Walt Disney was the producer and studio mogul who pioneered in the field of animation, proving it could be used for more than just creating amusing shorts for kids. Let’s take a look back at all 19 animated features produced during his lifetime or that he personally worked on, ranked worst to best.
After years producing amusing shorts, most of them staring a lovable mouse named Mickey (voiced by Walt himself), Disney broke new ground with the first feature length animated film: “Snow White and the Seven Dwarfs” (1937). Both a radical experiment in filmmaking and a revolution in storytelling, it proved cartoons were a viable means of artistic expression. Russian director Sergei Eisenstein, in fact, called it the greatest movie ever made, no small praise for the man who made “Battleship Potemkin” (1925).
With each subsequent feature — “Pinocchio” (1940), “Fantasia” (1940), “Dumbo” (1941), and “Bambi” (1942) — Disney and his team of animators refined their visual and narrative techniques, boldly going where no cartoonists had gone before. Their innovations laid the groundwork for one of the most successful studios in movie history, one that is still producing financially and artistically viable works decades after its founder’s death in 1966.
Disney has a unique distinction in Oscar history: with 22 victories out of 59 nominations, he handily holds the record for most wins by an individual. (One of those trophies, Best Animated Short for “Winnie the Pooh and the Blustery Day” in 1968, was rewarded posthumously.)
Surprisingly, he only once competed for producing a Best Picture contender: “Mary Poppins” in 1964. Though it reaped 13 bids and five trophies (including Best Actress for Julie Andrews), it ultimately lost the big prize to another prestige musical, “My Fair Lady.”
Tour our photo gallery of every animated Disney feature film produced while Walt was alive, and see if your favorite tops the list.
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19. MAKE MINE MUSIC (1946)
Directed by Jack Kinney, Clyde Geronimi, Hamilton Luske, Joshua Meador, Robert Cormack. Story by James Bordrero, Homer Brightman, Erwin Graham, Eric Gurney, T. Hee, Sylvia Holland, Dick Huemer, Dick Kelsey, Jesse Marsh, Tom Oreb, Cap Palmer, Erdman Penner, Harry Reeves, Dick Shaw, John Walbridge, Roy Williams. Starring Nelson Eddy, Dinah Shore, Benny Goodman, The Andrews Sisters, Jerry Colonna, Sterling Holloway, Andy Russell, David Lichine, Tania Riabouchinskaya, The Pied Pipers, The King’s Men, The Ken Darby Chorus.
“Make Mine Music” was one of several “package” movies the studio released during WWII, when most of the animators were drafted into service and production became focused on propaganda films. In order to keep the feature division alive, a series of anthology titles were put into theaters. Made in the spirit of “Fantasia,” this one is patched together with shorts set to classic tunes (including one, “Blue Bayou,” that was originally intended for that earlier title). Perhaps best remembered for the “Peter and the Wolf” segment, though not much else. Interestingly enough, the film was entered into the prestigious Cannes Film Festival.
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18. SALUDOS AMIGOS (1942)
Directed by Norman Ferguson, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts. Story by Homer Brightman, William Cottrell, Richard Huemer, Joe Grant, Harry Reeves, Ted Sears, Webb Smith, Roy Williams, Ralph Wright. Starring Lee Blair, Mary Blair, Pinto Colvig, Walt Disney, Norman Ferguson, Frank Graham, Clarence Nash, Jose Oliveira, Frank Thomas.
“Saludos Amigos” was the first of the Disney anthology movies released during WWII, and it’s by far the most unique. A documentary/animation hybrid, this was produced as part of a goodwill tour of Latin America. After traveling south of the border, the studio’s animators return to create four shorts based on their trip, including one about an anthropomorphic plane and others starring Goofy and Donald Duck. The film reaped Oscar nominations for its sound, score, and title song. As well, it won the National Board of Review prize for Best Documentary, a rarity in the genre. (NOTE: at 42 minutes, this is the short Disney feature released theatrically.)
