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Andrew Wildman

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The name or term "Andrew" refers to more than one character or idea. For a list of other meanings, seeAndrew (disambiguation).
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Dale GribbleRusty ShacklefordAndrew Wildman, self-portrait.
he said “do you want to do some Transformers”? I was like “what robots? Not really!” (Laughs) But ok, money, alright them”!

— Wildman to Fractal Images, 2007[1]

Andrew Wildman's artistic association withTransformersbegan when he did several covers for the MarvelUK comic.His first strip work came in issue#198,which was scripted byIan Rimmerfrom a plot bySimon Furman.He thought it was just going to be a minor job likeBraveStarrorRealGhostbusters...[2]

After Furman took up writing for the Marvel US version of theTransformerscomic, Wildman came aboard 13 issues later, simultaneously penciling the cover and interior of#69.He would pencil the book to the end of its 80-issue run, only skipping#75(which was illustrated byGeoff Senior). His style was noted for its fluid 'people in costumes' approach to the robots, partly to show off how he could potentially draw superheroes (artists got rent to pay!) and partly to fully show that the Transformers were emotional people. A big influence here was Barry Windsor Smith's work onMachine Man[3](which coincidentallywas a back-up stripin Marvel UK'sTransformers).

AfterTransformers,though the collaborations between Wildman and Furman would continue on and off over their years at Marvel, Wildman would go off on his own for lengthy stints, such as pencillingLarry Hama'sG.I. Joeand Peter David'sSpider-Man2099.

Simon Furman and Andrew Wildman would be brought together again years later forBotCon 1997's convention comic, "Ground Zero".Wildman was also tapped to do the box art for that year's exclusives,FractylandPackrat.Wildman did the package art forBotCon 1998'sAntagonyandVice Gripas well, and later supplied colors for 2000's "Terminus".

The two Britons stayed together following their creative reunion, subsequently forming Wildfur Productions as a joint venture.

While Andrew Wildman was not quite as active as Simon Furman in the 2000sTransformerscomic revivals, he was still a visible presence. On the British side of things, he provided the retail covers to all of theTitanreprints of Generation 1 comic material, and pencilled eight of the nine issues ofPanini's short-livedArmadacomic series. Over in North America, he pencilled theThe War Within: The Dark Agesminiseries forDreamwave Productions,and has done several covers forIDW Publishing'sInfiltration.

While at Marvel, Wildman worked extensively with inkerStephen Baskerville,whose talents greatly complemented Wildman's own. After not working together for some time, they briefly reunited for the final issue of the PaniniArmadacomic.

Everything old became new again with the production ofThe Transformers: Regeneration One— IDW's modern-day continuation of the US Marvel comic. Wildman teamed not only with Simon Furman again, but also with Stephen Baskerville for the production. This came about after Wildman worked on several covers for IDW, intended as his "absolute final goodbye note" to the franchise and with no plans to do interior work, until he learned that work would be with Simon and finishing the old run "with real gravitas".[4]He dropped out from#92but returned to draw part of thegrand finale.

In recent years, Wildman has founded a UK-based charity organization,Draw The World Together;done storyboards for episodes of the revivedDoctor Who;written and drawn the graphic novelHorizon,which got plaudits fromDave Gibbonsand everything;[5]and, for fun, life-drawing sketches andnaturalistic paintings.

Contents

Interiors

Marvel UK

Marvel US

3H Productions

Panini

Titan

Dreamwave Productions

Devil's Due

IDW Publishing

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Before. After.


Covers

Marvel UK

Covers

Marvel US

3H Productions

Titan

Dreamwave

Devil's Due

IDW

Other

Gallery

Convention appearances

Other trivia

  • Wildman cheekily nodded to hisGhostbusterswork when he outright drew three of them into "Race with the Devil"!

Visual gags

Quite the wag in his Marvel career, Wildman frequently drew amusing Easter eggs into his artwork:

  • His cover toissue #186includes a dustbin and milk bottle outside one ofMetroplex'sdoors.
  • AtoasterTransformer is seen being built byAuntyinissue #198.
  • His cover toissue #205features another appearance by a toaster, as well as a cute little un-Transformers-y robot (dubbed "Teenytron"by the letters page).
  • Issue #217'shorrifying close-up ofzombieStarscreamdepicts him with exposed wires reading messages like "HELLO!" and "MORE THAN MEETS THE EYE!"
  • A control panel on theArkinissue #242reads "YOUR[sic]MAD ".
  • The artwork forUS issue #74features multiple gags on the page 4-5 splash—includingApefacepeeling a banana,Triggerhappygetting distracted, and a background Autobot taking aim atSoundwave—as well as ladies and gents restroom signs under Unicron's left pec.

References

External links

Interviews

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