Pierre Boulez

Pierre Boulez (2004)

Pierre Boulez (1968)

Pierre Boulez(26 Mart 1925, MontbrisonLoire– 5 Ocak 2016,Baden-Baden),Fransızbesteci,koro şefi,yazar ve piyanist.

Biyografisi

İlk yılları

Boulez 26 Mart 1925'teMontbrison, Loire,Fransa'da dünyaya geldi.Katolikolarak yetiştirildi ancak sonradanateistoldu.Çocukluğunda piyano dersleri ve matematik dersleri almaya başladı. Daha sonraLyon'da müzik eğitimine devam etti. ArdındanParis Konservatuvarı'ndaOlivier MessiaenveAndrée Vaurabourg'un gözetiminde müzik kariyerine devam etti.

Seçilmiş eserleri

• Piano Sonata No. 1(1946)
• Le visage nuptial(soprano,alto, 1946/51/88–89)
• Piano Sonata No. 2(1947–48)
• Le soleil des eaux(soprano solo, mixed choir, orchestra, 1948/50/58/65)
• Livre pour quatuor(string quartet, 1948–49, rev. 2011–12)
• Polyphonie X(1951)
• Structures,Livres I et II
• Le marteau sans maître
• Piano Sonata No. 3(1955–57/63...)
• Pli selon pli(soprano ve orkestra, 1957–89)
• Figures, doubles, prismes(1957–68)
• Éclat/Multiples(ensemble, 1965–70)
• Domaines(clarinetsolo, 1968–69)
• Domaines(clarinet,1968–69)
• Cummings ist der Dichter
• Rituel: In Memoriam Bruno Maderna(1974–75)
• Messagesquisse(yedi çello, 1976–77)
• Notations(1978/1999–...)
• Répons1980–84
• Dialogue de l'ombre double1982–85
• Dérive 1(1984)
• Dérive 2(1988–2006)
• ...explosante-fixe...
• Sur Incises1996–98
• Dialogue de l'ombre double1985/1995
• Anthèmes2, 1998
• Une page d'éphéméride(piano, 2005)

