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The Intelligence of Evil or the Lucidity Pact (Talking Images) The Intelligence of Evil or the Lucidity Pact by Jean Baudrillard
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“The end of this history saw the banality of art merge with the banality of the real world - Duchamp's act, with its automatic transference of the object, being the inaugural (and ironic) gesture in this process. The transference of all reality into aesthetics, which has become one of the dimensions of generalized exchange...
All this under the banner of a simultaneous liberation of art and the real world.
This 'liberation' has in fact consisted in indexing the two to each other - a chiasmus lethal to both.
The transference of art, become a useless function, into a reality that is now integral, since it has absorbed everything that denied, exceeded or transfigured it. The impossible exchange of this Integral Reality for anything else whatever. Given this, it can only exchange itself for itself or, in other words, repeat itself ad infinitum.
What could miraculously reassure us today about the essence of art? Art is quite simply what is at issue in the world of art, in that desperately self-obsessed artistic community. The 'creative' act doubles up on itself and is now nothing more than a sign of its own operation - the painter's true subject is no longer what he paints but the very fact that he paints. He paints the fact that he paints. At least in that way the idea of art remains intact.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“This is merely one of the sides of the conspiracy.
The other side is that of the spectator who, for want of understanding anything whatever most of the time, consumes his own culture at one remove. He literally consumes the fact that he understands nothing and that there is no necessity in all this except the imperative of culture, of being a part of the integrated circuit of culture. But culture is itself merely an epiphenomenon of global circulation.
The idea of art has become rarefied and minimal, leading ultimately to conceptual art, where it ends in the non-exhibition of non-works in non-galleries - the apotheosis of art as non-event. As a corollary, the consumer circulates in all this in order to experience his non- enjoyment of the works.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“The non-event is not when nothing happens.
It is, rather, the realm of perpetual change, of a ceaseless updating, of an incessant succession in real time, which produces this general equivalence, this indifference, this banality that characterizes the zero degree of the event.
A perpetual escalation that is also the escalation of growth - or of fashion, which is pre-eminently the field of compulsive change and built-in obsolescence. The ascendancy of models gives rise to a culture of difference that puts an end to any historical continuity. Instead of unfolding as part of a history, things have begun to succeed each other in the void. A profusion of language and images before which we are defenceless, reduced to the same powerlessness, to the same paralysis as we might show on the approach of war.
It isn't a question of disinformation or brainwashing. It was a naIve error on the part of the FBI to attempt to create a Disinformation Agency for purposes of managed manipulation - a wholly useless undertaking, since disinformation comes from the very profusion of information, from its incantation, its looped repetition, which creates an empty perceptual field, a space shattered as though by a neutron bomb or by one of those devices that sucks in all the oxygen from the area of impact. It's a space where everything is pre-neutralized, including war, by the precession of images and commentaries, but this is perhaps because there is at bottom nothing to say about something that unfolds, like this war, to a relentless scenario, without a glimmer of uncertainty regarding the final outcome.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Where this living death doesn't exist, life takes its place. Just as the person who loses his shadow becomes the shadow of himself.
('The shadow of himself - that would be a fine title. With the subtitle: 'Memoirs of a double life'.)”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“In all these forms of disavowal, nay-saying and denial, what is at work is not a dialectic of negativity or the 'work of the negative'. It is no longer a question of a thought critical of reality, but of a subversion of reality in its principle, in its very self-evidence. The greater the positivity, the more violent is the - possibly silent - denial. We are all dissidents of reality today, clandestine dissidents most of the time.
If thought cannot be exchanged for reality, then the immediate denial of reality becomes the only reality-based thinking. But this denial does not lead to hope, as Adorno would have it: 'Hope, as it emerges from reality by struggling against it to deny it, is the only manifestation of lucidity.' Whether for good or for ill, this is not true.
Hope, if we were still to have it, would be hope for intelligence of - for insight into - good. Now, what we have left is intelligence of evil, that is to say, intelligence not of a critical reality, but of a reality that has become unreal by dint of positivity, that has become speculative by dint of simulation.
Because it is there to counter a void, the whole enterprise of simulation and information, this aggravation of the real and of knowledge of the real, merely gives rise to an evergreater uncertainty. Its very profusion and relentlessness simply spreads panic. And that uncertainty is irredeemable, as it is made up of all the possible solutions.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Thought, too, while scattering its traces, leaves the literalness of the world intact, leaves intact the pure literalness of objects, though it sends their meaning up in smoke.