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17. MELODY TIME (1948)
Directed by Jack Kinney, Clyde Geronimi, Hamilton Luske, Wilfred Jackson. Story by Winston Hibler, Harry Reeves, Ken Anderson, Erdman Penner, Homer Brightman, Ted Sears, Joe Rinaldi, Bill Cottrell, Jesse Marsh, Art Scott, Bob Moore, John Walbridge. Starring Roy Rogers, Trigger, Dennis Day, The Andrews Sisters, Fred Waring and the Pennsylvanians, Freddy Martin, Ethel Smith, Frances Langford, Buddy Clark, Bob Nolan, Sons of the Pioneers, The Dinning Sisters, Bobby Driscoll, Luana Patten.
Like “Fantasia” and “Make Mine Music,” “Melody Time” strings together a series of unrelated shorts all set to tunes, this time popular songs of the time. Disney originally conceived it as a tribute to classic folk heroes, although only two of the stories — “The Legend of Johnny Appleseed” and “Pecos Bill” — actually concern such figures. Aside from that, there’s nothing much of note about this one, another in a long line of uneven, cheaply made “package” films put out by the studio to keep feature production alive during WWII.
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16. THE THREE CABALLEROS (1944)
Directed by Norman Ferguson, Clyde Geronimi, Jack Kinney, Bill Roberts, Harold Young. Story by Homer Brightman, Ernest Terrazas, Ted Sears, Bill Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, James Bodrero. Starring Clarence Nash, Jose Oliveira, Joaquin Garay.
Made at the same time as “Saludos Amigos,” “The Three Caballeros” was part of Disney’s goodwill tour of South America. It was also the second of their “package” movies released during WWII. This time, the interlocking shorts are strung together by the presence of Donald Duck learning a few valuable lessons about our southern neighbors with the help of two Latin bird friends. The film is probably most notable for its early blending of live action and animation, something the studio would perfect in late titles, most notably “Mary Poppins” (1964). Oscar voters rewarded it with nominations for its score and sound.
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15. FUN & FANCY FREE (1947)
Directed by Jack Kinney, Bill Roberts, Hamilton Luske, William Morgan. Story by Homer Brightman, Eldon Dedini, Lance Nolley, Tom Oreb, Harry Reeves, Ted Sears, based on “Little Bear Bongo” by Sinclair Lewis and “Jack and the Beanstalk.” Starring Cliff Edwards, Edgar Bergen, Luana Patten, Walt Disney, Clarence Nash, Pinto Colvig, Billy Gilbert, Anita Gordon, narrated by Dinah Shore and Edgar Bergen.
One of the better Disney anthology films, “Fun & Fancy Free” benefits from focusing on just two stories instead of several, with Jiminy Cricket serving as a helpful guide. In “Bongo,” narrated by Dinah Shore, a lovable bear escapes the circus to live in the wild, where he meets a new girlfriend. In “Mickey and the Beanstalk,” narrated by Edgar Bergen, Mickey, Donald and Goofy show up as three peasants who climb up a big green plant and find a giant’s castle in the sky. Bergen and his ventriloquist dummies Charlie McCarthy and Mortimer Snerd in some live action sequences.
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14. THE SWORD IN THE STONE (1963)
Directed by Wolfgang Reitherman. Story by Bill Peet, based on the novel by T. H. White. Starring Rickie Sorensen, Karl Swenson, Junius Matthews, Sebastian Cabot, Norman Alden, Martha Wentworth.
The last of the animated features to be released while Disney was still alive, “The Sword in the Stone” retells the Arthurian origin story with some catchy Sherman Brothers tunes. Although it’s clear that by now the mogul was more focused on his theme park than filmmaking, this is still a charming enough story about a young boy destined to become King Arthur with the help of a cantankerous wizard named Merlin (apparently modeled after Walt himself). This was the first film the studio made that featured songs by Robert B. Sherman and Richard M. Sherman, who would later work on “Mary Poppins” (1964) and “The Jungle Book” (1967).
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13. THE ADVENTURES OF ICHABOD AND MR. TOAD (1949)
Directed by Jack Kinney, Clyde Geronimi, James Algar. Story by Erdman Penner, Winston Hibler, Joe Rinaldi, Ted Sears, Homer Brightman, Harry Reeves, based on the novel by Kenneth Grahame and the short story by Washington Irving. Starring Eric Blore, Pat O’Malley, Colin Campbell, John McLeish, Campbell Grant, Claude Allister, Leslie Denison, Edmond Stevens, The Rhythmaires, narrated by Basil Rathbone and Bing Crosby.