Bibliyografi

• Anon. 2008. "Pierre Boulez—Every Composer Chooses His Fathers". InTalking to Kinky and Karlheinz—170 Musicians Get Vocal on the Music Show,edited by Anni Heino, 254–62. Sydney: ABC Books.ISBN 978-0-7333-2008-8.
• Barulich, Frances. 1988. "Pierre Boulezby Dominique Jameux;Pierre Boulez und sein Werkby Theo Hirsbrunner;Pierre Boulez: A Symposiumedited by William Glock;Orientations: Collected Writings by Pierre Boulezedited and with an introduction by Jean-Jacques Nattiez and translated by Martin Cooper;Éclats/Boulezedited by Claude Samuel with the collaboration of Jacqueline Muller;Pierre Boulez: Eine Festschrift zum 60. Geburtstag am 26. März 1985edited by Josef Häusler;Boulez in Bayreuth/Boulez à Bayreuth: Der Jahrhundert-Ring/The Centenary 'Ring'/Le 'Ring' du centenaire Histoire d'un 'Ring' Entretiens sur la 'Tétralogie du centenaire': Pierre Boulez, Jeffrey Tate, Jean-Jacques Nattiez"[book review].Notes2nd series, 45, no. 1 (September): 48–52.
• Blaustein, Susan. 1989. "The Survival of Aesthetics: Books by Boulez, Delio, Rochberg".Perspectives of New Music27, no. 1 (Winter): 272–303.
• Boulez, Pierre. 1971.Boulez on Music Today,translate by Susan Bradshaw and Richard Rodney Bennett. Cambridge, Mass.: Harvard University Press.ISBN 0-674-08006-8;London: Faber.ISBN 0-571-09420-1
• Boulez, Pierre 1981.Orientations: Collected Writings,collected and edited by Jean-Jacques Nattiez, translated by Martin Cooper. Cambridge, MA: Harvard University Press.ISBN 0-674-64376-3.New edition, translated by Martin Cooper from the second French edition ofPoints de repère,London and Boston: Faber & Faber, 1986.ISBN 0-571-13811-X(cased);ISBN 0-571-13835-7(pbk).
• Boulez, Pierre. 1986. "Sonate, que me veux-tu?" (1960). In hisOrientations: Collected Writings,translated by, 143–154. London:Faber and Faber.ISBN 0-571-14347-4.
• Boulez, Pierre. 1991a. "Schoenberg is Dead" (1952). In hisStocktakings from an Apprenticeship,collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 209–14. Oxford: Clarendon Press; New York:Oxford University Press.ISBN 0-19-311210-8
• Boulez, Pierre. 1991b. "Possibly..." (1952). In hisStocktakings from an Apprenticeship,collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 111–40. Oxford: Clarendon Press; New York:Oxford University Press.ISBN 0-19-311210-8
• Boulez, Pierre. 1991c. "Alea" (1957). In hisStocktakings from an Apprenticeship,collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 26–38. Oxford: Clarendon Press; New York:Oxford University Press.ISBN 0-19-311210-8
• Boulez, Pierre. 1995.Points de repère. I: Imaginer,edited by Jean-Jacques Nattiez and Sophie Galaise, with the collaboration of Robert Piecikowski. Musique/passé/présent. Paris: Bourgois.
• Boulez, Pierre. 2005a.Points de repère. II: Regards sur autrui,edited by Jean-Jacques Nattiez and Sophie Galaise. Musique/passé/présent. Paris: Bourgois.
• Boulez, Pierre. 2005b.Points de repère. III: Leçons de musique: Deux décennies d'enseignement au Collège de France,edited by Jean-Jacques Nattiez, preface by Jonathan Goldman, foreword by Michel Fouculta. Musique/passé/présent. Paris: Bourgois.
• Boulez, Pierre, and Dan Albertson. 2007. "...'ouvert', encore...".Contemporary Music Review26, nos. 3–4 (June–August):.339–40.
• Burnham, Scott G. "Beethoven, Ludwig van, §19: Posthumous influence and reception (iii) Political reception.",Grove Music Online,ed. L. Macy. (Subscription access).
• Di Pietro, Rocco. 2001.Dialogues with Boulez.Lanham, Md.:The Scarecrow Press, Inc.ISBN 0-8108-3932-6
• Ewen, David. 1971. "Pierre Boulez". In David Ewen,Composers of Tomorrow's Music: A Non-technical Introduction to the Musical Avant-garde Movement,78–93. New York: Dodd, Mead & Co.ISBN 0-396-06286-5
• Griffiths, Paul.1973. "Two Pianos: Boulez,Structures,Book 2 ".The Musical Times114, no. 1562 (April): 390.
