Artificiality Quotes

Quotes tagged as "artificiality" Showing 1-22 of 22
Liezi
“Some people think they can find satisfaction in good food, fine clothes, lively music, and sexual pleasure. However, when they have all these things, they are not satisfied. They realize happiness is not simply having their material needs met. Thus, society has set up a system of rewards that go beyond material goods. These include titles, social recognition, status, and political power, all wrapped up in a package called self-fulfillment. Attracted by these prizes and goaded on by social pressure, people spend their short lives tiring body and mind to chase after these goals. Perhaps this gives them the feeling that they have achieved something in their lives, but in reality they have sacrificed a lot in life. They can no longer see, hear, act, feel, or think from their hearts. Everything they do is dictated by whether it can get them social gains. In the end, they've spent their lives following other people's demands and never lived a life of their own. How different is this from the life of a slave or a prisoner?”
Liezi, Lieh-tzu: A Taoist Guide to Practical Living

J.G. Ballard
“All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.”
J.G. Ballard, The Atrocity Exhibition

Charles Baudelaire
“It is at despair at not being able to be noble and beautiful by natural means that we have made up our faces so strangely.”
Charles Baudelaire

Criss Jami
“A utopian system, when established by men, is likely to be synonymous with a dystopian depression. The only way for perfect peace by man is absolute control of all wrongs. Bully-cultures find this: with each and every mistake, another village idiot is shamed into nothingness and mindlessly shut down by the herd. This is a superficial peace made by force and by fear, one in which there is no freedom to breathe; and the reason it is impossible for man to maintain freedom and peace for everyone at the same time. Christ, on the other hand, transforms, instead of controls, by instilling his certain inner peace. This is the place where one realizes that only his holiness is and feels like true freedom, rather than like imprisonment, and, too, why Hell, I imagine, a magnified version of man's never-ending conflict between freedom and peace, would be the flesh's ultimate utopia - yet its ultimate regret.”
Criss Jami, Healology

Zhuangzi
“All attempts to create something admirable are the weapons of evil. You may think you are practising benevolence and righteousness, but in effect you will be creating a kind of artificiality. Where a model exists, copies will be made of it; where success has been gained, boasting follows; where debate exists, there will be outbreaks of hostility.”
Zhuangzi, The Complete Works of Chuang Tzu

Stephen King
“Nothing in nature is that even; man is the inventor of straight edges.”
Stephen King, The Mist

Alex Morritt
“Casting a curious gaze down on planet Earth, extra-terrestrial beings could well be forgiven for assuming that we humans are programmed in every move we make, by a palm-sized, oblong, slab of glass. More perplexing than that, who on earth could convince them otherwise ?”
Alex Morritt, Impromptu Scribe

Giacomo Casanova
“The source of love, as I learned later, is a curiosity which, combined with the inclination which nature is obliged to give us in order to preserve itself. […] Hence women make no mistake in taking such pains over their person and their clothing, for it is only by these that they can arouse a curiosity to read them in those whom nature at their birth declared worthy of something better than blindness. […] As time goes on a man who has loved many women, all of them beautiful, reaches the point of feeling curious about ugly women if they are new to him. He sees a painted woman. The paint is obvious to him, but it does not put him off. His passion, which has become a vice, is ready with the fraudulent title page. ‘It is quite possible,’ he tells himself, ‘that the book is not as bad as all that; indeed, it may have no need of this absurd artifice.’ He decides to scan it, he tries to turn over the pages—but no! the living book objects; it insists on being read properly, and the ‘egnomaniac’ becomes a victim of coquetry, the monstrous persecutor of all men who ply the trade of love.

You, Sir, who are a man of intelligence and have read these least twenty lines, which Apollo drew from my pen, permit me to tell you that if they fail to disillusion you, you are lost—that is, you will be the victim of the fair sex to the last moment of your life. If that prospect pleases you, I congratulate you”
Giacomo Casanova, History of My Life, Vols. I & II

David Foster Wallace
“He said he didn’t think Lenore should go to the G.O.D.
"Nobody ever finds anybody in a place like that," he said, "People don’t go to a place like that to look for other people. That’s the opposite of the whole concept that’s behind the thing.”
David Foster Wallace, The Broom of the System

Edith Wharton
“refurbished that image of herself in other minds which was her only notion of self-seeing”
Edith Wharton, The Custom of the Country

Reza Negarestani
“Artificiality is the reality of the mind. Mind has never been and will never have a given nature. It becomes mind by positing itself as the artefact of its own concept. By realizing itself as the artefact of its own concept, it becomes able to transform itself according to its own necessary concept by first identifying, and then replacing or modifying, its conditions of realization, disabling and enabling constraints. Mind is the craft of applying itself to itself. The history of the mind is therefore quite starkly the history of artificialization. Anyone and anything caught up in this history is predisposed to thoroughgoing reconstitution. Every ineffable will be theoretically disenchanted and every scared will be practically desanctified.”
Reza Negarestani, Intelligence and Spirit

Philip K. Dick
“Maybe I shouldn’t have told you––about it being electrical.” She put her hand out, touched his arm; she felt guilty, seeing the effect it had on him, the change.

