Strangers on a Train Quotes

“Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“I know you have it in you, Guy," Anne said suddenly at the end of a silence, "the capacity to be terribly happy.”
― Patricia Highsmith, Strangers on a Train

“But can you imagine how some of them were envying you your freedom to work, to think, to travel, to enter a room as yourself, not as some child’s mother or some man’s wife?…we have no familiar, ready-made name for a woman who defines herself, by choice, neither in relation to children nor to men, who is self-identified, who has chosen herself.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“The night was a time for bestial affinities, for drawing closer to oneself.”
― Patricia Highsmith, Strangers on a Train

“But there were too many points at which the other self could invade the self he wanted to preserve, and there were too many forms of invasion: certain words, sounds, lights, actions his hands or feet performed, and if he did nothing at all, heard and saw nothing, the shouting of some triumphant inner voice that shocked him and cowed him.”
― Patricia Highsmith, Strangers on a Train

“How easy it was to lie when one had to lie!”
― Patricia Highsmith, Strangers on a Train

“What chance combination of shadow and sound and his own thoughts had created it?”
― Patricia Highsmith, Strangers on a Train

“Those who speak largely of the human condition are usually those most exempt from its oppressions - whether of sex, race, or servitude.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“A rush of panic comforted him with its familiarity.”
― Patricia Highsmith, Strangers on a Train

“I got a theory a person ought to do everything it’s possible to do before he dies, and maybe die trying to do something that’s really impossible.”
― Patricia Highsmith, Strangers on a Train

“People, feelings, everything! Double! Two people in each person. There's also a person exactly the opposite of you, like the unseen part of you, somewhere in the world, and he waits in ambush.”
― Patricia Highsmith, Strangers on a Train

“All human life on the planet is born of woman. The one unifying, incontrovertible experience shared by all women and men is that months-long period we spent unfolding inside a woman’s body. Because young humans remain dependent upon nurture for a much longer period than other mammals, and because of the division of labor long established in human groups, where women not only bear and suckle but are assigned almost total responsibility for children, most of us first know both love and disappointment, power and tenderness, in the person of a woman.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“The body has been made so problematic for women that it has often seemed easier to shrug it off and travel as a disembodied spirit.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“But love and hate, he thought now, good and evil, lived side by side in the human heart, and not merely in differing proportions in one man and the next, but all good and all evil. One had merely to look for a little of either to find it all, one had merely to scratch the surface. All things had opposites close by, every decision a reason against it, every animal an animal that destroys it, the male the female, the positive the negative.”
― Patricia Highsmith, Strangers on a Train

“I like to drink when I travel. It enhances things, don’t you think?”
― Patricia Highsmith, Strangers on a Train

“If I could have one wish for my own sons, it is that they should have the courage of women. I mean by this something very concrete and precise: the courage I have seen in women who, in their private and public lives, both in the interior world of their dreaming, thinking, and creating, and the outer world of patriarchy, are taking greater and greater risks, both psychic and physical, in the evolution of a new vision. Sometimes this involves tiny acts of immense courage; sometimes public acts which can cost a woman her job or her life; often it involves moments, or long periods, of thinking the unthinkable, being labeled, or feeling, crazy; always a loss of traditional securities. Every woman who takes her life into her own hands does so knowing that she must expect enormous pain, inflicted both from within and without. I would like my sons not to shrink from this kind of pain, not to settle for the old male defenses, including that of a fatalistic self-hatred. And I would wish them to do this not for me, or for other women, but for themselves, and for the sake of life on the planet Earth.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“The taste of Scotch, though Guy didn’t much care for it, was pleasant because it reminded him of Anne. She drank Scotch, when she drank. It was like her, golden, full of light, made with careful art.”
― Patricia Highsmith, Strangers on a Train

“I tell him his business, all business, is legalized throat-cutting, like marriage is legalized fornication.”
― Patricia Highsmith, Strangers on a Train

“He felt he was about to experience again some ancient, delicious childhood moment that the steam calliope's sour hollowness, the stitching hurdy-gurdy accompaniment, and the drum-and-cymbal crash brought almost to the margin of his grasp.”
― Patricia Highsmith, Strangers on a Train

