- [on Oscar Hammerstein II] [Jerome] Kern would play pieces for me and I'd say, 'Is that the verse or the chorus?' And Jerry used to die because I couldn't tell which was which. One day he showed me this thing, and I put out a piano part to it. This one didn't fall into the same category - that kind of piece Kern wrote that confused me - but it was a meandering sort of thing. It didn't go much of anywhere, when you just took the tune by itself. But the minute you got Oscar's words to it - 'Tote dat barge, lift dat bale, git a little drunk an' you land in jail' - you had a real poet.
- [on Irving Berlin] Irving couldn't play a scale, an arpeggio - nothing. He had no piano technique at all. But inside, he hears it. I remember in particular, when we were together and he was doing a song for Fred Astaire and Ginger Rogers in the picture 'Carefree'. It's called 'Change Partners'. He came to a spot in this, where he played a plain diminished chord, and he turned to me helplessly and said, 'Is that the right chord?' 'Well' I said, 'I don't think it's the chord you hear, somehow or other'. He said, 'No, that's not it. You play me a chord there'. I played him one. He said, 'No, that's not it'. I played another. 'That's it!' he said. He couldn't put his fingers on it, but he knew which one it should be. Fantastic.
Contribute to this page
Suggest an edit or add missing content