The last of the “package” films the studio released during WWII, “The Adventures of Ichabod and Mr. Toad” is also the best, simply because both stories are strong enough to survive on their own. In “The Wind in the Willows,” the wealthy and impish J. Thaddeus Toad’s love of motorcars land him in trouble, and his friends Mole, Rat, and Badger must come to his rescue. In “The Legend of Sleepy Hollow,” gangly schoolteacher Ichabod Crane (voiced by Bing Crosby) arrives in a charming town and is bewitched by the beautiful Katrina van Tassel. But her jealous ex-boyfriend scares him with the ghoulish tale of the Headless Horseman, who he discovers just might be real on one dark and spooky night.
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12. SLEEPING BEAUTY (1959)
Directed by Clyde Geronimi. Written by Erdman Penner, story by Milt Banta, Winston Hibler, Bill Peet, Joe Rinaldi, Ted Sears, Ralph Wright, based on the story by Charles Perrault. Starring Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, Bill Thompson, narrated by Marvin Miller.
“Sleeping Beauty” was such a huge flop when it was released in 1959 that it stalled the studio’s longtime tradition of adapting classic fairy tales into feature films until “The Little Mermaid” (1989) 30 years later. Yet hindsight is 20/20, and seen today, this is one of their most visually stunning outings of the period, thanks to its Super Technirama 70 widescreen cinematography. It centers on an angry sprite named Maleficent, who punishes the royal family by putting a curse on the princess that only a prince can break, along with the helpful fairies Flora, Fauna and Merryweather. Seek this one out before the Angelina Jolie remake.
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11. DUMBO (1941)
Directed by Ben Sharpsteen. Story by Otto Englander, Joe Grant, Dick Huemer, based on the book by Helen Aberson and Harold Pearl. Starring Edward Brophy, Herman Bing, Margaret Wright, Sterling Holloway, Verna Felton, Cliff Edwards, narrated by John McLeish.
“Dumbo” is perhaps the slightest of the first five Disney animated features (at 64 minutes, it’s certainly the shortest). Yet that doesn’t take away from the emotional impact of this fable about a circus elephant ridiculed for his giant ears who learns he can fly thanks to a kindly mouse. Despite some cringe-inducing scenes with jive-talking crows, the film holds up as a classic tale of how our differences make us special. It’s a message that’s served the studio well since the beginning. The Academy rewarded it with an Oscar for Best Score, plus a nomination for the original song “Baby Mine.”
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10. ALICE IN WONDERLAND (1951)
Directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske. Story by Milt Banta, Del Connell, Bill Cottrell, Joe Grant, Winston Hibler, Dick Huemer, Dick Kelsey, Tom Oreb, Bill Peet, Erdman Penner, Joe Rinaldi, Ted Sears, John Walbridge, based on the book by Lewis Carroll. Starring Kathryn Beaumont, Ed Wynn, Richard Haydn, Sterling Holloway, Jerry Colonna, Verna Felton, J. Pat O’Malley, Bill Thompson, Joseph Kearns, Dink Trout, James MacDonald.
Watching “Alice in Wonderland,” you’d be justified in thinking the animators were huffing paint while making it. This adaptation of Lewis Carroll’s book about a young girl transported to a magical realm looks like it could’ve been dreamed up by Timothy Leary and Salvador Dali. It’s a hallucinatory wonderland painted in splashy technicolor and busting with delightfully eccentric characters, including the Mad Hatter (Ed Wynn), the Cheshire Cat (Sterling Holloway), and the Queen of Hearts (Verna Felton). The film earned an Oscar nomination for its original score and competed for the prestigious Golden Lion at the Venice Film Festival.
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9. LADY AND THE TRAMP (1955)
Directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske. Story by Erdman Penner, Joe Rinaldi, Ralph Wright, Don DaGradi, based on “Happy Dan, The Cynical Dog” by Ward Greene. Starring Peggy Lee, Barbara Luddy, Larry Roberts, Verna Felton, Bill Thompson, Bill Baucom.
