| 1900년 이후의 미술사 모더니즘 반모더니즘 포스트모더니즘 |
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Anti-aesthetic: essays on postmodern culture
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![Sudoc [ABES], France](https://viaf.org/viaf/images/flags/SUDOC.png "Sudoc [ABES], France")
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Art-architecture complex
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Art since 1900: modernism, antimodernism, postmodernism
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| Art since nineteen hundred |
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| Asger Jorn, the artist as a social activist |
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Bad new days: art, criticism, emergency
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| Barbara Kruger |
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| Barkow Leibinger: Spielraum |
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| Brutal aesthetics Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg |
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| O complexo arte-arquitetura |
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Compulsive beauty
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| Conversations about sculpture |
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| Critical laboratory: the writings of Thomas Hirschhorn |
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| Cyprien Gaillard, the recovery of discovery [anlässlich der Ausstellung Cyprien Gaillard, The Recovery of Discovery, KW Institute for Contemporary Art, Berlin, 27.03. - 22.05.2011] |
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| The dailies |
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| David Smith - the forgings: [... exhibition David Smith. The Forgings, October 29 - December 21, 2013, Gagosian Gallery Ne York] |
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| Design & Verbrechen und andere Schmähreden |
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Design and crime: and other diatribes
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| Discussions in contemporary culture |
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| Donald Judd: escultura, gravura, moobiliário = sculpture, prints, furniture: [exposição, exhibition, Centro Cultural de Belém, Lisboa, 1997] |
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| Edgar Rice Burroughs' Tarzan: the Sunday comics 1935-1937 |
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| Exit interview |
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| Fail better: reckonings with artists and critics |
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| Figure ground |
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First pop age painting and subjectivity in the art of hamilton, lichtenstein, warhol, richter, and ruscha
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| Forgings |
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| Gangbakjeok areumdaum |
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| Gauguin: metamorphoses |
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| Gerhard Richter: painting after all |
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| The hardest kind of archetype: reflections on Roy Lichetenstein |
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| Human strike and the art of creating freedom |
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| James Welling: metamorphosis / herausgegeben von Heike Eipeldauer and Martin Germann. |
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| Kerry James Marshall history of painting [exhibition, David Zwirner, 24 Grafton street, London, October 3-November 10, 2018] |
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| Louise Lawler: adjusted |
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| Mary Kelly |
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| Matt Mullican |
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| Maus novos tempos arte, crítica, emergência |
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| The minks' cry, 1982: |
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| Pop |
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| Powrót realnego: awangarda u schyłku XX wieku |
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| Prince valiant vol. 26: 1987-1988 |
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Prosthetic gods
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| Recodings: art, spectacle, cultural politics |
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| O retorno do real: a vanguarda no final do século XX |
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| Le retour du réel: situation actuelle de l'avant-garde |
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Return of the real: the avant-garde at the end of the century
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| Richard Hamilton (2014) |
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| Richard Serra |
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| Robert Gober |
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| Robert Longo: charcoal |
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| Rothko to Richter: mark-making in abstract painting from the collection of Preston H. Haskell; [on the occasion of the exhibition... Princeton University Art Museum, Princeton, New Jersey, May 24 - October 5, 2014; the Cummer Museum of Art et Gardens, Jacksonville, Florida, January 31 - April 26, 2015] |
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Running room
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| Shikakuron |
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| Space framed: Richard Gluckman architect |
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| Što je neo u neoavangardi? |
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| Subject, element, sign, frame, world |
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| Suzanne Bocanegra: Poorly watched girls |
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| Thomas Demand: the complete papers |
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| Timekeeper |
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Vision and visuality
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| What comes after farce?: art and criticism at a time of debacle |
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| Zítra bude hůř: umění, kritika, nouzový stav |
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| ומה אחרי פרסה |
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| 디자인과 범죄, 그리고 그에 덧붙인 혹평들 |
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| 미술·스펙터클·문화정치 |
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| デザインと phạm tội |
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| Phản mỹ học ポストモダン の chư tương |
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| Coi 覚 luận |
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| Đệ nhất ポップ thời đại: ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる năm つ の イメージ |
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Preferred Forms
