12-year-old Mathilda is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin... Read all12-year-old Mathilda is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.12-year-old Mathilda is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
- Awards
- 5 wins & 16 nominations
Willi One Blood
- 1st Stansfield Man
- (as Willie One Blood)
Lucius Wyatt Cherokee
- Tonto
- (as Lucius Wyatt 'Cherokee')
Maïwenn
- Blond Babe
- (as Ouin-Ouin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Jean Reno, he decided to play Léon as if he were "a little mentally slow" and emotionally repressed. He felt that this would make audiences relax and realize that he wasn't someone who would take advantage of a vulnerable young girl. Reno claims that for Léon, the possibility of a physical relationship with Mathilda is not even conceivable, and as such, during the scenes when such a relationship is discussed, Reno very much allowed Portman to be emotionally in control of the scenes.
- GoofsMany viewers believe that Stansfield never saw Leon, and therefore could not recognize him at the end, but may not remember that Stansfield visited Tony at the restaurant after Leon had killed part of Stansfield's crew. Thus, being intimidated and threatened by Stansfield, it could be assumed that Tony gave him a complete description of Leon, and possibly a photograph.
- Crazy creditsUnder the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts)
- Alternate versionsIn the original version there is a shot of Tony's place at night just before Stansfield and his men come in on the birthday party. This isn't in the 'Version integrale' (International Cut).
- SoundtracksShape Of My Heart
Written by Sting and Dominic Miller
Introduction by Dominic Miller
Performed by Sting
Courtesy of Magnetic Ltd. / A&M Records
by arrangement with PolyGram Special Projects
Featured review
Leon is one of the most emotionally intense movies ever made. French director Luc Besson uses everything: actors, music, camera angles, lighting to create an unique experience - "It's not realism, it's not naturalism - it's heightened reality" as Gary Oldman very well put it.
In "The making of The Professional" Besson says "If I imagine somebody in the street try to knock on my daughter, I kill the guy, in five seconds. I kill him, and I think "It's in me, I'm a beast!" On this part we can't forget that a part of us, the genetic things inside are much, much older than The Ten Commandments". He certainly uses visceral scenes to create very strong emotion in the movie - the blood running from Mathilda's nose or Stansfield's unforgettable "EVERYONE!" are just a couple of examples. The music and the sound are excellent and are used in a masterly fashion - you can hear Fatman's heart beating desperately or a low claustrophobic sound when Stansfield turns to look at Mathilda's father.
However Leon does not work only on this primary level, it also has an intelligent story. It may seem to be almost a fairy-tale, but don't be fooled - just like his character Besson is serious. This movie has a message: without love we are dead, even if we don't see it. Only true love give meaning to our lives: "everything else reminds me a big yogurt: warm and rancid" as Mathilda says in the original script, which is available on the net under the name Leon Version 1. Is this true in "real life"? I don't know but this movie can make you wonder.
Then of course there's the sensuality. It's hypocritical to deny it, the camera interacts with Mathilda in a mesmerising fashion. It's not sick and it's not degrading: it's art, subtle and beautiful.
Leon is not perfect but it has so many great moments that all its flaws can be forgiven. It's a movie that really should not be missed, unless you are concerned with its amorality. And don't be - Leon is less violent than many action movies and the unusual relationship between the main characters is handled mostly with genuine feeling and tact.
In "The making of The Professional" Besson says "If I imagine somebody in the street try to knock on my daughter, I kill the guy, in five seconds. I kill him, and I think "It's in me, I'm a beast!" On this part we can't forget that a part of us, the genetic things inside are much, much older than The Ten Commandments". He certainly uses visceral scenes to create very strong emotion in the movie - the blood running from Mathilda's nose or Stansfield's unforgettable "EVERYONE!" are just a couple of examples. The music and the sound are excellent and are used in a masterly fashion - you can hear Fatman's heart beating desperately or a low claustrophobic sound when Stansfield turns to look at Mathilda's father.
However Leon does not work only on this primary level, it also has an intelligent story. It may seem to be almost a fairy-tale, but don't be fooled - just like his character Besson is serious. This movie has a message: without love we are dead, even if we don't see it. Only true love give meaning to our lives: "everything else reminds me a big yogurt: warm and rancid" as Mathilda says in the original script, which is available on the net under the name Leon Version 1. Is this true in "real life"? I don't know but this movie can make you wonder.
Then of course there's the sensuality. It's hypocritical to deny it, the camera interacts with Mathilda in a mesmerising fashion. It's not sick and it's not degrading: it's art, subtle and beautiful.
Leon is not perfect but it has so many great moments that all its flaws can be forgiven. It's a movie that really should not be missed, unless you are concerned with its amorality. And don't be - Leon is less violent than many action movies and the unusual relationship between the main characters is handled mostly with genuine feeling and tact.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- El perfecto asesino
- Filming locations
- Paris, France(Leon's apartment interiors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $19,501,238
- Opening weekend US & Canada
- $5,306,558
- Nov 20, 1994
- Gross worldwide
- $20,278,356
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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