Shadowing the world - following the word like its shadow to cover up its tracks and to show that, behind its supposed ends, it is going nowhere.
It is in this way that thought connects up with the event of the world - not with the occurrence of a totality that is nowhere to be found, but with the occurrence of the world as it is, in its unpredictable coming-to-pass.
It is in this way that we attain to the literalness, the material imagining, of the world, by the elimination of whatever obstacle may be between the image and the gaze.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Before the event it is too early for the possible.
After the event it is too late for the possible.
It is too late also for representation, and nothing will really be able to account for it. September 11 th, for example, is there first - only then do its possibility and its causes catch up with it, through all the discourses that will attempt to explain it. But it is as impossible to represent that event) as it was to forecast it before it occurred. The CIA's experts had at their disposal all the information on the possibility of an attack, but they simply didn't believe in it. It was beyond imagining. Such an event always is. It is beyond all possible causes (and perhaps even, as Italo Svevo suggests, causes are merely a misunderstanding that prevents the world from being what it is).
We have, then, to pass through the non-event of news coverage (information) to detect what resists that coverage. To find, as it were, the 'living coin' of the event. To make a literal analysis of it, against all the machinery of commentary and stage-management that merely neutralizes it.
Only events set free from news and information (and us with them) create a fantastic longing. These alone are 'real', since there is nothing to explain them and the imagination welcomes them with open arms.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Bergson felt the event of the First World War this way. Before it broke out, it appeared both possible and impossible (the similarity with the suspense surrounding the Iraq war is total), and at the same time he experienced a sense of stupefaction at the ease with which such a fearful eventuality could pass from the abstract to the concrete, from the virtual to the real.
We see the same paradox again in the mix of jubilation and terror that characterized, in a more or less unspoken way, the event of 11 September.
It is the feeling that seizes us when faced with the occurrence of something that happens without having been possible.
In the normal course of events, things first have to be possible and can only actualize themselves afterwards. This is the logical, chronological order. But they are not, in that case, events in the strong sense.
This is the case with the Iraq war, which has been so predicted, programmed, anticipated, prescribed and modelled that it has exhausted all its possibilities before even taking place. There is no longer anything of the event in it. There is no longer anything in it of that sense of exaltation and horror felt in the radical event of 11 September, which resembles the sense of the sublime spoken of by Kant.
The non-event of the war leaves merely a sense of mystification and nausea.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Despairing of an aim, salvation or an ideal, we invent for ourselves the easiest solution: happiness.
Here again we begin with utopia - the ideal of happiness - and end in achieved happiness, the highest stage of happiness. The same abreaction to integral happiness as to integral
reality or freedom: these are all unbearable.
In the end, it is the opposite form of misfortune, the victim ideology, that triumphs.
Being incapable of accepting thought (the idea that the world thinks us, the intelligence of evil), we invent the easiest solution, the technical solution: Artificial Intelligence.
The highest stage of intelligence: integral knowledge.
This time the rejection will arise perhaps from a resistance on the part of things themselves to their digital transparency or from a failure of the system in the form of a major accident.
Against all the sovereign hypotheses are ranged the easiest solutions.
And all the easiest solutions lead to catastrophe.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“The silence of the image is equalled only by the silence of the masses and the silence of the desert.
The dream would be to be a photographer without a lens, to move through the world without a camera, in short, to pass beyond photography and see things as though they had themselves passed beyond the image, as though you had already photographed them, but in a past life.
And perhaps we have indeed already passed through the image phase, in the way we pass through different animal phases, the mirror phase being a mere reverberation of all this in our individual lives.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Every easy solution, pushed to its extreme - Integral Reality, integral freedom, integral happiness, integral information (the highest stage of intelligence, the highest stage of reality, the highest stage of freedom, the highest stage of happiness) - finds a response in a violent abreaction: disavowal of reality, disavowal of freedom, disavowal of happiness, viruses and dysfunctions, spectrality of real time, mental resistance; all the forms of secret repulsion in respect of this ideal normalization of existence.
