Yumi and the Nightmare Painter Quotes

“It’s a common mistake to assume that someone is weak because they are accommodating. If you think this, you might be the type who has no idea how much effort—how much strength—it takes to put up with your nonsense.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Why do we tell stories? They are a universal human experience. Every culture I’ve ever visited, every people I’ve met, every human on every planet in every situation I’ve seen…they all tell stories. Men trapped alone for years tell them to themselves. Ancients leave them painted on the walls. Women whisper them to their babies. Stories explain us. You want to define what makes a human different from an animal? I can do it in one word or a hundred thousand. Sad stories. Exultant stories. Didactic morality tales. Frivolous yarns that, paradoxically, carry too much meaning. We need stories.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Never let something trivial, like a sense of humor, get in the way of a good joke.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Trauma doesn’t decrease with company, but it does grow easier to work through when you know someone else understands.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Art - and all stories are art, even the ones about real people - is about what it does to you.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Everything is useless, intrinsically. Nothing has value unless we grant it that value.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“She remembered days of exhaustion when all she’d wanted was a kind word, a teardrop’s worth of empathy.
Choice. She had a choice.
'You don’t have to be like her,' Yumi thought. 'You really don’t.'
Such a novel idea, and so much harder to do than she would ever have assumed. Still, Yumi forced out the words. The ones akin to those she always wished she could have heard.
“It’s all right,” she whispered. “I know you’re trying. That’s what matters.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“But then again, there’s nothing intrinsically valuable about any kind of art. That’s not me complaining or making light. It’s one of the most wonderful aspects to art—the fact that people decide what is beautiful. We don’t get to decide what is food and what is not. (Yes, exceptions exist. Don’t be pedantic. When you pass those marbles, we’re all going to laugh.) But we absolutely get to decide what counts as art. If Yumi’s people wanted to declare that rock arrangements surpassed painting or sculpture as an artistic creation…well, I personally found it fascinating. The spirits agreed.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“It’s said that everything you eat, even the air you breathe, becomes part of you. The axi that make up the matter you take in come to make up you instead. I, however, find that the moments we take into our souls as memories are far more important than what we eat. We need those moments as surely as the air, and they linger. Potent. Yes, a person is more than their experiences, stacked up like stones. But our best moments are the foundations we use to reach for the sky.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Like a man with diarrhea in a sandpaper factory, sometimes all available options are less than ideal.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Plus, here’s the thing. A kiss doesn’t need to be good to be valuable. It doesn’t serve any real purpose. It’s valued solely because of the person you share it with.
Things only have the value we give to them. And likewise, actions can be worth whatever we decide them to be worth.
And so, to these two, that kiss was priceless.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Then she felt ashamed. Because guilt has a great number of friends and keeps their addressses handy for quick summons.”
― Brandon Sanderson, Yumi y el pintor de pesadillas

“(Technically, I was a part owner of that noodle shop. What? Renowned interdimensional storytellers can’t invest in a little real estate now and then?)”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Art is about feelings and emotion. It's about letting them escape, so they can be shared. It's about capturing a truth about yourself. Like you're ripping a hole in your chest and exposing your soul.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Don’t assume fragility where you should see patience.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Humans are incredibly malleable. Despite my breadth of experience, I've never stopped being surprised at how durable human beings can be. They can survive in almost any environment. They can recover from debilitating loss. They can be crushed physically, mentally, emotionally- and still ask you how your day is going.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“But…I always felt like I was standing on the other side of a large glass window. I could see the world passing beyond it, could even pretend I was part of it. But that barrier was still there. Separating me from everyone else.” He looked away. “That sounds stupid, doesn’t it?”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Each yoki-hijo trained in an ancient and powerful art. A deliberate, wondrous artistry requiring the full synergy of body and mind. Geological reorganization on the microscale, requiring acute understanding of gravitational equilibrium. In other words, they stacked rocks.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“In storytelling, we pretend you can read all kinds of things from a furrowed brow or a fleeting expression. This is shorthand for a real phenomenon, but it’s more complex than we pretend. The longer you spend with a person, the more you know them. But beyond the obvious details like learning their favorite foods, we internalize the way that they react. The way that they express worry. For some, it’s the archetypal furrowed brow. For others it’s the way they linger, the way they won’t meet your eyes. It’s more than eyes, more than posture, more than brow. Human beings are bundles of emotion puppeting muscles like a marionette. We emote not only with our bodies, but with our very souls.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Despite it all, that's still my instinct, she thought, listening to Painter eat. I know I've been lied to. Yet my training holds. It's a depressing fact. Abuse is a more effective form of captivity than a cell will ever be.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“This was art. Something the machine, however capable in the tech- nical details, could never understand. Because art is, and always has been, about what it does to us. To the one shaping it and the one expe- riencing it.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“The people are the energy of a carnival. Excitement bleeds. It flows like rivers. Ask any carnie, and they’ll agree that there is a frantic current to a carnival. Yes, it’s completely fabricated. So is the electricity that powers a light bulb. Being artificial doesn’t mean it isn’t real—it only means it has a purpose. It’s this power of excitement that carnivals tap, feed upon, exploit. And for all that people call carnivals a scam or a con, they’re nothing of the sort. We go to them to be exploited. That’s part of the charm. While you’re there—among the dizzying overload of lights, chatter, excitement, sticky ground, and thronging people—you feel that there must be more than enough energy to go around. Human exhilaration is a renewable resource. And you can generate it with cheap stuffed animals and fried foods.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“She seemed sorry in the same way a tank commander might be apologetic after destroying your house. He might be in the wrong. But he was still in a tank.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Giving someone a jibe, then having them internalize it, felt awful: the conversational equivalent of going for a comedic burp and accidentally inducing yourself to vomit.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Make me pretty so they’ll be extra disturbed if my face ever unravels. And give me voluptuous curves, because they remind me of a graphed cosine. And also because boobs look fun.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“I only stare," he said. "when I see something too beautiful for my eyes to take in at once.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“(He was right. If you’ve been wondering how they work, this is a big clue. Plants on Yumi’s world don’t really defy physics so much as they sneak past while physics is distracted by a nice drama on the viewer. Probably something involving pendulums. Physics loves those things.)”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Don't force people to live up to your dreams of who they might be.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Nightmares are a fluid terror. Once you get the briefest handle on one, it will change. Filling nooks in the soul like spilled water filling cracks in the floor. Nightmares are a seeping chill, created by the mind to punish itself. In this, a nightmare is the very definition of masochism. Most of us are modest enough to keep that sort of thing tucked away, hidden.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Hello! Would you like to shake meat-appendages?”
― Brandon Sanderson, Yumi and the Nightmare Painter