“Lady and the Tramp” was the first Disney animated feature produced in Cinemascope, giving it the scale of a David Lean epic. It’s technical qualities aside, the plot of this sweet little doggie romance is beautiful in its simplicity: a pampered Cocker Spaniel is driven out of her home by a new baby and twin Siamese cats. She meets a mutt from the wrong side of the tracks, and the two fall in love. Their spaghetti dinner, with a single noodle leading to a kiss, remains iconic. Despite reaping a BAFTA bid as Best Animated Feature, it was completely ignored by the Academy, even for Sonny Burke and Peggy Lee’s original songs.
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8. 101 DALMATIANS (1961)
Directed by Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi. Story by Bill Peet, based on the book by Dodie Smith. Starring Rod Taylor, Cate Bauer, Betty Lou Gerson, Ben Wright, Lisa Davis, Martha Wentworth.
“101 Dalmatians” is both every dog lover’s dream and worst nightmare at the same time. Two Dalmatians have a litter of 15 puppies, only to have them stolen by the evil Cruella De Vil so they can be turned into clothing. While watching adorable cartoon canines is adorable enough, what makes this one so deliciously enjoyable is its villain: with her extravagant fur coat, drag queen makeup, and extra-long cigarette holder, De Vil steals every scene she’s in. It’s little wonder Glenn Close wanted to play her in the 1996 live action remake and 2000 followup. The original won the BAFTA prize as Best Animated Feature, though was snubbed at the Oscars.
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7. PETER PAN (1953)
Directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske. Story by Milt Banta, Bill Cottrell, Winston Hibler, Bill Peet, Erdman Penner, Joe Rinaldi, Ted Sears, Ralph Wright, based on the book by J.M. Barrie. Starring Bobby Driscoll, Kathryn Beaumont, Hans Conried, Paul Collins, Tommy Luske.
Not even Steven Spielberg could create a Never Land to equal the one conceived in this 1953 cartoon adaptation of J.M. Barrie’s classic story. Peter Pan, the impish boy who never grew up (and apparently, never met a green leotard he didn’t like) flies Wendy, John, and Michael Darling to a magical land beyond their wildest dreams. There they must battle against a band of pirates led by the sinister Captain Hook, who’s still bitter about losing his hand to Pan and that hungry crocodile. Though the outdated portrayal of Native Americans is at times cringe-worthy, this is still a rousing animated adventure that holds its own against all other versions.
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6. THE JUNGLE BOOK (1967)
Directed by Wolfgang Reitherman. Story by Larry Clemmons, Ralph Wright, Ken Anderson, Vance Gerry, based on the book by Rudyard Kipling. Starring Phil Harris, Sebastian Cabot, Louis Prima, George Sanders, Sterling Holloway, J. Pat O’Malley, Bruce Reitherman.
This musical reimagining of Rudyard Kipling’s novel was the last animated project Disney was involved with before his death in 1966; the finished product was released posthumously in 1967. A decidedly lighter take on the original source material, the film focuses on Mowgli, a human boy raised in the wild by some friendly animals. This one is perhaps best known for its catchy tunes by Terry Gilkyson and the Sherman Brothers, including “I Wanna Be Like You” and “The Bare Necessities,” which reaped an Oscar nomination. Jon Favreau later directed a visual effects heavy remake in 2016, complete with the original songs.
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5. CINDERELLA (1950)
Directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske. Story by Ken Anderson, Perce Pearce, Homer Brightman, Winston Hibler, Bill Peet, Erdman Penner, Harry Reeves, Joe Rinaldi, Ted Sears, based on the story by Charles Perrault. Starring Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, Luis van Rooten, Don Barclay, Mike Douglas, Williams Phipps, Lucille Bliss.
After years of cheaply produced anthology movies made during WWII, “Cinderella” was a return to form for the studio, and produced what is perhaps the quintessential Disney princess. Based on the story by Charles Perrault, it centers on a beautiful young girl relegated to a life of servitude by her cruel stepmother and her gold-digging daughters. It’s up to her Fairy Godmother and some helpful singing mice to glam her up and get her to the Royal Ball to meet Prince Charming. Outdated in its view of relationships? Sure. But does it still work? You bet! The film reaped Oscar nominations for its sound, score, and song, “Bibbidi-Bobbidi-Boo.”