Which proves that there still exists everywhere, in each of us, resisting the universal beatification, an intelligence of evil.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“This kind of speculation reached a high point with the Pentagon's initiative of creating a 'futures market in events', a stock market of prices for terrorist attacks or catastrophes. You bet on the probable occurrence of such events against those who don't believe they'll happen.
This speculative market is intended to operate like the market in soya or sugar. You might speculate on the number of AIDS victims in Africa or on the probability that the San Andreas Fault will give way (the Pentagon's initiative is said to derive from the fact that they credit the free market in speculation with better forecasting powers than the secret services).
Of course it is merely a step from here to insider trading: betting on the event before you cause it is still the surest way (they say Bin Laden did this, speculating on TWA shares before 11 September). It's like taking out life insurance on your wife before you murder her.
There's a great difference between the event that happens (happened) in historical time and the event that happens in the real time of information.
To the pure management of flows and markets under the banner of planetary deregulation, there corresponds the 'global' event- or rather the globalized non-event: the French victory in the World Cup, the year 2000, the death of Diana, The Matrix, etc.
Whether or not these events are manufactured, they are orchestrated by the silent epidemic of the information networks. Fake events.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“It is in the sphere of the media that we most clearly see the event short-circuited by its immediate image-feedback. Information, news coverage, is always already there. When there are catastrophes, the reporters and photojournalists are there before the emergency services. If they could be, they would be there before the catastrophe, the best thing being to invent or cause the event so as to be first with the news.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“But neither art nor aesthetics is alone in being doomed to this melancholy destiny of living not beyond their means, but beyond their ends.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“The virtuality of war is not, then, a metaphor. It is the literal passage from reality into fiction, or rather the immediate metamorphosis of the real into fiction. The real is now merely the asymptotic horizon of the Virtual.
And it isn't just the reality of the real that's at issue in all this, but the reality of cinema. It's a little like Disneyland: the theme parks are now merely an alibi - masking the fact that the whole context of life has been disneyfied.
It's the same with the cinema: the films produced today are merely the visible allegory of the cinematic form that has taken over everything - social and political life, the landscape, war, etc. - the form of life totally scripted for the screen. This is no doubt why cinema is disappearing: because it has passed into reality. Reality is disappearing at the hands of the cinema and cinema is disappearing at the hands of reality. A lethal transfusion in which each loses its specificity.
If we view history as a film - which it has become in spite of us - then the truth of information consists in the postsynchronization, dubbing and sub-titling of the film of history.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“In this impossibility of reapprehending the world through images and of moving from information to a collective action and will, in this absence of sensibility and mobilization, it isn't apathy or general indifference that's at issue; it is quite simply that the umbilical cord of representation is severed.
The screen reflects nothing. It is as though you are behind a two-way mirror: you see the world, but it doesn't see you, it doesn't look at you. Now, you only see things if they are looking at you. The screen screens out any dual relation (any possibility of 'response').
It is this failure of representation which, together with a failure of action, underlies the impossibility of developing an ethics of information, an ethics of images, an ethics of the Virtual and the networks. All attempts in that direction inevitably fail.
All that remains is the mental diaspora of images and the extravagant performance of the medium.
Susan Sontag tells a good story about this pre-eminence of the medium and of images: as she is sitting in front of the television watching the moon landing, the people she is
watching with tell her they don't believe it at all. 'But what are you watching, then?' she asks. 'Oh, we're watching television!' Fantastic: they do not see the moon; they see only the screen showing the moon. They do not see the message; they see only the image.
Ultimately, contrary to what Susan Sontag thinks, only intellectuals believe in the ascendancy of meaning; 'people' believe only in the ascendancy of signs. They long ago said goodbye to reality. They have gone over, body and soul, to the spectacular.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“All this shows a very mediocre idea of oneself - always imputing misfortune to some objective cause.
Once it has been exorcized by causes, misfortune is no longer a problem: it becomes susceptible of a causal solution and, above all, it originates elsewhere - in original sin, in history, in the social order, or in natural perversion. In short, it originates in an objectivity into which we exile it the better to be rid of it. Once again, this bespeaks very little pride and self-respect.
In the past, what struck you down was your destiny, your personal fatum. You didn't look for some 'objective' cause of this or some attenuating circumstance, which would amount to saying we have no part in what happens to us. There is something humiliating in that.
The intelligence of evil begins with the hypothesis that our ills come to us from an evil genius that is our own.
