Mary Brian(1906-2002)
- Actress
- Soundtrack
Dubbed "The Sweetest Girl in Pictures", Mary Brian started life as
Louise Byrdie Datzler. She was born in Corsicana, Texas, and went to
high school in Dallas. Her widowed mother had big plans for young
Louise and took her to California in 1923, with the intention of
getting her into the film business. After several unsuccessful
attempts, a bathing beauty competition in Long Beach resulted in a
second-prize letter of introduction to
Herbert Brenonat Paramount and the girl with the dark brown curls and blue/gray eyes wound
up being screen-tested for the role of Wendy inPeter Pan (1924),
co-starringBetty Bronsonand
Esther Ralston(with whom she would form
lifelong friendships). She not only got the part but a five-year
contract with Paramount (1925-30) and a new name.
In 1926 she became one of the WAMPAS Baby Stars, which further enhanced her popularity. During the next few years she played ornamental leads and second leads as adolescent heroines, co-eds and ingénues. Many of those early silent features no longer exist today (Paris at Midnight (1926), among others), though surviving reels of some, like The Air Mail (1925),can still be accessed at the Library of Congress. Mary effortlessly made the transition from silents to talkies, co-starring with Gary Cooperas a feisty schoolmarm on the frontier in The Virginian (1929).One of her biggest hits was as Gwen Cavendish in the urbane comedy The Royal Family of Broadway (1930), withIna Claireand Fredric March.A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent thatEthel Barrymore even threatened to sue Paramount. Mary acted three times opposite W.C. Fields,first as his daughter in Running Wild (1927),later reprising her role for The Man on the Flying Trapeze (1934) (the third was Two Flaming Youths (1927), another lost film).
Signing up for another four-year contract, Mary was one of the all-star cast in the musical Paramount on Parade (1930) and then was given another good part in the first talkie version of The Front Page (1931).However, she was dropped from her contract (alongside her more illustrious colleaguesFay Wrayand Jean Arthur) when Paramount began to forsake innocence and charm in favor of glamour and sophistication. From 1932 Mary freelanced and also performed occasionally in vaudeville at the Palace Theater. Arguably her last good picture was the romantic comedyHard to Handle (1933),with James Cagneyas a grifter (hilariously promoting grapefruit diets, spoofing his infamous scene with Mae Clarkein The Public Enemy (1931)). In 1936 Mary went to England, where she co-starred opposite Cary Grantin The Amazing Quest of Ernest Bliss (1936). She then made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboilerI Escaped from the Gestapo (1943).
Mary's motion picture career faded after 1937 and she turned towards the stage. In 1940 she went on tour with "Three after Three", alongsideSimone Simonand Mitzi Greenand later entertained American troops in the South Pacific as part of the USO. In the 1950's, she enjoyed a brief resurgence on television as the mother of a "Gidget" -type teen in the syndicated sitcom Meet Corliss Archer (1954). After the death of her second husband, the film editor George Tomasini,Mary spent her retirement fulfilling a lifelong passion for portrait painting.
In 1926 she became one of the WAMPAS Baby Stars, which further enhanced her popularity. During the next few years she played ornamental leads and second leads as adolescent heroines, co-eds and ingénues. Many of those early silent features no longer exist today (Paris at Midnight (1926), among others), though surviving reels of some, like The Air Mail (1925),can still be accessed at the Library of Congress. Mary effortlessly made the transition from silents to talkies, co-starring with Gary Cooperas a feisty schoolmarm on the frontier in The Virginian (1929).One of her biggest hits was as Gwen Cavendish in the urbane comedy The Royal Family of Broadway (1930), withIna Claireand Fredric March.A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent thatEthel Barrymore even threatened to sue Paramount. Mary acted three times opposite W.C. Fields,first as his daughter in Running Wild (1927),later reprising her role for The Man on the Flying Trapeze (1934) (the third was Two Flaming Youths (1927), another lost film).
Signing up for another four-year contract, Mary was one of the all-star cast in the musical Paramount on Parade (1930) and then was given another good part in the first talkie version of The Front Page (1931).However, she was dropped from her contract (alongside her more illustrious colleaguesFay Wrayand Jean Arthur) when Paramount began to forsake innocence and charm in favor of glamour and sophistication. From 1932 Mary freelanced and also performed occasionally in vaudeville at the Palace Theater. Arguably her last good picture was the romantic comedyHard to Handle (1933),with James Cagneyas a grifter (hilariously promoting grapefruit diets, spoofing his infamous scene with Mae Clarkein The Public Enemy (1931)). In 1936 Mary went to England, where she co-starred opposite Cary Grantin The Amazing Quest of Ernest Bliss (1936). She then made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboilerI Escaped from the Gestapo (1943).
Mary's motion picture career faded after 1937 and she turned towards the stage. In 1940 she went on tour with "Three after Three", alongsideSimone Simonand Mitzi Greenand later entertained American troops in the South Pacific as part of the USO. In the 1950's, she enjoyed a brief resurgence on television as the mother of a "Gidget" -type teen in the syndicated sitcom Meet Corliss Archer (1954). After the death of her second husband, the film editor George Tomasini,Mary spent her retirement fulfilling a lifelong passion for portrait painting.
