In an industrial area, unstable Giuliana attempts to cope with life by starting an affair with a co-worker at the plant her husband manages.In an industrial area, unstable Giuliana attempts to cope with life by starting an affair with a co-worker at the plant her husband manages.In an industrial area, unstable Giuliana attempts to cope with life by starting an affair with a co-worker at the plant her husband manages.
- Awards
- 7 wins & 4 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDavid Hemmingsclaims in his autobiography thatRichard Harriswas kicked off the film after he punched Antonioni, and that the scenes that were still to be completed were done with another actor who was photographed from behind. Hemmings was apparently told this when Harris warned him about Antonioni when Hemmings was working onBlow-Up (1966).
- Alternate versionsA restored version has been released in 1999, edited byVincenzo Verzini.
- ConnectionsEdited intoHistoire(s) du cinéma: Fatale beauté(1994)
Featured review
I first saw this remarkable movie when I was about eighteen/nineteen, when it first showed in London. At the time I was blown away and must have bored people at parties for ages telling them it was the greatest film ever made and that they should all see it. As now I was less able to give a particularly coherent reason why they would enjoy it but could only pass on my enthusiasm. Watching it again today, it is not only amazing how much I remembered (not at all common for me) or that I still found it captivating and all involving but something else. Many have spoken of the use of colour and sound and referred to the polluting factories and the grey wasteland but what struck me was that the profound and lasting affect it had clearly had upon me. As I watched the film unfold with the juxtaposition of trees, wasteland and alienated characters, I saw before me the template for the way I still tend to view life and most certainly take photographs. For what it is worth then, this film appears to have been the very basis for the way I see the world. An astonishing claim and it has made me wonder at the power of cinema itself. Does everybody have a film that is their template for how they view 'reality'?
- christopher-underwood
- Feb 1, 2007
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Details
Box office
- Gross worldwide
- $18,643
- Runtime1hour57minutes
- Aspect ratio
- 1.85: 1
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