Let us be worthy of our 'perversity' of our evil genius, let
us measure up to our tragic involvement in what happens to us (including good fortune).
In a word, let us not be imbeciles, for imbecility in the literal sense lies in the superficial reference to misfortune and exemption from evil.
This is how we make imbeciles of the victims themselves, by confining them to their condition of victim. And by the compassion we show them we engage in a kind of false advertising for them.
We take no account of what degree of choice and defiance, of connivence with oneself, of - unconscious or quasi-deliberate - provocative relation to evil there may be in AIDS, in drug-taking, in suffering and alienation, in voluntary servitude - in this acting-out in the fatal zone.
It is the same with suicide, which is always ascribed to depressive motivations with no account taken of an originality of, an original will to commit, the act itself (Canetti speaks in the same way of the interpretation of dreams as a violence done to dreams that takes no account of their literalness).
So, the understanding of misfortune is everywhere substituted for the intelligence of evil. Now, unlike the former, this latter rests on the rejection of the presumption of innocence. By contrast with that understanding, we are all presumptive wrongdoers - but not responsible ones, for, in the last instance, we do not have to answer for ourselves - that is the business of destiny or of the divinity.
For the act we commit, it is right we should be dealt with - and indeed punished - accordingly. We are never innocent of that act in the sense of having nothing to do with it or being victims of it. But this does not mean we are answerable for it either, as that would suppose we were answerable for ourselves, that we were invested with total power over ourselves, which is a subjective illusion.
It's a good thing we don't possess that power or that responsibility. A good thing we are not the causes of ourselves - that at least confers some degree of innocence on us. For the rest, we are forever complicit in what we do, even if we are not answerable to anyone.
So we are both irresponsible and without excuses.
Never explain, never complain.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Regarded everywhere as an absolute advance of the human race, and with the seal set on it by human rights, liberation starts out from the idea of a natural predestination to be free: being 'liberated' absolves the human being of an original evil, restores a happy purpose and a natural vocation to him.
It is our salvation, the true baptismal sacrament of modern, democratic man.
Now, this is a utopia.
This impulse to resolve the ambivalence of good and evil and jump over one's shadow into absolute positivity is a utopia.
The ambivalence is definitive, and the things liberated are liberated in total ambivalence.
You cannot liberate good without liberating evil. Sometimes evil even quicker than good, as part of the same movement.
At any rate, what we have here is a deregulation of both.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Fortunately, there are other, more poetic ways of ridding oneself of freedom - that of gaming, for example, where what is at stake is not a freedom subject to the law, but a sovereignty subject to rules. A more subtle and paradoxical freedom which consists in a rigorous observance, an enchanted form of voluntary servitude that is, as it were, the miraculous combination of master and slave: in gaming no one is free, everyone is both the master and the slave of the game.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“To speak evil' is to speak this fateful, paradoxical situation that is the reversible concatenation of good and evil.
That is to say that the irresistible pursuit of good, the movement of Integral Reality - for this is what good is: it is the movement towards integrality, towards an integral order of the world - is immoral. The eschatological perspective of a better world is in itself immoral. For the reason that our technical mastery of the world, our technical approach to good, having become an automatic and irresistible mechanism, none of this is any longer of the order of morality or of any kind of finality. Nor is to speak and read evil the same thing as vulgar nihilism, the nihilism of a denunciation of all values, that of the
prophets of doom.
To denounce the reality contract or the reality 'conspiracy' is not at all nihilistic. It is not in any sense to deny an obvious fact, in the style of 'All is sign, nothing is real - nothing is true, everything is simulacrum' - an absurd proposition since it is also a realist one!
It is one thing to note the vanishing of the real into the Virtual, another to deny it so as to pass beyond the real and the Virtual.
It is one thing to reject morality in the name of a vulgar immoralism, another to do so, like Nietzsche so as to pass beyond good and evil.
To be 'nihilistic' is to deny things at their greatest degree of intensity, not in their lowest versions. Now, existence and self-evidence have always been the lowest forms.
If there is nihilism, then, it is not a nihilism of value, but a nihilism of form. It is to speak the world in its radicality, in its dual, reversible form, and this has never meant banking on catastrophe, any more than on violence.
No finality, either positive or negative, is ever the last word in the story.
And the Apocalypse itself is a facile solution.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“And it is, indeed, to the more general problem of fetishism that this new twist brings us: after the becoming-sign of the object, the becoming-object of the sign.