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4. SNOW WHITE AND THE SEVEN DWARFS (1937)
Directed by David Hand. Written by Ted Sears, Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd, Merrill De Maris, Dorothy Ann Black, Webb Smith, based on the story by The Brothers Grimm. Starring Adriana Caselotti, Lucille La Verne, Harry Stockwell, Roy Atwell, Pinto Colvig, Otis Harlan, Scotty Mattraw, Billy Gilbert, Eddie Collins, Moroni Olsen, Stuart Buchanan.
“Snow White and the Seven Dwarfs” broke the mold in several ways. Most obviously, it was the first feature length animated film, a radical venture for a format that until then had primarily been used to create one-reel shorts to play before the main attraction. At the same time, it set up the Disney formula of telling classic stories with vibrant compositions, hummable songs, and, most importantly, memorable characters. It’s for that reason that this tale about a beautiful princess hiding out from her evil stepmother in the home of seven dwarf miners holds up as more than just a significant bookmark in movie history. The Academy honored the producer with a special achievement Oscar (plus seven miniature statues to go with it).
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3. PINOCCHIO (1940)
Directed by Ben Sharpsteen, Hamilton Luske. Written by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia, based on the book by Carlo Collodi. Starring Cliff Edwards, Dickie Jones, Christian Rub, Mel Blanc, Walter Catlett, Charles Judels, Evelyn Venable, Frankie Darro.
Disney followed up the revolutionary breakthrough of “Snow White” with another giant leap forward for the medium. On a technical level, “Pinocchio” made use of the “multiplane camera,” a invention that allowed for multiple layers of animation to add three-dimensional depth within a frame. Innovations aside, this story of a little wooden puppet who dreams of becoming a real boy with the help of his conscience, Jiminy Cricket, set up a narrative trope that would serve the studio well: a unique and plucky underdog sets off on a quest for love and acceptance. It’s something that all children — and their parents, for that matter — can relate to. The film won Oscars for its score and iconic song, “When You Wish Upon a Star.”
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2. FANTASIA (1940)
Directed by Samuel Armstrong, James Algar, Bill Roberts, Paul Satterfield, Ben Sharpsteen, David D. Hand, Hamilton Luske, Jim Handley, Ford Beebe, T. Hee, Norman Ferguson, Wildred Jackson. Story by Joe Grant, Dick Huemer. Starring Leopold Stokowski, Deems Taylor.
The audaciousness of “Fantasia” is easy to overlook now that its become apart of cinematic history. After proving animation was a viable format for longer stories with “Snow White” and “Pinocchio,” Disney showed it could be used for artistic expressionism as well by combining a series of shorts set to classical scores. While most viewers will remember “The Sorcerer’s Apprentice,” which casts Mickey Mouse as a wizard’s assistant who gets in trouble with a magical broomstick, there’s not a weak entry in this bunch. A financial bomb in its time, the film undoubtedly predicted the music video boom of the 1980s. Its reputation grew so much that a sequel, “Fantasia 2000” (2000), followed. The Academy handed it Honorary Oscars for its sound and compositions by Leopold Stokowski.
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1. BAMBI (1942)
Directed by David Hand. Story by Perce Pearce, Larry Morey, Vernon Stallings, Melvin Shaw, Carl Fallberg, Chuck Couch, Ralph Wright, based on the book by Felix Salten. Starring Bobby Stewart, Donnie Dunagan, Hardie Albright, John Sutherland, Peter Behn, Tim Davis, Sam Edwards, Paula Winslowe.
What exactly makes “Bambi” the best of the Disney animated classics? In a sense, it takes the best qualities of “Snow White,” “Pinocchio,” “Fantasia,” and the rest to combine them into a beautifully drawn, emotionally devastating fable. A simple story about a deer growing up in the forest, it works as a metaphor for the cycle of love and death that affects us all, with the stages of life artfully represented by the changing seasons. There’s perhaps no more gut-wrenching scene in any children’s film than the one where Bambi’s mother is killed by an unseen hunter, forcing him to fend for himself with the help of some fellow woodland creatures. That darkness and maturity, present in all early Disney films, is what makes us return to them again and again.
Yes I love Bambi because it is just a wonderfully beautiful movie creation from Walt.