Avian Quotes

“Soft feathers cannot make a cruel bird kind”
― Munia Khan

“We’ll always have each other.  As long as we have that, it will always be Eden.”
― Keary Taylor, Eden

“A bird, unable to fly, is still a bird; but a human unable to love is an inexpensive stone: like a piece of uric acid stone”
― Munia Khan

“Blood is everywhere..
Vultures take shelter beneath the tanks;
for the fumed sky is unsafe for their avian flight to prey on the Palestinian flesh.”
― Munia Khan

“It would be so much easier if I didnt have to make either choice. Picking neither and going back to the way I was just a few months previous would have been so much simpler. But something inside me had changed. There was no going back now. I couldnt live the same without them.”
― Keary Taylor, Eden

“You cant have both.

Avian was right. Even though I didnt know how to handle feeling like this, I knew what I had been doing was wrong. I couldn't have both. It was unfair to both of them. And it was tearing me into two people.

But how was I supposed to choose? I felt a tie to both of them, a tie so solid I wasnt sure that even I was strong enough to sever it.”
― Keary Taylor, Eden

“Avian was home and made me feel secure and right. Everything felt okay when I was with Avian. But at the same time, he was still so much older than I was. And he would be tied to Eden in such a permanent way.”
― Keary Taylor, Eden

“The two of them had fallen into the habit of bartering knowledge whenever she visited. He schooled her in jazz, in bebop and exotic bossa nova, playing his favorites for her while he painted- Slim Gaillard, Rita Reys, King Pleasure, and Jimmy Giuffre- stabbing the air with his brush when there was a particular passage he wanted her to note. In turn, she showed him the latest additions to her birding diary- her sketches of the short-eared owl and American wigeon, the cedar waxwing and late warblers. She explained how the innocent-looking loggerhead shrike killed its prey by biting it in the back of the neck, severing the spinal cord before impaling the victim on thorns or barbed wire and tearing it apart.
"Good grief," he'd said, shuddering. "I'm in the clutches of an avian Vincent Price.”
― Tracy Guzeman, The Gravity of Birds

“The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since.
Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total.
As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone.
I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more.
Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom.
I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen.
Suddenly, however, Ma-ma's collection stirred.
It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before.
I thanked them for the happiness they'd bestowed on Ma-ma.”
― Roselle Lim, Natalie Tan's Book of Luck & Fortune

“She told me she'd chosen something for the headstone, part of a verse from Psalm eighty-four- 'Yea, the sparrow hath found an house.' I never got to see it; the headstone was being engraved."
"'And the swallow a nest for herself.' That was one of my mother's favorite psalms," he said.”
― Tracy Guzeman, The Gravity of Birds