Choreography Quotes
Quotes tagged as "choreography"
Showing 1-30 of 45
“Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.”
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“Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.”
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“If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.”
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“One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.”
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“There are situations of course that leave you utterly speechless. All you can do is hint at things. Words, too, can't do more than just evoke things. That's where dance comes in again.”
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“Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.”
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“Every dance you make belongs to you. It is part of your collection. When you think of it like that, you'll want to make your next routine the best you've ever made!”
― 50 Ways to Become a Better Choreographer
― 50 Ways to Become a Better Choreographer
“Under the influence not I know of he hardest cider but of his own inner joy at life for a moment as it should be, as it was meant to be in his nature, Phineas recaptured that magic gift for existing primarily in space, one foot conceding briefly to gravity its rights before spinning him off again into the air. It was his wildest demonstration of himself, of himself in the kind of world he loved; it was his choreography of peace.”
― A Separate Peace
― A Separate Peace
“While you're worrying about becoming famous, there is someone out there putting in work and not wasting a second of their time. Which person will you be?”
― 50 Ways to Become a Better Choreographer
― 50 Ways to Become a Better Choreographer
“Robbing ourselves of the great pleasures in life only makes us perform worse. We need to be happy, and do things we like doing if we want to excel in whatever it is we're focusing on.”
― 50 Ways to Become a Better Choreographer
― 50 Ways to Become a Better Choreographer
“Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.”
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“The travelers’ dances were wild and carefree and, summer after summer, Penelope learned to reveal her deepest truths through movement. The choreography of freedom had a hypnotic sway.”
― The Measure of Gold
― The Measure of Gold
“As a man who dances like a bronze statue, in the style of Rodin's The Thinker, I know a thing or two about choreography. OK, maybe just a thing, and that thing is this: The dancers in The Anthems of Rock can move—and they’re a big reason the audience was so moved with each song.”
― A Memoir of Memories and Memes
― A Memoir of Memories and Memes
“Lenora was a Fosse girl. She had learned from the mater, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.”
― Unprotected: A Memoir
― Unprotected: A Memoir
“Lenora was a Fosse girl. She had learned from the master, the actual master himself. Fosse was a galvanizing choreographer, who fascinated and spoke directly to me for a range of reasons. The first was the fact that the most iconic aspects of his work were inspired by his imperfections. Because he was losing his hair, hats became an integral part of his pageantry. His shoulders were rounded, giving rise to his signature slouch. He didn't like his hands, so gloves made their way into his numbers. He was pigeon-toed and couldn't achieve the kind of turnout expected in ballet, so he developed a style in which the legs are turned in and the feet point at each other. I was intoxicated by the way he had spun his ‘flaws’ into stylistic gold. It felt like a message for me that my own ‘flaws’ and vulnerabilities might actually be arrows pointing straight to the heart of my power as a performer, and – dare I say – my artistry.”
― Unprotected: A Memoir
― Unprotected: A Memoir
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