In the sexual register, the fetish is no longer a sign but a pure object, meaningless in itself - a banal accessory, but one of absolute value, for which there can be no possible exchange. It is that object and no other.
But this banal singularity means that any object whatever can become a fetish. Its potentiality is total, precisely because it lies beyond any sexual reference or metaphor. It is the perfect object of sex, its perfect realization, insofar as it substitutes for any real sex - just as Virtual Reality substitutes itself for the real world and in that way becomes the universal form of our modern fetishism.
Modern man's immense panoply of information technology has become his true object of (perverse?) desire.
Fetishism being, as the name indicates (Feiticho), linked to abstraction and artifice, it is all the more radical for the abstraction being total.
If it was possible, in the past, to speak of the fetishism of the commodity, of money, of the simulacrum and the spectacle, that was still a limited fetishism (related to sign-value).
There stretches beyond this for us today the world of radical fetishism, linked to the de-signification and limitless operation of the real - to the sign's becoming pure object once again, before or beyond any metaphor.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Thought is measured by a different rule, and puts us in mind, rather, of those souls whose number, according to certain ancient myths, is limited.
There was in that time a limited contingent of souls or spiritual substance, redistributed from one living creature to the next as successive deaths occurred. With the result that some bodies were sometimes waiting for a soul (like present-day heart patients waiting for an organ donor).
On this hypothesis, it is clear that the more human beings there are, the rarer will be those who have a soul. Not a very democratic situation and one which might be translated today into: the more intelligent beings there are (and, by the grace of information technology, they are virtually all intelligent), the rarer thought will be.
Christianity was first to institute a kind of democracy and generalized right to a personal soul (it wavered for a long time where women were concerned). The production of souls increased substantially as a result, like the production of banknotes in an inflationary period, and the concept of soul was greatly devalued. It no longer really has any currency today and it has ceased to be traded on the exchanges.
There are too many souls on the market today. That is to say, recycling the metaphor, there is too much information, too much meaning, too much immaterial data for the bodies that are left, too much grey matter for the living substance that remains. To the point where the situation is no longer that of bodies in search of a soul, as in the archaic liturgies, but of innumerable souls in search of a body. Or an incalculable knowledge in search of a knowing subject.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Thinking based on evil is not pessimistic; it is the thinking based on misfortune that is pessimistic because it wants desperately to escape evil or, alternatively, to revel in it.
Thought, for its part, does not cure human misfortune, the terrible obviousness of which it absorbs for purposes of some unknown transformation. Pessimism excludes any depth that eludes its negative judgement, whereas thought wishes to penetrate magically beyond the fracture of the visible. The rays of the black sun of pessimism do not reach down to the floor of the abyss.
Absolute depth knows neither good nor evil.
Thus the intelligence of evil goes far beyond pessimism.
In reality, the only genuinely pessimistic, nihilistic vision is that of good since, at bottom, from the humanist point of view, the whole of history is nothing but crime. Cain killing Abel is already a crime against humanity (there were only two of them!) and isn't original sin already a crime against humanity too? This is all absurd, and, from the standpoint of good, the effort to rehabilitate the world's violence is a hopeless exercise. All the more so as, without all these crimes, there simply wouldn't be any history.
'If the evil in man were eliminated,' says Montaigne, 'you would destroy the fundamental conditions of life.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“When truth and reality were made to take lie-detector tests, they themselves confessed to not believing in truth and reality.
We are all agnostics.
There were those who believed in God and those who did not.
There are those who believe in reality and those who do not.
And then there are the reality agnostics who, though not rejecting it in an absolute sense, reject belief in it: 'Reality (like God in the past) may perhaps exist, but I don't believe in it.'
There is nothing contradictory or absurd in this.
It is the enlightened refusal to let oneself be caught in the trap of a reality that is fetishized in its principle, a reality that is itself caught in the trap of the signs of reality.
Is there such a thing as a naked, original reality, anterior to the signs in which it is made manifest?
Who knows? The self-evidence of reality has a shadow of retrospective doubt hovering over it.
