74
Metascore
15 reviews · Provided byMetacritic
- 90The New York TimesBosley CrowtherThe New York TimesBosley CrowtherA full-bodied Oklahoma! has been brought forth in this film to match in vitality, eloquence and melody any musical this reviewer has ever seen.
- 88Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonThis 1955 Todd-AO blockbuster, made from the landmark American stage musical, faithfully preserves the play's robust spirit and extroverted charm, while resetting it among vast golden and green outdoor vistas. [15 Nov 2005, p.C3]
- 83The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayBoth State Fair and Oklahoma! exemplify the composers' re-imagining of the musical form, which relied on more subtle vocal techniques, and songs that were catchy without always being hooky. The movies also catch the pair's unique version of nostalgia, which salutes provincial values while suggesting that they may not be enough to satisfy.
- 80Village VoiceVillage VoiceThe songs, the somewhat corny Western dialogue, the zest, and especially the integrated dance patterns of Agnes DeMille are all a delight. [02 Jan 1957, p.6]
- Watch it for the songs. A paean to Oklahoma's "Sooner" pioneers, it's a watchable, if hardly terrific, rendering of an innovative Broadway landmark.
- 70Time OutTime OutIt’s undoubtedly the consistency of the excellent musical numbers – from the opening ‘Oh, What a Beautiful Morning’ to the stirring ‘Oklahoma’ finale – that sustains the interest as two trios of lovers bicker and dally over their consummation.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawVery few films or plays can survive the stigma of having an exclamation mark after the title, but Fred Zinnemann's bigscreen version of the Rodgers and Hammerstein musical, originally released in 1955, still has some breezy charm and robust American music, under those vast cloud-dappled skies in Cinemascope.