Michael Bay's films are an odd addition to the Criterion collection, until you recall the Criterion Collection's mission statement reads "All we ask is that each film in the collection be an exemplary film of its kind."
Armageddon is ultimate distillation of Michael Bay and Jerry Bruckheimer's commercial action movie formula, a formula that they introduced in
Bad Boys (Special Edition)
,improved upon in
The Rock - Criterion Collection
and finally, post-Armageddon, ran into the ground in Pearl Harbor. Later Bay films like
The Island
and
Transformers (Two-Disc Special Edition)
are informed by this formula, but none of them come close to this masterpiece of 1990s action.
As you almost certainly know, the plot of Armageddon involves a gigantic asteroid on a collision course with the Earth. The only ones who can stop it are a rag-tag crew of oil drillers, who hitch a ride with some astronauts on a pair of fighter-jet space shuttles to blow the rock to bits with a well-placed nuke. Sounds silly? It is, and the film has a couple of winking acknowledgements of its own silliness. Mostly though, the film believes in itself, and it is easy to become caught up in the (false) grandeur of the undertaking.
Lots of people will bad-mouth this film, but those people are movie snobs. Armageddon was one of the most popular movies of 1998, and it was a defining element of the popular culture of the time. Ignoring it just because you dislike its style or story is to put on cultural blinders.
Personally, I felt that Armageddon's most interesting cinematic characteristic is Bay's use of a kind of cinematic short-hand. Much of Bruce Willis' character is defined by previous Bruce Willis movies, creating a kind of ready-made character who already feels familiar when he first appears. Likewise, the sequences involving the military are largely understandable only because you know how the military acts in this sort of movie.
But the best example of this shorthand is the character of Billy Bob Thorton. At one point he mentions that he was formerly in the astronaut program, but dropped out. There is a very short, perhaps less than 1 second, shot of a pair of leg braces. With just this flash of visual information, Bay has established an entire history for the character. Anyone who says that Bay is lacking in cinematic skills is ignoring his great gift at conveying information in a fast, visual way. A great example of showing, not telling.
This Criterion DVD has all the usual extra features you might expect, and they are as good as you might expect. The DVD commentary is entertaining and informative, and Bay is quite open about his commercial and pragmatic sensibilities, such as the story he relates that a certain beauty shot of a car was included so that the car-maker would give him money to build a bizarre set that was not included in the budget. Many of the cast members also contribute to the commentary; Ben Affleck is the highlight, obviously well trained from doing Kevin Smith commentary tracks. Bruce Willis is as laconic as his reputation would suggest, but his few comments are sometimes hilarious. This version of the movie is also slightly extended, with some scenes involving Willis' character's father, and a few slight extensions that add character beats to some of the minor scenes. Nothing major.
The second disc has lots of interesting features on the making of the movie, a collection of deleted scenes and a few bloopers. Most of the deleted scenes are comedy bits with the actors riffing in character, and all of them are entertaining but it is easy to see why they were cut out. The best blooper is an appearance by Michael Eisner (Disney's Touchstone division produced the film), who tells Willis that his casting isn't working out and the studio is replacing him with Kevin Costner.
All in all, this is a fantastic DVD of a highly entertaining movie. Don't let the movie snobs shame you into not getting it. If you enjoyed this movie back in the late 90s, you'll find plenty to still enjoy here. It has aged very well, and, from a film history standpoint, this DVD set is almost a time capsule of the bloated studio action pictures of the time.
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