Christina Thompson

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Christina Thompson

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Born
in Lausanne, Switzerland
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February 2008

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Christina Thompson writes about the history of the Pacific. Her first book,Come on Shore and We Will Kill and Eat You All,was at once a history contact in Aotearoa/New Zealand and a memoir of her marriage to a Maori man. Her second book,Sea People,is a history of the settlement of remote Oceania by the ancestors of the Polynesian people. It won the 2020 Australian Prime Minister’s Literary Award, the 2020 Victorian Premier’s Literary Award, and the 2019 NSW Premier’s General History Award, and was a finalist for the Phi Beta Kappa Ralph Waldo Emerson Award (US), the Mountbatten Maritime Award (UK), the Sigurd F. Olson Nature Writing Award, (US) and the Queensland Literary Award (AUS). A dual citizen of the US and Australia, she is the e ...more

Average rating: 4.1 · 7,122 ratings · 1,106 reviews ·43 distinct worksSimilar authors
Sea People: The Puzzle of P...

4.24 avg rating — 5,626 ratings — published 2019 — 15 editions
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Come On Shore and We Will K...

3.59 avg rating — 1,483 ratings — published 2008 — 14 editions
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Harvard Review 57

4.67 avg rating — 3 ratings
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Harvard Review (Number 56)

it was amazing5.00 avg rating — 2 ratings
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Harvard Review No. 48 (Spri...

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The Harvard Review 45

really liked it4.00 avg rating — 2 ratings — published 2014
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Harvard Review Number 50

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More books by Christina Thompson…

Author Interview

Publisher's Weekly's pre-release interview for SEA PEOPLE (out March 12, 2019):
https://www.publishersweekly.com/pw/b...
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Published onNovember 19, 2018 06:49 Tags: pacific-history,polynesia,pw,sea-people
The Chrysanthemum...
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Thunder from the sea
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Quotes by Christina Thompson (?)
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“In some traditions, Te Pō is associated with Te Kore, a word that in common speech expresses simple negation but here is elevated to mean something like “Nothingness” or “the Void.” Like Te Pō, Te Kore can be qualified—Kore-nui (the Vast Void); Kore-roa (the Far-Extending Void); Kore-para (the Parched Void); Kore-rawea (the Void in Which Nothing Is Felt)—suggesting that it is less a matter of true absence or emptiness and more a kind of liminal space between being and nonbeing—a “realm of potential being,”
Christina Thompson, Sea People: The Puzzle of Polynesia

“All the islands inside this triangle were originally settled by a clearly identifiable group of voyagers: a people with a single language and set of customs, a particular body of myths, a distinctive arsenal of tools and skills, and a “portmanteau biota” of plants and animals that they carried with them wherever they went. They had no knowledge of writing or metal tools—no maps or compasses—and yet they succeeded in colonizing the largest ocean on the planet, occupying every habitable rock between New Guinea and the Galápagos, and establishing what was, until the modern era, the largest single culture area in the world.”
Christina Thompson, Sea People: The Puzzle of Polynesia

“Two possible reasons for this might be that, like politics, all navigation is local, and that what is true in one geographical region is not necessarily true in another. The night sky in New Zealand is not the same as the night sky in Papua New Guinea, which is not the same as the night sky in Hawai‘i. The winds and currents in the Solomons are not the same as those around Rapa Nui or in the Marquesas. A second consideration might be that in many Oceanic societies, navigational knowledge is believed to have been privileged and known to only a few, which may mean that it was especially easy to lose once it was no longer central to a society’s survival.”
Christina Thompson, Sea People: The Puzzle of Polynesia

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