artforum,1967
  4. ↑Rose, Barbara. "ABC Art",Art in America53, no. 5 (October–November 1965): 57–69.
  5. ↑„Frank Stella Biography, Art, and Analysis of Works”.The Art Story.Pristupljeno 25 May 2012.
  6. ↑Deborah Solomon (September 7, 2015),The Whitney Taps Frank Stella for an Inaugural Retrospective at Its New HomeThe New York Times.
  7. ↑„Systemic Painting,Guggenheim Museum”.Guggenheim.org.Pristupljeno 2014-06-27.
  8. ↑„Systemic art, Oxford-Art encyclopedia”.Enotes.Pristupljeno 2014-06-27.

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Spoljašnje veze

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