During a road trip, two UCLA coeds end up in a Southern prison farm on trumped-up charges brought on by a small town sex-crazed corrupt sheriff.During a road trip, two UCLA coeds end up in a Southern prison farm on trumped-up charges brought on by a small town sex-crazed corrupt sheriff.During a road trip, two UCLA coeds end up in a Southern prison farm on trumped-up charges brought on by a small town sex-crazed corrupt sheriff.
- Dulcie
- (as Fionnuala Flanagan)
- The Mayor
- (as Hal Thomas Phillips)
- Alma
- (as Tommie Stewart)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film premiered in the US first on TV in a cut version, but had a theatrical release overseas uncut, proving to be an especially huge hit in China. The film's success in China was so substantial that starDeborah Raffinbecame the unofficial ambassador from Hollywood to China; she arranged meetings between Hollywood luminaries and Chinese leaders and filmmakers to get Chinese films distributed in America and American films released in China. Moreover, Raffin was nominated for an Emmy for her performance in the picture.
- Quotes
Alice, a prison guard:[strips Denise Dillaway topless, fondles her breasts, rips off her panies, Denise is now fully naked, Alice then orders a couple of inmates to hold Denise's arms]Turn her around, ass-out.
[after giving Denise a bareback whipping]
Alice, a prison guard:What do you say now, girl?
Inmate:[crying]Thank you, ma'am.
[Alice leaves. One of the inmates who held Denise's arm comforts her]
- Alternate versionsThough this film was originally produced for American broadcast television, the filmmakers also shot additional scenes containing nudity for the European theatrical-release version. The "European" cut is available on video in the US.
- ConnectionsReferenced inCircus of the Stars #2(1977)
This film will no doubt get plaudits for the acting, and it's certainly above average considering the type of film. Deborah Raffin and Lynne Moody give good turns in the lead roles, and really do manage to draw you into their characters. Lynne Moody is the standout for me for giving the more realistic performance; Deborah Raffin overacts to quite a large and noticeable extent on several occasions. The film draws in themes of the racial divide as the prison at the centre of the film separates the blacks from the whites. This is probably the most shocking element considering the lack of sleaze. The prison itself doesn't seem as imposing as some of the prisons shown in other films, and it actually never seemed all that difficult to escape from. However, John Llewellyn Moxey creates a great atmosphere of hopelessness that stems from the inmates and surrounds the central location, which ensures the film has the right feel to it. It all boils down to a well worked and memorable ending and while this film may not be one of the best in its field; it's very good and well worth seeing!
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