Outdoors Quotes

Quotes tagged as "outdoors" Showing 1-30 of 204
Ralph Waldo Emerson
“Adopt the pace of nature: her secret is patience.”
Ralph Waldo Emerson

John Muir
“And into the forest I go, to lose my mind and find my soul”
John Muir

“Owning land is like owning the ocean, or the air. no one owns land.”
Tamanend

Edward Abbey
“Water, water, water....There is no shortage of water in the desert but exactly the right amount, a perfect ratio of water to rock, water to sand, insuring that wide free open, generous spacing among plants and animals, homes and towns and cities, which makes the arid West so different from any other part of the nation. There is no lack of water here unless you try to establish a city where no city should be.”
Edward Abbey, Desert Solitaire: A Season in the Wilderness

Frédéric Gros
“None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.”
Frédéric Gros, A Philosophy of Walking

Wendy Delsol
“I was drinking in the surroundings: air so crisp you could snap it with your fingers and greens in every lush shade imaginable offset by autumnal flashes of red and yellow.”
Wendy Delsol, Stork

Peter Heller
“Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
Peter Heller, Hell or High Water: Surviving Tibet's Tsangpo River

Roman Payne
“SAUL: 'We made love outdoors, my favorite place to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with sweat.”
Roman Payne

Roman Payne
“The green-eyed angel came in less than a half hour and fell docile as a lamb into my arms. We kissed and caressed, I met no resistance when I unlaced the strings to free her dress and fill myself in the moist and hot bed nature made between her thighs. We made love outdoors—without a roof, I like most, without stove, my favorite place, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with dew, and our love for each other was seen. Our love for the world was new.”
Roman Payne

Joan Halifax
“Some of us are drawn to mountains the way the moon draws the tide. Both the great forests and the mountains live in my bones. They have taught me, humbled me, purified me and changed me.”
Joan Halifax, The Fruitful Darkness: A Journey Through Buddhist Practice and Tribal Wisdom

Fran Lebowitz
“To me the outdoors is what you must pass through in order to get from your apartment into a taxicab.”
Fran Lebowitz

Daniel J. Rice
“The outside is the only place we can truly be inside the world.”
Daniel J. Rice

Stephen Jay Gould
“No Geologist worth anything is permanently bound to a desk or laboratory, but the charming notion that true science can only be based on unbiased observation of nature in the raw is mythology. Creative work, in geology and anywhere else, is interaction and synthesis: half-baked ideas from a bar room, rocks in the field, chains of thought from lonely walks, numbers squeezed from rocks in a laboratory, numbers from a calculator riveted to a desk, fancy equipment usually malfunctioning on expensive ships, cheap equipment in the human cranium, arguments before a road cut.”
Stephen Jay Gould, An Urchin in the Storm: Essays About Books and Ideas

“A good roast of sun, it slows you, lets you relax–and out here if there's anything wrong, you can see it coming with bags of time to do what's next. This is the place and the weather for peace, for the cultivation of a friendly mind.”
A.L. Kennedy, Day

Frédéric Gros
“Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.”
Frédéric Gros, A Philosophy of Walking

Roman Payne
“We made love outdoors—without a roof, I like most, without stove, my favorite place, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with dew, and our love for each other was seen. Our love for the world was new.”
Roman Payne

Frédéric Gros
“The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers… all these things support, transport and nourish us.”
Frédéric Gros, A Philosophy of Walking

“Camping has become one of my most beloved pastimes. I take a fierce delight in swinging a pak o my back or into a canoe and heading for the hills or lakes. In my opinion, camping can be the greatest expression of free will, personal independence, innate ability, and resourcefulness possible today in our industrialized, urbanized existence. Regardless of how miserable or how splendid the circumstances, the sheer experience of camping seems a total justification for doing it.”
Anne LaBastille

Frédéric Gros
“Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship.”
Frédéric Gros, A Philosophy of Walking

Frédéric Gros
“Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.”
Frédéric Gros, A Philosophy of Walking

“The whole concatenation of wild and artificial things, the natural ecosystem as modified by people over the centuries, the build environment layered over layers, the eerie mix of sounds and smells and glimpses neither natural nor crafted- all of it is free for the taking, for the taking in. Take it, take it in, take in more every weekend, every day, and quickly it becomes the theater that intrigues, relaxes, fascinates, seduces, and above all expands any mind focused on it. Outside lies utterly ordinary space open to any casual explorer willing to find the extraordinary. Outside lies unprogrammed awareness that at times becomes directed serendipity. Outside lies magic.”
John Stilgoe

Frédéric Gros
“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”
Frédéric Gros, A Philosophy of Walking

Nan Shepherd
“Summer on the high plateau can be delectable as honey; it can also be a roaring scourge. To those who love the place, both are good, since both are part of its essential nature. And it is to know its essential nature that I am seeking here. To know, that is, with the knowledge that is a process of living. This is not done easily nor in an hour. It is a tale too slow for the impatience of our age, not of immediate enough import for its desperate problems. Yet it has its own rare value. It is, for one thing, a corrective of glib assessment: one never quite knows the mountain, nor oneself in relation to it. However often I walk on them, these hills hold astonishment for me. There is no getting accustomed to them.”
Nan Shepherd, The Living Mountain

Felicity Brandon
“Slowly he f**ks my arse, pushing himself in and out of me. The sensation is so intense. I feel like my inner slut has finally been freed, and I revel in her carnal abandonment; throwing my head back while Mike rides me like an animal.”
Felicity Brandon, The Abduction

Steven Magee
“Be healthy by being outdoors in the natural daylight with nature!”
Steven Magee, Light Forensics

Thomas Jefferson
“Brute animals are the most healthy, and they are exposed to all weather, and of men, those are healthiest who are the most exposed.”
Thomas Jefferson

“I never knew I liked to be outside so much. I never knew I liked lochs and views and that, but I could seriously handle living in a cottage by the side of somewhere like this."
The Panopticon”
Jenn Fagan

Jenny Colgan
“For most of her life, the outdoors had simply been something to shelter from whilst she got on with her reading.”
Jenny Colgan, The Little Shop of Happily Ever

“Had we been in town amongst people, then we might have been merely interested at the news of having a cursed item in our possession. But out in the midst of no place, shielded by only a scanty wall of scraggly mesquite and weesach from view of the road, where troubles might come from, in the dark of night with the sky stretched out and showing how small we was, and the number of stars making it plain how little we might matter to the broad scheme of the world, I admit to feeling alarm.”
Elizabeth Crook, The Madstone: A Novel

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