“When we think of an institution, we can usually see it as embodied in a building: the Vatican, the Pentagon, the Sorbonne, the Treasury, the Massachusetts Institute of Technology, the Kremlin, the Supreme Court. What we cannot see, until we become close students of the institution, are the ways in which power is maintained and transferred behind the walls and beneath the domes, the invisible understandings which guarantee that it shall reside in certain hands but not in others, that information shall be transmitted to this one but not to that one, the hidden collusions and connections with other institutions of which it is supposedly independent. When we think of the institution of motherhood, no symbolic architecture comes to mind, no visible embodiment of authority, power, or of potential or actual violence. Motherhood calls to mind the home, and we like to believe that the home is a private place. Perhaps we imagine row upon row of backyards, behind suburban or tenement houses, in each of which a woman hangs out the wash, or runs to pick up a tear-streaked two-year-old; or thousands of kitchens, in each of which children are being fed and sent off to school. Or we think of the house of our childhood, the woman who mothered us, or of ourselves. We do not think of the laws which determine how we got to these places, the penalties imposed on those of us who have tried to live our lives according to a different plan, the art which depicts us in an unnatural serenity or resignation, the medical establishment which has robbed so many women of the act of giving birth, the experts—almost all male—who have told us how, as mothers, we should behave and feel. We do not think of the Marxist intellectuals arguing as to whether we produce “surplus value” in a day of washing clothes, cooking food, and caring for children, or the psychoanalysts who are certain that the work of motherhood suits us by nature. We do not think of the power stolen from us and the power withheld from us, in the name of the institution of motherhood.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“Society's law was lax compared to the law of conscience”
― Patricia Highsmith, Strangers on a Train

“I did not then understand that we—the women of that academic community—as in so many middle-class communities of the period—were expected to fill both the part of the Victorian Lady of Leisure, the Angel in the House, and also of the Victorian cook, scullery maid, laundress, governess, and nurse. I only sensed that there were false distractions sucking at me, and I wanted desperately to strip my life down to what was essential. June”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“Vous travaillez pour l'armee, madame?' (You are working for the army?), a Frenchwoman said to me early in the Vietnam war, on hearing I had three sons.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“The law was not society, it began. Society was people like himself and Owen and Brillhart, who hadn't the right to take the life of another member of society. And yet the law did. "And yet the law is supposed to be the will of society at least. It isn't even that. Or maybe it is collectively," he added, aware that as always he was doubling back before he come to a point, making things as complex as possible in trying to make them certain.”
― Patricia Highsmith, Strangers on a Train

“Death was only one more adventure untried.”
― Patricia Highsmith, Strangers on a Train

“That's exactly where you're wrong! Any kind of person can murder. Purely circumstances and not a thing to do with temperament! People get so far -- and it takes just the least little thing to push them over the brink. Anybody. Even your grandmother. I know.”
― Patricia Highsmith, Strangers on a Train

“It seems obvious that throughout history, as one of the few professions open to women, midwifery must have attracted women of unusual intelligence, competence, and self-respect§. While acknowledging that many remedies used by the witches were “purely magical” and worked, if at all, by suggestion, Ehrenreich and English point out an important distinction between the witch-healer and the medical man of the late Middle Ages: . . . the witch was an empiricist; She relied on her senses rather than on faith or doctrine, she believed in trial and error, cause and effect. Her attitude was not religiously passive, but actively inquiring. She trusted her ability to find ways to deal with disease, pregnancy and childbirth—whether through medication or charms. In short, her magic was the science of her time. By contrast: There was nothing in late mediaeval medical training that conflicted with church doctrine, and little that we would recognize as “science”. Medical students . . . spent years studying Plato, Aristotle and Christian theology. . . . While a student, a doctor rarely saw any patients at all, and no experimentation of any kind was taught. . . . Confronted with a sick person, the university-trained physician had little to go on but superstition. . . . Such was the state of medical “science” at the time when witch-healers were persecuted for being practitioners of “magic”.15 Since asepsis and the transmission of disease through bacteria and unwashed hands was utterly unknown until the latter part of the nineteenth century, dirt was a presence in any medical situation—real dirt, not the misogynistic dirt associated by males with the female body. The midwife, who attended only women in labor, carried fewer disease bacteria with her than the physician.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“Every infant born is testimony to the intricacy and breadth of possibilities inherent in humanity. Yet from birth* in most homes and social groups, we teach children that only certain possibilities within them are livable; we teach them to hear only certain voices inside themselves, to feel only what we believe they ought to feel, to recognize only certain others as human.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution

“She’s everything that should be loathed,” he went on, staring in front of him. “Sometimes I think I hate everything in the world. No decency, no conscience. She’s what people mean when they say America never grows up, America rewards the corrupt. She’s the type who goes to the bad movies, acts in them, reads the love-story magazines, lives in a bungalow, and whips her husband into earning more money this year so they can buy on the installment plan next year, breaks up her neighbor’s marriage—”
― Patricia Highsmith, Strangers on a Train

“The female body has been both territory and machine, virgin wilderness to be exploited and assembly-line turning out life. We need to imagine a world in which every woman is the presiding genius of her own body. In such a world women will truly create new life, bringing forth not only children (if and as we choose) but the visions, and the thinking, necessary to sustain, console, and alter human existence—a new relationship to the universe. Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.”
― Adrienne Rich, Of Woman Born: Motherhood as Experience and Institution