“No," Rick said. “I’m glad to know. Or rather––“ He became silent. “I’d prefer to know.”
Philip K. Dick, Do Androids Dream of Electric Sheep?

Norman Douglas
“The land is encrusted with ephemeral human conceits. That is not altogether good for a youngster; it disarranges his mind and puts him out of harmony with what is permanent. Just listen a moment. Here, if you are wise, you will seek an antidote. Taken in over-dose, all these churches and pictures and books and other products of our species are toxins for a boy like you. They falsify your cosmic values. Try to be more of an animal. Try to extract pleasure from more obvious sources. Lie fallow for a while. Forget all these things. Go out into the midday glare. Sit among rocks and by the sea. Have a look at the sun and stars for a change; they arc just as impressive as Donatello. Find yourself! You know the Cave of Mercury? Climb down, one night of full moon, all alone, and rest at its entrance. Familiarize yourself with elemental things. The whole earth reeks of humanity and its works. One has to be old and tough to appraise them at their true worth. Tell people to go to Hell, Denis, with their altar-pieces and museums and clock- towers and funny little art-galleries.”
Norman Douglas, South Wind

Amit Abraham
“Beauty is not about make up it’s about what it makes you to be from within.”
Amit Abraham

Jack    Foster
“He concluded: "This piece of fruit is not much like the fruit at all.”
Jack Foster

“Authors like Shakespeare and Goethe have glorious monologues that flood the theater with words. This endless verbalizing is a lie. This perfect harmony between heart and tongue exists only on a stage. I wanted to use language realistically to dramatize the tension that arises when the correspondence between feelings and language breaks down. Even Brecht swindled when it comes to language. His peasants speak more intelligently and more beautifully than any university professor.
I wanted to smash this convention of stage language. I do not believe that people can heave their hearts into their mouths and speak their inner torments trippingly on the tongue. Language should not be the central element in drama. Language exists only on the surface of our consciousness. The great human struggles are played out in silence and in the inability to express oneself. Language should have the same function in the theater that it has in reality.”
Franz Xaver Kroetz

“If you want to enjoy nature without impurity visit some village where everything is real and no artificiality dwells there.”
Shakil Kamboh

“Artificiality leads easiness but not long lasting.”
Arbab J. Edhi

Mallika Chawla
“We all act, though not on stage. We do makeup, if not greasepaint!”
Mallika Chawla

Jean Baudrillard
“We shall never know whether thought is an imposture, and that is providential.

'The people is, in some cases, so enlightened that it is no longer indifferent to anything' (Montesquieu). That is indeed the end point: when there is no longer anything about which there is nothing to say.

Verdict of a Chinese writer on a monstrous tree that is at once a blackberry and a bamboo: 'any disorder appearing in nature is the sign of a hidden disorder in the administration of the Empire ... Order restored in nature clearly indicates satisfaction in heaven.' Our current blossoming of monsters and clones, hybrids and chimeras, our systematic mixing of mores and cultures, sexes and genes, cannot but attest to an irremediable disorder in the highest spheres of the Empire.”
Jean Baudrillard, Cool Memories V: 2000 - 2004

Lucy M. Boston
“Every year that I live here it is as though another of my personalities is left behind, like a variation in a Passacaglia, leaving me nearer the first and last plain theme. It is not only that as one grows older the passions and vanities fade, nor that the pressure of the present day obliges one to live an ever simpler life, to make and to do with one's own hands whatever is necessary, to be forever saying goodbye to civilization. It is rather that civilization has turned to shoddy, plastic and sham, has become a cage with bars of cliché, so that one must get out. Here on my island the years have opened like a rose in the sun, the fury of standardization has missed one little byway, and events have remained in their real dimension as reactions of the human heart, limitless, yet dependent on its fleeting pulse.”
Lucy M. Boston, Yew Hall

Don DeLillo
“When the phone rang she did not look at it the way they do in the movies. Real people don't look at ringing phones.”
Don DeLillo, The Body Artist