• Griffiths, Paul. 1995.Modern Music and After: Directions Since 1945.London: Oxford University Press.ISBN 0-19-816578-1(cloth);ISBN 0-19-816511-0(pbk)
• Harvey, Jonathan.1971. "A Clear View".Musical Times112, no. 1540 (June): 557.
• Hayes, Malcolm. 1992. Review ofStocktakings from an Apprenticeshipby Pierre Boulez; Stephen Walsh.Temponew series, no. 180 (Mar. 1992): 29–30.
• Heinemann, Stephen. 1993. "Pitch-Class Set Multiplication in Boulez'sLe Marteau sans maître".DMA thesis. Seattle: University of Washington.
• Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice".Music Theory Spectrum20, no. 1 (Spring): 72–96.Abstract(accessed 17 June 2008)
• Hopkins, G. W., and Paul Griffiths. 2006. "Pierre Boulez",Grove Music Onlineed. L. Macy. (Subscription access)
• Humbertclaude Eric. 1999.La Transcription dans Boulez et Murail: de l'oreille à l'éveil,Paris: Harmattan.ISBN 2-7384-8042-X
• Jameux, Dominique. 1991.Pierre Boulez,translated by Susan Bradshaw. Cambridge, Mass.: Harvard University Press.ISBN 0-674-66740-9London: Faber.ISBN 0-571-13744-X.
• Kimmelman, Michael. 2010. "Boulez's Gentler Roar11 Haziran 2015 tarihindeWayback Machinesitesindearşivlendi.".New York Times(6 January) (Accessed 22 January 2013).
• Koblyakov, Lev. 1977. "P. BoulezLe marteau sans maître:Analysis of Pitch Structure ".Zeitschrift für Musiktheorie8, no. 1:24–39.
• Koblyakov, Lev. 1981. "The World of Harmony of Pierre Boulez: Analysis of Le marteau sans maître". Ph.D. diss., Hebrew University of Jerusalem.
• Koblyakov, Lev. 1990.Pierre Boulez: A World of Harmony27 Haziran 2014 tarihindeWayback Machinesitesindearşivlendi..Contemporary Music Studies 2. Chur, Switzerland, and New York: Harwood Academic Publishers.ISBN 3-7186-0422-1
• Ligeti, György.1960. "Pierre Boulez: Decision and Automatism in Structure Ia."Die Reihe4 (Young Composers): 36–62. (Translated from the original German edition of 1958.)
• McNamee, Ann K. 1992. "Are Boulez and Stockhausen Ready for the Mainstream? A Review".Musical Quarterly76, no. 2:283–91. |DOI:10.1093/mq/76.2.283
• Mosch, Ulrich. 1997. "Wahrnehmungsweisen serieller Musik".Musiktheorie12:61–70.
• Mosch, Ulrich. 2004.Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' Le Marteau sans maître.Saarbrücken: Pfau-Verlag.ISBN 3-89727-253-9
• Obrist, Hans Ulrich, and Philippe Parreno. 2008. "An Interview with Pierre Boulez". InSound Unbound: Sampling Digital Music and Culture,edited by Paul D. Miller, a.k.a.DJ Spooky That Subliminal Kid,361–74. Cambridge, Mass: MIT Press.ISBN 978-0-262-63363-5
• Olivier, Philippe. 2005.Pierre Boulez: Le maître et son marteau.Collection points d'orgue. Paris: Hermann, éditeurs des sciences et des arts.ISBN 2-7056-6531-5.
• Orton, Richard, andHugh Davies.2001. "Ondes martenot".The New Grove Dictionary of Music and Musicians,second edition, edited byStanley SadieandJohn Tyrrell.London: Macmillan Publishers.
• Peyser, Joan.1976.Boulez: Composer, Conductor, Enigma.New York: Schirmer Books.ISBN 0-02-871700-7;London: Cassell.ISBN 0-304-29901-4
• Peyser, Joan. 1999.To Boulez and Beyond: Music in Europe Since the Rite of Spring,with a preface byCharles Worinen.New York: Billboard Books.ISBN 0-8230-7875-2.Revised edition, Lanham, MD: Scarecrow Press, 2008.ISBN 978-0-8108-5877-0
• Steenhuisen, Paul. 2009. "Interview with Pierre Boulez". InSonic Mosaics: Conversations with Composers.Edmonton: University of Alberta Press.ISBN 978-0-88864-474-9
• Südwestrundfunk.n.d. "Donaueschinger Musiktage: Programme seit 1921: Programm des Jahres 196124 Mayıs 2014 tarihindeWayback Machinesitesindearşivlendi.".SWR website (Accessed 26 May 2013).
• Vermeil, Jean. 1996.Conversations with Boulez: Thoughts on Conducting.Translated by Camille Nash, with a selection of programs conducted by Boulez and a discography by Paul Griffiths. Portland, Oregon: Amadeus Press.ISBN 1-57467-007-7