However this may be, the agnostic is not concerned with this hinterworld or this original reality; he confines himself to reality as an unverifiable hypothesis, to signs as signs, behind which might also be hidden the absence of reality. (Their profusion in fact ends up voiding them of their credibility.)”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Is there not also the profoundest pleasure in bitterness? No satisfaction, no victory, will ever be the equivalent of the bitter plenitude of the sense of injustice. It revels in itself. It draws on the very roots of an inner revenge on existence. Who, in the light of that, could claim to give a definition of happiness?
Complex as is this entanglement of good and evil, so too is it difficult to pass beyond good and evil when the very distinction between the two has disappeared.
One may reject all this.
The fact remains that the hypothesis of evil, of the lack of distinction between good and evil and our deep complicity with the worst, is always present, rendering all our actions impenetrable. But it is itself a principle of action and doubtless one of the most powerful.
I am playing devil's advocate here.
But if you reject this hypothesis you can always think in terms of a wager of the Pascalian type. What Pascal says, more or less, is this: you can always content yourself with a secular existence and its advantages, but it's much more fun with the hypothesis of God. With just a few sacrifices to make in exchange for eternal salvation, the advantages are much greater.
Where we are concerned, this same wager becomes: you can always get by with the hypothesis of good and happiness, but it's much more fun with the hypothesis of evil.
A variant of the same wager would be: you can always get by with the hypothesis of reality, but it's much more fun with the hypothesis of radical illusion.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“Art has always denied itself. But once it did so through excess, thrilling to the play of its disappearance. Today it denies itself by default - worse, it denies its own death.
It immerses itself in reality, instead of being the agent of the symbolic murder of that same reality, instead of being the magical operator of its disappearance.
And the paradox is that the closer it gets to this phenomenal confusion, this nullity as art, the greater credit and value it is accorded, to the extent that, to paraphrase Canetti, we have reached a point where nothing is beautiful or ugly any more; we passed that point without realizing it and, since we cannot get back to that blind spot, we can only persevere in the current destruction of art.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“This is why, where art is concerned, the most interesting thing would be to infiltrate the spongiform encephalon of the modern spectator, For this is where the mystery lies today: in the brain of the receiver, at the nerve centre of this servility before 'works of art'. What is the secret of it?
In the complicity between the mortification 'creative artists' inflict on objects and themselves, and the mortification consumers inflict on themselves and their mental faculties.
Tolerance for the worst of things has clearly increased considerably as a function of this general state of complicity.
Interface and performance - these are the two current leitmotifs.
In performance, all the forms of expression merge - the plastic arts, photography, video, installation, the interactive screen. This vertical and horizontal, aesthetic and commercial diversification is henceforth part of the work, the original core of which cannot be located.
A (non-) event like The Matrix illustrates this perfectly: this is the very archetype of the global installation, of the total global fact: not just the film, which is, in a way, the alibi, but the spin-offs, the simultaneous projection at all points of the globe and the millions of spectators themselves who are inextricably part of it. We are all, from a global, interactive point of view, the actors in this total global fact.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“To turn yourself into an image is to expose your daily life, your misfortunes, your desires and your possibilities. It is to have no secrets left. Never to tire of expressing yourself,
speaking, communicating. To be readable at every moment, overexposed to the glare of the information media (like the woman who appears live twenty-four hours a day on the
Internet, showing the tiniest details of her life).”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art.
That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn.
No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction.
No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology.
And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact
“We are never done with making good the void of truth.
Hence the flight forward into ever more simulacra.
Hence the invention of an increasingly artificial reality such that there is no longer anything standing over against it or any ideal alternative to it, no longer any mirror or negative.
With the very latest Virtual Reality we are entering a final phase of this entreprise of simulation, which ends this time in an artificial technical production of the world from which all trace of illusion has disappeared.
A world so real, hyperreal, operational and programmed that it no longer has any need to be true. Or rather it is true, absolutely true, in the sense that nothing any longer stands opposed to it.
We have here the absurdity of a total truth from which falsehood is lacking - that of absolute good from which evil is lacking, of the positive from which the negative is lacking.
If the invention of reality is the substitute for the absence of truth, then, when the self-evidence of this 'real' world becomes generally problematic, does this not mean that we are closer to the absence of truth - that is to say, to the world as it is?
We are certainly further and further removed from the solution, but nearer and nearer to the problem.
For the world is not real. It became real, but it is in the process of ceasing to be so. But it is not virtual either - though it is on the way to becoming so.”
Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact

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